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| wynton marsalis autumn leaves analysis: Stan Getz - Omnibook Stan Getz, 2019-02-01 (Jazz Transcriptions). 54 Getz songs transcribed for all Eb instruments exactly from his recorded solos. Includes: All the Things You Are * Autumn Leaves * Billie's Bounce (Bill's Bounce) * Blue Skies * Come Rain or Come Shine * Con Alma * Desafinado * Funkallero * Garota De Ipanema * I Remember You * Night and Day * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Pennies from Heaven * Quiet Nights of Quiet Stars (Corcovado) * Stella by Starlight * The Way You Look Tonight * Where or When * Yardbird Suite * and more. Also includes a bio of Getz. |
| wynton marsalis autumn leaves analysis: Jazz Journal International , 1986 |
| wynton marsalis autumn leaves analysis: The Jazz Standards Ted Gioia, 2021-08-18 An updated new edition of Ted Gioia's acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page. Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive guide to some of the most important jazz compositions, telling the story of more than 250 key jazz songs and providing a listening guide to more than 2,000 recordings. The fan who wants to know more about a tune heard at the club or on the radio will find this book indispensable. Musicians who play these songs night after night will find it to be a handy guide, as it outlines the standards' history and significance and tells how they have been performed by different generations of jazz artists. Students learning about jazz standards will find it to be a go-to reference work for these cornerstones of the repertoire. This book is a unique resource, a browser's companion, and an invaluable introduction to the art form. |
| wynton marsalis autumn leaves analysis: The Birth of Bebop Scott Knowles DeVeaux, 1997 Scott DeVeaux takes a central chapter in the history of jazz - the birth of bebop - and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. |
| wynton marsalis autumn leaves analysis: Ray Barretto, Giant Force Robert Téllez, 2021-03-12 Written by a Colombian journalist, this book details the life and work of notable Nuyorican percussionist Ray Barretto, known internationally as Manos Duras. Robert Téllez recreates Barretto's musical trajectory, from his beginnings in jazz to his career in salsa, which earned him more than ten Grammy Award nominations. Excerpts from interviews with Barretto's widow and with musicians and singers who worked with him demonstrate the force of a giant who overcame adversity at various points in his career. |
| wynton marsalis autumn leaves analysis: New York and the International Sound of Latin Music, 1940-1990 Benjamin Lapidus, 2020-12-28 New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally. |
| wynton marsalis autumn leaves analysis: Miles and Me Quincy Troupe, 2000-03-08 Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography,Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist, influenced not only Quincy Troupe but whole generations. Troupe has written that Miles Davis was irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind and a son-of-a-bitch. The author's love and appreciation for Davis make him a keen, though not uncritical, observer. He captures and conveys the power of the musician's presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity. He also shows Davis's lighter side: cooking, prowling the streets of Manhattan, painting, riding his horse at his Malibu home. Troupe discusses Davis's musical output, situating his albums in the context of the times--both political and musical--out of which they emerged. Miles and Me is an unparalleled look at the act of creation and the forces behind it, at how the innovations of one person can inspire both those he knows and loves and the world at large. |
| wynton marsalis autumn leaves analysis: Portrait of Johnny Gene Lees, 2009-08-19 An intimate biography of the great songwriter, this is also a deeply affectionate memoir by one of Johnny Mercer’s best friends. “Moon River,” “Laura,” “Skylark,” ”That Old Black Magic,” “One for My Baby,” “Accentuate the Positive,” “Satin Doll,” “Days of Wine and Roses,” “Something’s Gotta Give”—the honor roll of Mercer’s songs is endless. Both Oscar Hammerstein II and Alan Jay Lerner called him the greatest lyricist in the English language, and he was perhaps the best-loved and certainly the best-known songwriter of his generation. But Mercer was also a complicated and private man. A scion of an important Savannah family that had lost its fortune, he became a successful Hollywood songwriter (his primary partners included Harold Arlen and Jerome Kern), a hit recording artist, and, as co-founder of Capitol Records, a successful businessman, but he remained forever nostalgic for his idealized childhood (with his “huckleberry friend”). A gentleman, a nasty drunk, funny, tender, melancholic, tormented—Mercer was a man immensely talented yet plagued by self-doubt, much admired and loved but never really understood. In music historian and songwriter Gene Lees, Mercer has his perfect biographer, who deals tactfully but directly with Mercer’s complicated relationships with his domineering mother; his tormenting wife, Ginger; and Judy Garland, who was the great love of his life. Lees’s highly personal examination of Mercer’s life is sensitive as only the work of a friend of many years could be to the conflicts in Mercer’s nature. And it is filled with insights into Mercer’s work that could come only from a fellow lyricist (whose own lyrics were much admired by Mercer). A poignant, candid, revelatory portrait of Johnny. |
| wynton marsalis autumn leaves analysis: Jazz Conception Jim Snidero, 1999 |
| wynton marsalis autumn leaves analysis: John Prine's John Prine Erin Osmon, 2021-11-18 He is known as the Mark Twain of American songwriting, a man who transformed the everyday happenings of regular people into plainly profound statements on war, industrialization, religion, and the human condition. Marking the 50th anniversary of the album's release, John Prine chronicles the legendary singer-songwriter's Middle American provenance, and his remarkable ascent from singing mailman to celebrated son of Chicago.“Illegal Smile,” “Hello in There,” “Sam Stone,” “Paradise,” “Your Flag Decal Won't Get You Into Heaven Anymore,” “Far from Me,” “Donald and Lydia,” and “Angel from Montgomery” are considered standards in the American Songbook, covered by legions of Prine's peers and admirers. Through original interviews, exhaustive research, and incisive commentary, author Erin Osmon paints an in-depth portrait of the people, places, and experiences that inspired Prine's landmark debut. After exploring his roots in rural Western Kentucky and suburban Maywood, Illinois, the book takes readers on an evocative journey through John Prine's Chicago. Its neighborhoods, characters, and clubs of the 1960s and 70s proved a formative and magical period in Prine's life, before he was a figurehead of the new Nashville scene. It's both a journalistic inquiry and a love letter: to Prine's self-titled debut and the Midwestern city that made him. |
| wynton marsalis autumn leaves analysis: Bebop Thomas Owens, 1996-05-23 When bebop was new, writes Thomas Owens, many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music. For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians. In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands. In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!' In this marvelous account, Owens comes right to the present day, with accounts of new musicians ranging from the Marsalis brothers to lesser-known masters like pianist Michel Petrucciani. Bebop is a jazz-lover's dream--a serious yet highly personal look at America's most distinctive music. |
| wynton marsalis autumn leaves analysis: Make It New Bill Beuttler, 2019-10-01 As jazz enters its second century it is reasserting itself as dynamic and relevant. Boston Globe jazz writer and Emerson College professor Bill Beuttler reveals new ways in which jazz is engaging with society through the vivid biographies and music of Jason Moran, Vijay Iyer, Rudresh Mahanthappa, The Bad Plus, Miguel Zenón, Anat Cohen, Robert Glasper, and Esperanza Spalding. These musicians are freely incorporating other genres of music into jazz—from classical (both western and Indian) to popular (hip-hop, R&B, rock, bluegrass, klezmer, Brazilian choro)—and other art forms as well (literature, film, photography, and other visual arts). This new generation of jazz is increasingly more international and is becoming more open to women as instrumentalists and bandleaders. Contemporary jazz is reasserting itself as a force for social change, prompted by developments such as the Black Lives Matter, #MeToo movements, and the election of Donald Trump. |
| wynton marsalis autumn leaves analysis: The Jazz Harmony Book David Berkman, 2013 This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material. |
| wynton marsalis autumn leaves analysis: Music was not Enough Bob Wilber, 1987-12-01 |
| wynton marsalis autumn leaves analysis: Jazz Styles Mark C. Gridley, 1997 |
| wynton marsalis autumn leaves analysis: First 50 Jazz Standards You Should Play on Piano Hal Leonard Publishing Corporation, 2017-02-01 (Easy Piano Songbook). Do you feel you've learned enough piano skills to take on some jazz tunes? This book is designed to let beginners dive into jazz standards with success. The arrangements, although easy, are full enough to make you sound great. Lyrics are also included. This collection features 50 of the best jazz standards ever, including: All the Things You Are * Autumn in New York * Body and Soul * Don't Get Around Much Anymore * Fly Me to the Moon (In Other Words) * Georgia on My Mind * The Girl from Ipanema (Garota De Ipanema) * It Could Happen to You * Misty * My Funny Valentine * Night and Day * Satin Doll * Speak Low * Summertime * The Way You Look Tonight * When I Fall in Love * You Stepped Out of a Dream * and more. |
| wynton marsalis autumn leaves analysis: The Miles Davis Real Book Miles Davis, 2018-12-01 (Fake Book). Miles Davis gave the jazz world innumerable musical innovations and his supporting musicians provided a virtual who's who of the modern jazz era. This updated Real Book featuring Miles' music contains highly accurate, easy-to-read, musician-friendly lead sheets for 70 of his most famous original compositions: All Blues * Bitches Brew * Blue in Green * Boplicity (Be Bop Lives) * Budo * Eighty One * Flamenco Sketches * Four * Freddie Freeloader * Half Nelson * Miles * Milestones * Nardis * The Serpent's Tooth * Seven Steps to Heaven * Sippin' at Bells * So What * Solar * Somethin' Else * The Theme * Tune Up * Vierd Blues * What It Is * and dozens more top tunes. Essential for every jazz fan! Looking for a particular song? Check out the Real Book Songfinder here. |
| wynton marsalis autumn leaves analysis: Rhapsody in blue; piano solo George Gershwin, 1927 |
| wynton marsalis autumn leaves analysis: Coltrane Ben Ratliff, 2008-10-28 John Coltrane left an indelible mark on the world, but what was the essence of his achievement that makes him so prized forty years after his death? What were the factors that helped Coltrane become who he was? And what would a John Coltrane look like now--or are we looking for the wrong signs? In this deftly written, riveting study, New York Times jazz critic Ben Ratliff answers these questions and examines the life of Coltrane, the acclaimed band leader and deeply spiritual man who changed the face of jazz music. Ratliff places jazz among other art forms and within the turbulence of American social history, and he places Coltrane not just among jazz musicians but among the greatest American artists. |
| wynton marsalis autumn leaves analysis: Joe Pass Joe Pass, 1995-09 Two Joe Pass videos, Jazz Lines and An Evening with Joe Pass packaged together in an attractive slipcover. |
| wynton marsalis autumn leaves analysis: The Art of Accompanying Algernon H. Lindo, 1916 |
| wynton marsalis autumn leaves analysis: Jazz-funk Guitar John Scofield, 1992 |
| wynton marsalis autumn leaves analysis: Gateways to Understanding Music Timothy Rice, Dave Wilson, 2019-01-21 Gateways to Understanding Music explores music in all the categories that constitute contemporary musical experience: European classical music, popular music, jazz, and world music. Covering the oldest forms of human music making to the newest, the chronological narrative considers music from a global rather than a Eurocentric perspective. Each of sixty modular gateways covers a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. Based on their listening experience, students are asked to consider how the piece came to be composed or performed, how the piece or performance responded to the social and cultural issues at the time and place of its creation, and what that music means today. Students learn to listen to, explain, understand, and ultimately value all the music they may encounter in their world. FEATURES Global scope—Presents all music as worthy of study, including classical, world, popular, and jazz. Historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Modular framework—60 gateways in 14 chapters allow flexibility to organize chronologically or by the seven recurring themes: aesthetics, emotion, social life, links to culture, politics, economics, and technology. Listening-guided learning—Leads to understanding the emotion, meaning, significance, and history of music. Introduction of musical concepts—Defined as needed and compiled into a Glossary for reference. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. In addition to streamed audio examples, the companion website hosts essential instructors’ resources. |
| wynton marsalis autumn leaves analysis: Vince Guaraldi at the Piano, 2d ed. Derrick Bang, 2024-05-15 Although Vince Guaraldi's playful jazz piano themes for the early Peanuts animated television specials are well known, the composer himself remains largely unheralded. More than merely the Peanuts guy, Guaraldi cut his jazz teeth as a member of combos fronted by Cal Tjader and Woody Herman, and garnered Top 40 fame with his Grammy Award-winning hit Cast Your Fate to the Wind. This career study, extensively updated, gives Guaraldi long-overdue recognition, chronicling his years as a sideman; his attraction to the emerging bossa nova sound of the late 1950s; his collaboration with Brazilian guitarist Bola Sete; his development of the Grace Cathedral Jazz Mass; his selection as the fellow to put the jazz swing in Charlie Brown's step; and his emergence as a respected veteran in the declining Northern California jazz club scene of the 1970s. Ironically, his place in the jazz universe has grown exponentially since this book's initial 2012 publication, and this second edition acknowledges such honors and features a wealth of new material. |
| wynton marsalis autumn leaves analysis: Classical Music Michael Beckerman, Paul Boghossian, 2021-03-30 This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical music’s defining traditions, challenges and contemporary scope. Innovative in structure and approach, the volume comprises two parts. The first provides detailed analyses of issues central to classical music in the present day, including diversity, governance, the identity and perception of classical music, and the challenges facing the achievement of financial stability in non-profit arts organizations. The second part offers case studies, from Miami to Seoul, of the innovative ways in which some arts organizations have responded to the challenges analyzed in the first part. Introductory material, as well as several of the essays, provide some preliminary thoughts about the impact of the crisis year 2020 on the world of classical music. Classical Music: Contemporary Perspectives and Challenges will be a valuable and engaging resource for all readers interested in the development of the arts and classical music, especially academics, arts administrators and organizers, and classical music practitioners and audiences. |
| wynton marsalis autumn leaves analysis: Class Matters Charles Umney, 2018 How class is structured in the call centres, office blocks and fast-food chains of modern Britain. |
| wynton marsalis autumn leaves analysis: American Ghost Hannah Nordhaus, 2016-03-08 “A haunting story about the long reach of the past.”—Maureen Corrigan, NPR’S Fresh Air “In this intriguing book, [Nordhaus] shares her journey to discover who her immigrant ancestor really was—and what strange alchemy made the idea of her linger long after she was gone.” —People La Posada—“place of rest”—was once a grand Santa Fe mansion. It belonged to Abraham and Julia Staab, who emigrated from Germany in the mid-nineteenth century. After they died, the house became a hotel. And in the 1970s, the hotel acquired a resident ghost—a sad, dark-eyed woman in a long gown. Strange things began to happen there: vases moved, glasses flew, blankets were ripped from beds. Julia Staab died in 1896—but her ghost, they say, lives on. In American Ghost, Julia’s great-great-granddaughter, Hannah Nordhaus, traces her ancestor’s transfiguration from nineteenth-century Jewish bride to modern phantom. Family diaries, photographs, and newspaper clippings take her on a riveting journey through three hundred years of German history and the American immigrant experience. With the help of historians, genealogists, family members, and ghost hunters, she weaves a masterful, moving story of fin-de-siècle Europe and pioneer life, villains and visionaries, medicine and spiritualism, imagination and truth, exploring how lives become legends, and what those legends tell us about who we are. |
| wynton marsalis autumn leaves analysis: The Music Division Library of Congress, 1972 |
| wynton marsalis autumn leaves analysis: Effortless Mastery Kenny Werner, 1996 Playing music should be as simple and natural as drawing a breath, yet most musicians are hindered by self-consciousness, apprehension, self-doubt, and stress. Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kenny's remarkable work deals directly with these hindrances, and presents ways to let our natural creative powers flow freely with minimal stress and effort. Includes inspiring recordings of meditations designed to initiate positive thought. This book has become a favorite of many musicians who credit it with changing their lives! Many are so impressed that they buy copies for their musician friends as gifts. Easy, effortless reading paperback. Effortless Mastery is a book that the world really needs. It was not written by a philosopher or an academic. Kenny Werner, is one of my favorite pianists I've ever had the pleasure of working with, and in my opinion one of the best pianists living on the planet. Kenny teaches that 'The joy of practicing is concentration. The joy of playing is liberation.' Effortless Mastery teaches the seeker how to achieve both at the highest levels. It also shows how to practice effectively, promoting real growth and how to play and perform free from fear and self-judgment. I highly recommend this book. ---Quincy Jones |
| wynton marsalis autumn leaves analysis: The Blue Note Label Michael Cuscuna, Michel Ruppli, 2001-03-30 Provides a complete discography of all recordings made or issued on the Blue Note label from 1939 through 1999. |
| wynton marsalis autumn leaves analysis: Triadic Chromatic Approach George Garzone, 2020-04-04 This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions.For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines. |
| wynton marsalis autumn leaves analysis: The Musician's Lifeline Dave Black, Peter Erskine, 2019-08 The Musician's Lifeline by Peter Erskine and Dave Black represents the combined opinions of the authors and their knowledge gained through their lives in music. In addition, it includes advice from 150 of the best musicians---such as Gordon Goodwin, Nathan East, Janis Siegel, Christian McBride, Mary Chapin Carpenter, Gary Burton, Kenny Werner, Steve Smith, and so many more---who responded to seven simple questions about topics like sight-reading, travel, warm-ups, networking, preparing for auditions, and general wisdom. The answers will surprise, inform, and confirm what you already know or completely contradict what you've been taught by others. This is a book you can read straight through in one sitting or jump around in . . . and always return to time and again. |
| wynton marsalis autumn leaves analysis: The Jazz Discography Tom Lord, 1992 |
| wynton marsalis autumn leaves analysis: A World of Rhythmic Possibilities , 2016-04-01 |
| wynton marsalis autumn leaves analysis: Autumn Leaves Barney Kessel, 2014 |
| wynton marsalis autumn leaves analysis: Autumn leaves , 1874 |
| wynton marsalis autumn leaves analysis: Autumn Leaves Artie Shaw, 2013 |
| wynton marsalis autumn leaves analysis: Autumn Leaves Joseph Kosma, 1947 |
| wynton marsalis autumn leaves analysis: Autumn leaves, acrostics from the poets. [With] Answers to the series Autumn leaves, 1882 |
| wynton marsalis autumn leaves analysis: Autumn Leaves: Acrostics from the Poets. Answers to the Series: with Three "key" Acrostics Worked Out as Specimens AUTUMN LEAVES., 1882 |
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