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writer of anandamath: The Sorrows of Young Werther: A Heartfelt Exploration of Love and Despair Bankim Chandra Chatterjee, 2020-01-01 A classic romantic novel that marked the turn of the conventional romantic literature and proved to be a landmark for the Romantic Age of English literature. It was first published in the year 1774. 'The Sorrows of Young Werther' by Johann Wolfgang von Goethe narrates a sad and tragic, yet romantic story of young Wether, who fall in love with a married girl and eventually, kills himself to prevent any complications in her marriage. |
writer of anandamath: Anandamath Baṅkimacandra Caṭṭopādhyāẏa, 1998 |
writer of anandamath: Anandamath (Dawn Over India) Bankim Chattopadhyay, 2018 Anandamath is a Bengali fiction, written by Bankim Chandra Chattopadhyay and published in 1882. Set in the background of the Sannyasi Rebellion in the late 18th century, it is considered one of the most important novels in the history of Bengali and Indian literature.Its importance is heightened by the fact that it became synonymous with the struggle for Indian independence from the British Empire. The novel was banned by the British. The ban was lifted later by the Government of India after independence. The national song of India, Vande Mataram, was first published in this novel. |
writer of anandamath: Rajmohan's Wife and Sultana's Dream Bankim Chandra Chatterjee, Rokeya Sakhawa Hossain, 2021-04-21 Rajmohan’s Wife and Sultana’s Dream (1864/1908) features the debut novel of Indian writer Bankim Chandra Chatterjee and a story by Bengali writer, feminist, and educator Rokeya Sakhawat Hossain. Rajmohan’s Wife, Chattopadhyay’s only work in English, launched his career as a leading Bengali intellectual and political figure. Written in English, Sultana’s Dream originated as a way of passing time for its young author while her husband was away on work. Initially published in The Indian Ladies Magazine, Sultana’s Dream helped establish Rokeya’s reputation as a leading figure in Bengali arts and culture. Rajmohan’s Wife is the story of Matangini, a beautiful woman married to a violent, jealous man. Unable to marry the man she loves—who happens to be her own sister’s husband—she settles for the villainous Rajmohan, an abusive man who rules his middle-class Bengali household with an iron fist. With the help of her friend Kanak, Matangini does her best to avoid her husband’s wrath, illuminating the importance of solidarity among women faced with oppression. Vindictive and cruel, Rajmohan secretly enacts a plan to rob Madhav, his brother-in-law, in order to obtain and invalidate a will. Sultana’s Dream is set in Ladyland is a feminist utopia ruled by women, a perfect civilization with no need for men, who remain secluded and without power. Free to develop their own society, women have invented flying cars, perfected farming to the point where no one must work, and harnessed the energy of the sun. With men under control, there is no longer fear, crime, or violence. Ultimately, Ladyland is a world made to mirror our own, a satirical exploration of the absolute power wielded by men over women, and a political critique of Bengali society at large. Sultana’s Dream is more than a science fiction story; it is an act of resistance made by a woman who would shape the lives of her people through advocacy, education, and activism for generations to come. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee and Rokeya Sakhawat Hossain’s Rajmohan’s Wife and Sultana’s Dream is a classic of Bengali literature and utopian science fiction reimagined for modern readers. |
writer of anandamath: Nationalism Rabindranath Tagore, 2015-06-15 Rabindranath Tagore (1861-1941) was the first Asian to win a Nobel Prize. Nationalism is based on lectures delivered by him during the First World War. While the nations of Europe were doing battle, Tagore urged his audiences in Japan and the United States to eschew political aggressiveness and cultural arrogance. His mission, one might say, was to synthesize East and West, tradition and modernity. The lectures were not always well received at the time, but were chillingly prophetic. As Ramachandra Guha shows in his brilliant and erudite Introduction, it was by reading and speaking to Tagore that those founders of modern India, Gandhi and Nehru, developed a theory of nationalism that was inclusive rather than exclusive. Tagore's Nationalism should be mandatory reading in today's climate of xenophobia, sectarianism, violence and intolerance. |
writer of anandamath: Realism and Reality Meenakshi Mukherjee, 1994 Extract from review: '...Mukherjee's book is valuable as an original, insightful commentary upon the Indian regional novel. Further, it suggests a methodology for examining the means by which other derivative literatures within the colonized world reconciled the demands of western realism with the representation of indigenous realities.' Modern Fiction Studies |
writer of anandamath: En-Gendering India Sangeeta Ray, 2000-06-20 En-Gendering India offers an innovative interpretation of the role that gender played in defining the Indian state during both the colonial and postcolonial eras. Focusing on both British and Indian literary texts—primarily novels—produced between 1857 and 1947, Sangeeta Ray examines representations of native Indian women and shows how these representations were deployed to advance notions of Indian self-rule as well as to defend British imperialism. Through her readings of works by writers including Bankimchandra Chatterjee, Rabindranath Tagore, Harriet Martineau, Flora Annie Steel, Anita Desai, and Bapsi Sidhaa, Ray demonstrates that Indian women were presented as upper class and Hindu, an idealization that paradoxically served the needs of both colonial and nationalist discourses. The Indian nation’s goal of self-rule was expected to enable women’s full participation in private and public life. On the other hand, British colonial officials rendered themselves the protectors of passive Indian women against their “savage” male countrymen. Ray shows how the native woman thus became a symbol for both an incipient Indian nation and a fading British Empire. In addition, she reveals how the figure of the upper-class Hindu woman created divisions with the nationalist movement itself by underscoring caste, communal, and religious differences within the newly emerging state. As such, Ray’s study has important implications for discussions about nationalism, particularly those that address the concepts of identity and nationalism. Building on recent scholarship in feminism and postcolonial studies, En-Gendering India will be of interest to scholars in those fields as well as to specialists in nationalism and nation-building and in Victorian, colonial, and postcolonial literature and culture. |
writer of anandamath: Land of Five Rivers Khushwant Singh, 2006 Noted Indian writer and translator Khuswant Singh s tribute to 18 major Punjabi writers whose stories he has translated in this collection of short fiction. The writers included here are familiar names in India writers such as Amrita Pritam, Saadat Hasan Manto, Khwaja Ahmed Abbas, and also two new women writers, Ajeet Caur and Usha Mahajan among others. |
writer of anandamath: Krishna-charitra Baṅkimacandra Caṭṭopādhyāẏa, 1991 On Krishna (Hindu deity). |
writer of anandamath: Autobiography of an Unknown Indian Nirad C. Chaudhuri, 2023-04-28 The Autobiography of an Unknown Indian by Nirad C. Chaudhuri is a profound and introspective account of a man's journey through early 20th-century India. The narrative weaves the personal with the historical, using the author’s life as a lens to explore the broader struggles of Indian civilization confronting British imperialism and modernity. Chaudhuri’s intention is to present not merely a memoir but a historical testimony, highlighting the intersection of individual experience with societal evolution. His unique perspective, shaped by an exceptional and unconventional path, offers a vantage point akin to an aerial view—detached yet deeply connected to the land below. Written with unflinching honesty, the book delves into themes of identity, colonialism, and the trajectory of Indian society, emphasizing the tension between the dominant national currents and the often-overlooked exceptions that resist them. Addressing an English-speaking audience, Chaudhuri aims to provide insight into the forces that shaped India’s trajectory under British rule and beyond. While his experiences are atypical, he argues that their value lies in their ability to illuminate the broader environment through a distinct, independent lens. Chaudhuri candidly critiques both the dominant narratives of his time and the leaders who guide nations into either growth or decline. Through his reflections, he not only grapples with the complexities of India’s societal fabric but also examines the role of exceptional individuals who challenge or reinforce prevailing trends. This book stands as a bold declaration of faith in understanding history, culture, and personal identity amidst the relentless tide of change. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968. |
writer of anandamath: The Unhappy Consciousness Sudipta Kaviraj, 1995 This study argues that the Bengali novelist Bankimchandra Chattopadhyay produced some of the most searching critical reflections on modernity in colonial India. It rejects assumptions that Bankim was a conservative, claiming that his art must be seen in a different, historical context. |
writer of anandamath: The Chieftain’s Daughter Bankim Chandra Chattopadhyay, 2016-08-15 Inspired by the historical romances of Sir Walter Scott, Bankim Chandra’s first Bengali novel is a story of love set amidst the war between the Pathans and the Mughal emperor Akbar in the sixteenth century. Dashing young Jagat is sent by his father, Mughal general Mansingh, to quell the Pathan uprising in Bengal. There he falls in love with Tilottama, the alluring daughter of the chieftain Birendra Singh only to discover – too late – the bitter rivalry between their two families. Stirring and colourful, The Chieftain’s Daughter created a sensation among Bengali readers with its vigorous storytelling and its bold portrayal of romantic love. |
writer of anandamath: The Poison Tree Bankim Chandra Chatterjee, 2021-06-08 The Poison Tree (1873) is a novel by Bankim Chandra Chatterjee. Originally serialized in Bangadarshan, a popular literary magazine founded by Chatterjee in 1872 and later edited by Rabindranath Tagore, The Poison Tree is a story that engages with the subject of widow remarriage. “The river flowed smoothly on—leaped, danced, cried out, restless, unending, playful. On shore, herdsmen were grazing their oxen—one sitting under a tree singing, another smoking, some fighting, others eating. Inland, husbandmen were driving the plough, beating the oxen, lavishing abuse upon them, in which the owner shared.” With his wife’s blessing, Nagendra sets out on a journey by boat down the river. When a sudden storm forces him to leave his boat for safety, he comes across the ruined home of Kundanandini, a young widow caring for her father in his final days. When the old man dies, Kundanandini begs him to take her to Calcutta. As he begins to fall for the beautiful woman, he struggles with the demands of family, religion, and tradition, knowing that love wields power over them all. Tragic and timeless, The Poison Tree is a brilliant romance from a legendary figure in Bengali literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee’s The Poison Tree is a classic of Bengali literature and utopian science fiction reimagined for modern readers. |
writer of anandamath: The Great Indian Novel Shashi Tharoor, 2011-09-01 In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence. |
writer of anandamath: Modern South Asia Sugata Bose, Ayesha Jalal, 2004 A wide-ranging survey of the Indian sub-continent, Modern South Asia gives an enthralling account of South Asian history. After sketching the pre-modern history of the subcontinent, the book concentrates on the last three centuries from c.1700 to the present. Jointly written by two leading Indian and Pakistani historians, Modern South Asia offers a rare depth of understanding of the social, economic and political realities of this region. This comprehensive study includes detailed discussions of: the structure and ideology of the British raj; the meaning of subaltern resistance; the refashioning of social relations along lines of caste class, community and gender; and the state and economy, society and politics of post-colonial South Asia The new edition includes a rewritten, accessible introduction and a chapter by chapter revision to take into account recent research. The second edition will also bring the book completely up to date with a chapter on the period from 1991 to 2002 and adiscussion of the last millennium in sub-continental history. |
writer of anandamath: Anandamath Bankim Chandra Chattopadhyay, 2022-07-21 Anandamath is a Bengali fiction, written by Bankim Chandra Chattopadhyay and published in 1882. It is inspired by and set in the background of the Sannyasi Rebellion in the late 18th century and is considered one of the most important novels in the history of Bengali and Indian literature. The book is set in the years during the famine in Bengal in 1770 CE. It starts with by introducing the readers to a couple, Mahendra and Kalyani, who are stuck at their village Padachinha without food and water in the times of famine. They decide to leave their village and move to the next closest city where there is a better chance of survival. During the course of events, the couple gets separated and Kalyani has to run through the forest with her infant to avoid getting caught by robbers. After a long chase, she loses consciousness at the bank of a river. |
writer of anandamath: The Modern Monk Hindol Sengupta, 2016-12-16 He loved French cookbooks, invented a new way of making khichdi, was interested in the engineering behind ship-building and the technology that makes ammunition. More than 100 years after his death, do we really know or understand the bewildering, fascinating, complex man Swami Vivekananda was? Vivekananda is one of the most important figures in the modern imagination of India. He is also an utterly modern man, consistently challenging his own views, and embracing diverse, even conflicting arguments. It is his modernity that appeals to us today. He is unlike any monk we have known. He is confined neither by history nor by ritual, and is constantly questioning everything around him, including himself. It is in Vivekananda’s contradictions, his doubts, his fears and his failings that he recognise his profoundly compelling divinity—he teaches us that to try and understand God, first one must truly comprehend one’s own self. This book is an argument that it is not just because he is close to God but also because he is so tantalisingly immersed in being human that keeps us returning to Vivekananda and his immortal wisdom. |
writer of anandamath: The Foreigner Arun Joshi, 2021-07-01 The Foreigner is a story of a young man who is detached, almost alienated — a man who sees himself as a stranger wherever he lives or goes — in Kenya, where he is born, in England and USA where he is a student and in India where he finally settles down. His detachment transcends barriers of geography, nationality and culture. It propels him from one crisis to another, sucking in the wake several other people, including June, an attractive American with whom he has a short lived but passionate affair. The transitoriness associated with the word 'foreigner' permeates the novel and is handled with remarkable maturity reminding the reader of epoch-making The Outsider by Albert Camus. The protagonist's anguish at the meaninglessness of the human condition and the eventual release from the anxieties of life through karmayoga, the principle of action without attachment, add to the aesthetics of the work. |
writer of anandamath: Improve Your Memory Power (Gujarati) EDITORIAL BOARD, 2015-01-09 The book has been divided into 30 chapters which denote 30 days in which each chapter symbolises a day, and the author aims to improve and sharpen the memory of all its readers in just 30 days! Basically, each chapter contains all the necessary steps and methods, one must practise in one's daily life to increase and strengthen the faculties of one's brain. #v&spublishers |
writer of anandamath: Anandamath, or The Sacred Brotherhood Bankimcandra Chatterji, 2005-09-22 Winner of the A.K. Ramanujan Prize for Annotated Translation This is a translation of a historically important Bengali novel. Published in 1882, Chatterji's Anandamath helped create the atmosphere and the symbolism for the nationalist movement leading to Indian independence in 1947. It contains the famous hymn Vande Mataram (I revere the Mother), which has become India's official National Song. Set in Bengal at the time of the famine of 1770, the novel reflects tensions and oppositions within Indian culture between Hindus and Muslims, ruler and ruled, indigenous people and foreign overlords, jungle and town, Aryan and non-Aryan, celibacy and sexuality. It is both a political and a religious work. By recreating the past of Bengal, Chatterji hoped to create a new present that involved a new interpretation of the past. Julius Lipner not only provides the first complete and satisfactory English translation of this important work, but supplies an extensive Introduction contextualizing the novel and its cultural and political history. Also included are notes offering the Bengali or Sanskrit terms for certain words, as well as explanatory notes for the specialized lay reader or scholar. |
writer of anandamath: A Passage to India E. M. Forster, 2022-10-28 When Adela Quested and her elderly companion Mrs Moore arrive in the Indian town of Chandrapore, they quickly feel trapped by its insular and prejudiced 'Anglo-Indian' community. Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. But a mysterious incident occurs while they are exploring the Marabar caves with Aziz, and the well-respected doctor soon finds himself at the centre of a scandal that rouses violent passions among both the British and their Indian subjects. A masterful portrait of a society in the grip of imperialism, A Passage to India compellingly depicts the fate of individuals caught between the great political and cultural conflicts of the modern world. In his introduction, Pankaj Mishra outlines Forster's complex engagement with Indian society and culture. This edition reproduces the Abinger text and notes, and also includes four of Forster's essays on India, a chronology and further reading. |
writer of anandamath: Biographical Sketch Bankim Chandra Chattopadhyay, 2015-11-16 Rishi Bankim Chandra Chattopadhyay (26 June 1838 - 8 April 1894) was a Bengali writer, poet and journalist. He was the composer of India's national song Vande Mataram, originally a Bengali and Sanskrit stotra personifying India as a mother goddess and inspiring the activists during the Indian Independence Movement. Chattopadhyay wrote thirteen novels and several 'serious, serio-comic, satirical, scientific and critical treaties' in Bengali. His works were widely translated into other regional languages of India as well as in English. Born to an orthodox Brahmin family, Chattopadhyay was educated at Hooghly Mohsin College founded by Bengali philanthropist Muhammad Mohsin and Presidency College, Calcutta. He was one of the first graduates of the University of Calcutta. From 1858, until his retirement in 1891, he served as a deputy magistrate and deputy collector in the Government of British India. Chattopadhyay is widely regarded as a key figure in literary renaissance of Bengal as well as India. Some of his writings, including novels, essays and commentaries, were a breakaway from traditional verse-oriented Indian writings, and provided an inspiration for authors across India. When Bipin Chandra Pal decided to start a patriotic journal in August 1906, he named it Vande Mataram, after Chattopadhyay's song. Lala Lajpat Rai also published a journal of the same name. |
writer of anandamath: Hind Swaraj M. K. Gandhi, 2014-12-01 Mahatma Gandhi wrote Hind Swaraj or Indian Home Rule in his native language, Gujarati, while travelling from London to South Africa onboard SS Kildonan Castle between November 13 and November 22, 1909. In the book Mahatma Gandhi gives a diagnosis for the problems of humanity in modern times, the causes, and his remedy. The Gujarati edition was banned by the British on its publication in India. Gandhi then translated it into English. The English edition was not banned by the British, who rightly concluded that the book would have little impact on the English-speaking Indians' subservience to the British and British ideas. |
writer of anandamath: My Years With Apu Satyajit Ray, 2000-10-14 The absorbing story of how one of the greatest directors of our time began his film-making career. |
writer of anandamath: The Future Evolution of Man Aurobindo Ghose, 1974 |
writer of anandamath: The Last Labyrinth Arun Joshi, 2012 |
writer of anandamath: The Story of Hong Gildong Kyun Hŏ, 2016-03-15 The Story of Hong Gildong is arguably the single most important work of classic Korean fiction. Like its English counterpart, Robin Hood, it has been adapted into countless movies, television shows, novels and comics. Its memorable lines are known to virtually every Korean by heart. Until now, this incredible 19th century fable has been all but inaccessible to English readers. Hong Gildong, the brilliant but illegitimate son of a government minister, cannot advance in society due to his secondary status, so he leaves home to become the leader of a band of outlaws who rob the rich to give to the poor. On the way to building his own empire and gaining acceptance from his family, Hong Gildong vanquishes assassins, battles monsters, and conquers kingdoms. Minsoo Kang's expressive and animated new translation finally makes the original text of this classic available in English, re-introducing a noble and righteous outlaw and sharing a beloved hallmark of Korean culture. |
writer of anandamath: Devi Chaudhurani Baṅkimacandra Caṭṭopādhyāẏa, 1946 |
writer of anandamath: Bankim's Hinduism Bankim Chandra Chatterji, 2011 |
writer of anandamath: Yayati V S Khandekar, 2018-11-15 The story of Yayati is perhaps one of the most intriguing and fascinating episodes of Mahabharata. Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devayani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, 'My lust for pleasure is unsatisfied...' His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son's youth... Winner of the Jnanpith and Sahitya Akademi Awards. |
writer of anandamath: My India Jim Corbett, 2024-11-18 My India is Jim Corbett's love letter to the country he called home, a place that shaped his life and work as a hunter, naturalist, and conservationist. In this beautiful collection of essays, Corbett offers his personal reflections on the people, culture, history, and landscapes of India, weaving together anecdotes from his travels with observations on the country's varied terrain-from the lush jungles of Kumaon to the bustling streets of Delhi. Corbett's writing reflects his profound respect for India's wildlife and natural beauty, as well as its rich and diverse heritage. Throughout the book, he shares his experiences with the local people, from the villagers who called him to help deal with dangerous animals to the farmers who lived in harmony with the land. His writings are imbued with nostalgia for a disappearing way of life, one that balances human existence with the natural world in a way that is increasingly rare. My India is a celebration of a country that deeply influenced Corbett's work, and his heartfelt portrayal of India's spirit resonates with anyone who has ever fallen in love with the land, its people, and its culture. |
writer of anandamath: Rajmohan's Wife and Sultana's Dream Chandra Bankim Chatterjee, Rokeya Sakhawa Hossain, 2021-04-21 Rajmohan's Wife and Sultana's Dream (1864/1908) features the debut novel of Indian writer Bankim Chandra Chatterjee and a story by Bengali writer, feminist, and educator Rokeya Sakhawat Hossain. Rajmohan's Wife, Chattopadhyay's only work in English, launched his career as a leading Bengali intellectual and political figure. Written in English, Sultana's Dream originated as a way of passing time for its young author while her husband was away on work. Initially published in The Indian Ladies Magazine, Sultana's Dream helped establish Rokeya's reputation as a leading figure in Bengali arts and culture. Rajmohan's Wife is the story of Matangini, a beautiful woman married to a violent, jealous man. Unable to marry the man she loves--who happens to be her own sister's husband--she settles for the villainous Rajmohan, an abusive man who rules his middle-class Bengali household with an iron fist. With the help of her friend Kanak, Matangini does her best to avoid her husband's wrath, illuminating the importance of solidarity among women faced with oppression. Vindictive and cruel, Rajmohan secretly enacts a plan to rob Madhav, his brother-in-law, in order to obtain and invalidate a will. Sultana's Dream is set in Ladyland is a feminist utopia ruled by women, a perfect civilization with no need for men, who remain secluded and without power. Free to develop their own society, women have invented flying cars, perfected farming to the point where no one must work, and harnessed the energy of the sun. With men under control, there is no longer fear, crime, or violence. Ultimately, Ladyland is a world made to mirror our own, a satirical exploration of the absolute power wielded by men over women, and a political critique of Bengali society at large. Sultana's Dream is more than a science fiction story; it is an act of resistance made by a woman who would shape the lives of her people through advocacy, education, and activism for generations to come. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee and Rokeya Sakhawat Hossain's Rajmohan's Wife and Sultana's Dream is a classic of Bengali literature and utopian science fiction reimagined for modern readers. |
writer of anandamath: Ānandamaṭh, Or, The Sacred Brotherhood Bankim Chandra Chatterji, Baṅkimacandra Caṭṭopādhyāẏa, 2005 Winner of the A.K. Ramanujan Prize for Annotated Translation This is a translation of a historically important Bengali novel. Published in 1882, Chatterji's Anandamath helped create the atmosphere and the symbolism for the nationalist movement leading to Indian independence in 1947. It contains the famous hymn Vande Mataram (I revere the Mother), which has become India's official National Song. Set in Bengal at the time of the famine of 1770, the novel reflects tensions and oppositions within Indian culture between Hindus and Muslims, ruler and ruled, indigenous people and foreign overlords, jungle and town, Aryan and non-Aryan, celibacy and sexuality. It is both a political and a religious work. By recreating the past of Bengal, Chatterji hoped to create a new present that involved a new interpretation of the past. Julius Lipner not only provides the first complete and satisfactory English translation of this important work, but supplies an extensive Introduction contextualizing the novel and its cultural and political history. Also included are notes offering the Bengali or Sanskrit terms for certain words, as well as explanatory notes for the specialized lay reader or scholar. |
writer of anandamath: The Riddle of This World Sri Aurobindo, 1997 The writings of Sri Aurobindo collected in this book were originally composed in answer to questions raised by disciples and others interested in the integral Yoga. They touch on problems often raised in relation to spiritual truth and experiences, such as the reason for this creation's disharmony full of division and ego, the nature of doubt and faith, and the discernment of different planes and movements in the sadhana. |
writer of anandamath: Saheb Bibi Golam Bimal Mitra, 2004 |
writer of anandamath: Speaking of Films Satyajit Ray, 2005 Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details. |
writer of anandamath: Age of Anger Pankaj Mishra, 2017-01-26 How can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century, before leading us to the present. He shows that as the world became modern those who were unable to fulfil its promises - freedom, stability and prosperity - were increasingly susceptible to demagogues. The many who came late to this new world or were left, or pushed, behind, reacted in horrifyingly similar ways: intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the 19th century arose - angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally. Today, just as then, the wider embrace of mass politics, technology, and the pursuit of wealth and individualism has cast many more billions adrift in a literally demoralized world, uprooted from tradition but still far from modernity - with the same terrible results Making startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other. |
writer of anandamath: The Analyst and the Mystic Sudhir Kakar, 2007-03-05 The Centrepiece Of The Analyst And The Mystic Is The Absorbing Story Of The Nineteenth-Century Bengali Mystic And Hindu Saint Sri Ramakrishna. Using Ramakrishna S Life As A Case Study, Sudhir Kakar Discusses In Depth Three Interacting Factors That He Feels May Be Essential In The Making Of An Ecstatic Mystic: Particular Life Historical Experiences, The Presence Of A Specific Artistic Or Creative Gift, And A Facilitating Cultural Environment. Kakar Goes Beyond The Traditional Psychoanalytic Interpretation Of Ramakrishna S Mystical Visions And Practices. Going Beyond The Traditional Psychoanalytic Interpretation Of Ramakrishna S Mystical Visions And Practices, Kakar Clarifies Their Contribution To The Psychic Transformation Of A Mystic And Offers Fresh Insight Into The Relation Between Sexuality And Ecstatic Mysticism. Through A Comparison Of The Healing Techniques Of The Mystical Guru And Those Of The Analyst, Kakar Highlights The Difference In Their Healing Objectives And Reveals The Positive Psychological Aspects Of The Religious Experience. |
writer of anandamath: Durgesh Nandini Baṅkimacandra Caṭṭopādhyāẏa, 2007 Durgesh Nandini, Bankim Chandra's masterpiece that ushered in a fresh breath of air in Bengali literature is, on the surface, a tale of instant attraction and infatuation of two young hearts. But the most effective symbol of heroic-romance in the novel is the matchless Bimala whose inimitable character, sophisticatedly handled by Bankim, offers unusual and engaging possibilities of multiple readings and presents a vision that rejects narrow divisions and discriminations on the grounds of religion, caste and sex, in short, a world without social barriers. |
writer of anandamath: Guru English Srinivas Aravamudan, 2011-06-27 Guru English is a bold reconceptualization of the scope and meaning of cosmopolitanism, examining the language of South Asian religiosity as it has flourished both inside and outside of its original context for the past two hundred years. The book surveys a specific set of religious vocabularies from South Asia that, Aravamudan argues, launches a different kind of cosmopolitanism into global use. Using Guru English as a tagline for the globalizing idiom that has grown up around these religions, Aravamudan traces the diffusion and transformation of South Asian religious discourses as they shuttled between East and West through English-language use. The book demonstrates that cosmopolitanism is not just a secular Western discourse that results from a disenchantment with religion, but something that can also be refashioned from South Asian religion when these materials are put into dialogue with contemporary social move-ments and literary texts. Aravamudan looks at religious forms of neoclassicism, nationalism, Romanticism, postmodernism, and nuclear millenarianism, bringing together figures such as Swami Vivekananda, Sri Aurobindo, Mahatma Gandhi, and Deepak Chopra with Rudyard Kipling, James Joyce, Robert Oppenheimer, and Salman Rushdie. Guru English analyzes writers and gurus, literary texts and religious movements, and the political uses of religion alongside the literary expressions of religious teachers, showing the cosmopolitan interconnections between the Indian subcontinent, the British Empire, and the American New Age. |
How do you draw freehand (like a pencil tool) in LibreOffice Writer?
Oct 18, 2020 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to …
How can I open PDF files in LibreOffice Writer rather than Draw?
Oct 17, 2017 · Well, apparently - you can indeed open PDF files in Writer! LibreOffice has two separate input filters for PDFs, which open them in LO Writer and in Impress/Draw. To …
Resolving System Restore error - Error 0x800423F3 - The writer ...
Sep 19, 2010 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to …
How to create Smart Art in LibreOffice Writer - Super User
Jun 5, 2014 · I recommend strongly either to use LibreOffice Draw or to use a full-fledged graph editor (e.g. yEd graph editor), and to embed the resulting chart into writer. If you …
How do I set the paper color in LibreOffice Writer? - Super User
Oct 7, 2015 · A colored background will be printed and writer won't print anything inside the margins so it won't display anything inside the margins if you use the Edit -> Printer …
How do you draw freehand (like a pencil tool) in LibreOffice Writer?
Oct 18, 2020 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for …
How can I open PDF files in LibreOffice Writer rather than Draw?
Oct 17, 2017 · Well, apparently - you can indeed open PDF files in Writer! LibreOffice has two separate input filters for PDFs, which open them in LO Writer and in Impress/Draw. To open a …
Resolving System Restore error - Error 0x800423F3 - The writer ...
Sep 19, 2010 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for …
How to create Smart Art in LibreOffice Writer - Super User
Jun 5, 2014 · I recommend strongly either to use LibreOffice Draw or to use a full-fledged graph editor (e.g. yEd graph editor), and to embed the resulting chart into writer. If you want to …
How do I set the paper color in LibreOffice Writer? - Super User
Oct 7, 2015 · A colored background will be printed and writer won't print anything inside the margins so it won't display anything inside the margins if you use the Edit -> Printer layout …
Automatically removing linebreaks in LibreOffice Writer
Aug 29, 2012 · Often I find that I copy text from a gedit (linux) text editor document into a word processor like LibreOffice Writer. Of course I have hard linebreaks coded into the text. How …
Make LibreOffice Writer insert pictures "as character" by default?
Feb 12, 2013 · When I paste an image into LibreOffice Writer, it is anchored "To paragraph" by default (as shown in the image right click menu -> Picture... -> Type -> Anchor). Of course I …
printer - Error 0x800f0922 when trying to reinstall "Print to PDF ...
Oct 12, 2019 · Some time after updating to Windows 10 1903 (from 1803), the "Print to PDF" feature stopped working on my machine for no apparent reason.
How do I set a background image in LibreOffice Writer 5?
Sep 12, 2015 · LibreOffice Writer 5 clearly does still support background images, since I can open existing documents with background images just fine, I just can't find a way to create new …
printing - Windows 10 - "Microsoft XPS Document Writer" and …
Jan 4, 2016 · Use a third-party product, such as the CutePDF Writer that you have already tried and found to work properly, as a temporary solution until the problem is fixed by Microsoft. As …