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| young rebecca de mornay: Flipped Wendelin Van Draanen, 2003-05-13 A classic he-said-she-said romantic comedy! This updated anniversary edition offers story-behind-the-story revelations from author Wendelin Van Draanen. The first time she saw him, she flipped. The first time he saw her, he ran. That was the second grade, but not much has changed by the seventh. Juli says: “My Bryce. Still walking around with my first kiss.” He says: “It’s been six years of strategic avoidance and social discomfort.” But in the eighth grade everything gets turned upside down: just as Bryce is thinking that there’s maybe more to Juli than meets the eye, she’s thinking that he’s not quite all he seemed. This is a classic romantic comedy of errors told in alternating chapters by two fresh, funny voices. The updated anniversary edition contains 32 pages of extra backmatter: essays from Wendelin Van Draanen on her sources of inspiration, on the making of the movie of Flipped, on why she’ll never write a sequel, and a selection of the amazing fan mail she’s received. Awards and accolades for Flipped: SLJ Top 100 Children’s Novels of all time IRA-CBC Children’s Choice IRA Teacher’s Choice Honor winner, Judy Lopez Memorial Award/WNBA Winner of the California Young Reader Medal “We flipped over this fantastic book, its gutsy girl Juli and its wise, wonderful ending.” — The Chicago Tribune “Van Draanen has another winner in this eighth-grade ‘he-said, she-said’ romance. A fast, funny, egg-cellent winner.” — SLJ, Starred review “With a charismatic leading lady kids will flip over, a compelling dynamic between the two narrators and a resonant ending, this novel is a great deal larger than the sum of its parts.” —Publishers Weekly, Starred review |
| young rebecca de mornay: The Coppolas Vincent LoBrutto, Harriet R. LoBrutto, 2012-08-22 This fascinating, behind-the-scenes look at a Hollywood dynasty offers an in-depth study of the films and artistry of iconic director Francis Ford Coppola and his daughter, Sofia, exploring their work and their impact on each other, both personally and professionally. The Coppolas: A Family Business examines the lives, films, and relationship of two exemplary filmmakers, Francis Ford Coppola and his daughter Sofia. It looks at their commonalities and differences, as artists and people, and at the way those qualities are reflected in their work. Much of the book is devoted to Francis and his outstanding achievements—and equally notable failures—as a screenwriter, director, producer, and presenter of landmark works of cinema. The narrative goes beyond the heyday of his involvement with Hollywood to analyze his more recent projects and the choices that led him to create small, independent films. In Sofia's case, the story is one of women's growing independence in the arts, revealing how Sofia developed her craft to become a cinematic force in her own right. In addition to its insightful commentary on their contributions to cinema past and present, the volume provides intriguing hints at what fans might anticipate in the future as both Coppolas continue to expand their artistry. |
| young rebecca de mornay: An Inconvenient Woman Dominick Dunne, 2009-11-17 NEW YORK TIMES BESTSELLER • “Good unclean fun . . . [a] convoluted, scandal-greased, exposed-backsides-of-the-rich-and-famous story . . . told in a confiding, breathless undertone.”—Entertainment Weekly Jules Mendelson is wealthy. Astronomically so. He and his wife lead the kind of charity-giving, art-filled, high-society life for which each has been carefully groomed. Until Jules falls in love with Flo March, a beautiful actress/waitress. What Flo discovers about the superrich is not a pretty sight. And in the end, she wants no more than what she was promised. But when Flo begins to share the true story of her life among the Mendelsons, not everyone is in a listening mood. And some cold shoulders have very sharp edges. . . . |
| young rebecca de mornay: Alter Ego Alex Segura, 2024-12-03 Alex Segura, award–winning author of Secret Identity, returns with a clever and escapist standalone sequel set in the world of comic books. In the present day, a comics legend is given the chance to revive a beloved but forgotten character. But at what price? Annie Bustamante is a cultural force like none other: an acclaimed filmmaker, an author, a comic book artist known for one of the all time best superhero comics in recent memory. But she’s never been able to tackle her longtime favorite superhero, the Lethal Lynx. Only known to the most die-hard comics fans and long out of print, the rights were never available—until now. But Annie is skeptical of who is making the offer: Bert Carlyle's father started Triumph Comics, and has long claimed ownership of the Lynx. When she starts getting anonymous messages urging her not to trust anyone, Annie’s inner alarms go off. Even worse? Carlyle wants to pair her with a disgraced filmmaker for a desperate media play. Annie, who has been called a genius, a sell-out, a visionary, a hack, and everything else under the sun, is sick of the money grab. For the first time since she started reading a tattered copy of The Legendary Lynx #1 as a kid, she feels a pure, creative spark. The chance to tell a story her way. She's not about to let that go. Even if it means uncovering the dark truth about the character she loves. Sharply written, deftly plotted, and with a palpable affection for all kinds of storytelling, Alter Ego is a one-of-a-kind reading experience. |
| young rebecca de mornay: Michael J. Shapiro Michael J. Shapiro, Terrell Carver, Samuel Allen Chambers, 2012 Michael Shapiro has been one of the most important thinkers and writers over the past two decades whose work has been extremely influential in fields as varied as political theory, international relations and cultural studies. This collection contains his seminal writings on such topics as discourse, culture and violence. |
| young rebecca de mornay: Happy Cruelty Day! Bob Powers, 2013-10-08 For everyone looking to find a little extra magic in a life with little to celebrate, Happy Cruelty Day! is here. Beginning on January 1, this book features 365 new holidays, each accompanied by a strange, dark and humorous short story explaining the day you woke up in and how to celebrate it. These 365 daily doses of delight, perversion, and nonsense include Hire Someone Attractive To Pretend To Love You Day, Hang on to Your Wide-Eyed Innocence Day, Sit in Abject Terror Day, and, of course, Cruelty Day. Far more than just a humor book, Happy Cruelty Day! is like a daily instructional manual written by a psychopath. On one page, the book has you joining a community crime watch group in an effort to make friends (it won't work). Flip the page, and you'll find the details of your attempt to rescue your husband from a POW camp (you'll fail). Flip it again, and Happy Cruelty Day! will have important insight into how best to befriend a runaway teen (offer her some soup). These holidays celebrate everything from that pivotal point in your life when everything changes, to the day you're not going to do anything but sit on the edge of your bed and get very drunk. When people realize they've fallen in love, or when they realize their love was just a lie. And of course, when love of whatever incarnation brings an index finger to clench tight around the trigger of a gun. Raw, ridiculous, and laugh-out-loud funny, this is a sharp-edged satire on the subtleties, shallowness, and stupidity of daily life. |
| young rebecca de mornay: Generation Multiplex Timothy Shary, 2014-04-01 Generation Multiplex (2002) was the first comprehensive study of the representation of teenagers in American cinema since David Considine's Cinema of Adolescence in 1985. This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres—school, delinquency, horror, and romance—Timothy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything . . . , Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga, and The Hunger Games. Analyzing developments in teen films since 2002, Shary covers such topics as the increasing availability of movies on demand, which has given teens greater access to both popular and lesser-seen films; the recent dominance of supernatural and fantasy films as a category within the genre; and how the ongoing commodification of teen images in media affects real-life issues such as school bullying, athletic development, sexual identity, and teenage pregnancy. |
| young rebecca de mornay: Neil Simon on Screen Peter Shelley, 2015-01-28 Neil Simon is the most successful American playwright on Broadway, and the winner of many awards including the Pulitzer Prize for Drama, the Mark Twain Prize for Humor, and a Kennedy Center Honor for Lifetime Achievement. Many of his plays have been adapted into films and made-for-television movies, and he has written original screenplays and television specials. This book provides a catalogue of Simon's screen work with cast and crew information, synopses, release dates, reviews, awards and DVD availability. Notes on each film cover his narrative subjects and themes as well as adaptation, direction and performance. |
| young rebecca de mornay: The Immortal Marilyn John De Vito, Frank Tropea, 2006-12-07 From the late 1940s to the early '60s, Marilyn Monroe appeared in barely thirty movies, beginning with bit parts and moving on into supporting roles for such films as The Asphalt Jungle, All About Eve, and Clash by Night. She soon shot to international fame and gained prominent roles in a number of classics like The Seven Year Itch, Gentlemen Prefer Blondes, and Some Like It Hot. By the time of her early death in 1962, she had already become established as one of the great icons of the silver screen. Even early in her career, Monroe had been a source of inspiration for playwrights, filmmakers, and others looking to cash in on her tremendous impact. In The Immortal Marilyn: The Depiction of an Icon, authors John DeVito and Frank Tropea chronicle the many representations of Marilyn Monroe in the performing arts, from the 1950s to the present day. In a decade-by-decade review, the authors examine how Marilyn is portrayed in four distinct modes: as herself, as a Roman à Clef character, as a referent, and as a documentary subject. By looking closely at these individual works, the authors reveal the ways in which her persona, her history, and—most of all—her image have been appropriated for both fact and fiction. From an episode of I Love Lucy to Arthur Miller's play The Fall, from adaptations of works by Norman Mailer and Joyce Carol Oates to an ever-growing list of documentaries, Monroe has been the subject of countless depictions on stage, screen, radio, and television. Monroe is adored, imitated, and idolized, and the enormous amount of material written about her—either directly or indirectly—proves that she will continue to be a source of interest and speculation. The first real analysis of all the many complex meanings that Marilyn Monroe has come to assume, this book attempts to encapsulate and understand the enormous influence the actress had on the public and the wide range of creative talents who found her such an intriguing subject. This book |
| young rebecca de mornay: Revenge of the Nerd Curtis Armstrong, 2017-07-11 Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common? Curtis Armstrong. A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there’s more to Curtis’ story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was coined there in 1951, and, improbably, Geneva, Switzerland. His adolescence and early adulthood was spent primarily between the covers of a book and indulging his nerdy obsessions. It was only when he found his true calling, as an actor and unintentional nerd icon, that he found true happiness. With whip-smart, self-effacing humor, Armstrong takes us on a most unlikely journey—one nerd’s hilarious, often touching rise to the middle. He started his life as an outcast and matured into...well, an older, slightly paunchier, hopefully wiser outcast. In Hollywood, as in life, that counts as winning the game. |
| young rebecca de mornay: The Movie Guide James Monaco, 1992 From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film. |
| young rebecca de mornay: Tom Cruise Andrew Morton, 2008-01-15 Andrew Morton uncovers the true story of the biggest celebrity of our age. Everyone knows Tom Cruise—or at least what he wants us to know. We know that the man behind the smile overcame a tough childhood to star in astonishing array of blockbusters: Top Gun, Rain Man, Born on the Fourth of July, A Few Good Men, Jerry Maguire, several Mission: Impossible movies, and more. We know he has taken artistic chances, too, earning him three Academy Award and Golden Globe nominations. But beyond that, the picture becomes a bit less clear... We know that Tom is a devoted follower of the Church of Scientology. We know that, despite persistent rumors about his sexuality, he has been married to Mimi Rogers, Nicole Kidman, and Katie Holmes. But it was not until he jumped on Oprah's couch to proclaim his love for Katie and denounced Brooke Shields for turning to the Nazi science of psychiatry that we began to realize how much we did not know about the charming, hardworking star. For all the headlines and the rumors, the real Tom Cruise has remained surprisingly hidden—until now. |
| young rebecca de mornay: Authoring Hal Ashby Aaron Hunter, 2018-02-22 Casting fresh light on New Hollywood – one of American cinema's most fertile eras – Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators. Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers. |
| young rebecca de mornay: Your Movie Sucks Roger Ebert, 2007-03-01 A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel. |
| young rebecca de mornay: Approaching Eden Theresa Sanders, 2009 Provides historical background from Christian, Jewish, and Muslim perspectives to show the relevance and prominence of Adam and Eve's story in life today, where we are inundated with references to the Garden of Eden in popular culture from an early age. |
| young rebecca de mornay: Leonard Cohen on Leonard Cohen Leonard Cohen, 2014-07-14 Leonard Cohen, one of the most admired performers of the last half century, has had a stranger-than-fiction, roller-coaster ride of a life. Now, for the first time, he tells his story in his own words, via more than 50 interviews conducted world-wide between 1966 and 2012. In this book -- which includes a foreword by singer Suzanne Vega and eight pages of rarely seen photos -- the artist talks about Bird on the Wire, Hallelujah, and his other classic songs. He candidly discusses his famous romances, his years in a Zen monastery, his ill-fated collaboration with producer Phil Spector, his long battle with depression, and much more. You will find interviews that first appeared in the New York Times and Rolling Stone, but also conversations that have not previously been printed in English. Some of the material here has not been available until now in any format, including the many illuminating reminiscences that contributors supplied specifically for this definitive anthology. |
| young rebecca de mornay: New York Magazine , 1986-01-27 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: New York Magazine , 1986-02-10 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: Leonard Maltin's Movie Guide Leonard Maltin, 2017-11-28 Previously published as Leonard Maltin’s 2015 Movie Guide, this capstone edition includes a new Introduction by the author. (Note: No new reviews have been added to this edition) Now that streaming services like Netflix and Hulu can deliver thousands of movies at the touch of a button, the only question is: What should I watch? Summer blockbusters and independent sleepers; the masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Woody Allen; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This capstone edition covers the modern era while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. With nearly 16,000 entries and more than 13,000 DVD listings, Leonard Maltin's Movie Guide remains “head and shoulders above the rest.” (The New York Times) Also included are a list of mail-order and online sources for buying and renting DVDs and videos, official motion picture code ratings from G to NC-17, and Leonard's list of recommended films. |
| young rebecca de mornay: Screen World 1998 John Willis, Barry Monush, 1999-02-01 Covers American and foreign films released in the United States each year, with listings of credits and profiles of screen personalities and award winners |
| young rebecca de mornay: New York Magazine , 1988-11-21 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: The New Biographical Dictionary of Film David Thomson, 2014-05-06 For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.” |
| young rebecca de mornay: The Film Journal , 1995 |
| young rebecca de mornay: Screen World 1994 John Willis, Barry Monush, 2000-02-01 Covers American and foreign films released in the United States each year, with listings of credits and profiles of screen personalities and award winners |
| young rebecca de mornay: New York Magazine , 1992-03-30 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: New York Magazine , 1988-11-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: New York Magazine , 1988-11-07 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: New York Magazine , 1983-11-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: New York Magazine , 1993-05-10 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: New York Magazine , 1995-10-23 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: Leonard Maltin's 2009 Movie Guide Leonard Maltin, Luke Sader, Mike Clark, 2008 Offers readers a comprehensive reference to the world of film, including more than ten thousand DVD titles, along with information on performers, ratings, running times, plots, and helpful features. |
| young rebecca de mornay: Bob Dylan and Leonard Cohen David Boucher, Lucy Boucher, 2021-04-08 Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation. |
| young rebecca de mornay: New York Magazine , 1983-08-22 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| young rebecca de mornay: Business Today , 2002 |
| young rebecca de mornay: Violent Screen Stephen Hunter, 1995 Gun buff, movie critic and bestselling author of Dirty White Boys, Stephen Hunter takes aim at 13 years of violence on the big screen, hitting the highlights and the lowlifes, the thrills, the chills, and the kills, with deadly precision, explosive prose and devastating good humor. |
| young rebecca de mornay: Lolita Richard Corliss, 2019-07-25 Stanley Kubrick's version of Vladimir Nabokov's novel was one of the most controversial films of the 1960s. This analysis is written by Richard Corliss, editor of 'Film Comment'. It features a brief production history and a detailed filmography. |
| young rebecca de mornay: Horror Literature through History Matt Cardin, 2017-09-21 This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections. |
| young rebecca de mornay: Everything I Need to Know, I Learned from a Chick Flick Kimberly Potts, 2007 The first book to point out all the valuable life lessons that can be found in even the cheesiest, weepiest, most over-the-top chick flicks features fun chapters with overarching life lessons, backed up by examples from favorite films. |
| young rebecca de mornay: The Celluloid Courtroom Ross D. Levi, 2005-03-30 The genre of legal cinema is an extensive and revealing one: it is a body of films that depicts lawyers, clients, criminals, judges, and juries, often not as they actually are, but as we would like them to be. The idealized courtroom of many legal movies tells us a great deal about what we think of our justice system and what we want it to reflect about America, but the films in the genre vary widely in how they do this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill to Twelve Angry Men, we see certain stereotypes repeating themselves again and again: the judge as stern referee, the jury as an ultimately fair body of decisionmakers, the lawyer as hardworking and passionate fighter for the underdog. In this new and comprehensive study of this understudied category of film, author Ross D. Levi argues that, contrary to popular belief, legal movies show us a system that is far more fair than our actual one, with corruption downplayed and greed made subordinate to compassion and compromise. With a comprehensive filmography, penetrating analysis—both cinematic and legal—and engaging discussion of a wide array of movies, The Celluloid Courtroom is an indispensable guide to a key aspect of American movies and American justice. The genre of legal cinema is an extensive and revealing one: it is a body of films that depicts lawyers, clients, criminals, judges, and juries, often not as they actually are, but as we would like them to be. The idealized courtroom of many legal movies tells us a great deal about what we think of our justice system and what we want it to reflect about America, but the films in the genre vary widely in how they do this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill to Twelve Angry Men, we see certain stereotypes repeating themselves again and again: the judge as stern referee, the jury as an ultimately fair body of decisionmakers, the lawyer as hardworking and passionate fighter for the underdog. In this new and comprehensive study of this understudied category of film, author Ross D. Levi argues that, contrary to popular belief, legal movies show us a system that is far more fair than our actual one, with corruption downplayed and greed made subordinate to compassion and compromise. These are films that have affected as much as reflected the American justice system, as we enter the courts hoping, often against hope, that they will be something like what we've seen in the movies. With a comprehensive filmography, penetrating analysis—both legal and cinematic—and engaging and enlightening discussion, The Celluloid Courtroom is an indispensable guide to a key aspect of American movies and American justice. |
| young rebecca de mornay: The Girls Stan Zimmerman, 2024-02-13 “...the very definition of a page-turner. READ THIS BOOK!” – Colin Mochrie, “Whose Line is It Anyway?,” “Hyprov” Featured on Watch What Happens Live! With Andy Cohen, People Magazine, Queerty Magazine, Fox Digital News, The New York Post, The Daily Mail, The Hollywood Reporter, and Out Magazine. The Girls: From Golden to Gilmore is the story of Stan Zimmerman, a gawky Jewish boy who dreamed of becoming a wildly successful actor, rich enough to build his own mansion in the Hollywood Hills. While the actor part didn't quite pan out, Stan found success as a writer, producer, director, and playwright, working on such shows as The Golden Girls, Roseanne, and Gilmore Girls. Growing up in a small suburb of Detroit, Michigan, Stan was surrounded by three strong, intelligent women-his mother, his grandmother, and his sister-all of whom supported his imagination and creativity. Instead of playing outside, he spent time in his basement directing and acting in plays with the neighborhood kids. At seven-and-a-half years old, he was the youngest student accepted into a prestige summer theater school program. After high school, he was awarded a work/study scholarship to NY/Circle in the Square, where he met his first serious boyfriend and became Andy Warhol's unwitting photo subject one night at Studio 54. He also met Jim Berg, a journalism student at NYU's University Without Walls, forming a writing partnership that has continues to this day. partnership to this day. Their latest project is naturally an all-star, female ensemble Christmas comedy movie for Lifetime! Throughout his life, most of Stan's friendships have been with females. He credits those friendships and the women in his family with his ability to connect with creative women who have played a part in his career success. Accompanied by journal entries, The Girls details Stan's relationships with some of entertainment's most notable women, including Roseanne Barr, Lily Tomlin, Sandra Bernhard, Lauren Graham and Alexis Bledel, and, of course, all four Golden Girls. The Girls: From Golden to Gilmore is a candid, funny, and sometimes poignant testimony about how a young boy turned his dream into reality. |
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