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| woman poem by louise bogan analysis: Body of this Death Louise Bogan, 1923 |
| woman poem by louise bogan analysis: Dark Summer Louise Bogan, 1929 |
| woman poem by louise bogan analysis: Louise Bogan Elizabeth Frank, 1986 Frank profiles Bogan, an influential woman of letters, poet, and critic during the early twentieth century. |
| woman poem by louise bogan analysis: A Poet's Prose Louise Bogan, 2005 Although best known as a master of the formal lyric poem, Louise Bogan (1897-1970) also published fiction and what would now be called lyrical essays. A Poet's Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths. Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke. Bogan's short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet's Prose a selection of Bogan's best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction. Louise Bogan won the Bollingen Prize in 1954 for her collected poems. She is the subject of the Pulitzer Prize-winning biography by Elizabeth Frank, Louise Bogan: A Portrait. |
| woman poem by louise bogan analysis: A Book of Women Poets from Antiquity to Now Aliki Barnstone, Willis Barnstone, 1992-04-28 A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. [A] splendid collection of verse by women (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets. |
| woman poem by louise bogan analysis: Widening Income Inequality Frederick Seidel, 2016-02-16 “One of the world’s most inspired and unusual poets . . . [Seidel’s] poems are a triumph of cosmic awe in the face of earthly terror.” —Hillel Italie, USA Today Frederick Seidel has been called many things. A “transgressive adventurer,” “a demonic gentleman,” a “triumphant outsider,” “a great poet of innocence,” and “an example of the dangerous Male of the Species,” just to name a few. Whatever you choose to call him, one thing is certain: “he radiates heat” (The New Yorker). Now add to that: the poet of aging and decrepitude. Widening Income Inequality, Seidel’s new poetry collection, is a rhymed magnificence of sexual, historical, and cultural exuberance, a sweet and bitter fever of Robespierre and Obamacare and Apollinaire, of John F. Kennedy and jihadi terror and New York City and Italian motorcycles. Rarely has poetry been this true, this dapper, or this dire. Seidel is “the most poetic of the poets and their leader into hell.” |
| woman poem by louise bogan analysis: The Anthologist Nicholson Baker, 2009-09-08 The Anthologist captures all the warmth, wit, and extraordinary prose stylethat have made Baker--a National Book Critics Circle Award-winning author--anAmerican master. |
| woman poem by louise bogan analysis: I Hear My Sisters Saying Carol Konek, Dorothy Walters, 1976 |
| woman poem by louise bogan analysis: The Visible Woman Allison Funk, 2021-01-01 In The Visible Woman, Allison Funk writes of how women often disappear into the roles expected of them, becoming invisible to themselves. To fill in “the thin / chalk outline” of herself that she’s “drawn and erased” for as long as she can remember, Funk returns to the anatomical model of “The Visible Woman” she left unassembled as a child. With poems rather than the kit’s plastic organs and bones, she strives to “create a likeness / to embody herself.” In her efforts at self-representation, the poet is guided by the visual artist Louise Bourgeois— her real-life model of a woman who proved that art gives us a way of recognizing ourselves. |
| woman poem by louise bogan analysis: Savage Coast Muriel Rukeyser, 2013-05-07 Never before published, this autobiographical novel captures the politics and passion of the Spanish Civil War. |
| woman poem by louise bogan analysis: Does Your House Have Lions? Sonia Sanchez, 2015-09-15 From the American Poetry Society's 2018 Wallace Stevens Award–winner, this is an epic poem on kin estranged, the death of a brother from AIDS, and the possibility of reconciliation and love in the face of loss. |
| woman poem by louise bogan analysis: The Veiled Mirror and the Woman Poet Elizabeth Caroline Dodd, 1992 In The Veiled Mirror and the Woman Poet, Elizabeth Dodd explores the lives and work of four women poets of the twentieth century - H. D., Louise Bogan, Elizabeth Bishop, and Louise Gluck. Dodd argues that sexist and male-dominated cultural forces in their personal and professional lives challenged these women to find a unique mode of expression in their poetry, a practice Dodd defines as personal classicism. Dodd uses the term personal classicism to examine modern and contemporary poetry that appears torn between two major modes of poetic sensibility, the Romantic and the Classical. While the four poets she addresses exhibit a poetic sensibility that is primarily Romantic - valuing Wordsworth's spontaneous overflow of powerful feelings; adopting a natural, spoken tone; and relying on personal subject matter - they have nonetheless employed masking and controlling strategies that are more nearly Classical. Combining feminist theory and biographical studies with close readings of individual poems, Dodd moves historically from H. D., one of the best-known Imagists, through the Confessional movement, to the major contemporary poet Louise Gluck. In the final chapter Dodd brings us to the present, where she finds women writers still struggling with the recent Confessional legacy of such highly anthologized poets as Anne Sexton and Sylvia Plath. The Veiled Mirror and the Woman Poet combines thoughtful consideration of both formal and theoretical issues in a graceful prose that reaffirms poetry as an art vitally connected to life. It will be of significant interest to students of modern and contemporary poetry, as well as to those concerned with women's studies. |
| woman poem by louise bogan analysis: Human Landscapes Nâzım Hikmet, 1982 A Turkish epic poem offers portraits of varying lengths about ordinary people caught up in the wars, occupations, and independence of Turkey. |
| woman poem by louise bogan analysis: Notable American Women Barbara Sicherman, Carol Hurd Green, 1980 Modeled on the Dictionary of American Biography, this set stands alone but is a good complement to that set which contained only 700 women of 15,000 entries. The preparation of the first set of Notable American Women was supported by Radcliffe College. It includes women from 1607 to those who died before the end of 1950; only 5 women included were born after 1900. Arranged throughout the volumes alphabetically, entries are from 400 to 7,000 words and have bibliographies. There is a good introductory essay and a classified lest of entries in volume three. |
| woman poem by louise bogan analysis: Civilian Histories Lee Upton, 2000 Upton's poems about dreams transform the often mundane qualitiy of life in an overly materialistic America into something imaginative and spiritual. --Andy Brumer, The New York Times Book Review. |
| woman poem by louise bogan analysis: When Found, Make a Verse of Helen Bevington, 1961 A gathering of prose and verse commentary on life and literature. |
| woman poem by louise bogan analysis: Emily As Sometimes the Forest Wants the Fire Darren Demaree, 2019-05-23 'Emily As' poems 2006-2018 |
| woman poem by louise bogan analysis: A Poet's Alphabet , 1970 |
| woman poem by louise bogan analysis: A Study Guide for Louise Bogan's "Medusa" Gale, Cengage Learning, A Study Guide for Louise Bogan's Medusa, excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs. |
| woman poem by louise bogan analysis: Poetry Will Save Your Life Jill Bialosky, 2017-08-15 From a critically acclaimed New York Times bestselling author and poet comes “a delightfully hybrid book: part anthology, part critical study, part autobiography” (Chicago Tribune) that is organized around fifty-one remarkable poems by poets such as Robert Frost, Emily Dickinson, Wallace Stevens, and Sylvia Plath. For Jill Bialosky, certain poems stand out like signposts at pivotal moments in a life: the death of a father, adolescence, first love, leaving home, the suicide of a sister, marriage, the birth of a child, the day in New York City the Twin Towers fell. As Bialosky narrates these moments, she illuminates the ways in which particular poems offered insight, compassion, and connection, and shows how poetry can be a blueprint for living. In Poetry Will Save Your Life, Bialosky recalls when she encountered each formative poem, and how its importance and meaning evolved over time, allowing new insights and perceptions to emerge. While Bialosky’s personal stories animate each poem, they touch on many universal experiences, from the awkwardness of girlhood, to crises of faith and identity, from braving a new life in a foreign city to enduring the loss of a loved one, from becoming a parent to growing creatively as a poet and artist. Each moment and poem illustrate “not only how to read poetry, but also how to love poetry” (Christian Science Monitor). “An emotional, sometimes-wrenching account of how lines of poetry can be lifelines” (Kirkus Reviews), Poetry Will Save Your Life is an engaging and entirely original examination of a life while celebrating the enduring value of poetry, not as a purely cerebral activity, but as a means of conveying personal experience and as a source of comfort and intimacy. In doing so the book brilliantly illustrates the ways in which poetry can be an integral part of life itself and can, in fact, save your life. |
| woman poem by louise bogan analysis: Standing Female Nude Carol Ann Duffy, 2016-09-27 This outstanding first collection introduced Carol Ann Duffy's impressive gifts and the broad range of her interests and style. The poems are fresh, skillful, passionate. Since its publication in 1985, Duffy has won every major poetry prize in the United Kingdom and sold over one million copies of her books around the world. |
| woman poem by louise bogan analysis: Devotions: A Read with Jenna Pick Mary Oliver, 2020-11-10 Now a Read With Jenna Book Club Pick Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career. “No matter where one starts reading, Devotions offers much to love.” —The Washington Post “It’s as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration.” —Chicago Tribune Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as far and away, this country's best selling poet by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world. |
| woman poem by louise bogan analysis: The Stamp of Class Gary Lenhart, 2006 The Stamp of Class is about reading poetry with an awareness of class and its themes. While numerous works have taken up the question of race and gender as they relate to literary creation, no single book has probed the interplay between class and American poetry. The nine essays in Gary Lenhart's book deal with the question of class as reflected in the works of Tracie Morris, Tillie Olsen, Melvin Tolson, William Carlos Williams, Walt Whitman, and others. The work is rooted in the author's own experiences as a working-class poet and teacher, and is the result of more than a decade of exploration. |
| woman poem by louise bogan analysis: Eighteenth-Century Women Poets and Their Poetry Paula R. Backscheider, 2005-12-31 Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet. |
| woman poem by louise bogan analysis: I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays Sonia Sanchez, 2010-09-17 Sonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez’s plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don’t Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I’m Black When I’m Singing, I’m Blue When I Ain’t (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood’s introduction illuminates Sanchez’s stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art. |
| woman poem by louise bogan analysis: The Lammas Hireling Ian Duhig, 2003 Lammas is the first of August harvest festival. Ian Duhig's poem uses some older dialect words to portray a farmer hiring a worker at a fair. After that everything goes badly wrong for the farmer. The title poem won the first prize in the Poetry Society's National Poetry Competition in 2000. |
| woman poem by louise bogan analysis: American and British Poetry Harriet Semmes Alexander, 1984 |
| woman poem by louise bogan analysis: Arts Review , 1986 |
| woman poem by louise bogan analysis: A Study Guide for Louise Bogan's "Words for Departure" Gale, Cengage Learning, 2016 A Study Guide for Louise Bogan's Words for Departure, excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs. |
| woman poem by louise bogan analysis: Louise Bogan's Aesthetic of Limitation Gloria Bowles, 1987 |
| woman poem by louise bogan analysis: Ooga-Booga Frederick Seidel, 2014-09-02 From the winner of the PEN/Voelker Award, poems of love, terror, rage, and desire. Here I am, not a practical man, But clear-eyed in my contact lenses, Following no doubt a slightly different line than the others, Seeking sexual pleasure above all else, Despairing of art and of life, Seeking protection from death by seeking it On a racebike, finding release and belief on two wheels . . . --from The Death of the Shah The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from Frederick Seidel, the most frightening American poet ever (Calvin Bedient, Boston Review). |
| woman poem by louise bogan analysis: The Only World Lynda Hull, 1995 These are poems in which the personal and the autobiographical invariably fuse with the larger sorts of apocalypse our culture faces as it nears the millennium. Hull's muse is not the scrawny, self-absorbed figure that seems to inspire so many of today's poets, but Clio, whom Hull invokes as the cruellest Muse, blank History, her pages/waiting to fill. |
| woman poem by louise bogan analysis: Women Writers at Work Paris Review, 1998-07-21 Sixteen of the world's great women writers speak about their work, their colleagues, and their lives. For More Than Forty Years, the acclaimed Paris Review interviews have been collected in the Writers at Work series. The Modern Library relaunches the series with the first of its specialized collections -- interviews with sixteen women novelists, poets, and playwrights, all offering rich commentary on the art of writing and on the opportunities and challenges a woman writer faces in contemporary society. |
| woman poem by louise bogan analysis: Saturday Review of Literature , 1926 |
| woman poem by louise bogan analysis: Vita Nova Louise Gluck, 2001-03-06 Since, 1990, Louise GlÜck has been exploring a form that is, according to poet Robert Hass, her invention. Vita Nova -- like its immediate predecessors, a book-length sequence -- combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring, a book of deaths and beginnings, resignation and hope, brutal, luminous, and farseeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, GlÜck compasses the essential human paradox, a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it. |
| woman poem by louise bogan analysis: Reader's Guide to Literature in English Mark Hawkins-Dady, 2012-12-06 Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study. |
| woman poem by louise bogan analysis: Signets Susan Stanford Friedman, Rachel Blau DuPlessis, 1990 Signets brings together the best essays of H.D. (Hilda Doolittle). Susan Stanford Friedman and Rachel Blau DuPlessis have gathered the most influential and generative studies of H. D.'s work and complemented them with photobiographical, chronological, and bibliographical portraits unique to this volume. The essays in Signets span H. D.'s career from the origins of Imagism to late modernism, from the early poems of Sea Garden to the novel HER and the epic poems Trilogy and Helen in Egypt. In addition to the editors, the contributors are Diana Collecott, Robert Duncan, Albert Gelpi, Eileen Gregory, Susan Gubar, Barbara Guest, Elizabeth A. Hirsch, Deborah Kelly Kloepfer, Cassandar Laity, Adalaide Morris, Alicia Ostriker, Cyrena N. Pondrom, Perdita Schaffner, and Louis H. Silverstein. Signets is an essential resource for those interested in H. D., modernism, and feminist criticism and writing. |
| woman poem by louise bogan analysis: Gendered Modernisms Margaret Dickie, Thomas Travisano, 2016-11-11 Thirteen original essays on Gertrude Stein, H. D., Marianne Moore, Edna St. Vincent Millay, Laura (Riding) Jackson, Elizabeth Bishop, Muriel Rukeyser, and Gwendolyn Brooks demonstrate how these women expand the social, textual, and political boundaries of modernism. The collection places these poets in the context of their times, examining the conditions that helped shape their vivid and diverse poetic careers and reconsidering some of the assumptions that have led to their exclusion from the main narratives of modernist poetry. Ultimately, the aim is to enlarge the literary history of the movement—for gendered, modernism extends backward to the first years of the century, and forward to the beginnings of postmodernism in the 1960s. |
| woman poem by louise bogan analysis: Encyclopedia of American Poetry: The Twentieth Century Eric L. Haralson, 2014-01-21 The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States. |
| woman poem by louise bogan analysis: Reflections on Poetry and the World Emily Grosholz, 2020-12-18 This collection brings together 40 years of essays about poetry and literature written by Emily Grosholz. The first section includes essays about some of her favorite poets and thinkers in the United States, England, France and Germany. The second section brings poetry into relation with ethics, politics and practical deliberation, and the third considers it alongside science and imagination. The last section is an homage to The Hudson Review, for whom she has served as an Advisory Editor for many years. As a philosopher, Emily Grosholz has written and thought about feminism, racism, and mathematics and science, which has led her to admire all the more the distinct wisdom of poetry. These essays show how poetry reorganized language and memory, eros and experience, and time and place, and how and why it deepens our understanding of life. |
Woman - Wikipedia
A woman is an adult female human. [a][2][3] Before adulthood, a female child or adolescent is referred to as a girl. [4] Typically, women are of the female sex and inherit a pair of X …
WOMAN Definition & Meaning - Merriam-Webster
The meaning of WOMAN is an adult female person. How to use woman in a sentence.
Woman: Definition, Meaning, and Examples - usdictionary.com
Jun 10, 2025 · Woman (noun): A female person associated with a particular role, occupation, or characteristic. 3. Woman (noun): The female sex, collectively. The term "woman" is a …
WOMAN | English meaning - Cambridge Dictionary
WOMAN definition: 1. an adult female human being: 2. an adult who lives and identifies as female though they may…. Learn more.
WOMAN Definition & Meaning | Dictionary.com
Woman, female, lady are nouns referring to an adult female human being, one paradigm of gender and biological sex for adult human beings. Woman is the general term. It is neutral, …
WOMAN definition in American English - Collins Online Dictionary
A woman is an adult female human being. ...a young Lithuanian woman named Dayva. ...men and women over 75 years old. You can refer to women in general as woman. ...the oppression of …
What does WOMAN mean? - Definitions.net
What does WOMAN mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word WOMAN. An adult female human. To man with …
Woman - definition of woman by The Free Dictionary
1. an adult female person, as distinguished from a girl or a man. 2. a wife. 3. a female lover or sweetheart. 4. a female servant or attendant. 5. women collectively; womankind. 6. the nature, …
Woman - Simple English Wikipedia, the free encyclopedia
Women have sex organs including a vagina, uterus, and ovaries from birth. After they become adults, women also have breasts to make milk for babies. Women's bodies are usually …
WHAT IS A WOMAN? - LGBT Foundation
We are all multifaceted people who go beyond a simple sentence summarising womanhood. A rigid, simplistic definition both limits and reduces our womanhood. A woman is someone who …
Woman - Wikipedia
A woman is an adult female human. [a][2][3] Before adulthood, a female child or adolescent is referred to as a girl. [4] Typically, women are of the female sex and inherit a pair of X …
WOMAN Definition & Meaning - Merriam-Webster
The meaning of WOMAN is an adult female person. How to use woman in a sentence.
Woman: Definition, Meaning, and Examples - usdictionary.com
Jun 10, 2025 · Woman (noun): A female person associated with a particular role, occupation, or characteristic. 3. Woman (noun): The female sex, collectively. The term "woman" is a …
WOMAN | English meaning - Cambridge Dictionary
WOMAN definition: 1. an adult female human being: 2. an adult who lives and identifies as female though they may…. Learn more.
WOMAN Definition & Meaning | Dictionary.com
Woman, female, lady are nouns referring to an adult female human being, one paradigm of gender and biological sex for adult human beings. Woman is the general term. It is neutral, …
WOMAN definition in American English - Collins Online Dictionary
A woman is an adult female human being. ...a young Lithuanian woman named Dayva. ...men and women over 75 years old. You can refer to women in general as woman. ...the oppression of …
What does WOMAN mean? - Definitions.net
What does WOMAN mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word WOMAN. An adult female human. To man with …
Woman - definition of woman by The Free Dictionary
1. an adult female person, as distinguished from a girl or a man. 2. a wife. 3. a female lover or sweetheart. 4. a female servant or attendant. 5. women collectively; womankind. 6. the nature, …
Woman - Simple English Wikipedia, the free encyclopedia
Women have sex organs including a vagina, uterus, and ovaries from birth. After they become adults, women also have breasts to make milk for babies. Women's bodies are usually …
WHAT IS A WOMAN? - LGBT Foundation
We are all multifaceted people who go beyond a simple sentence summarising womanhood. A rigid, simplistic definition both limits and reduces our womanhood. A woman is someone who …
