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| women writing in india: Women Writing in India: 600 B.C. to the early twentieth century Susie J. Tharu, Ke Lalita, 1991 Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman. |
| women writing in india: Women Writing in India Susie Tharu, K. Lalita, 1991 |
| women writing in india: Centrepiece Parismita Singh, (ed.), 2018-06-15 This book brings you a wealth of stories, in words and images, from a part of India known as the Northeast, a term that is widely contested for the ways in which it homogenizes a region of great diversity. It is also a term that has come to be a marker of identity and solidarity by many who are of the region. Here, 21 writers and artists look at the idea of ‘work’ — from street hawking to beer brewing, from mothering to dung collection — and describe their lives or those of others with humour and compassion. Parismita Singh’s wonderful compilation of the works of women asks: what are the different ways of telling a story? What if we were to attempt these tellings through poetry and portraits and essays, older traditions like textile art and applique and new genres like hashtag poetry tapped into a smartphone? Where would it take us, what would the world look like? |
| women writing in india: Women Writing in India: The twentieth century Susie J. Tharu, Ke Lalita, 1991 These ground-breaking collections offer 200 texts from eleven languages, never before available in English or as a collection, along with a new reading of cultural history that draws on contemporary scholarship on women and India. This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as intellectually rigorous, challenging, and analytical, place the writers and their selections within the context of Indian culture and history. |
| women writing in india: Dwelling in the Archive Antoinette M. Burton, 2003 Through an analysis of the writings of three 20th century Indian women, this book explores how the memoirs, fictions, and histories written by women can be read as counter-narratives of colonial modernity. |
| women writing in india: Contemporary Women’s Writing in India Varun Gulati, Maratt Mythili Anoop, 2014-12-24 Contemporary Women's Writing in India offers refreshing and comprehensive literary voices that address a broad range of issues in contemporary women’s writing in India. |
| women writing in india: Family Fictions and World Making Sreya Chatterjee, 2021-04-29 Family Fictions and World Making: Irish and Indian Women’s Writing in the Contemporary Era is the first book-length comparative study of family novels from Ireland and India. On the one hand, despite an early as well as late colonial experience, Ireland is often viewed exclusively within a metropolitan British and Europe-centered frame. India, on the other hand, once seen as a model of decolonization for the non-Western world, has witnessed a crisis of democracy in recent years. This book charts the idea of world making through the fraught itineraries of the Irish and the Indian family novel. The novels discussed in the book foreground kinship based on ideological rather than biological ties and recast the family as a nucleus of interests across national borders. The book considers the work of critically acclaimed women authors Anne Enright, Elizabeth Bowen, Mahasweta Devi, Jennifer Johnston, Kiran Desai and Molly Keane. These writers are explored as representative voices for the interwar years, the late-modern period, and the globalization era. They not only push back against the male nationalist idiom of the family but also successfully interrogate family fiction as a supposedly private genre. The broad timeframe of Family Fictions and World Making from the interwar period to the globalization era initiates a dialogue between the early and the current debates around core and periphery in postcolonial literature. |
| women writing in india: Science Fiction and Indian Women Writers Urvashi Kuhad, 2021-07-29 Science fiction, as a literature of fantasy, goes beyond the mundane to ask the question: what if the world were different from the way it is? It often challenges the real, builds on imagination, places no limits on human capacities, and encourages readers to think outside their social and cultural conditioning. This book presents a systematic study of Indian women’s science fiction. It offers a critical analysis of the works of four female Indian writers of science fiction: Rokeya Sakhawat Hossain, Manjula Padmanabhan, Priya Sarukkai Chabria and Vandana Singh. The author considers not only the evolution of science fiction writing in India, but also discusses the use of innovations and unique themes including science fiction in different Indian languages; the literary, political, and educational activism of the women writers; and eco-feminism and the idea of cloning in writing, to argue that this genre could be viewed as a vibrant representation of freedom of expression and radical literature. This ground-breaking volume will be useful for scholars and researchers of English literature. It will also prove a very useful source for further studies into Indian literature, science and technology studies, women’s and gender studies, comparative literature and cultural studies. |
| women writing in india: Feminism and Contemporary Indian Women's Writing E. Jackson, 2010-01-20 This book is a comparative and developmental study of the expression of feminist concerns in the novels of Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande, among the best known and most prolific Indian novelists writing in English, who have been self-consciously engaged with women's issues during the postcolonial era. |
| women writing in india: Writing Gender, Writing Nation Bharti Arora, 2020 This book explores the gendered contexts of the Indian nation through a rigorous analysis of selected women's fiction ranging from diverse linguistic, regional, geographical, caste, class and regional contexts. Indian women's writing across languages, texts, and contexts constitutes a unique narrative of the post-independence nation. This volume highlights the ways in which women writers negotiate the patriarchal biases embedded in the epistemological and institutional structures of the post-independence nation state. It discusses works of famous Indian authors like Amrita Pritam, Jyotirmoyee Devi, Mannu Bhandari, Mahasweta Devi, Mridula Garg, Nayantara Sahgal, Indira Goswami, Alka Saraogi to name a few, and facilitates a pan-Indian understanding of the concerns taken up by these women writers. In doing so, it shows how ideas travel across regions and contribute towards building a thematic critique of the oppressive structures that breed the unequal relations between margins and the centre. The volume will be of interest to scholars and researchers of gender studies, women's studies, South Asian literature, political sociology and political studies. the centre. The volume will be of interest to scholars and researchers of gender studies, women's studies, South Asian literature, political sociology and political studies. |
| women writing in india: Women Writing in India: The twentieth century Susie J. Tharu, Ke Lalita, 1993 |
| women writing in india: Desiring Women Writing Jonathan Goldberg, 1997 In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate womens writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyers Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for womens writing, and offers accounts of Margaret Ropers translation of Erasmus and Mary Sidneys of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the womens hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Carys Mariam. Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the debasement of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreationdesires that move across race in Oroonoko; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Ropers Devout Treatise. |
| women writing in india: Writing Caste/Writing Gender Sharmila Rege , 2014-04-01 'The women tell it like it is... So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat.’ — The Hindu Sharmila Rege’s path breaking study of Dalit women’s writings and lives offers a powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century. Extensive extracts from eight Dalit women’s writings cover issues such as food and hunger, community, caste, labour, education, violence, resistance and collective struggle. The voices that resound throughout the book, reveal that Dalit feminism, far from being ‘silent’ as so often presumed, is rich, powerful, layered – and highly articulate. Published by Zubaan. |
| women writing in india: Women Writing in India Susie Tharu, K. Lalita, 1993 This Groundbreaking Volume Offers A Selection Of Writing In Ten Languages, Which Have Never Before Been Available As A Collection Or In English. |
| women writing in india: Post-Colonial and African American Women's Writing Gina Wisker, 2017-03-04 This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics. |
| women writing in india: The Crooked Line Ismat Chughtai, 2015-09-15 A young Indian woman searches for her own identity as her country fights for independence in this novel from the award-winning Urdu Indian author. The Crooked Line is the story of Shamman, a spirited young woman who rebels against the traditional Indian life of purdah, or female seclusion, that she and her sisters are raised in. Shipped off to boarding school by her family, Shamman grows into a woman of education and independence just as India itself is fighting to throw off the shackles of colonialism. Shamman’s search for her own path leads her into the fray of political unrest, where her passion for her country’s independence becomes entangled with her passion for an Irish journalist. In this semi-autobiographical novel, Ismat Chughtai explores the complex relationships between women caught in a changing culture, and exposes the intellectual and emotional conflicts at the heart of India’s battle for an uncertain future of independence from the British Raj and ultimately Partition. |
| women writing in india: Un Bound Annie Zaidi, 2015 |
| women writing in india: Women Writing in India , 1991 |
| women writing in india: Medieval Women's Writing Diane Watt, 2007-10-22 Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates. |
| women writing in india: Facing the Mirror Ashwini Sukthankar, 1999 This Collection Brings Together For The First Time The Richness And Diversity Of Lesbian Existence In India, Through Fiction And Poetry, Essays And Personal History. Countering The Images Of Perverse Desire Generated By Decades Of Lurid Speculation, The Writers Quarry Memory And Imagination To Describe What It Really Means To Be A Woman Who Loves Other Women. |
| women writing in india: Muslim Women’s Writing from across South and Southeast Asia Feroza Jussawalla, Doaa Omran, 2022-07-22 This essential collection examines South and Southeast Asian Muslim women’s writing and the ways they navigate cultural, political, and controversial boundaries. Providing a global, contemporary collection of essays, this volume uses varied methods of analysis and methodology, including: • Contemporary forms of expression, such as memoir, oral accounts, romance novels, poetry, and social media; • Inclusion of both recognized and lesser-known Muslim authors; • Division by theme to shed light on geographical and transnational concerns; and • Regional focus on Afghanistan, Pakistan, India, Bangladesh, Sri Lanka, Malaysia, and Indonesia. Muslim Women’s Writing from across South and Southeast Asia will deliver crucial scholarship for all readers interested in the varied perspectives and comparisons of Southern Asian writing, enabling both students and scholars alike to become better acquainted with the burgeoning field of Muslim women's writing. This timely and challenging volume aims to give voice to the creative women who are frequently overlooked and unheard. |
| women writing in india: Rewriting History Uma Chakravarti, 2014-10-27 In this classic study of Pandita Ramabai's life, Uma Chakravarti brings to light one of the foremost thinkers of nineteenth-century India and one of its earliest feminists. A scholar and an eloquent speaker, Ramabai was no stranger to controversy. Her critique of Brahminical patriarchy was in sharp contrast to Annie Besant, who championed the cause of Hindu society. And in an act seen by contemporary Hindu society as a betrayal not only of her religion but of her nation, Ramabai – herself a high-caste Hindu widow – chose to convert to Christianity. Chakravarti's book stands out as one of the most important critiques of gender and power relations in colonial India, with particular emphasis on issues of class and caste. Published by Zubaan. |
| women writing in india: Writing Women’s History Karen M. Offen, Ruth Roach Pierson, Jane Rendall, 1991-08-23 Five essays address such themes as the relationship between feminist history and women's history, the use of the concept of experience, the development of the history of gender, demographic history and women's history and the importance of post-structuralism to women's history. |
| women writing in india: A Woman's Place Maureen E. Reed, 2005 Profiles of six remarkable women writers and artists whose work was shaped significantly by their relationship with New Mexico. |
| women writing in india: Crafting the Word Thingnam Anjulika Samom, (ed.), 2019-12-10 Manipur has a rich tradition of folk and oral narratives, as well as written texts dating from as early as in 8th Century AD. It was however only in the second half of the twentieth century that women began writing and publishing their works. Today, women’s writing forms a vibrant part of Manipuri literature, and their voices are amplified through their coming together as an all-woman literary group. Put together in discussions and workshops by Thingnam Anjulika Samom, Crafting the Word captures a region steeped in conservative patriarchy and at the centre of an armed conflict. It is also a place, however, where women’s activism has been at the forefront of peace-making and where their contributions in informal commerce and trade hold together the economy of daily life. |
| women writing in india: Name Me a Word Meena Alexander, 2018-01-01 Featuring works by: Rabindranath Tagore, Sarojini Naidu, Premchand (Dhanpat Rai), Nirad C. Chaudhuri, Jibanananda Das, R. K. Narayan, Vaikom Muhammad Basheer, Raja Rao, Lalithambika Antherjanam, Agyeya (Sachchidananda Vatsayan), Umashankar Joshi, Saadat Hasan Manto, Ismat Chugtai, Amrita Pritam, Nissim Ezekiel, Mahasweta Devi, Nayantara Sahgal, Qurratulain Hyder, Jayanta Mahapatra, A. K. Ramanujan, Nirmal Verma, K. Ayyappa Paniker, Arun Kolatkar, U. R. Ananthamurthy, Kamala Das, Keki Daruwalla, Anita Desai, Girish Karnad, Nabaneeta Dev Sen, Adil Jussawalla, Ambai (C. S. Lakshmi), Paul Zacharia, K. Satchidanandan, Arvind Krishna Mehrotra, Salman Rushdie, Agha Shahid Ali, Namdeo Dhasal, Meena Alexander, Githa Hariharan, Vijay Seshadri, Amitav Ghosh, Raghavan Atholi, Jeet Thayil, Arundhati Roy, Amit Chaudhuri, Sudeep Sen, Arundhathi Subramaniam, S. Sukirtharani. |
| women writing in india: Women's Writing Caroline Zilboorg, 2004-01-15 Critical introductions to a range of literary topics and genres. Focusing on texts written in English and emphasising writing by women from the beginning of the Renaissance period in the 1300s to the 21st century, this book illustrates not only the richness and diversity of female literary voices, but also the many changing and different contexts in which writing by women can be read. |
| women writing in india: Women Travellers in Colonial India Indira Ghose, 1998 Drawing on long-neglected travel writings by British women in India, this study looks at different aspects that women focus on as opposed to men, particularly in their encounters with Indian women in the zenana. Located at the cross-roads of feminist theory and colonial discourse theory, the book examines the power relations inscribed into the traveller's gaze. |
| women writing in india: Women Writing the Nation Leanne Maunu, 2007 Women Writing the Nation: National Identity, Female Community, and the British - French Connection, 1770-1820 engages in recent discussions of the development of British nationalism during the eighteenth century and Romantic period. Leanne Maunu argues that women writers looked not to their national identity, but rather to their gender to make claims about the role of women within the British nation. Discussing texts by Frances Burney, Charlotte Smith, Mary Wollstonecraft, and others in the late-eighteenth and early-nineteenth centuries, Maunu demonstrates that women writers of this period imagined themselves as members of a fairly stable community, even if such a community was composed of many different women with many different beliefs. They appropriated the model of collectivity posed by the nation, mimicking a national imagined community. |
| women writing in india: Women of the Raj Margaret MacMillan, 2007-10-09 In the nineteenth century, at the height of colonialism, the British ruled India under a government known as the Raj. British men and women left their homes and traveled to this mysterious, beautiful country–where they attempted to replicate their own society. In this fascinating portrait, Margaret MacMillan examines the hidden lives of the women who supported their husbands’ conquests–and in turn supported the Raj, often behind the scenes and out of the history books. Enduring heartbreaking separations from their families, these women had no choice but to adapt to their strange new home, where they were treated with incredible deference by the natives but found little that was familiar. The women of the Raj learned to cope with the harsh Indian climate and ward off endemic diseases; they were forced to make their own entertainment–through games, balls, and theatrics–and quickly learned to abide by the deeply ingrained Anglo-Indian love of hierarchy. Weaving interviews, letters, and memoirs with a stunning selection of illustrations, MacMillan presents a vivid cultural and social history of the daughters, sisters, mothers, and wives of the men at the center of a daring imperialist experiment–and reveals India in all its richness and vitality. “A marvellous book . . . [Women of the Raj] successfully [re-creates] a vanished world that continues to hold a fascination long after the sun has set on the British empire.” –The Globe and Mail “MacMillan has that essential quality of the historian, a narrative gift.” –The Daily Telegraph “MacMillan is a superb writer who can bring history to life.” –The Philadelphia Inquirer “Well researched and thoroughly enjoyable.” –Evening Standard |
| women writing in india: Listen to Me Shashi Deshpande, 2023-06-05 It is an acute observation of an eventful era in Indian literature and history, and a micro-history of Deshpande's own engagement with it, through her certain and uncertain recollections. With its chiselled prose and honest self-knowledge, it revitalises that most delicate of endeavours: the writerly memoir. |
| women writing in india: Women Writing Africa Margaret J. Daymond, 2003 Essential...this distinctive series presents 120 southern African texts that are rich, evocative. -- Library Journal |
| women writing in india: Travel Culture, Travel Writing and Bengali Women, 1870-1940 Jayati Gupta, 2023-09-25 This book chronicles travel writings of Bengali women in colonial India and explores the intersections of power, indigeneity, and the representations of the 'self' and the 'other' in these writings. It documents the transgressive histories of these women who stepped out to create emancipatory identities for themselves. The book brings together a selection of travelogues from various Bengali women and their journeys to the West, the Aryavarta, and Japan. These writings challenge stereotypes of the 'circumscribed native woman' and explore the complex personal and socio-political histories of women in colonial India. Reading these from a feminist, postcolonial perspective, the volume highlights how these women from different castes, class and ages confront the changing realities of their lives in colonial India in the backdrop of the independence movement and the second world war. The author draws attention to the personal histories of these women, which informed their views on education, womanhood, marriage, female autonomy, family, and politics in the late 19th and early 20th centuries. Engaging and insightful, this volume will be of interest to students and researchers of literature and history, gender and culture studies, and for general readers interested in women and travel writing. |
| women writing in india: Tense Past, Tense Present Joel Kuortti, 2003 Suggesting that women are 'reshaping English' as Rushdie suggests, Kuortti interviews 7 women writers to find out why they write in English, which cannot be neutral. As a colony, the language was inescapably associated with class, race and power; after independence it has grown in power and status, yet the problematic of English as the language of the hegemonic West remains. Even so a new canon of women writing in English is being formed. Interviewing the writers Shashi Deshpande, the late Shama Futehally, Githa Hariharan, Lakshmi Kannan, Sujatha Mathai, Anuradha Marwah-Roy and Mina Singh, Kuortti also presents extracts from their writings. |
| women writing in india: In Other Words Urvashi Butalia, 1992 Works by Indian women writers. In Urmila Banerjee's The Tamarind Tree Murder, a man who becomes a bigamist kills his mother to save her from finding out, in Ritu Bhatia's The Smothering, a woman married to an American first rejects her Indian past to appear more American, then goes back to it when misfortune strikes. |
| women writing in india: Only the Women are Burning Nancy Burke, 2020-10 Three women are lost in a single morning, one at a commuter train, one at a school, one while walking her dog in the woods. The police think the women are making some kind of political statement by setting themselves on fire....maybe members of a cult. But Cassandra knows better. You won't rest until Cassandra, a mom and former anthropologist, solves the mystery of these fiery deaths. Part mystery, part science fiction, part a suburban domestic novel, Only the Women are Burning asks important questions about women in contemporary suburban lives. |
| women writing in india: Women's Voices Eunice de Souza, Lindsay Pereira, 2004 Offers A Wide Range Of Writing In English Fiction, Including Stories For Children, Autobiographies, Articles, Letters-Private And Public. An Informative Introduction To The Period Adds To The Usefulness Of The Volume. Useful For Those Interested In Women`S Literature In Modern India. |
| women writing in india: Contemporary Women's Writing in India Varun Gulati, Mythili Anoop, 2014 The word doyennes signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women's Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women's literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women's writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman's body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women's Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women's literature in India. |
| women writing in india: Early Women's Writings in Orissa, 1898-1950 Sachidananda Mohanty, 2005 Focusing on the early literary experiences of women in the east Indian state of Orissa, this volume offers valuable insights into the conditions for these women at a time when the region witnessed the advent of Brahmo Samaj, the campaign for widow remarriage, the legal movement for the abolition of untouchability, the rise of women's education and trade union movements, and the struggle for national independence. The author explores such questions as: What were the features of this body of writing? How did contemporary history, politics, gender and culture impinge on the generation and dissemination of this body of literature? and How did such writing contribute to the making of literary/cultural consciousness in conjunction with and in contrast to developments at the national level? |
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The ultimate destination for Women. Covering news, politics, fashion, beauty, wellness, and expert …
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