Zimbabwean Female Writers

  zimbabwean female writers: The Uncertainty of Hope Valerie Tagwira, 2008
  zimbabwean female writers: Women Writing Zimbabwe Irene Staunton, 2008 The fifteen stories in Women Writing Zimbabwe offer a kaleidoscope of fresh, moving, and comic perspectives on the way in which events of the last decade have impacted on individuals, women in particular. Several stories (Tagwira, Ndlovu and Charsley) look at the impact that AIDS has on women who become the care-givers, often without emotional or physical support. It is often assumed that women will provide support and naturally make the necessary sacrifices. Brickhill and Munsengezi focus on the hidden costs and unexpected rewards of this nurturing role. Many families have been separated over the last decade. Ndlovu, Mutangadura, Katedza, Mhute and Rheam all explore exile's long, often painful, reach and the consequences of deciding to remain at home. In lighter vein, but with equal sharpness of perception, Gappah, Manyika, Sandi, and Holmes poke gentle fun at the demands of new-found wealth, status and manners. Finally, Musariri reminds us that the hidden costs of undisclosed trauma can continue to affect our lives for years afterwards. All of the writers share a sensitivity of perception and acuity of vision. Reading their stories will enlarge and stimulate our own understanding.
  zimbabwean female writers: This Mournable Body Tsitsi Dangarembga, 2018-08-07 SHORTLISTED FOR THE 2020 BOOKER PRIZE A searing novel about the obstacles facing women in Zimbabwe, by one of the country’s most notable authors Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point. In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival. As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. It is this homecoming, in Dangarembga’s tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.
  zimbabwean female writers: The Book of Not Tsitsi Dangarembga, 2021-05-18 The powerful sequel to Nervous Conditions, by the Booker-shortlisted author of This Mournable Body The Book of Not continues the saga of Tambudzai, picking up where Nervous Conditions left off. As Tambu begins secondary school at the Young Ladies’ College of the Sacred Heart, she is still reeling from the personal losses that have been war has inflicted upon her family—her uncle and sister were injured in a mine explosion. Soon she’ll come face to face with discriminatory practices at her mostly-white school. And when she graduates and begins a job at an advertising agency, she realizes that the political and historical forces that threaten to destroy the fabric of her community are outside the walls of the school as well. Tsitsi Dangarembga, honored with the 2021 PEN Award for Freedom of Expression, digs deep into the damage colonialism and its education system does to Tambu’s sense of self amid the struggle for Zimbabwe’s independence, resulting in a brilliant and incisive second novel.
  zimbabwean female writers: Nervous Conditions Tsitsi Dangarembga, 2020-10-19 FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020 ' UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of cultural imperialism, Nervous Conditions charts Tambu's journey to personhood in a fledgling nation. 'With its searing observations, devastating exploration of the state of not being, wicked humour and astonishing immersion into the mind of a young woman growing up and growing old before her time, the novel is a masterpiece.' Madelein Thien
  zimbabwean female writers: Out of Darkness, Shining Light Petina Gappah, 2019-09-10 “Engrossing, beautiful, and deeply imaginative” (Yaa Gyasi, author of Homegoing), this epic novel about the explorer David Livingstone and the extraordinary group of Africans who carry his body across impossible terrain “illuminates the agonies of colonialism and blind loyalty” (O, The Oprah Magazine). “This is how we carried out of Africa the poor broken body of...David Livingstone, so that he could be borne across the sea and buried in his own land.” So begins Petina Gappah’s “searing…poignant” (Star Tribune, Minneapolis) novel of exploration and adventure in 19th-century Africa—the captivating story of the African men and women who carried explorer and missionary Dr. Livingstone’s body, papers, and maps, fifteen hundred miles across the continent of Africa, so his remains could be returned home to England and his work preserved there. Narrated by Halima, the doctor’s sharp-tongued cook, and Jacob Wainwright, his rigidly pious secretary, this is a “powerful novel, beautifully told” (Jesmyn Ward, author of Sing, Unburied, Sing) that encompasses all of the hypocrisy of slavery and colonization—the hypocrisy of humanity—while celebrating resilience, loyalty, and love.
  zimbabwean female writers: Nehanda Yvonne Vera, 2018 In the late nineteenth century white settlers and administrators arrive to occupy the African country of Zimbabwe (Rhodesia). Nehanda, a village girl, is recognized through omens and portents as a saviour. Told in lucid, poetic prose, this is a gripping story about the first meeting of a people with their colonizer.
  zimbabwean female writers: Zimbabwean Transitions Mbongeni Z. Malaba, Geoffrey V. Davis, 2007 This collection of essays on Zimbabwean literature brings together studies of both Rhodesian and Zimbabwean literature, spanning different languages and genres. It charts the at times painful process of the evolution of Rhodesian/ Zimbabwean identities that was shaped by pre-colonial, colonial and post-colonial realities. The hybrid nature of the society emerges as different writers endeavour to make sense of their world. Two essays focus on the literature of the white settler. The first distils the essence of white settlers' alienation from the Africa they purport to civilize, revealing the delusional fixations of the racist mindset that permeates the discourse of the white man's burden in imperial narratives. The second takes up the theme of alienation found in settler discourse, showing how the collapse of the white supremacists' dream when southern African countries gained independence left many settlers caught up in a profound identity crisis. Four essays are devoted to Ndebele writing. They focus on the praise poetry composed for kings Mzilikazi and Lobengula; the preponderance of historical themes in Ndebele literature; the dilemma that lies at the heart of the modern Ndebele identity; and the fossilized views on gender roles found in the works of leading Ndebele novelists, both female and male. The essays on English-language writing chart the predominantly negative view of women found in the fiction of Stanley Nyamfukudza, assess the destabilization of masculine identities in post-colonial Zimbabwe, evaluate the complex vision of life and reality in Charles Mungoshi's short stories as exemplified in the tragic isolation of many of his protagonists, and explore Dambudzo Marechera's obsession with isolated, threatened individuals in his hitherto generally neglected dramas. The development of Shona writing is surveyed in two articles: the first traces its development from its origins as a colonial educational tool to the more critical works of the post-1980 independence phase; the second turns the spotlight on written drama from 1968 when plays seemed divorced from the everyday realities of people's lives to more recent work which engages with corruption and the perversion of the moral order. The volume also includes an illuminating interview with Irene Staunton, the former publisher of Baobab Books and now of Weaver Press.
  zimbabwean female writers: The Book of Memory Petina Gappah, 2016-02-02 An albino Zimbabwe woman recounts how she came to be on death row in this “sly, smart” debut novel (Elle). “A fiercely vivid novel. . . . [A] beautiful, gliding dance of language.” —Los Angeles Times The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man. An albino woman named Memory is languishing in a maximum-security prison in Harare, Zimbabwe, where she has been tried and convicted of murder. As part of her appeal, her lawyer insists that she write down what happened: that is, the events that led to the killing of her adoptive father, Lloyd Hendricks. But who was Llyod Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers? Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory. “Crisply written, wryly humorous, The Book of Memory attests to [Gappah’s] astonishing talent.” ―Minneapolis Star Tribune “For a novel saturated with death, The Book of Memory is most emphatically alive. . . . [Petina Gappah’s] language dazzles. . . . [She is] a writer to take to the heart as well as the head.” ―Financial Times “Gappah crafts ample suspense. . . . The narrative works as a cautionary tale of how superstition and prejudice can shape one’s destiny. The result is a beguiling mystery.” ―Publishers Weekly
  zimbabwean female writers: Zimbabwe Women Writers Zimbabwe Women Writers, Nyaradzo J. Makamure, 1991
  zimbabwean female writers: The Stone Virgins Yvonne Vera, 2004-02-14 Winner of the Macmillan Prize for African Adult Fiction An uncompromising novel by one of Africa's premiere writers, detailing the horrors of civil war in luminous, haunting prose In 1980, after decades of guerilla war against colonial rule, Rhodesia earned its hard-fought-for independence from Britain. Less than two years thereafter when Mugabe rose to power in the new Zimbabwe, it signaled the begining of brutal civil unrest that would last nearly a half decade more. With The Stone Virgins Yvonne Vera examines the dissident movement from the perspective of two sisters living in a small township outside of Bulawayo. In a portrait painted in successive impressions of life before and after the liberation, Vera explores the quest for dignity and a centered existence against a backdrop of unimaginable violence; the twin instincts of survival and love; the rival pulls of township and city life; and mankind's capacity for terror, beauty, and sacrifice. One sister will find a reason for hope. One will not make it through alive. Weaving historical fact within a story of grand passions and striking endurance, Vera has gifted us with a powerful and provocative testament to the resilience of the Zimbabwean people.
  zimbabwean female writers: An Elegy for Easterly Petina Gappah, 2009-05-26 A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good. In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the big houses while their unofficial second wives wait in the small houses, hoping for a promotion. Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.
  zimbabwean female writers: Zimbabwe's Cultural Heritage Pathisa Nyathi, 2005 Zimbabwe's Cultural Heritage won first prize in the Zimbabwe Book Publishers Association Awards in 2006 for Non-fiction: Humanities and Social Sciences. It is a collection of pieces of the culture of the Ndebele, Shona, Tonga, Kalanga, Nambiya, Xhosa and Venda. The book gives the reader an insight into the world view of different peoples, through descriptions of their history and life events such as pregnancy, marriage and death. ...the most enduring book ever on Zimbabwean history. This book will help people change their attitude towards each other in Zimbabwe. - Zimbabwe Book Publishers Association Awards citation
  zimbabwean female writers: Meet Chipo Mutsa Majero, 2016-06-30 Meet Chipo - a young Zimbabwean girl - as she takes you on a journey of her new life in America on her first day of school, and a reflection of her upbringing in Zimbabwe. Chipo shares the joys and struggles of new adventures, as well as discovering the differences and similarities between her past and present. With the support of her family, and a great sense of belief in herself, Chipo is sure to win the hearts of those around her, and go on to accomplish great things!
  zimbabwean female writers: Opening Spaces Yvonne Vera, 1999 In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa.
  zimbabwean female writers: Leaving Before the Rains Come Alexandra Fuller, 2015-01-22 The New York Times Bestseller from the author of Travel Light, Move Fast One of the gutsiest memoirs I've ever read. And the writing--oh my god the writing.—Entertainment Weekly A child of the Rhodesian wars and daughter of two deeply complicated parents, Alexandra Fuller is no stranger to pain. But the disintegration of Fuller’s own marriage leaves her shattered. Looking to pick up the pieces of her life, she finally confronts the tough questions about her past, about the American man she married, and about the family she left behind in Africa. A breathtaking achievement, Leaving Before the Rains Come is a memoir of such grace and intelligence, filled with such wit and courage, that it could only have been written by Alexandra Fuller. Leaving Before the Rains Come begins with the dreadful first years of the American financial crisis when Fuller’s delicate balance—between American pragmatism and African fatalism, the linchpin of her unorthodox marriage—irrevocably fails. Recalling her unusual courtship in Zambia—elephant attacks on the first date, sick with malaria on the wedding day—Fuller struggles to understand her younger self as she overcomes her current misfortunes. Fuller soon realizes what is missing from her life is something that was always there: the brash and uncompromising ways of her father, the man who warned his daughter that the problem with most people is that they want to be alive for as long as possible without having any idea whatsoever how to live. Fuller’s father—Tim Fuller of No Fixed Abode as he first introduced himself to his future wife—was a man who regretted nothing and wanted less, even after fighting harder and losing more than most men could bear. Leaving Before the Rains Come showcases Fuller at the peak of her abilities, threading panoramic vistas with her deepest revelations as a fully grown woman and mother. Fuller reveals how, after spending a lifetime fearfully waiting for someone to show up and save her, she discovered that, in the end, we all simply have to save ourselves. An unforgettable book, Leaving Before the Rains Come is a story of sorrow grounded in the tragic grandeur and rueful joy only to be found in Fuller’s Africa.
  zimbabwean female writers: The Awakened Woman Tererai Trent, 2017-10-03 Through one woman's journey from a child bride in a small Zimbabwe village to [a voice] in women's empowerment and education, this manifesto [seeks to inspire] women to pursue their sacred dreams through nine essential lessons brought forth from ancient African wisdom--Amazon.com.
  zimbabwean female writers: This September Sun Bryony Rheam, 2009-12-29 This September Sun won the Best First Book prize at the 2010 Zimbabwe Book Publishers Association Awards. The book is a chronicle of the lives of two women, the romantic Evelyn and her granddaughter Ellie. Growing up in post-Independence Zimbabwe, Ellie yearns for a life beyond the confines of small town Bulawayo, a wish that eventually comes true when she moves to the United Kingdom. However, life there is not all she dreamed it to be, but it is the murder of her grandmother that eventually brings her back home and forces her to face some hard home truths through the unravelling of long-concealed family secrets.
  zimbabwean female writers: Sweet Medicine Panashe Chigumadzi, 2023-12-05 Sweet Medicine takes place in Harare at the height of Zimbabwe's economic woes in 2008. Tsitsi, a young woman, raised by her strict, devout Catholic mother, believes that hard work, prayer, and an education will ensure a prosperous and happy future. She does well at her mission boarding school and goes on to obtain a scholarship to attend university, but the change in the economic situation in Zimbabwe destroys the old system where hard work and a degree guaranteed a good life. Out of university, Tsitsi finds herself in a position much lower than she had set her sights on, working as a clerk in the office of the local politician, Zvobgo. With a salary that barely provides her a means to survive, she finds herself increasingly compromising her Christian values to negotiate ways to get ahead. Sweet Medicine is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: tradition and modernity; feminism and patriarchy; spiritual and political freedoms and responsibilities; poverty and desperation; and wealth and abundance.
  zimbabwean female writers: Female Identity in Contemporary Zimbabwean Fiction Katrin Berndt, 2005
  zimbabwean female writers: Veiled Sentiments Lila Abu-Lughod, 2016-09-06 First published in 1986, Lila Abu-Lughod’s Veiled Sentiments has become a classic ethnography in the field of anthropology. During the late 1970s and early 1980s, Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations, morality, and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But Abu-Lughod’s analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the complexity of culture. This thirtieth anniversary edition includes a new afterword that reflects on developments both in anthropology and in the lives of this community of Awlad 'Ali Bedouins, who find themselves increasingly enmeshed in national political and social formations. The afterword ends with a personal meditation on the meaning—for all involved—of the radical experience of anthropological fieldwork and the responsibilities it entails for ethnographers.
  zimbabwean female writers: Zimbabwe Women Writers Selections , 1990
  zimbabwean female writers: Gender Issues in African Literature Chin Ce, Charles Smith, 2014-04-02 Gender Issues in African Literature examines the ways in which some protagonists of African fictions are made to counter and challenge intertwined Western discourses on gender, employment, sexuality, and health. Here the conflict between Tradition and Modernity is argues from the favourite premise of male supremacist ideology showing how women have unlearned these false concepts to build a sustained feminist movement and (re)learn the value of sisterhood. There is a bold attempt to reread Achebe as a consistent in urging women to fight the seemingly oppressive structures that have traditionally discriminated against them, and to disregard their diversity and embrace their unity. A chapter of Feminist Re-writing disagrees with the attempt to equate theory with political activism and presents Feminist literature as more than a verbal assertion that points to Feminist aesthetics and politics. The use of the trauma theory and testimonio literature to explore traumatisation of female characters and its impact for Zimbabwean civil society is a useful addition to these gender studies in African literature.
  zimbabwean female writers: Telling Stories , 2021-11-15 The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied author) and the community. Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. The reader will also have the rare pleasure of discovering Janice Kulik Keefer's “Fox,” her version of what she calls in her commentary “displaced autobiography’” or “creative non-fiction.” Lastly, an extensive bibliography on the postcolonial short story opens up further possibilities for research.
  zimbabwean female writers: African Literature, Mother Earth and Religion Enna Sukutai Gudhlanga, 2022-03-15 This book is a collection of essays that explore the intersection of Earth, Gender and Religion in African literary texts. It examines cultural, religious, theological and philosophical traditions, and their construction of perspectives and attitudes about Earth-keeping and gender. This publication is critical given the current global environmental crisis and its impact on African and global communities. The book is multidisciplinary in approach (literary, environmental, theological and sociological), exploring the intersection of African creative work, religion and the environment in their construction of Earth and gender. It presents how the gendered interconnectedness of the natural environment, with its broad spirituality and deep identification with the woman, features prominently in the myths, folklores, legends, rituals, sacred songs and incantations that are explored in this collection. Both male and female writers in the collection laud and accept woman’s enduring motif as worker, symbol and guardian of the environment. This interconnectedness mirrors the importance of the environment for the survival of both human and non-human components of Mother Earth. The ideology of women’s agency is emphasised and reinforced by ecofeminist theologians; namely those viewing African women as active agents working closely with the environment and not as subordinates. In the context of the environmental crisis the nurturing role of women should be bolstered and the rich African traditions that conserved the environment preserved. The book advocates the re-engagement of women, particularly their knowledge and conservation techniques and how these can become reservoirs of dying traditions. This volume offers recorded traditions in African literary texts, thereby connecting gender, religion and the environment and helpful perspectives in Earth-keeping.
  zimbabwean female writers: The Polygamist Sue Nyathi, 2020-02-01 Two’s company... five is definitely a crowd! The Polygamist weaves a tale of four women whose lives become intertwined when they all fall for a wealthy banking magnate Jonasi Gomora. Seemingly indomitable, and oozing money, power and sex appeal, Jonasi is about to complicate all their lives forever. Joyce is pampered wife number one who lives in the lap of luxury. She believes she has the perfect marriage until Matipa rears her coiffed head. Matipa is the glamorous mistress every married woman hates. Her driving ambition is to usurp Joyce’s role as Jonasi’s lover and wife. Essie is Jonasi’s best-kept secret — the second wife no one knows about. She cared for Jonasi long before he became the man he is, and plays the role of second fiddle knowing he’ll always come back to her. Lindani’s main goal in life is to upgrade from girlfriend to wife. When she meets Jonasi, she thinks all her problems have been answered, not knowing they have only just begun... Take a journey with these four women and get caught up in the explosive havoc of marriage to a multitude!
  zimbabwean female writers: Now I Can Play Lilian Masitera, 1999
  zimbabwean female writers: The GoldDiggers Sue Nyathi, 2019-05-01 It’s 2008 and the height of Zimbabwe’s economic demise. A group of passengers is huddled in a Toyota Quantum about to embark on a treacherous expedition to the City of Gold. Amongst them is Gugulethu, who is hoping to be reconciled with her mother; Dumisani, an ambitious young man who believes he will strike it rich, Chamunorwa and Chenai, twins running from their troubled past; and Portia and Nkosi, a mother and son desperate to be reunited with a husband and father they see once a year. They have paid a high price for the dangerous passage to what they believe is a better life; an escape from the vicious vagaries of their present life in Bulawayo. In their minds, the streets of Johannesburg are paved with gold but they will have to dig deep to get close to any gold, dirtying themselves in the process. Told with brave honesty and bold description, the stories of the individual immigrants are simultaneously heart-breaking and heart-warming.
  zimbabwean female writers: Why Don't You Carve Other Animals Yvonne Vera, 1994
  zimbabwean female writers: New Daughters of Africa Various Authors, 2022-08-25 Three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie. A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class. Bold and insightful, brilliant in its intimacy and universality, this landmark anthology honours the talents of African daughters and the inspiring legacy that connects them-and all of us. The New Daughters of Africa Diane Abbott Yassmin Abdel-Magied Leila Aboulela Ayobami Adebayo Sade Adeniran Chimamanda Ngozi Adichie Zoe Adjonyoh Patience Agbabi Agnès Agboton Candace Allen Lisa Allen-Agostini Ellah Wakatama Allfrey Andaiye Harriet Anena Joan Anim-Addo Monica Arac de Nyeko Yemisi Aribisala Yolanda Arroyo Pizarro Amma Asante Michelle Asantewa Nana Asma'u Sefi Atta Ayesha Harruna Attah Gabeba Baderoon Yaba Badoe Yvonne Bailey-Smith Doreen Baingana Ellen Banda-Aaku Angela Barry Mildred K. Barya Jackee Budesta Batanda Simi Bedford Linda Bellos Jay Bernard Marion Bethel Ama Biney Jacqueline Bishop Malorie Blackman Tanella Boni Malika Booker Nana Ekua Brew-Hammond Beverley Bryan Akosua Busia Candice Carty-Williams Rutendo Chabikwa Barbara Chase-Riboud Panashe Chigumadzi Gabrielle Civil Maxine Beneba Clarke Angela Cobbinah Carolyn Cooper Juanita Cox Meta Davis Cumberbatch Patricia Cumper Stella Dadzie Yrsa Daley-Ward Nana-Ama Danquah Edwidge Danticat Nadia Davids Tjawangwa Dema Yvonne Denis Rosario Anni Domingo Nah Dove Edwige-Renée Dro Camille T. Dungy Anaïs Duplan Reni Eddo-Lodge Aida Edemariam Esi Edugyan Summer Edward Yvvette Edwards Zena Edwards Safia Elhillo Zetta Elliott Nawal El Saadawi Diana Evans Bernardine Evaristo Eve L. Ewing Deise Faria Nunes Diana Ferrus Nikky Finney Aminatta Forna Ifeona Fulani Vangile Gantsho Roxane Gay Danielle Legros Georges Patricia Glinton-Meicholas Hawa Jande Golakai Wangui wa Goro Bonnie Greer Jane Ulysses Grell Rachel Eliza Griffiths Carmen Harris zakia henderson-brown Joanne C. Hillhouse Afua Hirsch Zita Holbourne Nalo Hopkinson Rashidah Ismaili Naomi Jackson Sandra Jackson-Opoku Delia Jarrett-Macauley Margo Jefferson Barbara Jenkins Catherine Johnson Ethel Irene Kabwato Elizabeth Keckley Fatimah Kelleher Donika Kelly Adrienne Kennedy Susan Nalugwa Kiguli Rosamond S. King Donu Kogbara Lauri Kubuitsile Goretti Kyomuhendo Beatrice Lamwaka Patrice Lawrence Andrea Levy Lesley Lokko Karen Lord Karen Ládípò Manyika Ros Martin Lebogang Mashile Isabella Matambanadzo NomaVenda Mathiane Imbolo Mbue Maaza Mengiste Arthenia Bates Millican Bridget Minamore Nadifa Mohamed Natalia Molebatsi Wame Molefhe Aja Monet Sisonke Msimang Blessing Musariri Glaydah Namukasa Marie NDiaye Juliana Makuchi Nfah-Abbenyi Wanjiku wa Ngugi Ketty Nivyabandi Elizabeth Nunez Selina Nwulu Trifonia Melibea Obono Nana Oforiatta Ayim Irenosen Okojie Nnedi Okorafor Juliane Okot Bitek Chinelo Okparanta Yewande Omotoso Makena Onjerika Chibundu Onuzo Tess Onwueme Yvonne Adhiambo Owuor Louisa Adjoa Parker Djaimilia Pereira de Almeida Alake Pilgrim Winsome Pinnock Hannah Azieb Pool Olúmìdé Pópó?lá Claudia Rankine H. Cordelia Ray Sarah Parker Remond Florida Ruffin Ridley Zandria F. Robinson Zuleica Romay Guerra Andrea Rosario-Gborie Leone Ross Josephine St. Pierre Ruffin Minna Salami Marina Salandy-Brown Sapphire Noo Saro-Wiwa Taiye Selasi Namwali Serpell Kadija Sesay Claire Shepherd Verene A. Shepherd Warsan Shire Lola Shoneyin Dorothea Smartt Zadie Smith Adeola Solanke Celia Sorhaindo Attillah Springer Andrea Stuart SuAndi Valerie Joan Tagwira Jennifer Teege Jean évenet Natasha Trethewey Novuyo Rosa Tshuma Hilda J. Twongyeirwe Chika Unigwe Yvonne Vera Phillippa Yaa de Villiers Kit de Waal Elizabeth Walcott-Hackshaw Effie Waller Smith Rebecca Walker Ayeta Anne Wangusa Zukiswa Wanner Jesmyn Ward Verna Allette Wilkins Charlotte Williams Sue Woodford-Hollick Makhosazana Xaba Tiphanie Yanique
  zimbabwean female writers: Black and Female Tsitsi Dangarembga, 2023-01-17 The first wound for all of us who are classified as “black” is empire. In Black and Female, Tsitsi Dangarembga examines the legacy of imperialism on her own life and on every aspect of black embodied African life. This paradigm-shifting essay collection weaves the personal and political in an illuminating exploration of race and gender. Dangarembga recounts a painful separation from her parents as a toddler, connecting this experience to the ruptures caused in Africa by human trafficking and enslavement. She argues that, after independence, the ruling party in Zimbabwe only performed inclusion for women while silencing the work of self-actualized feminists. She describes her struggles to realize her ambitions in theater, film, and literature, laying out the long path to the publication of her novels. At once philosophical, intimate, and urgent, Black and Female is a powerful testimony of the pervasive and long-lasting effects of racism and patriarchy that provides an ultimately hopeful vision for change. Black feminists are “the status quo’s worst nightmare.” Dangarembga writes, “our conviction is deep, bolstered by a vivid imagination that reminds us that other realities are possible beyond the one that obtains.”
  zimbabwean female writers: All Come to Dust Bryony RHEAM, 2021-09 Marcia Pullman has been found dead at home in the leafy suburbs of Bulawayo. Chief Inspector Edmund Dube is onto the case at once, but it becomes increasingly clear that there are those, including the dead womans husband, who do not want him asking questions.
  zimbabwean female writers: Exploration of Zander David Ohaegbulam, J. C. Agunwamba, Virginia Phiri, 2008
  zimbabwean female writers: Zimbabwe Women Writers Selections , 1998
  zimbabwean female writers: Under the Tongue Yvonne Vera, 1996
  zimbabwean female writers: SheMurenga: The Zimbabwean Women's Movement 1995-2000 Shereen Essof,, 2013-01-16 This book demonstrates the place of womens movements during a defining period of contemporary Zimbabwe. The government of Robert Mugabe may have been as firmly in power in 2000 as it was in 1995, but the intervening years saw severe economic crisis, mass strikes and protests, the start of land occupations, intervention in the war in the DRC, and the rise of the opposition Movement for Democratic Change. Shereen Essof shows how Zimbabwean women crafted responses to these and other events, and aimed for a feminist agenda that would prioritise the interests of the rural and urban poor. Rejecting both the strictures of patriarchy and the orthodoxies of established feminism, she demands that Zimbabwes women be heard in their own voices and in their own contexts. In doing so she writes a book that combines scholarly integrity with a wild, joyous cry for liberation.
  zimbabwean female writers: Walking Still Charles Mungoshi, 1997 Winner of the 1998 Commonwealth Writers Prize. Charles Mungoshi is one of Africa's foremost creative writers - both for adults and children - and a past winner of The Noma Award for Publishing in Africa. This new collection of short stories covers a range of characters and settings which portray people whose lives have been challenged by war and its aftermath, by changing cultural values, and by family commitments in a world that has lost its certitude. Relationships and locations are concrete, visual, cinematic. The stories question notions of value and responsibility.
  zimbabwean female writers: Rotten Row Petina Gappah, 2016-11-01 In her accomplished new story collection, Petina Gappah crosses the barriers of class, race, gender and sexual politics in Zimbabwe to explore the causes and effects of crime, and to meditate on the nature of justice. Rotten Row represents a leap in artistry and achievement from the award-winning author of An Elegy for Easterly and The Book of Memory. With compassion and humour, Petina Gappah paints portraits of lives aching for meaning to produce a moving and universal tableau.
  zimbabwean female writers: Gendered Spaces, Religion and Migration in Zimbabwe Ezra Chitando, Sophia Chirongoma, Molly Manyonganise, 2022-10-12 This book explores the intersections of gender, religion and migration within the context of post-independent Zimbabwe, with a specific focus on how gender disparities impact economic development. By demonstrating how these interconnections impact women’s and girls’ lived realities, the book addresses the need for gender equity, gender inclusion and gender mainstreaming in both religious and societal institutions. This book assesses the gender and migration nexus in Zimbabwe and examines the impact of religio-cultural ideologies on the status of women. In doing so, it assesses the transition of Zimbabwean women across spaces and provides insights into the practical strategies that can be utilised to improve their status both “at home” and “on the move.” Furthermore, chapters show how space continues to be genderised in ways that perpetuate structural inequality to challenge the exclusion of women from key social processes. Contributing to ongoing scholarly debates on gender in Africa, this book will be of interest to academics and students of Gender Studies, Women’s Studies, African Studies, Development Studies as well as advocators of human rights and gender activists.
  zimbabwean female writers: Women as Artists in Contemporary Zimbabwe Kerstin Bolzt, 2007
The Zimbabwean
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The Zimbabwean
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