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| wolfgang tillmans: Conor Donlon , 2016 For many years I have thought about the possibility of creating monothematic portrait books of friends I have photographed over a long period. Finally I had the time over Christmas to begin this process and I |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, Julie Ault, Daniel Birnbaum, Russell Ferguson, Dominic Molon, Lane Relyea, Mark Wigley, 2006-01-01 Few artists have changed the manner in which photographic images are made, read, and received over the past two decades as dramatically as German photographer Wolfgang Tillmans (b. 1968). One of the most important and distinctive artists to emerge in the 1990s, Tillmans’s work is internationally recognized for its powerful reflections on the often overlooked objects and moments in everyday life. With images culled from the entirety of Tillmans’s career, this generously illustrated book accompanies the artist’s first retrospective exhibition in the United States and features the potent effects of his portraits, abstractions, and structural and sculptural motifs. Essays by leading scholars examine the context of the German art and pop cultural scene in which Tillmans first began working in the late 1980s; his use of magazines as both venue and source materials; his unique approach to portraiture; his ability to create a sense of intimacy between the viewer and subjects ranging from his friends to cultural figures and heads of state; and his distinctive approach to presenting his images in displays and installations. A fascinating loo�k at the breadth of Tillmans’s career to date, including his most recent new work, this book demonstrates the renowned abilities of one of the art world’s most revolutionary photographers. |
| wolfgang tillmans: Wolfgang Tillmans: To Look Without Fear Roxana Marcoci, 2022-04-19 Encompassing photography, installation, print media, video and more, this publication is the most comprehensive account of Tillmans' wide-ranging career to date A visionary creator and intrepid polymath, Wolfgang Tillmans unites formal inventiveness with an ethical orientation that attends to the most pressing issues of life today. While his work transcends the bounds of any single artistic discipline, he is best known for his wide-ranging photographic output. From trenchant documents of social movements to windowsill still lifes, ecstatic images of nightlife to cameraless abstractions, sensitive portraits to architectural studies, astronomical phenomena to intimate nudes, he has explored seemingly every genre of photography imaginable, continually experimenting with how to make new pictures and deepen the viewer's experience. Published in conjunction with a major exhibition of Tillmans' work at the Museum of Modern Art, this copiously illustrated volume surveys four decades of the artist's career. An outstanding group of writers offer diverse essays addressing key threads of his multifaceted practice, and a new text by Tillmans himself elucidates the distinctive methodology behind his system of presenting photographs. Wolfgang Tillmans: To look without feargrants readers new insight into the work of an artist who has not only changed the way photography is exhibited but pointed contemporary art in dynamic new directions. Wolfgang Tillmans(born 1968) is among the most influential contemporary artists, and the impact of his work registers across the arts, intersecting with fashion, music, architecture, the performing arts and activism. Tillmans is the recipient of the Turner Prize (2000) and the Hasselblad Foundation International Award in Photography (2015). His foundation, Between Bridges, supports the advancement of democracy, international understanding, the arts and LGBTQ rights. |
| wolfgang tillmans: The Cars Wolfgang Tillmans, 2015 This book looks at a cross section of what cars |
| wolfgang tillmans: Wolfgang Tillmans Dominic Eichler, 2015 German Photo Book Award in Silber 2012 Available again: the trend-setting abstract photographs by the recipient of the Turner Prize |
| wolfgang tillmans: Portraits Wolfgang Tillmans, 2001 |
| wolfgang tillmans: Wolfgang Tillmans Jan Verwoert, Peter Halley, Wolfgang Tillmans, Midori Matsui, 2002-11-15 Wolfgang Tillmans' (b.1968) first book, published in 1995 when the artist was just 24 years old, sold 40,000 copies and is a cult manual of young style and photography. Tillmans is a rare example of a photographer who has expanded his audience into the art world. This is the first book to draw together all the different episodes from Tillmans' high-profile, exciting career. Tillmans became known in the early 1990s for his photographs of young people in their social environments: clubs, Gay Pride parades, house parties. His style is enigmatic, sexy and highly innovative, inventing new icons of beauty and style for millions of young readers internationally. Images such as Lutz and Alex Sitting in the Trees(1992) - a couple perched in a tree, naked save for their incongruous raincoats - are emblems of his generation. His subjects are self-stylized and do not conform to standard notions of attractiveness and chic, yet their personalities and youth make them irresistibly seductive. Tillmans' style is often imitated, yet he remains the master of the photographic style he created. Alongside portraits, Tillmans has expanded his subject matter to include architecture, landscape and still life, and has produced installations reminscent of the collage techniques of the 1960s Conceptual artists. From lifestyle magazine spreads Tillmans has moved to room-sized installations: for example, his series of distant views of Concorde flying overhead (Concorde, 1997) as well as a series of found photographs of soldiers from newspapers (Soldiers - The Nineties, 1999). In such installations of unframed photos stuck to the wall with tape, he references his own non-art origins and his continuing goal of breaking down the old-fashioned divisions between art, fashion and photography. In his Survey critic Jan Verwoert examines Tillmans' key pursuit across his career: to find contemoprary art icons by 'testing' photographic images. Artist and theorist Peter Halley discusses with the artist his rapidly changed role, from Wunderkinder superstar of the mid 1990s to internationally respected and emulated, Turner prize-winning master of the 'new photography'. Critic and curator Midori Matsui analyses a single project, Concorde (1997), an installation and artists' book which records the daily passing of this epoch-making aeroplane. The artist has selected an extract from a nineteenth-century Quaker text by Caroline Stephen on divine inspiration, which reflects the artist's own interest in simplicity and truth. The Artist's Writings include excerpts from a key interview with Neville Wakefield (1995) and spreads from his artist's books. |
| wolfgang tillmans: Wolfgang Tillmans: DZHK Book 2018 Wolfgang Tillmans, 2018-06-12 Presenting recent developments in Wolfgang Tillmans’s portraiture and still lifes, Wolfgang Tillmans: DZHK Book 2018 features a broad selection of new and recent works that respond to their surroundings while at the same time embodying a self-contained environment. Few artists have shaped the scope of contemporary art and influenced a younger generation more than Wolfgang Tillmans. Since the early 1990s, his works have epitomized a new kind of subjectivity in photography, pairing intimacy and playfulness with social critique and the persistent questioning of existing values and hierarchies. Through his seamless integration of genres, subjects, techniques, and exhibition strategies, he has expanded conventional ways of approaching the medium, and his practice continues to address the fundamental question of what it means to create pictures in an increasingly image-saturated world. Published on the occasion of Tillmans’s exhibition at David Zwirner in Hong Kong in 2018, this fully bilingual catalogue juxtaposes pictures of intimacy and friendship with views and angles of the world at large. An aerial view of the Sahara desert displays almost infinite detail while being monochromatic and near-abstract in appearance. In line with Tillmans’s interest in exhibitions as amplifiers of a particular, underlying perspective, each of the works engages in an intricate system of relationships between its aesthetic elements, subject, and institutional setting. Seen together, they implicate the viewer as an active part of the dialogue. The 2016 interview with author Allie Biswas of The Brooklyn Rail has been edited and expanded by the artist for this catalogue. |
| wolfgang tillmans: Freedom from the Known Wolfgang Tillmans, P.S. 1 Contemporary Art Center, 2006 Freedom From The Known is the first book to focus entirely on Wolfgang Tillmans's abstract photographs, exploring the presence abstraction has had within his figurative and representational work. It is published on the occasion of the artist's first major solo exhibition for an American museum--curated by Bob Nickas, who contributes an essay here--which opened at P.S.1 in Long Island City, New York, in the spring of 2006. Of the 25 pieces here, 24 were produced specifically for this project and had never been seen before the exhibition. Most of are cameraless pictures, made by the direct manipulation of light on paper, rather than on a negative. At the exhibition, each photograph was presented in a frame, which marked a departure for the artist, who pioneered installation with tape and pins. But he was right: Frames gave these elusive, transitory, abstract images coherence as objects in space, as well as both buoyancy and weight. They were accompanied by a group of figurative photographs from the 1990s series Empire, which made the shift from figure to abstraction by being passed through a photocopy or fax machine, then scanned to the highest possible resolution, turned into large-scale C-prints and framed. A selection of earlier photographs provides a context for Tillmans's passage from figurative and representational imagery to abstraction. Taken together, these more conceptual works reveal the self-reflective impulse underpinning choices of media and topic throughout his work. |
| wolfgang tillmans: Portraits Wolfgang Tillmans, 2002 Essay by Wolfgang Tillmans. |
| wolfgang tillmans: For when I'm Weak I'm Strong Wolfgang Tillmans, Kunstmuseum Wolfsburg, 1996 Photographs by Collier Schorr. Contributions by Annelie Lutgens. Text by Helen Molesworth, Wolfgang Tillmans. |
| wolfgang tillmans: Manifesta 10 Kasper König, 2014 Published on the occasion of Manifesta 10, the European Biennial of Contemporary Art in St. Petersburg, Russia, this illustrated volume collects artworks, concepts, and essays that invite the reader to explore the possibilities of contemporary art in deeply historical settings. For the first time, Manifesta is hosted by a museum, uniting the State Heritage Museum's 250th anniversary and Manifesta's twentieth anniversary as a nomadic biennial. This book, which is structured like a classic catologue, reflects the intuitive and playful nature of Kasper Konig's exhibition. Contemporary art stands alongside the historical and cultural heritage of the Hermitage, and many projects create a unique homage to it and to the city of St. Petersburg. New works claim their place in ways that are often subtle and surprising, inviting viewers and readers to grapple with the endless ways in which contemporary art questions, complements, or even dovetails with tradition. |
| wolfgang tillmans: Soldiers Wolfgang Tillmans, 1999 The photographs in this book were collected or taken by Wolfgang Tillmans from 1990 until 1999. |
| wolfgang tillmans: Plus Belles Bibliotheques Du Monde Georg Ruppelt, Elisabeth Sladek, 2018 In this photographic journey, Massimo Listri travels to some of the oldest and finest libraries around the world to celebrate their architectural and historical wonder. From medieval to 19th-century institutions, private to monastic collections, this is a cultural-historical pilgrimage to the heart of our halls of learning and the stories they tell. |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, 2008 Freedom From The Known is the first book to focus entirely on Wolfgang Tillmans's abstract photographs, exploring the presence abstraction has had within his figurative and representational work. It is published on the occasion of the artist's first major solo exhibition for an American museum--curated by Bob Nickas, who contributes an essay here--which opened at P.S.1 in Long Island City, New York, in the spring of 2006. Of the 25 pieces here, 24 were produced specifically for this project and had never been seen before the exhibition. Most of are cameraless pictures, made by the direct manipulation of light on paper, rather than on a negative. At the exhibition, each photograph was presented in a frame, which marked a departure for the artist, who pioneered installation with tape and pins. But he was right: Frames gave these elusive, transitory, abstract images coherence as objects in space, as well as both buoyancy and weight. They were accompanied by a group of figurative photographs from the 1990s series Empire, which made the shift from figure to abstraction by being passed through a photocopy or fax machine, then scanned to the highest possible resolution, turned into large-scale C-prints and framed. A selection of earlier photographs provides a context for Tillmans's passage from figurative and representational imagery to abstraction. Taken together, these more conceptual works reveal the self-reflective impulse underpinning choices of media and topic throughout his work. |
| wolfgang tillmans: Wolfgang Tillmans. Four Books. 45th Ed Wolfgang Tillmans, 2020 Wolfgang Tillmans has pushed photography to its limits and explored the medium more than any other artist of his generation, including making abstract images in a darkroom without a camera. For this collection, Tillmans edited his previous four books with TASCHEN into a single work examining life at the turn of the millennium. |
| wolfgang tillmans: Elements of Architecture Rem Koolhaas, 2014 'Elements' looks under a microscope at the fundamentals of our buildings, used by an architect, anywhere, anytime ... -- Container. |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, Sarah Glennie, Devrim Bayar, David Chew, Brian Dillon, Eimear McBride, David Nash, Michaela Nash, Mark O'Kelly, 2020 Conceived and designed by Wolfgang Tillmans, and published in association with the exhibitions Rebuilding the Future, at IMMA, Dublin and Today Is The First Day, at WIELS, Brussels, this richly illustrated artist's book explores the latest developments in Tillmans's work over the last three years. Today Is The First Day spans the artist's multifaceted approach to image-making, video, performance, music and political activities, presenting newly commissioned texts from contributors including novelist Olivia Laing, historian Brian Dillon, curator Catherine Wood, and geologist Dr David Chew, each of whom illuminate a different aspect of Tillmans's work. The scope of the book includes over 30 pages featuring his set design for the English National Opera's production of War Requiem, recent portraits, and detailed installation views that allow to see in depth Tillmans's installation practices in venues as far afield as Kinshasa and Goslar, Hong Kong and Johannesburg. Exhibition: IMMA Irish Museum of Modern Art, Dublin, Ireland (26.10.2018 - 10.03.2019) / WIELS, Brussels, Belgium (01.02. - 24.05.2020). |
| wolfgang tillmans: Jochen Klein Jochen Klein, Wolfgang Tillmans, Doug Ashford, Helmut Draxler, 1998-01-01 |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, 2020 |
| wolfgang tillmans: NASA Apollo 11 - Man on the Moon Steffen Knöll, 2020 Fifty years after Neil Armstrong, one of the Apollo 11 crew, placed his left foot on the surface of the moon for the first time in human history, our fascination with Earth?s satellite has lost none of its power. 'NASA Apollo 11: Man on the Moon' tracks the astronaut?s journey to the moon and documents the visual materials that the three crew members brought back with them. They were supplied with a Hasselblad 500EL Data Camera with Réseau plates and a Zeiss Biogon 60mm ?/5.6 lens with which they were to take photographs before and during the mission. The visual material that emerged from this can be seen in NASA?s online archive and is shown for the first time in its entirety in 'NASA Apollo 11: Man on the Moon'.0The 'Discovered' series is a cooperation between the HFBK /Hamburg University of Fine Arts, the HGB /Leipzig Academy of Fine Arts and the ABK /Stuttgart State Academy of Art and Design, which honours a selection of student projects with the opportunity to publish their work with Spector Books. |
| wolfgang tillmans: Paul Thek , |
| wolfgang tillmans: Paul Graham Paul Graham, Andrew Wilson, Gillian Wearing, Carol Squiers, 1996-10-10 Notes by the artist, interviews, additional contributors. |
| wolfgang tillmans: Public Notice 3 Jitish Kallat, Shaheen Merali, 2011 The basis for Kallat’s installation is a landmark speech delivered by Swami Vivekananda at the Parliament, which was held in conjunction with the World’s Columbian Exposition in Chicago in what is now the museum’s Fullerton Hall. The Parliament was the earliest attempt to create a global dialogue of religious faiths, and Vivekananda, eloquently addressing its 7,000 attendees, argued for an end of fanaticism and a respectful recognition of all traditions of belief through universal tolerance. |
| wolfgang tillmans: Life on Sirius Daniel Birnbaum, Kim West, 2016-05 How did art escape the deadlock of the Situationists? anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord?s dream of surpassing art and realizing philosophy? Looking back at some of the Situationists? confrontations with the museum, this book traces a path beyond the tragedy of negativity and the litany of recuperation. At the center is the concept of play; originally adopted as the principle of reconciled life, it returns as the lever of instrumentalization. But in the extraterrestial wasteland of the present, spaces of ludic coexistence and experimentation may remain possible, provided that pessimism can be adequately organized. |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, 2011 |
| wolfgang tillmans: Peter Halley Peter Halley, 2000 |
| wolfgang tillmans: Painting at the Edge of the World Douglas Fogle, Walker Art Center, 2001 What becomes clear is that painting's traditional function as a window on the world has been circumvented, or rather that someone has left the window open and a number of things have crawled in. As Yve-Alain Bois so eloquently paraphrases Robert Musil: If some painting is still to come, if painters are still to come, they will not come from where we expect them to. Painting at the Edge of the World looks beyond our expectations and provides a broad context for understanding painterly practice today.--BOOK JACKET. |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, 2001 his photographs have captured the easy informality of a young, fashion-conscious generation,- Mark Irving, The Independent~I don't believe in coincidence and don't think I have a snapshot in my oeuvre. That's different to saying that I might work very quickly, on the spur of the moment. But my work has never ended with just taking the photograph. It is a material process, to do with making a thing. I apply my mind and craft to shaping that thing into what I want it to look like. Maybe all my work is about when does something gather critical mass so that it is recognisable. When is something nothing and when does it become something?--Wolfgang Tillmans |
| wolfgang tillmans: The Ongoing Moment Geoff Dyer, 2012-11-15 Great photographs change the way we see the world; The Ongoing Moment changes the way we look at both. With characteristic perversity ? and trademark originality - The Ongoing Moment is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways that canonical figures such as Alfred Stieglitz, Paul Strand, Walker Evans, Kertesz, Dorothea Lange, Diane Arbus and William Eggleston have photographed the same scenes and objects (benches, hats, hands, roads). In doing so Dyer constructs a narrative in which those photographers ? many of whom never met in their lives ? constantly come into contact with each other. It is the most ambitious example to date of a form of writing that Dyer has made his own: the non-fiction work of art. |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, 2003-08-26 Published on the occasion of the exhibition Wolfgang Tillmans: If one thing matters, everything matters at Tate Britain 6 June - 5 September 2003--Colophon. |
| wolfgang tillmans: Hélio Oiticica Lynn Zelevansky, Elisabeth Sussman, James Rondeau, Donna M. De Salvo, Anna Katherine Brodbeck, 2016 This catalogue accompanies the first full US retrospective of the Brazilian artist Hélio Oiticica (1937-1980) in over two decades, organized by the Carnegie Museum of Art. It explores Oiticica's most acclaimed works, such as the Parangolés and the installation Tropicália, as well as his involvement with music, literature, and response to Brazilian politics and the social environment. Essays by US and Latin American writers cover the entirety of his career, from his immersion in the 1960s counterculture to his life and work in New York City and final return to Rio de Janeiro, with special emphasis on his New York period between 1971 and 1978-- |
| wolfgang tillmans: Albert Watson: Kaos Reuel Golden, 2017 |
| wolfgang tillmans: Century City Tate Modern (Gallery), 2001 Explores the relationship between the metropolis and the creation of art, focusing on the art centers of Paris, New York, Vienna, Moscow, London, Bombay, Lagos, and Tokyo, and profiling the artists who were inspired by those locales. |
| wolfgang tillmans: Wolfgang Tillmans: A Reader , 2021-11-30 Wolfgang Tillmans is not only a great artist, he's a joyous intellectual whose generosity, wit and good-natured skepticism is political, authentic and playfully profound. -John Waters This volume offers a panoramic collection of interviews and writings from an artist for whom language has always been a significant means of creative expression. Arranged chronologically, the assembled texts reflect Tillmans' thinking on photography, music, politics, nightlife, astronomy, spirituality and activism. The sources are as varied as their content, with statements and conversations that originally appeared in exhibition catalogues rubbing up against social-media posts and song lyrics. Whether discussing his own work as a photographer or drawing out the thoughts of others, Tillmans is a generous interlocutor with a refreshing clarity of thought. This visually rich and timely publication tracks Tillmans' contributions to art and cultural criticism in tandem with the social and cultural shifts of the past 30 years. Wolfgang Tillmans(born 1968) is among the most influential contemporary artists, and the impact of his work registers across the arts, intersecting with fashion, music, architecture, the performing arts, and activism. Known for his genre-defying practice and ongoing investigation into the photographic medium, Tillmans is the recipient of the Turner Prize (2000) and the Hasselblad Foundation International Award in Photography (2015). His foundation, Between Bridges, supports the advancement of democracy, international understanding, the arts and LGBTQ rights. Wolfgang Tillmans is not only a great artist, he's a joyous intellectual whose generosity, wit and good-natured skepticism is political, authentic and playfully profound. Read this volume and marvel at his highbrow yet unpretentious theories on abstraction combined with a low-level appreciation of the down and dirty. Thrill to Wolfgang's magically elitist yet of-the-people reinvention of 'real' photography and weep at the beauty of his love for the 'unforeseen.' Can printed museum art-talk be so smart that it becomes sexually arousing for the reader? Sure it can. And this is just the book to prove that. -John Waters For over 30 years, Wolfgang Tillmans has been surveying culture and politics, as attentive to the production of news as he is to the radical intimacies of the nightclub or protest. Through his lens the world recovers its complexity. In an era of dangerous simplifications, we need his work more than ever. -Olivia Laing |
| wolfgang tillmans: Wolfgang Tillmans , 1995* |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, |
| wolfgang tillmans: Wolfgang Tillmans Wolfgang Tillmans, 2010 Catalogue includes essays by Michael Bracewell and Josef Strau, and an interview with the artist by the curators, Julia Peyton-Jones and Hans Ulrich Obrist. |
Wolfgang Tillmans - Wikipedia
Wolfgang Tillmans (born 16 August 1968) is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the …
Wolfgang Tillmans
After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Wolfgang Tillmans - MoMA
Imagine a group of photographs arranged with the deceivingly casual precision and emotional impact of a perfect pop song. That’s a decent approximation of what it feels like to take in a …
Wolfgang Tillmans - Artnet
View Wolfgang Tillmans’s 1,543 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, …
Wolfgang Tillmans Photography, Bio, Ideas | TheArtStory
Wolfgang Tillmans will always be remembered for his work with the magazine i-D, documenting the UK club scene of the late 80s and early 90s. But he has also used his status in the art …
Wolfgang Tillmans | German Photographer & Contemporary Artist …
Wolfgang Tillmans (born August 16, 1968, Remscheid, West Germany) German photographer whose images of the everyday span from street photography to portraiture to landscape and …
Wolfgang Tillmans - Artworks & Biography - David Zwirner
Apr 13, 2025 · Few artists have shaped the scope of contemporary art and influenced a younger generation more than Wolfgang Tillmans. Discover his many artworks today.
The Life and Art of Wolfgang Tillmans - The New Yorker
Sep 3, 2018 · In the early nineteen-nineties, Tillmans was known for photographs of young people that exuded openness and honesty. He chronicled Gen X and rave culture and took portraits …
Wolfgang Tillmans born 1968 - Tate
Wolfgang Tillmans (born 16 August 1968) is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the …
Who is Wolfgang Tillmans?| Christie's
Feb 14, 2025 · Born in the industrial town of Remscheid in West Germany in 1968, Wolfgang Tillmans took his earliest photographs of the night sky. In 1982, he was sent to London to …
Wolfgang Tillmans - Wikipedia
Wolfgang Tillmans (born 16 August 1968) is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the …
Wolfgang Tillmans
After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks.
Wolfgang Tillmans - MoMA
Imagine a group of photographs arranged with the deceivingly casual precision and emotional impact of a perfect pop song. That’s a decent approximation of what it feels like to take in a …
Wolfgang Tillmans - Artnet
View Wolfgang Tillmans’s 1,543 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, …
Wolfgang Tillmans Photography, Bio, Ideas | TheArtStory
Wolfgang Tillmans will always be remembered for his work with the magazine i-D, documenting the UK club scene of the late 80s and early 90s. But he has also used his status in the art …
Wolfgang Tillmans | German Photographer & Contemporary …
Wolfgang Tillmans (born August 16, 1968, Remscheid, West Germany) German photographer whose images of the everyday span from street photography to portraiture to landscape and …
Wolfgang Tillmans - Artworks & Biography - David Zwirner
Apr 13, 2025 · Few artists have shaped the scope of contemporary art and influenced a younger generation more than Wolfgang Tillmans. Discover his many artworks today.
The Life and Art of Wolfgang Tillmans - The New Yorker
Sep 3, 2018 · In the early nineteen-nineties, Tillmans was known for photographs of young people that exuded openness and honesty. He chronicled Gen X and rave culture and took portraits of …
Wolfgang Tillmans born 1968 - Tate
Wolfgang Tillmans (born 16 August 1968) is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the …
Who is Wolfgang Tillmans?| Christie's
Feb 14, 2025 · Born in the industrial town of Remscheid in West Germany in 1968, Wolfgang Tillmans took his earliest photographs of the night sky. In 1982, he was sent to London to …
