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| women art and society: Women, Art, and Society Whitney Chadwick, 2007 |
| women art and society: Women, Art, and Society (Sixth) (World of Art) Whitney Chadwick, 2020-09-08 A new edition of the groundbreaking book by Whitney Chadwick maps the complete history of women artists from the Middle Ages and the Renaissance to today. Art historian Whitney Chadwick’s acclaimed bestselling study challenges the assumption that great women artists are exceptions to the rule who “transcended” their gender to produce major works of art. While introducing some of the many women since the Middle Ages whose contributions to visual culture have often been neglected, Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, she also addresses the closely related issues of ethnicity, class, and sexuality. This revised edition features a completely redesigned interior and full-color illustrations. With a new preface and epilogue from this emerging authority on the history of women artists, curator and professor Flavia Frigeri, this revised edition continues the project of charting the evolution of feminist art history and pedagogy, revealing how artists have responded to new strategies of feminism for the current moment. |
| women art and society: Women, Art, And Power And Other Essays Linda Nochlin, 2018-02-12 Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation. |
| women art and society: Old Mistresses Rozsika Parker, Griselda Pollock, 2020-10-01 Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history. |
| women art and society: Women Artists and the Surrealist Movement Whitney Chadwick, 2021-11-23 A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement. |
| women art and society: The Fertile Crescent Judith K. Brodsky, Ferris Olin, 2012 Issued in conjunction with an exhibition held at Mason Gross Galleries, Rutgers University, Aug. 13-Sept. 9, 2012, and elsewhere through Nov. 2012. |
| women art and society: Eroticism and Art Alyce Mahon, 2007 Art? Erotica? Or Pornography? Discussions of what actually constitutes erotic art are incredibly complex and usually highly controversial. The naked body in art has been with us since the earliest examples of Greek art and sculpture. The creation and display of such works of art has always inflamed opinion and today, even withour supposed relaxation of the codes of behaviour surrounding nudity, such images are considered provocative, dangerous, and are often unwelcome in the public sphere.Now - focusing on the last 150 years of western art, these debates are finally explored in an imaginative and engaging way using the latest research and analysis into this and related subject areas - by a woman. |
| women art and society: Women, Art, and Society Whitney Chadwick, 2020-09-15 A new edition of the groundbreaking book by Whitney Chadwick maps the complete history of women artists from the Middle Ages and the Renaissance to today. Art historian Whitney Chadwick’s acclaimed bestselling study challenges the assumption that great women artists are exceptions to the rule who “transcended” their gender to produce major works of art. While introducing some of the many women since the Middle Ages whose contributions to visual culture have often been neglected, Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, she also addresses the closely related issues of ethnicity, class, and sexuality. This revised edition features a completely redesigned interior and full-color illustrations. With a new preface and epilogue from this emerging authority on the history of women artists, curator and professor Flavia Frigeri, this revised edition continues the project of charting the evolution of feminist art history and pedagogy, revealing how artists have responded to new strategies of feminism for the current moment. |
| women art and society: Angels of Art Bailey Van Hook, 2004-06-11 Images of women were ubiquitous in America at the turn of the last century. In painting and sculpture, they took on a bewildering variety of identities, from Venus, Ariadne, and Diana to Law, Justice, the Arts, and Commerce. Bailey Van Hook argues here that the artists' concepts of art coincided with the construction of gender in American culture. She finds that certain characteristics such as &ideal,& &beautiful,& &decorative,& and &pure& both describe this art and define the perceived role of women in American society at the time. Most late nineteenth-century American artists had trained in Paris, where they learned to use female imagery as a pictorial language of provocative sensuality. Van Hook first places the American artists in an international context by discussing the works of their French teachers, including Jean-L&éon G&ér&ôme and Alexandre Cabanel. She goes on to explore why they soon had to distance themselves from that context, primarily because their art was perceived as either openly sensual or too obliquely foreign by American audiences. Van Hook delineates the modes of representation the American painters chose, which ranged from the more traditional allegorical or mythological subjects to a decorative figure painting indebted to Whistler. Changing American culture ultimately rejected these idealized female images as too genteel and, eventually, too academic and European. Angels of Art is the first study to discuss the predominance of images of women across stylistic boundaries and within the wider context of European art. It relies heavily on contemporary sources both to document critical responses and to find intersecting patterns in attitudes toward women and art. |
| women art and society: Women, Feminist Identity, and Society in the 1980's Myriam Díaz-Diocaretz, Iris M. Zavala, 1985-01-01 The general objective of this volume is to present and discuss different modes of existence in women s texts and feminist identity in political and poetic discourse on the one hand, and to analyze the factors which determine differing relationships between women and society, and which result in specific forms of identity on the other. The essays in this volume explore language, gender, mass media, sexuality, class and social change, women s identity as Blacks and in the Third World as well as the nature of domination, feminine criticism and female creativity. The volume opens with a challenging question by the feminist poet Adrienne Rich, Who is We? |
| women art and society: An Intimate Distance Rosemary Betterton, 2013-10-18 An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists. |
| women art and society: Women Art Workers and the Arts and Crafts Movement Zoe Thomas, 2022-02 Women Art Workers provides a new social and cultural history of the Arts and Crafts movement which offers unprecedented insight into how women constructed alternative, creative lifestyles and disseminated the ethos of the social importance of the Arts and Crafts across new local, national, and international spheres of influence. |
| women art and society: Significant Others Whitney Chadwick, Isabelle de Courtivron, 2018-02 Biographies of artists and writers have traditionally presented an individual's lone struggle for self-expression. In this book, critics and historians challenge these assumptions in a series of essays that focus on artist and writer couples who have shared sexual and artistic bonds. Featuring duos such as Auguste Rodin and Camille Claudel, Sonia and Robert Delaunay, Vanessa Bell and Duncan Grant, and Jasper Johns and Robert Rauschenberg, this book combines biography with evaluation of each partner's work in the context of the relationship. |
| women art and society: Women Art and Society Fifth Edition Whitney Chadwick, 2012-09-11 The definitive work on the subject, mapping a complete history of women artists from the Middle Ages and the Renaissance to today This acclaimed study challenges the assumption that great women artists are exceptions to the rule who “transcended” their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture have often been neglected, Whitney Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. This revised edition features a new final chapter that charts the evolution of feminist art history and pedagogy since the 1970s. It is brought up to date with discussions of some of the most significant women artists to have emerged in recent years, including Wangechi Mutu, Jenny Saville, and Teresa Margolles. |
| women art and society: Women in Italian Renaissance Culture and Society Letizia Panizza, 2017-12-02 An impressive collection of 29 essays by British, American and Italian scholars on important historical, artistic, cultural, social, legal, literary and theatrical aspects of women's contributions to the Italian Renaissance, in its broadest sense. Many contributions are the result of first-hand archival research and are illustrated with numerous unpublished or little-known reproductions or original material. The subjects include: women and the court ( Dilwyn Knox, Evelyn S Welch, Francine Daenens and Diego Zancani ); women and the church ( Gabriella Zarri, Victoria Primhak, Kate Lowe, Francesca Medioli and Ruth Chavasse ); legal constraints and ethical precepts ( Marina Graziosi, Christine Meek, Brian Richardson, Jane Bridgeman and Daniela De Bellis ); female models of comportment ( Marta Ajmarm Paola Tinagli and Sara F Matthews Grieco ); women and the stage ( Richard Andrews, Maggie Guensbergberg, Rosemary E Bancroft-Marcus ); women and letters ( Diana Robin, Virginia Cox, Pamela J Benson, Judy Rawson, Conor Fahy, Giovanni Aquilecchia, Adriana Chemello, Giovanna Rabitti and Nadia Cannata Salamone ). |
| women art and society: Beyond Isabella Sheryl E. Reiss, David G. Wilkins, 2001-06-01 Who were the secular female patrons of art and architecture in Renaissance Italy beyond Isabella d’Este? This volume brings together fourteen essays which examine the important and often unrecognized roles aristocratic and bourgeois women played in the patronage of visual culture during the Italian Renaissance. Themes include the significance of role models for female patrons, the dynamics of conjugal patronage, and the widespread patronage activities of widows. Collectively, the essays demonstrate how resourceful women expressed themselves through patronage despite the limitations of a highly structured patriarchal society. Thus, Isabella d’Este was by no means unique as a secular female patron, and the studies offered here should encourage scholars to move further ‘beyond Isabella’ in their assessment of women’s patronage of art and architecture in Renaissance Italy. |
| women art and society: Pin-Up Grrrls Maria Elena Buszek, 2006-05-31 Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published. Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s. |
| women art and society: Women Artists of Color Phoebe Farris, 1999-05-30 A critical discussion of the art works, lives, associates, and influences of over 90 20th-century female artists representative of four ethnic groups: African American, Asian-Pacific American, Latin American, and Native American. |
| women art and society: A Time of One's Own Catherine Grant, 2022-08-29 In A Time of One’s Own Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined. |
| women art and society: Fray Julia Bryan-Wilson, 2021-02 In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art. |
| women art and society: Discover Her Art Jean Leibowitz, Lisa LaBanca Rogers, 2022-02-22 Discover Her Art is a brilliant guide to understanding how a painting does what it does. —Emily Eveleth, painter Discover Her Art invites young art lovers and artists to learn about painting through the lives and masterpieces of 24 women from the 16th to the 20th century. In each chapter, readers arrive at a masterwork, explore it with an artist's eye, and learn about the painter's remarkable life and the inspirations behind her work. Young artists will discover how these 24 amazing women used composition, color, value, shape, and line in paintings that range from highly realistic to fully abstract. Hands-on exercises encourage readers to create their own art! Whether you love to make art or just look at it, you will enjoy discovering the great work of these women artists. |
| women art and society: Women Artists in History Wendy Slatkin, 1990 The careers and accomplishments of women creators in Western Civilization are described in an accessible and informative mattner in the Second Edition of Women Artists in History: From Antiquity to the 20th Century. Over sixty artists, mostly painters and sculptors, are featured in this book. Selections were based on each woman's unique and important contributions to the history of art. each artist measures up to the same rigorous standards applied to male artists in other survey texts. To understand and appreciate the achievements of these outstanding women, this volume takes a thorough look at the cultural environment in which they lived and worked, as well as the social, economic, and demographic factors that influenced their art. --From back cover |
| women art and society: Women, Art and Observant Franciscan Piety Kathleen Giles Arthur, 2018 The Poor Clares convent of Corpus Domini was the first home of Saint Catherine of Bologna, but after her departure, the convent reinvented itself as a noblewomen's retreat. In doing so, it transformed ideals of poverty, humility and women's education. This book, grounded in archival research and close examination of artworks from the convent, explores the visual culture and social history of an early modern Franciscan women's community. Its careful analysis yields new insights into the changing role of the community in the d'Este political and civic spheres. |
| women art and society: Pushing the Margins: Women of Color and Intersectionality in Lis Rose L. Chou, Annie Pho, 2018-06 |
| women art and society: Women Artists Linda Nochlin, 2020-11-24 A comprehensive compendium of renowned art historian Linda Nochlin's work, including her landmark essays on the position and influence of women artists. Linda Nochlin was one of the most accessible, provocative, and innovative art historians of our time. In 1971, she published “Why Have There Been No Great Women Artists?”—a dramatic feminist call to arms that questioned traditional art historical practices and led to a major revision of the discipline. Now available in paperback, Women Artists brings together twenty-nine essential essays from throughout Nochlin's career. Included are her major thematic texts Women Artists After the French Revolution and Starting from Scratch: The Beginnings of Feminist Art History, as well as her landmark 1971 essay and its rejoinder, 'Why Have There Been No Great Women Artists?' Thirty Years After. These appear alongside monographic entries focusing on a selection of major women artists, including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle. |
| women art and society: Visualizing Household Health Jennifer Borland, 2021-10-29 In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland focuses on several illustrated versions of the manuscript that contain historiated initials depicting simple scenes related to health care, such as patients’ consultations with physicians, procedures like bloodletting, and foods and beverages recommended for good health. Borland argues that these images provide important details about the nature of women’s agency in the home—and offer highly compelling evidence that women enacted multiple types of health care. Additionally, she contends, the Régime opens a window onto the history of medieval women as owners, patrons, and readers of books. Interdisciplinary in scope, this book broadens notions of the medieval medical community and the role of women in medieval health care. It will be welcomed by scholars and students of women’s history, art history, book history, and the history of medicine. |
| women art and society: Hundreds and Thousands Emily Carr, 2009-12-01 Emily Carr’s journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills. These revealing entries convey her passionate connection with nature, her struggle to find her voice as a writer, and her vision and philosophy as a painter. |
| women art and society: The Militant Muse Whitney Chadwick, 2025-02-06 A beautifully written and elegantly constructed narrative that explores the intense, complex and far-reaching female friendships among the Surrealists during the 1930s, 1940s and 1950s. The Militant Muse documents what it meant to be young, ambitious and female in the context of an avant-garde movement defined by celebrated men whose educational, philosophical and literary backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s and 1950s, Whitney Chadwick charts five intense, far-reaching female friendships among the surrealists to show how surrealism and the experiences of war, loss and trauma shaped individual women's transitions from beloved muses to mature artists. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe's subversive activities in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the frontline. The book draws on personal correspondence between the women, including the extraordinary letters between Leonora Carrington and Leonor Fini following the imprisonment of Carrington's lover Max Ernst, and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the 1930s during a difficult stay in Paris. This thoroughly engrossing history brings a new perspective to the political context of surrealism, as well as fresh insights on the vital importance of female friendship to artistic and intellectual flowering. |
| women art and society: Superfluous Women Jessica Zychowicz, 2020 Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv's main square, in order to investigate the deeper shifts driving feminist protest and politics today.-- |
| women art and society: Art on My Mind bell hooks, 2025-05-27 The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas “Sharp and persuasive.” —The New York Times Book Review on the original publication of Art on My Mind In Art on My Mind, “one of the country’s most influential feminist thinkers“ (Artforum) offers a tender yet potent suite of writings for a world increasingly concerned with art and identity politics. This collection of bell hooks’s essays, each with art at its center, explores both the obvious and obscure: from ruminations on the fraught representation of Black bodies, to reflections on the creative processes of women artists, to analysis of the use of blood in visual art. bell hooks has been “instrumental in cracking open the white, western canon for Black artists” (Artnet), with searing essays complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie. Featuring full-color artwork from giants such as Jean-Michel Basquiat, Lorna Simpson, and Alison Saar, Art on My Mind “examines the way race, sex and class shape who makes art, how it sells and who values it” (The New York Times), while questioning how art can be instrumental for Black liberation. In doing so, hooks urges us to unravel the forces of oppression that colonize our imaginations. With a new foreword from acclaimed contemporary artist Mickalene Thomas, this thirtieth-anniversary edition passes the torch to a new generation of artists, capturing hooks’s simple yet evergreen affirmation: art matters—it is a life force in the struggle for freedom. Art on My Mind is essential reading for anyone looking to find lessons on liberation and creativity in the world of color—the free world of art. |
| women art and society: The Art of Feminism, Revised Edition Helena Rickett, 2022-10-04 |
| women art and society: Women and Society in the Roman World Emily A. Hemelrijk, 2023-06-30 By their social and material context as markers of graves, dedications and public signs of honour, inscriptions offer a distinct perspective on the social lives, occupations, family belonging, mobility, ethnicity, religious affiliations, public honour and legal status of Roman women ranging from slaves and freedwomen to women of the elite and the imperial family, both in Rome and in Italian and provincial towns. They thus shed light on women who are largely overlooked by the literary sources. The wide range of inscriptions and graffiti included in this book show women participating not only in their families and households but also in the social and professional life of their cities. Moreover, they offer us a glimpse of women's own voices. Marital ideals and problems, love and hate, friendship, birth and bereavement, joy and hardship all figure in inscriptions, revealing some of the richness and variety of life in the ancient world. |
| women art and society: Farewell to the Muse Whitney Chadwick, 2021-08-31 A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress. |
| women art and society: Doing Feminism Anne Marsh, 2021-11-02 Doing Feminism represents over 220 artists and groups with 370 colour illustrations punctuated by extracts from artists' statements, curatorial writing and critique. Tracking networks of art practice, exhibitions, protest and critical thought over several generations, Marsh demonstrates the innovation and power of women's art and the ways in which it has influenced and changed the contemporary art landscape in Australia and internationally. The images and texts are curated by decade and contextualised to provide a broad analysis of art and feminist criticism since the late 1960s. The result of many years of research in the field and the archive, Doing Feminism reproduces essays by key protagonists involved in the critical debates and theoretical positions of the day, including curators writing on exhibitions that signalled major change, especially for Indigenous artists. This extraordinary work presents one of the most comprehensive collections of material ever compiled on women and the arts in Australia. Marsh guides the reader through the struggles, contestations and achievements of women and feminism in the visual arts and argues that this is the doing of feminism with all its differences. It will become essential reading for years to come. |
| women art and society: Renegotiating the Body Kathy Battista, 2019 What makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re- ) engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasizing the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Hannah O'Shea and Kate Walker, and examining works such as Mary Kelly's Post-Partum Document, Judy Clark's 1973 exhibition Issues and Cosey Fanni Tutti's Prostitution, shown in 1976, Kathy Battista investigates some of the most controversial and provocative art from the era. |
| women art and society: Qaddafi's Green Book Muammar Qaddafi, Henry M. Christman, 1988 |
| women art and society: Ninth Street Women Mary Gabriel, 2019-09-24 The rich, revealing, and thrilling story of five women whose lives and painting propelled a revolution in modern art, from the National Book Award finalist. Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future. |
| women art and society: Our Selves: Photographs by Women Artists Roxana Marcoci, 2022-04-19 How have women artists used photography as a tool of resistance? Our Selves explores the connections between photography, feminism, civil rights, Indigenous sovereignty and queer liberation Spanning more than 100 years of photography, the works in Our Selves range from a turn-of-the-century photograph of racially segregated education in the United States, by Frances Benjamin Johnston, to a contemporary portrait celebrating Indigenous art forms, by the Chemehuevi artist Cara Romero. As the title of this volume suggests, Our Selves affirms the creative and political agency of women artists. A critical essay by curator Roxana Marcoci asks the question What is a Feminist Picture? and reconsiders the art-historical canon through works by Claude Cahun, Tina Modotti, Carrie Mae Weems, Catherine Opie and Hulleah J. Tsinhnahjinnie, among others. Twelve focused essays by emerging scholars explore themes such as identity and gender, the relationship between educational systems and power, and the ways in which women artists have reframed our received ideas about womanhood. Published in conjunction with a groundbreaking exhibition of photographs by women artists--drawn exclusively from MoMA's collection, thanks to a transformative gift of photographs from Helen Kornblum in 2021--this richly illustrated catalog features more than 100 color and black-and-white plates. As we continue to aspire to equity and diversity, Our Selves contributes vital insights into figures too often relegated to the margins of our cultural imagination. |
| women art and society: Laura Knight Fay Blanchard, Anthony Spira, Pamela Gerrish Nunn, Sophie Hatchwell, Lubaina Himid, Hannah Starkey, 2021 A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. |
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Dec 27, 2024 · Bangs are having their own moment in 2025, and it's no wonder. They flatter most face shapes and frame features. Expert Gretchen Friese told Women.com that "a more thick or …
The Best Beach Reads For Your Summer 2025 Reading List From
Apr 23, 2025 · Colson Whitehead's "The Underground Railroad" is a work of historical fiction, and one that Oprah proudly included in her book club. The novel also went on to win the Pulitzer …
How Your Hair Changes As You Age - Women.com
Mar 13, 2025 · Change is inevitable, especially when it comes to aging and our hair. However, that doesn't mean you can't have soft, beautiful hair as you grow older.
Neurodivergence In Women Is Still Being Misdiagnosed And The ...
Aug 16, 2023 · The underdiagnosis (neurodivergent traits being ignored) and misdiagnosis (neurodivergent traits diagnosed incorrectly as something else) of neurodiverse women have …
Previously Outdated Trends That Are Coming Back With A
Jan 29, 2025 · The Hadid sisters rocked shorter versions in 2024, so if you want to be bang on trend, try the UGG Women's Disquette Slipper or the UGG Women's Classic Ultra Mini New …
Nails - Women
If you struggle with weak, brittle nails, don't worry. Women spoke exclusively to a nail expert to find out how to improve nail health in just 30 days. By Madison Emily Whisenand 3 months ago …
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The Hottest Fashion Trends For 2025 & The Celebs Already
Apr 16, 2025 · For example, there's a major uptick in women wearing menswear, with impeccably tailored tuxedo jackets and sharp trousers becoming the perfect base for an evening out. The …
The Denim Trends You'll Be Seeing Everywhere In 2025
Feb 16, 2025 · "With their relaxed, longer fit, these shorts offer comfort and ease, making them ideal for effortlessly cool, off-duty style," Strah told Women. For a '90s-infused, dressed-down …
So, How Much Is A Normal Amount Of Self-Pleasure? (Asking
Dec 24, 2024 · "There truly is no healthy amount of self-pleasure," sex and relationship therapist and social worker, Leigh Norén, exclusively tells Women. "It's a 'whatever floats your boat' …
6 Trendy Haircuts You'll Be Seeing Everywhere In 2025
Dec 27, 2024 · Bangs are having their own moment in 2025, and it's no wonder. They flatter most face shapes and frame features. Expert Gretchen Friese told Women.com that "a more thick …
The Best Beach Reads For Your Summer 2025 Reading List …
Apr 23, 2025 · Colson Whitehead's "The Underground Railroad" is a work of historical fiction, and one that Oprah proudly included in her book club. The novel also went on to win the Pulitzer …
How Your Hair Changes As You Age - Women.com
Mar 13, 2025 · Change is inevitable, especially when it comes to aging and our hair. However, that doesn't mean you can't have soft, beautiful hair as you grow older.
Neurodivergence In Women Is Still Being Misdiagnosed And The ...
Aug 16, 2023 · The underdiagnosis (neurodivergent traits being ignored) and misdiagnosis (neurodivergent traits diagnosed incorrectly as something else) of neurodiverse women have …
Previously Outdated Trends That Are Coming Back With A
Jan 29, 2025 · The Hadid sisters rocked shorter versions in 2024, so if you want to be bang on trend, try the UGG Women's Disquette Slipper or the UGG Women's Classic Ultra Mini New …
Nails - Women
If you struggle with weak, brittle nails, don't worry. Women spoke exclusively to a nail expert to find out how to improve nail health in just 30 days. By Madison Emily Whisenand 3 months …
