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| women writing africa: Women Writing Africa Margaret J. Daymond, 2003 Essential...this distinctive series presents 120 southern African texts that are rich, evocative. -- Library Journal |
| women writing africa: Women Writing Africa Esi Sutherland-Addy, Aminata Diaw, 2005 A major literary and scholarly work that transforms perceptions of West African women's history and culture. |
| women writing africa: Women Writing Africa Amandina Lihamba, 2007 Third installment of major literary and scholarly project exposes East African women's history and culture. |
| women writing africa: Women Writing Africa Fatima Sadiqi, 2009 Culminating the acclaimed Women Writing Africa project, The Northern Region covers 3,000 BCE to today. |
| women writing africa: African Women Writing Resistance Jennifer Browdy de Hernandez, Pauline Dongala, Omotayo Jolaosho, Anne Serafin, 2010-08-19 African Women Writing Resistance is the first transnational anthology to focus on women’s strategies of resistance to the challenges they face in Africa today. The anthology brings together personal narratives, testimony, interviews, short stories, poetry, performance scripts, folktales, and lyrics. Thematically organized, it presents women’s writing on such issues as intertribal and interethnic conflicts, the degradation of the environment, polygamy, domestic abuse, the controversial traditional practice of female genital cutting, Sharia law, intergenerational tensions, and emigration and exile. Contributors include internationally recognized authors and activists such as Wangari Maathai and Nawal El Saadawi, as well as a host of vibrant new voices from all over the African continent and from the African diaspora. Interdisciplinary in scope, this collection provides an excellent introduction to contemporary African women’s literature and highlights social issues that are particular to Africa but are also of worldwide concern. It is an essential reference for students of African studies, world literature, anthropology, cultural studies, postcolonial studies, and women’s studies. A Choice Outstanding Academic Book Outstanding Book, selected by the Public Library Association Best Books for High Schools, Best Books for Special Interests, and Best Books for Professional Use, selected by the American Association of School Libraries |
| women writing africa: Gender in African Women's Writing Juliana Makuchi Nfah-Abbenyi, 1997-12-22 This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . —Multicultural Review This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography. —Choice . . . a college-level analysis which will appeal to any interested in African studies and literature. —The Bookwatch This book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives. |
| women writing africa: Coming to Birth Marjorie Oludhe Macgoye, 2000-12-01 In this quietly powerful and eminently readable novel, winner of the prestigious Sinclair Prize, Kenyan writer Marjorie Macgoye deftly interweaves the story of one young woman’s tumultuous coming of age with the history of a nation emerging from colonialism. At the age of sixteen, Paulina leaves her small village in western Kenya to join her new husband, Martin, in the bustling city of Nairobi. It is 1956, and Kenya is in the final days of the Emergency, as the British seek to suppress violent anti-colonial revolts. But Paulina knows little about, about city life, or about marriage, and Martin’s clumsy attempts to control her soon lead to a relationship filled with silences, misunderstandings, and unfulfilled expectations. Soon Paulina’s inability to bear a child effectively banishes her from the confines of traditional women’s roles. As her country at last moves toward independence, Paulina manages to achieve a kind of independence as well: She accepts a job that will require her to live separately from her husband, and she has an affair that leads to the birth of her first child. But Paulina’s hard-won contentment will be shattered when Kenya’s turbulent history intrudes into her private life, bringing with it tragedy—and a new test of her quiet courage and determination. Paulina’s patient struggles for survival and identity are revealed through Marjorie Macgoye’s keen and sensitive vision—a vision which extends to embrace the whole of a nation and a people likewise struggling to find their way. As the Weekly Standard of Kenya notes, Coming to Birth is a radical novel in firmly asserting our common humanity. |
| women writing africa: The Rape of Sita Lindsey Collen, 2004 Banned upon its first publication in Mauritius, winner of the prestigious Commonwealth Prize for Best Novel in Africa, this stylistically radical novel is both starkly modern in its conception and reminiscent of ancient myth in its captivating narrative and allegorical power. Deftly blending oral and literary traditions, Collen has crafted a short epic that evokes legacies of oppression and resistance--of women, of cultures, and of nations. Through the intersecting frames of Indian, African, and European cultures that make up the tiny African island nation of Mauritius emerges Sita--a living legend in her country and activist in the national struggle for independence. She is also a strong woman who has buried a secret that threatens to overwhelm her. As Sita makes terrifying plunges into the black hole of her fragmented memory, her painful and angry search to come to terms with her past extends beyond her own violation. Echoing ancient folk tales and religious prophecies, Sita's modern-day struggle to remember her own history and rape comes to symbolize all rapes, all violations, and all colonizations. |
| women writing africa: Post-Colonial and African American Women's Writing Gina Wisker, 2017-03-04 This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics. |
| women writing africa: Women Writing Africa Esi Sutherland-Addy, Aminata Diaw, 2005 A major literary and scholarly work that transforms perceptions of West African women's history and |
| women writing africa: And They Didn't Die Lauretta G. Ngcobo, 1990 This is the untold story of the anti-Apartheid movement in South Africa, told by a woman who lived it. It is the story of the ordinary women of South Africa who, forced to scratch a living from the land, still found the strength to ask for respect and, in the process, made a revolution. |
| women writing africa: The Present Moment Marjorie Oludhe Macgoye, 2014-08-30 This contemporary African classic tells the story of seven unforgettable Kenyan women as it traces more than sixty years of turbulent national history. Like their country, this group of old women is divided by ethnicity, language, class, and religion. But around the charcoal fire at the Refuge, the old-age home they share in Nairobi, they uncover the hidden personal histories that connect them as women: stories of their struggles for self-determination; of conflict, violence, and loss, but also of survival. Each woman has found her way to the Refuge because of a devastating life experience—the loss of family and security to revolution, emigration, or poverty. But as they reflect upon their tragedies, they also become aware of the community they have formed—a community of collective history, strength, humor, and affection. And they learn that they are more connected than they know, as the murder of a student in the neighborhood reveals how their lives have intersected across generations, how securely the past is tied to the present—and to the future—of their young nation. |
| women writing africa: New Daughters of Africa Various Authors, 2022-08-25 Three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie. A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class. Bold and insightful, brilliant in its intimacy and universality, this landmark anthology honours the talents of African daughters and the inspiring legacy that connects them-and all of us. The New Daughters of Africa Diane Abbott Yassmin Abdel-Magied Leila Aboulela Ayobami Adebayo Sade Adeniran Chimamanda Ngozi Adichie Zoe Adjonyoh Patience Agbabi Agnès Agboton Candace Allen Lisa Allen-Agostini Ellah Wakatama Allfrey Andaiye Harriet Anena Joan Anim-Addo Monica Arac de Nyeko Yemisi Aribisala Yolanda Arroyo Pizarro Amma Asante Michelle Asantewa Nana Asma'u Sefi Atta Ayesha Harruna Attah Gabeba Baderoon Yaba Badoe Yvonne Bailey-Smith Doreen Baingana Ellen Banda-Aaku Angela Barry Mildred K. Barya Jackee Budesta Batanda Simi Bedford Linda Bellos Jay Bernard Marion Bethel Ama Biney Jacqueline Bishop Malorie Blackman Tanella Boni Malika Booker Nana Ekua Brew-Hammond Beverley Bryan Akosua Busia Candice Carty-Williams Rutendo Chabikwa Barbara Chase-Riboud Panashe Chigumadzi Gabrielle Civil Maxine Beneba Clarke Angela Cobbinah Carolyn Cooper Juanita Cox Meta Davis Cumberbatch Patricia Cumper Stella Dadzie Yrsa Daley-Ward Nana-Ama Danquah Edwidge Danticat Nadia Davids Tjawangwa Dema Yvonne Denis Rosario Anni Domingo Nah Dove Edwige-Renée Dro Camille T. Dungy Anaïs Duplan Reni Eddo-Lodge Aida Edemariam Esi Edugyan Summer Edward Yvvette Edwards Zena Edwards Safia Elhillo Zetta Elliott Nawal El Saadawi Diana Evans Bernardine Evaristo Eve L. Ewing Deise Faria Nunes Diana Ferrus Nikky Finney Aminatta Forna Ifeona Fulani Vangile Gantsho Roxane Gay Danielle Legros Georges Patricia Glinton-Meicholas Hawa Jande Golakai Wangui wa Goro Bonnie Greer Jane Ulysses Grell Rachel Eliza Griffiths Carmen Harris zakia henderson-brown Joanne C. Hillhouse Afua Hirsch Zita Holbourne Nalo Hopkinson Rashidah Ismaili Naomi Jackson Sandra Jackson-Opoku Delia Jarrett-Macauley Margo Jefferson Barbara Jenkins Catherine Johnson Ethel Irene Kabwato Elizabeth Keckley Fatimah Kelleher Donika Kelly Adrienne Kennedy Susan Nalugwa Kiguli Rosamond S. King Donu Kogbara Lauri Kubuitsile Goretti Kyomuhendo Beatrice Lamwaka Patrice Lawrence Andrea Levy Lesley Lokko Karen Lord Karen Ládípò Manyika Ros Martin Lebogang Mashile Isabella Matambanadzo NomaVenda Mathiane Imbolo Mbue Maaza Mengiste Arthenia Bates Millican Bridget Minamore Nadifa Mohamed Natalia Molebatsi Wame Molefhe Aja Monet Sisonke Msimang Blessing Musariri Glaydah Namukasa Marie NDiaye Juliana Makuchi Nfah-Abbenyi Wanjiku wa Ngugi Ketty Nivyabandi Elizabeth Nunez Selina Nwulu Trifonia Melibea Obono Nana Oforiatta Ayim Irenosen Okojie Nnedi Okorafor Juliane Okot Bitek Chinelo Okparanta Yewande Omotoso Makena Onjerika Chibundu Onuzo Tess Onwueme Yvonne Adhiambo Owuor Louisa Adjoa Parker Djaimilia Pereira de Almeida Alake Pilgrim Winsome Pinnock Hannah Azieb Pool Olúmìdé Pópó?lá Claudia Rankine H. Cordelia Ray Sarah Parker Remond Florida Ruffin Ridley Zandria F. Robinson Zuleica Romay Guerra Andrea Rosario-Gborie Leone Ross Josephine St. Pierre Ruffin Minna Salami Marina Salandy-Brown Sapphire Noo Saro-Wiwa Taiye Selasi Namwali Serpell Kadija Sesay Claire Shepherd Verene A. Shepherd Warsan Shire Lola Shoneyin Dorothea Smartt Zadie Smith Adeola Solanke Celia Sorhaindo Attillah Springer Andrea Stuart SuAndi Valerie Joan Tagwira Jennifer Teege Jean évenet Natasha Trethewey Novuyo Rosa Tshuma Hilda J. Twongyeirwe Chika Unigwe Yvonne Vera Phillippa Yaa de Villiers Kit de Waal Elizabeth Walcott-Hackshaw Effie Waller Smith Rebecca Walker Ayeta Anne Wangusa Zukiswa Wanner Jesmyn Ward Verna Allette Wilkins Charlotte Williams Sue Woodford-Hollick Makhosazana Xaba Tiphanie Yanique |
| women writing africa: Writing African Women Stephanie Newell, 2017-06-15 How does our understanding of Africa shift when we begin from the perspective of women? What can the African perspective offer theories of culture and of gender difference? This work, as unique and insightful today as when it was first published, brings together a wide variety of African academics and other researchers to explore the links between literature, popular culture and theories of gender. Beginning with a ground-breaking overview of African gender theory, the book goes on to analyse women's writing, uncovering the ways different writers have approached issues of female creativity and colonial history, as well as the ways in which they have subverted popular stereotypes around African women. The contributors also explore the related gender dynamics of mask performance and oral story-telling. This major analysis of gender in popular and postcolonial cultural production remains essential reading for students and academics in women's studies, cultural studies and literature. |
| women writing africa: Born in the Big Rains Fadumo Korn, Sabine Eichhorst, 2008-04-01 The author describes her life, from her childhood living with a nomadic tribe in Somalia to her position as a spokesperson against female genital mutiliation. |
| women writing africa: Opening Spaces Yvonne Vera, 1999 In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa. |
| women writing africa: Writing and Africa Mpalive-Hangson Msiska, Paul Hyland, 2017-07-28 This volume reflects one of the new areas of English Studies as it broadens to take in non-western literatures, and places more emphasis on the contexts and broader notions of `writing'. In discussing writing from and about Africa, this collection touches on studies in black writing, colonialism and imperialism and cultural development in the third world. It begins by providing a historical introduction to the main regional traditions, and then builds on this to discuss major issues, such as oral tradition, the significance of `literature' as a western import, representations of Africa in western writing, African writing against colonialism and its themes and politics in a post-colonial world, popular writing and the representation of women. |
| women writing africa: Women Writing Portuguese Colonialism in Africa Ana Paula Ferreira, 2020 |
| women writing africa: Writing African History John Edward Philips, 2006 A comprehensive evaluation of how to read African history. Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written. Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century. Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida. John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000]. |
| women writing africa: African Women Writing Diaspora Rose A. Sackeyfio, 2021-04-26 African Women Writing Diaspora examines the works of contemporary African female writers through diaspora perspectives on the constructions of identity in transnational spaces. The collection interrogates the ways in which women construct new ways of telling the African story in the global age of social, economic, and political transformation. |
| women writing africa: Women Writing in India: 600 B.C. to the early twentieth century Susie J. Tharu, Ke Lalita, 1991 Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman. |
| women writing africa: Women Writing Africa , 2006 The Women Writing Africa project aims to restore African women's voices to the public sphere. Through the publication of a series of regional anthologies, each collecting oral and written narratives as well as a variety of historical and literary texts, the project will make visible the oral and written literary expression of African women. We have deliberately broadened the definition of writing to include songs, praise poems, and significant oral texts, as well as short fiction, poetry, letters, journals, journalism, and historical documents. We expect that the publication of these texts will allow for new readings of African women's history. The first of these regional anthologies, subtitled The Southern Region, was first published in 2003. The second volume subtitled West Africa and The Sahel, was published in Fall 2005. Volume 3, covering The Eastern Region, traces the history of five countries -- Kenya, Malawi, Tanzania, Uganda, and Zambia -- and was published in 2007--Home page. |
| women writing africa: Women Writing Africa Amandina Lihamba, 2007 Third installment of major literary and scholarly project exposes East African women's history and culture. |
| women writing africa: Medieval Women's Writing Diane Watt, 2007-10-22 Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates. |
| women writing africa: Of Suffocated Hearts and Tortured Souls Valérie Orlando, 2003-01-01 A striking number of hysterical or insane female characters populate Francophone women's writing. To discover why, Orlando reads novels from a variety of cultures, teasing out key elements of Francophone identity struggles. |
| women writing africa: Cabo Verdean Women Writing Remembrance, Resistance, and Revolution Elizabete Andrade, 2021-05-11 This book documents the work and stories told by Cabo Verdean women to refocus the narratives about Cabo Verde on Cabo Verdean women and their experiences. The contributors examine their own experiences, the history of Cabo Verde, and Cabo Verdean diaspora to analyze themes of community, race, sexuality, migration, gender, and tradition. |
| women writing africa: No Sweetness Here Ama Ata Aidoo, 2023-10 |
| women writing africa: So Long a Letter Mariama Bâ, 2012-05-06 Written by award-winning African novelist Mariama Bâ and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences —some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined. Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country. Winner of the prestigious Noma Award for Publishing in Africa. |
| women writing africa: The Fury and Cries of Women Angèle Rawiri, 2014-07-07 Gabon’s first female novelist, Angèle Rawiri probed deeper into the issues that writers a generation before her—Mariama Bâ and Aminata Sow Fall—had begun to address. Translated by Sara Hanaburgh, this third novel of the three Rawiri published is considered the richest of her fictional prose. It offers a gripping account of a modern woman, Emilienne, who questions traditional values and seeks emancipation from them. Emilienne’s active search for feminism on her own terms is tangled up with cultural expectations and taboos of motherhood, marriage, polygamy, divorce, and passion. She completes her university studies in Paris; marries a man from another ethnic group; becomes a leader in women’s liberation; enjoys professional success, even earning more than her husband; and eventually takes a female lover. Yet still she remains unsatisfied. Those closest to her, and even she herself, constantly question her role as woman, wife, mother, and lover. The tragic death of her only child—her daughter Rékia—accentuates Emilienne’s anguish, all the more so because of her subsequent barrenness and the pressure that she concede to her husband’s taking a second wife. In her forceful portrayal of one woman’s life in Central Africa in the late 1980s, Rawiri prompts us not only to reconsider our notions of African feminism and the canon of francophone African women’s writing but also to expand our awareness of the issues women face across the world today in the workforce, in the bedroom, and among family and peers. |
| women writing africa: Our Words, Our Worlds Makhosazana Xaba, 2019 This groundbreaking, multi-genre anthology answers the question: what did the literary landscape look like in South Africa at the start of the twenty-first century? It documents a slice of this landscape by bringing together the writings of over twenty contributors through literary critique, personal essays and interviews. The book tells the story of the seismic shift that transformed national culture through poetry and is the first of its kind to explore the history and impact of poetry by Black women, in their own voices. It straddles disciplines: literary theory, feminism, history of the book and politics - thus decolonising literary culture. Our Words, Our Worlds covers expansive reflections: from the international diplomacy-transforming poem, 'I Have Come to Take You Home' by Diana Ferrus, to the pioneering publisher duduzile zamantungwa mabaso; from the self-confessed closeted poet Sedica Davids, to the fiery unapologetic feminist Bandile Gumbi; from the world-renowned Malika Ndlovu, to the engineer and award-winning Nosipho Gumede; from the formidable foursome Feela Sistah, to feminist literary scholars V.M. Sisi Maqagi and Barbara Boswell. The collective contributions are a testimony to the power of creativity and centrality of poetry in a changing society. This book is an assertion of Black women's intellectual prowess and - as Gabeba Baderoon puts it - black women's visions of 'a world made whole by their presence'. Contributors: Gabeba Baderoon, Barbara Boswell, Sedica Davids, Phillippa Yaa de Villiers, Diana Ferrus, Vangi Gantsho, Bandile Gumbi, Nosipho Gumede, Myesha Jenkins, Ronelda Sonnet Kamfer, duduzile zamantungwa mabaso, Makgano Mamabolo, Napo Masheane, Lebogang Mashile, V.M. Sisi Maqagi, Mthunzikazi Mbungwana, Natalia Molebatsi, Qhakazambalikayise Thato Mthembu, Tereska Muishond, Malika Ndlovu, Maganthrie Pillay, Toni Stuart, Makhosazana Xaba. |
| women writing africa: Surfacing Desiree Lewis, Gabeba Baderoon, 2021-04-01 An anthology dedicated to contemporary Black South African feminist writing influential to today's scholars and radical thinkers Surfacing: On Being Black and Feminist in South Africa is the first collection dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders into an essential resource. Radical polemic sits side by side with personal essays, and critical theory coexists with rich and stirring life histories. The collection demonstrates a dazzling range of feminist voices from established scholars and authors to emerging thinkers, activists and creative practitioners. The writers within these pages use creative expression, photography and poetry in eclectic, interdisciplinary ways to unearth and interrogate representations of blackness, sexuality, girlhood, history, divinity, and other themes. Surfacing asks: what do the African feminist traditions that exist outside the canon look and feel like? What complex cultural logics are at work outside the centers of power? How do spirituality and feminism influence each other? What are the histories and experiences of queer Africans? What imaginative forms can feminist activism take? Surfacing is indispensable to anyone interested in feminism from Africa, which its contributors show in vivid and challenging conversation with the rest of the world. It will appeal to a diverse audience of students, activists, critical thinkers, academics and artists. |
| women writing africa: Women Writing War Katharina von Hammerstein, Barbara Kosta, Julie Shoults, 2018-08-06 Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I and the discourses that promoted or critiqued their premises. They examine how colonial conflicts contributed to a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that eventually culminated in the outbreak of World War I, or a Kriegskritik (criticism of war) that resisted it. The span from German colonialism to World War I brings these explosive periods into relief and challenges readers to think about the intersection of nationalism, violence and gender and about the historical continuities and disruptions that shape such events. |
| women writing africa: The Amputated Memory Werewere Liking, Marjolijn de Jager, Michelle Mielly, 2014-09-06 “….An expansive, eclectic, and innovative novel.”—Women's Review of Books A modern-day Things Fall Apart, The Amputated Memory explores the ways in which an African woman’s memory preserves, and strategically forgets, moments in her tumultuous past as well as the cultural past of her country, in the hopes of making a healthier future possible. Pinned between the political ambitions of her philandering father, the colonial and global influences of encroaching and exploitative governments, and the traditions of her Cameroon village, Halla Njokè recalls childhood traumas and reconstructs forgotten experiences to reclaim her sense of self. Winner of the Noma Award—previous honorees include Mamphela Ramphele, Ngugi wa Thiong’o, and Ken Saro-Wiwa—The Amputated Memory was called by the Noma jury “a truly remarkable achievement . . . a deeply felt presentation of the female condition in Africa; and a celebration of women as the country’s memory.” |
| women writing africa: A Poetics of Resistance Mary K. DeShazer, 1994 A survey of the empowering poetry of politically active women in El Salvador, South Africa, and the United States. |
| women writing africa: How to Write About Africa Binyavanga Wainaina, 2023-06-06 From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy. |
| women writing africa: Women Writing Resistance Jennifer Browdy, 2017-10-10 Essays on Latinx and Caribbean identity and on globalization by renowned women writers, including Julia Alvarez, Edwidge Danticat, and Jamaica Kincaid Women Writing Resistance: Essays on Latin America and the Caribbean gathers the voices of sixteen acclaimed writer-activists for a one-of-a-kind collection. Through poetry and essays, writers from the Anglophone, Hispanic, and Francophone Caribbean, including Puertorriqueñas and Cubanas, grapple with their hybrid American political identities. Gloria Anzaldúa, the founder of Chicana queer theory; Rigoberta Menchú, the first Indigenous person to win a Nobel Peace Prize; and Michelle Cliff, a searing and poignant chronicler of colonialism and racism, among many others, highlight how women can collaborate across class, race, and nationality to lead a new wave of resistance against neoliberalism, patriarchy, state terrorism, and white supremacy. |
| women writing africa: Society, Women and Literature in Africa Orabueze, Florence Onyebuchi, 2016-03-07 Society, Women and Literature in Africa explores the ideological, literary, political, cultural and ethical issues related to feminist writing. She discusses how contemporary African writers have tried to counteract men’s false assumptions about sex, love, society, fecundity and womanhood, and further details how African writers have responded to the demands of feminism. “Woman’s Cross Cultural Burden in the selected works of West African Female writers” explores the recurrent themes of motherhood, polygamy, abandonment and widowhood in the works of Nwapa, Emecheta, Alkali, Aidoo and Mariama Bâ. In “Prostitution: A Metaphor for the Degradation of Womanhood in Bode Osanyin’s the Noble Mistress”, the author approaches the subject of woman degradation in society from the perspectives of comprehensive research and an in-depth referencing. “Gendered Social Division of Labour in the African Novel” explores the theme of unfairness, of institutionalized differentiation in the African novel. It reveals the total emasculation of woman in patriarchy and her desire to be liberated from male-annexation. “The Prison World of Nigeria Woman: Female Reticence in Sefi Attah’s “Everything Good Will Come”, the author explores the dimensions of “gender silences”. She shows how woman’s voice has been stolen in patriarchy, thus rendering her a social and political mutant. “Womanhood as a Metaphor for Sexual Slavery in Nawal El Saddawi’s Woman at Point Zero” underscores that in patriarchy a woman is educated to make an object of herself for male pleasure. She is excluded from politics as a result of religion. “The Ugly Face of Ghana in the New Millennium: Alienation of Children in Amma Darko’s Faceless” is a stylistic study of the consequences of globalization in postindependent Ghana. In “The Theme of Dispossession in A.N Akwanya’s the Pilgrim Foot”, the author examines the myriad perspectives of dispossession and the dispossessor. |
| women writing africa: Women, Travel Writing, and Truth Clare Broome Saunders, 2014-07-17 The issue of truth has been one of the most constant, complex, and contentious in the cultural history of travel writing. Whether the travel was undertaken in the name of exploration, pilgrimage, science, inspiration, self-discovery, or a combination of these elements, questions of veracity and authenticity inevitably arise. Women, Travel, and Truth is a collection of twelve essays that explore the manifold ways in which travel and truth interact in women's travel writing. Essays range in date from Lady Mary Wortley Montagu in the eighteenth century to Jamaica Kincaid in the twenty-first, across such regions as India, Italy, Norway, Siberia, Austria, the Orient, the Caribbean, China and Mexico. Topics explored include blurred distinctions of fiction and non-fiction; travel writing and politics; subjectivity; displacement, and exile. Students and academics with interests in literary studies, history, geography, history of art, and modern languages will find this book an important reference. |
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The ultimate destination for Women. Covering news, politics, fashion, beauty, wellness, and expert exclusives - since 1995.
The Hottest Fashion Trends For 2025 & The Celebs Already
Apr 16, 2025 · For example, there's a major uptick in women wearing menswear, with impeccably tailored tuxedo jackets and sharp trousers becoming the perfect base for an evening out. The …
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