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| writers in politics ngugi wa thiong o: Writers in Politics Ngũgĩ wa Thiongʼo, 1981 This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre. |
| writers in politics ngugi wa thiong o: Weep Not, Child Ngugi wa Thiong'o, 2012-06-05 The Nobel Prize–nominated Kenyan writer’s powerful first novel Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up. The first East African novel published in English, Weep Not, Child explores the effects of the infamous Mau Mau uprising on the lives of ordinary men and women, and on one family in particular. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| writers in politics ngugi wa thiong o: Wizard of the Crow Ngũgĩ wa Thiongʼo, 2007 |
| writers in politics ngugi wa thiong o: Ngugi Wa Thiong'o Patrick Williams, 1999 Ngugi Wa Thiong'o is one of the most important contemporary world writers--his name has for many become synonymous with cultural controversy and political struggle. Patrick William's lucid analysis offers the most up-to-date study of Ngugi's writing, including his most recent collections of essays. Focusing on important aspects of Ngugi's more obscure works, and drawing on a wide range of relevant theoretical perspectives, this study examines the growing complexity of Ngugi's accounts of the history of colonized and postcolonial Kenya. |
| writers in politics ngugi wa thiong o: In the Name of the Mother Ngũgĩ wa Thiongʼo, 2013 Alongside the impact of his early novels and plays, and his more recent memoirs, these essays give new insights into Ngugi's and other writers' responses to colonialism - there is new material here for students of literature, politics and culture. Renowned worldwide, as novelist and dramatist, Ngugi wa Thiongo's contributions to the body of critical writing on African literature, politics and society have been highly significant. His best known critical work is Decolonising the Mind, which since publication in 1986 has profoundly influenced other writers, critics, scholars and students. These latest essays reflect Ngugi's continuing interests and enthusiasms. His choice of writers is original. He makes us look again at their novels to address his lifelong concerns with the ways to independence, the meanings of colonialism and the takeover by neo-colonialism, and the functions of literature in political as well asliterary terms. They will appeal not only to his international band of supporters. They will also introduce his views to young people discovering African and Caribbean literature. Ngugi wa Thiong'o is Distinguished Professor of English and Comparative Literature at the University of California, Irvine. Ngugi is renowned for his essays, including the seminal Decolonising the Mind (James Currey 1986); his plays, which led to his detentionin Kenya; his novels - the most recent works being The Wizard of the Crow (2007, translated into English from Gikuyu) and his memoirs Dreams in a Time of War and In the House of the Interpreter East Africa [Kenya, Tanzania, Uganda and Rwanda]: EAEP |
| writers in politics ngugi wa thiong o: Globalectics Ngũgĩ wa Thiong'o, 2012-01-31 A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to decolonize the mind. Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or orature, and writing, or literature; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose. |
| writers in politics ngugi wa thiong o: The Perfect Nine Ngugi wa Thiong'o, 2020-10-08 *LONGLISTED FOR THE 2021 INTERNATIONAL BOOKER PRIZE.* 'One of the greatest writers of our time' Chimamanda Ngozi Adichie The Perfect Nine is a glorious epic about the founding of Kenya's Gikuyu people and the ideals of beauty, courage and unity. Gikuyu and Mumbi settled on the peaceful and bounteous foot of Mount Kenya after fleeing war and hunger. When ninety-nine suitors arrive on their land, seeking to marry their famously beautiful daughters, called The Perfect Nine, the parents ask their daughters to choose for themselves, but to choose wisely. First the young women must embark on a treacherous quest with the suitors, to find a magical cure for their youngest sister, Warigia, who cannot walk. As they journey up the mountain, the number of suitors diminishes and the sisters put their sharp minds and bold hearts to the test, conquering fear, doubt, hunger and many menacing ogres, as they attempt to return home. But it is perhaps Warigia's unexpected adventure that will be most challenging of all. Blending folklore, mythology and allegory, Ngugi wa Thiong'o chronicles the adventures of Gikuyu and Mumbi, and how their brave daughters became the matriarchs of the Gikuyu clans, in stunning verse, with all the epic elements of danger, humour and suspense. 'A tremendous writer... it's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o' Guardian |
| writers in politics ngugi wa thiong o: The Black Hermit Ngugi wa Thiong'o, Ngũgĩ wa Thiongʼo, 1968 |
| writers in politics ngugi wa thiong o: Birth of a Dream Weaver Ngugi wa Thiong'o, 2016-10-04 One of Oprah.com's 17 Must-Read Books for the New Year and O Magazine's 10 Titles to Pick up Now. “Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time. ” —Chimamanda Ngozi Adichie, The Guardian, Best Books of 2016. “Every page ripples with a contagious faith in education and in the power of literature to shape the imagination and scour the conscience.” —The Washington Post From one of the world's greatest writers, the story of how the author found his voice as a novelist at Makerere University in Uganda Birth of a Dream Weaver charts the very beginnings of a writer's creative output. In this wonderful memoir, Kenyan writer Ngũgĩ wa Thiong'o recounts the four years he spent at Makerere University in Kampala, Uganda—threshold years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War. Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present. What unfolds in this moving and thought-provoking memoir is simultaneously the birth of one of the most important living writers—lauded for his epic imagination (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures. |
| writers in politics ngugi wa thiong o: Detained Ngũgĩ wa Thiongʼo, 1987 |
| writers in politics ngugi wa thiong o: Writers in Politics Ngũgĩ wa Thiongʼo, 1997 This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre. Ngugi has put together a new collection under an old title, rewriting most of the pieces that appeared in the original 1981 edition, and adding completely new essays, such as 'Freedom of Expression', written for the campaign to try to save Ken Saro-Wiwa and other Niger Delta activists and writers from execution in Nigeria. Kenya: EAEP |
| writers in politics ngugi wa thiong o: Wrestling with the Devil Ngugi wa Thiong'o, 2018-04-05 Ngugi wa Thiong’o’s powerful prison memoir begins half an hour before his release on 12 December 1978. A year earlier, he recalls, armed police arrived at his home and took him to Kenya’s Kamiti Maximum Security Prison. There, Ngugi lives in a block alongside other political prisoners, but he refuses to give in to the humiliation. He decides to write a novel in secret, on toilet paper – it is a book that will become his classic, Devil on the Cross. Wrestling with the Devil is Ngugi’s unforgettable account of the drama and challenges of living under twenty-four-hour surveillance. He captures not only the pain caused by his isolation from his family, but also the spirit of defiance and the imaginative endeavours that allowed him to survive. |
| writers in politics ngugi wa thiong o: Something Torn and New Ngugi wa Thiong'o, 2009 Novelist Ngũgĩ wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. Here, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory. Seeking to remember language in order to revitalize it, Ngugi's quest is for wholeness. Wide-ranging, erudite, and hopeful, this book is a cri de coeur to save Africa's cultural future.--From publisher description. |
| writers in politics ngugi wa thiong o: A Grain of Wheat Ngugi wa Thiong'o, 1968 |
| writers in politics ngugi wa thiong o: Minutes of Glory Ngũgĩ wa Thiong'o, Ngũgĩ wa Thiongʼo, 2019 A collection of short stories by the Kenyan writer covering the period of British colonial rule and resistance in Kenya to the experience of independence and including two stories that have never before been published in the United States--Provided by publisher. |
| writers in politics ngugi wa thiong o: The Rise of the African Novel Mukoma Wa Ngugi, 2018-03-27 The Rise of the African Novel is the first book to situate South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown. Calling it a major crisis in African literary criticism, Mukoma Wa Ngugi considers key questions around the misreading of African literature: Why did Chinua Achebe’s generation privilege African literature in English despite the early South African example? What are the costs of locating the start of Africa’s literary tradition in the wrong literary and historical period? What does it mean for the current generation of writers and scholars of African literature not to have an imaginative consciousness of their literary past? While acknowledging the importance of Achebe’s generation in the African literary tradition, Mukoma Wa Ngugi challenges that narrowing of the identities and languages of the African novel and writer. In restoring the missing foundational literary period to the African literary tradition, he shows how early South African literature, in both aesthetics and politics, is in conversation with the literature of the African independence era and contemporary rooted transnational literatures. This book will become a foundational text in African literary studies, as it raises questions about the very nature of African literature and criticism. It will be essential reading for scholars of African literary studies as well as general readers seeking a greater understanding of African literary history and the ways in which critical consensus can be manufactured and rewarded at the expense of a larger and historical literary tradition. |
| writers in politics ngugi wa thiong o: Approaches to Teaching the Works of Ngũgĩ wa Thiong'o Oliver Lovesey, 2012-12-01 Ngũgĩ wa Thiong'o is one of the most important and celebrated authors of postindependence Africa as well as a groundbreaking postcolonial theorist. His work, written first in English, then in Gĩkũyũ, engages with the transformations of his native Kenya after what is often termed the Mau Mau rebellion. It also gives voice to the struggles of all Africans against economic injustice and political oppression. His writing and activism have continued despite imprisonment, the threat of assassination, and exile.Part 1 of this volume, Materials, provides resources and background for the teaching of Ngũgĩ's novels, plays, memoirs, and criticism. The essays of part 2, Approaches, consider the influence of Frantz Fanon, Karl Marx, and Joseph Conrad on Ngũgĩ; how the role of women in his fiction is inflected by feminism; his interpretation and political use of African history; his experimentation with orality and allegory in narrative; and the different challenges of teaching Ngũgĩ in classrooms in the United States, Europe, and Africa. |
| writers in politics ngugi wa thiong o: Dreams in a Time of War Ngugi wa Thiong'o, 2010-03-09 Born in 1938 in rural Kenya, Ngũgĩ wa Thiong’o came of age in the shadow of World War II, amidst the terrible bloodshed in the war between the Mau Mau and the British. The son of a man whose four wives bore him more than a score of children, young Ngũgĩ displayed what was then considered a bizarre thirst for learning, yet it was unimaginable that he would grow up to become a world-renowned novelist, playwright, and critic. In Dreams in a Time of War, Ngũgĩ deftly etches a bygone era, bearing witness to the social and political vicissitudes of life under colonialism and war. Speaking to the human right to dream even in the worst of times, this rich memoir of an African childhood abounds in delicate and powerful subtleties and complexities that are movingly told. |
| writers in politics ngugi wa thiong o: Ngugi Wa Thiong'o Speaks Ngũgĩ wa Thiongʼo, 2006 Ngugi wa Thiong'o's evolution as a thinker can be discerned in the conversations collected here. The earliest, recorded forty years ago, reflect his interest in exploring events in Kenya's colonial past that had a profound impact on his own people, the Kikuyu, and ultimately on his own life. More recent discussions focus on present conditions in Kenya and other parts of the Third World. – from publisher information. |
| writers in politics ngugi wa thiong o: Secure the Base Ngũgĩ wa Thiongʼo, 2016 For more than sixty years, Ngugi wa Thiong'o has been writing fearlessly the questions, challenges, histories, and futures of Africans, particularly those of his homeland, Kenya. In his work, which has included plays, novels, and essays, Ngugi narrates the injustice of colonial violence and the dictatorial betrayal of decolonization, the fight for freedom and subsequent incarceration, and the aspiration toward economic equality in the face of gross inequality. With both hope and disappointment, he questions the role of language in both the organization of power structures and the pursuit of autonomy and self-expression. Ngugi's fiction has reached wide acclaim, but his nonfictional work, while equally brilliant, is difficult to find. Secure the Base changes this by bringing together for the first time essays spanning nearly three decades. Originating as disparate lectures and texts, this complete volume will remind readers anew of Ngugi's power and importance. Written in a personal and accessible style, the book covers a range of issues, including the role of the intellectual, the place of Asia in Africa, labor and political struggles in an era of rampant capitalism, and the legacies of slavery and prospects for peace. At a time when Africa looms large in our discussions of globalization, Secure the Base is mandatory reading. |
| writers in politics ngugi wa thiong o: Barrel of a Pen Ngũgĩ wa Thiongʼo, 1983 |
| writers in politics ngugi wa thiong o: In the House of the Interpreter Ngugi wa Thiong'o, 2012-11-06 With black-and-white illustrations throughout World-renowned Kenyan novelist, poet, playwright, and literary critic Ng˜ug˜ý wa Thiong’o gives us the second volume of his memoirs in the wake of his critically acclaimed Dreams in a Time of War. In the House of the Interpreter richly and poignantly evokes the author’s life and times at boarding school—the first secondary educational institution in British-ruled Kenya—in the 1950s, against the backdrop of the tumultuous Mau Mau Uprising for independence and Kenyan sovereignty. While Ng˜ug˜ý has been enjoying scouting trips, chess tournaments, and reading about the fictional RAF pilot adventurer Biggles at the prestigious Alliance High School near Nairobi, things have been changing rapidly at home. Poised as he is between two worlds, Ng˜ug˜ý returns home for his first visit since starting school to find his house razed and the entire village moved up the road, closer to a guard checkpoint. Later, his brother Good Wallace, a member of the insurgency, is captured by the British and taken to a concentration camp. As for Ng˜ug˜ý himself, he falls victim to the forces of colonialism in the person of a police officer encountered on a bus journey, and he is thrown into jail for six days. In his second year at Alliance High School, the boarding school that was his haven in a heartless world is shattered by investigations, charges of disloyalty, and the politics of civil unrest. In the House of the Interpreter hauntingly describes the formative experiences of a young man who would become a world-class writer and, as a political dissident, a moral compass to us all. It is a winning celebration of the implacable determination of youth and the power of hope. |
| writers in politics ngugi wa thiong o: The Dictator Novel Magalí Armillas-Tiseyra, 2019 The Dictator Novel: Writers and Politics in the Global South explores novels about dictators in the literatures of the Global South. |
| writers in politics ngugi wa thiong o: Ngũgĩ Simon Gikandi, D. Ndirangu Wachanga, 2018 This collection of essays reflects on the life and work of Ngugi wa Thiong'o, who celebrated his 80th birthday in 2018. Drawing from a wide range of contributors, including writers, critics, publishers and activists, the volume traces the emergence of Ngugi as a novelist in the early 1960s, his contribution to the African culture of letters at its moment of inception, and his global artistic life in the twenty-first century. Here we have both personal and critical reflections on the different phases of the writer's life: there are poems from friends and admirers, commentaries from his co-workers in public theatre in Kenya in the 1970s and 1980s, and from his political associates in the fight for democracy, and contributions on his role as an intellectual of decolonization, as well as his experiences in the global art world. Included also are essays on Ngugi's role outside the academy, in the world of education, community theatre, and activism. In addition to tributes from other authors who were influenced by Ngugi, the collection contains hitherto unknown materials that are appearing in English for the first time. Both a celebration of the writer, and a rethinking of his legacy, this book brings together three generations of Ngugi readers. We have memories and recollections from the people he worked with closely in the 1960s, the students that he taught at the University of Nairobi in the 1970s, his political associates during his exile in the 1980s, and the people who worked with him as he embarked on a new life and career in the United States in the 1990s. First-hand accounts reveal how Ngugi's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century. |
| writers in politics ngugi wa thiong o: Petals of Blood Ngugi wa Thiong'o, Ngũgĩ wa Thiongʼo, 2002 There has been a murder in the Kenyan village of Ilmorog. Four suspects are placed in detention: headmaster Munira, teacher and political activist Karega, spirited barmaid Wanja and storekeeper Abdulla. But there are no easy solutions to the crime in a place already filled with fear and intimidation. As the murder is investigated, it becomes clear how the lives of suspects and victims are inextricably linked to the fortunes of their village, and to the crisis of modern Kenya itself. Petals of Bloodwas published in 1977 to huge controversy, leading to Ngugi's imprisonment for his portrayal of a post-independence Kenya ruled by greed, corruption and brutality. Yet his blistering criticism of the legacy of colonialism still burns with hope for the future. |
| writers in politics ngugi wa thiong o: Matigari Ngũgĩ wa Thiongʼo, 1989 Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society--Publisher's blurb. |
| writers in politics ngugi wa thiong o: Writers in Politics Ngũgĩ wa Thiongʼo, 1981-01-01 |
| writers in politics ngugi wa thiong o: A Grain of Wheat Ngũgĩ wa Thiongʼo, 1968 In this ambitious and densely worked novel, we begin to see early signs of Ngugi's increasing bitterness about the ways in which the politicians are the true benefactors of the rewards of independence. |
| writers in politics ngugi wa thiong o: Writers in Politics Ngũgĩ wa Thiongʼo, 1997 Ngugi has put together a new collection under an old title. One of the completely new pieces, Freedom of Expression, was written for the campaign to try to save Ken Saro-Wiwa and seven other writers from execution in Nigeria. He has rewritten almost all of the other pieces which have been kept. Ngugi says It seemed to me how ironic the title Writers in Politicshad turned out to be. In re-issuing these essays I didn't want to lose that nexus between culture and power which had been captured by the title. |
| writers in politics ngugi wa thiong o: Moving the Centre Ngũgĩ wa Thiongʼo, 1992 In this collection Ngugi is concerned with moving the centre in two senses - between nations and within nations - in order to contribute to the freeing of world cultures from the restrictive walls of nationalism, class, race and gender. Between nations the need is to move the centre from its assumed location in the West to a multiplicity of spheres in all the cultures of the world. Within nations the move should be away from all minority class establishments to the real creative centre among working people in conditions of racial, religious and gender equality. -- Back cover. |
| writers in politics ngugi wa thiong o: Writers in Politics Ngugi wa Thiong'o, 1997 |
| writers in politics ngugi wa thiong o: Nairobi Heat Mukoma Wa Ngugi, 2011-09-13 A cop from Wisconsin pursues a killer through the terrifying slums of Nairobi and the memories of genocide IN MADISON, WISCONSIN, it’s a big deal when African peace activist Joshua Hakizimana—who saved hundreds of people from the Rwandan genocide—accepts a position at the university to teach about “genocide and testimony.” Then a young woman is found murdered on his doorstep. Local police Detective Ishmael—an African-American in an “extremely white” town—suspects the crime is racially motivated; the Ku Klux Klan still holds rallies there, after all. But then he gets a mysterious phone call: “If you want the truth, you must go to its source. The truth is in the past. Come to Nairobi.” It’s the beginning of a journey that will take him to a place still vibrating from the genocide that happened around its borders, where violence is a part of everyday life, where big-oil money rules and where the local cops shoot first and ask questions later—a place, in short, where knowing the truth about history can get you killed. |
| writers in politics ngugi wa thiong o: A Walk in the Night Alex La Guma, 1968 Of French and Malagasy stock, involved in South African politics from an early age, Alex La Guma was arrested for treason with 155 others in 1956 and finally acquitted in 1960. During the State of Emergency following the Sharpeville massacre he was detained for five months. Continuing to write, he endured house arrest and solitary confinement. La Guma left South Africa as a refugee in 1966 and lived in exile in London and Havana. He died in 1986. A Walk in the Night and Other Stories reveals La Guma as one of the most important African writers of his time. These works reveal the plight of non-whites in apartheid South Africa, laying bare the lives of the poor and the outcasts who filled the ghettoes and shantytowns. |
| writers in politics ngugi wa thiong o: The Writing of East and Central Africa G. D. Killam, 1984 |
| writers in politics ngugi wa thiong o: Penpoints, Gunpoints, and Dreams Ngugi wa Thiong'o, 1998-04-02 Penpoints, Gunpoints, and Dreams explores the relationship between art and political power in society, taking as its starting point the experience of writers in contemporary Africa, where they are often seen as the enemy of the postcolonial state. This study, in turn, raises the wider issues of the relationship between the state of art and the art of the state, particularly in their struggle for the control of performance space in territorial, temporal, social, and even psychic contexts. Kenyan writer, Ngugi wa Thiong'o, calls for the alliance of art and people power, freedom and dignity against the encroachments of modern states. Art, he argues, needs to be active, engaged, insistent on being what it has always been, the embodiment of dreams for a truly human world. |
| writers in politics ngugi wa thiong o: Ngũgĩ Wa Thiong'o David Cook, Michael Okenimkpe, 1997 Cloth Edition. This is a comprehensive interpretation of all of Ngugi's works. |
| writers in politics ngugi wa thiong o: I Will Marry when I Want Ngugi wa Thiongo, 1988 |
| writers in politics ngugi wa thiong o: Nairobi Noir Ngugi wa Thiong'o, Makena Onjerika, Rasna Warah, Stanley Gazemba, Kinyanjui Kombani, 2020-02-04 In this anthology, fourteen authors explore dark mysteries in the concrete jungle capital of Kenya, dealing with topics of race, religion, and corruption. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Ngugi wa Thiong’o, Stanley Gazemba, Ngumi Kibera, Peter Kimani, Winfred Kiunga, Kinyanjui Kombani, Caroline Mose, Kevin Mwachiro, Wanjiku wa Ngugi, Faith Oneya, Makena Onjerika, Troy Onyango, J.E. Sibi-Okumu, and Rasna Warah. Praise for Nairobi Noir “Nairobi Noir takes readers into the enigmas that haunt Kenya’s most populous city through the deft storytelling of a stellar cast of writers, which includes Ngugi wa Thiong’o, Stanley Gazemba, Makena Onjerika, Troy Onyango, and others.” —Brittle Paper, One of 50 Notable African Books of 2020 “Nairobi is a city of 3 million souls, so it makes sense as a setting Akashic Books’ famed noir series. 14 new stories fill a collection with Nairobi old and new; authors range in age from 24 to 81, and many layers of the city and its complex subcultures will be revealed as the reader makes their way through. Perfect for the armchair traveler!” —CrimeReads, included in CrimeReads’ Most Anticipated Crime Books of 2020 “Crime fiction fans have much to savor.” —Publishers Weekly |
| writers in politics ngugi wa thiong o: Black Star Nairobi Mukoma Wa Ngugi, 2013-06-11 Two cops—one American, one Kenyan—team up to track down a deadly terrorist. It’s December 2007. The Kenyan presidential elections have gotten off to a troubled start, with threats of ethnic violence in the air, and the reports about Barack Obama on the campaign trail in the United States are the subject of newspaper editorials and barstool debates. And Ishmael and O have just gotten their first big break for their new detective agency, Black Star. A mysterious death they’re investigating appears to be linked to the recent bombing of a downtown Nairobi hotel. But local forces start to come down on them to back off the case, and then a startling act of violence tips the scales, setting them off on a round-the-globe pursuit of the shadowy forces behind it all. A thrilling, hard-hitting novel, from the author of Nairobi Heat, a major new crime talent. |
Theatre AUM – Taylor Center – Alabama Writers' Forum
Alabama Writers Forum Bailey Building Suite 455 400 S. Union St. Montgomery, AL 36103-4777. 334-265-7728
Events from August 23, 2027 – July 24, 2028 – Page 7 – Alabama …
ABOUT. Our History; Our Board of Directors; Our Staff; Contact Us; PROGRAMS. Writing Our Stories; High School Literary Arts Awards
Sheffield Public Library – Alabama Writers' Forum
ABOUT. Our History; Our Board of Directors; Our Staff; Contact Us; PROGRAMS. Writing Our Stories; High School Literary Arts Awards
Theatre AUM – Taylor Center – Alabama Writers' Forum
Alabama Writers Forum Bailey Building Suite 455 400 S. Union St. Montgomery, AL 36103-4777. 334-265-7728
Events from August 23, 2027 – July 24, 2028 – Page 7 – Alabama …
ABOUT. Our History; Our Board of Directors; Our Staff; Contact Us; PROGRAMS. Writing Our Stories; High School Literary Arts Awards
Sheffield Public Library – Alabama Writers' Forum
ABOUT. Our History; Our Board of Directors; Our Staff; Contact Us; PROGRAMS. Writing Our Stories; High School Literary Arts Awards
