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| wittgenstein's mistress: Wittgenstein's Mistress David Markson, 2023-11-14 Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state—obviously a metaphor for ultimate loneliness—so too will her drama become one of the few certifiably original fictions of our time. “The novel I liked best this year,” said the Washington Times upon the book’s publication; “one dizzying, delightful, funny passage after another . . . Wittgenstein’s Mistress gives proof positive that the experimental novel can produce high, pure works of imagination.” |
| wittgenstein's mistress: Wittgenstein's Mistress David Markson, 2022-06-28 Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state--obviously a metaphor for ultimate loneliness--so too will her drama become one of the few certifiably original fictions of our time. The novel I liked best this year, said the Washington Times upon the book's publication; one dizzying, delightful, funny passage after another . . . Wittgenstein's Mistress gives proof positive that the experimental novel can produce high, pure works of imagination. |
| wittgenstein's mistress: Wittgenstein's Mistress David Markson, 1988 Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state--obviously a metaphor for ultimate loneliness--so too will her drama become one of the few certifiably original fictions of our time. The novel I liked best this year, said the Washington Times upon the book's publication; one dizzying, delightful, funny passage after another . . . Wittgenstein's Mistress gives proof positive that the experimental novel can produce high, pure works of imagination. |
| wittgenstein's mistress: Omensetter's Luck William H. Gass, 1997-04-01 The most important work of fiction by an American in this literary generation. -The New Republic Now celebrating the 50th anniversary of its publication, Omensetter's Luck is the masterful first novel by the author of The Tunnel, Middle C, On Being Blue, and Eyes: Novellas and Stories. Greeted as a masterpiece when it was first published in 1966, Omensetter's Luck is the quirky, impressionistic, and breathtakingly original story of an ordinary community galvanized by the presence of an extraordinary man. Set in a small Ohio town in the 1890s, it chronicles - through the voices of various participants and observers - the confrontation between Brackett Omensetter, a man of preternatural goodness, and the Reverend Jethro Furber, a preacher crazed with a propensity for violent thoughts. Omensetter's Luck meticulously brings to life a specific time and place as it illuminates timeless questions about life, love, good, and evil. This edition includes an afterword written by William Gass in 1997. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| wittgenstein's mistress: Going Down David Markson, 2005-03-04 Unlike David Markson's most recent works, including Vanishing Point and Wittgenstein's Mistress, which David Foster Wallace described as pretty much the high point of experimental fiction in this country, his early novel, Going Down, is a more traditional effort, a masterfully plotted narrative set in Mexico in the 1960s. Three Americans, a man and two women, are living together in obvious intimacy. Their habits, strange to the Mexicans, are strangest of all to themselves. When Fern Winters' attention is caught by movement behind a window in a run–down Greenwich Village apartment building, she can't suspect that her encounter with the apartment's occupant will eventually lead her to be come upon in an abandoned chapel, in a tiny mountain village—clutching the bloody machete with which one of the three has been murdered. Going Down is a rarity among novels—brilliantly and poetically written, faultlessly constructed, centered on fully realized people, and yet completely uninhibited in its depiction of startling eroticism. |
| wittgenstein's mistress: Wittgenstein's Nephew Thomas Bernhard, 2009-10-13 It is 1967. In separate wings of a Viennese hospital, two men lie bedridden. The narrator, named Thomas Bernhard, is stricken with a lung ailment; his friend Paul, nephew of the celebrated philosopher Ludwig Wittgenstein, is suffering from one of his periodic bouts of madness. As their once-casual friendship quickens, these two eccentric men begin to discover in each other a possible antidote to their feelings of hopelessness and mortality—a spiritual symmetry forged by their shared passion for music, strange sense of humor, disgust for bourgeois Vienna, and great fear in the face of death. Part memoir, part fiction, Wittgenstein’s Nephew is both a meditation on the artist’s struggle to maintain a solid foothold in a world gone incomprehensibly askew, and a stunning—if not haunting—eulogy to a real-life friendship. |
| wittgenstein's mistress: The Last Novel David Markson, 2010-09 Just when one had started mourning the demise of avant-garde and postmodern fiction . . . here comes David Markson's latest 'novel' which is anything but a novel in any conventional sense of the term. Yet it manages to keep us enthralled . . . and even moved to tears at the end. And what a thrill it is to witness the performance, a real tour de force.'' |
| wittgenstein's mistress: Postmodern Sublime Joseph Tabbi, 2018-05-31 Focusing on works by Norman Mailer, Thomas Pynchon, Joseph McElroy, and Don DeLillo, Joseph Tabbi finds that a simultaneous attraction to and repulsion from technology has produced a powerful new mode of modern writing—the technological sublime. |
| wittgenstein's mistress: How To Read Wittgenstein Ray Monk, 2019-03-07 Though Wittgenstein wrote on the same subjects that dominate the work of other analytic philosophers - the nature of logic, the limits of language, the analysis of meaning - he did so in a peculiarly poetic style that separates his work sharply from that of his peers and makes the question of how to read him particularly pertinent. At the root of Wittgenstein's thought, Ray Monk argues, is a determination to resist the scientism characteristic of our age, a determination to insist on the integrity and the autonomy of non-scientific forms of understanding. The kind of understanding we seek in philosophy, Wittgenstein tried to make clear, is similar to the kind we might seek of a person, a piece of music, or, indeed, a poem. Extracts are taken from Tractatus Logico-Philosophicus and from a range of writings, including Philosophical Investigations, The Blue and Brown Books and Last Writings on the Philosophy of Psychology. |
| wittgenstein's mistress: Fare Forward David Markson, 2014-04-15 In this first-ever book of letters by novelist David Markson—a quintessential writer's writer whose work David Foster Wallace once lauded as pretty much the high point of experimental fiction in this country—readers will experience Markson at his wittiest and warmest. Poet Laura Sims shares her correspondence with him, which began with an impassioned fan letter in 2003 and ended with his death in 2010, finally allowing a glimpse into the personal world of this solitary man who found his life's solace in literature. The letters trace the growth of a genuine and moving friendship between two writers at very different stages; in them we see Markson grapple, humorously, with the indignities of old age and poor health, and reminisce about his early days as a key literary figure in the Greenwich Village scene of the 1950s and 60s. At the same time, he sincerely celebrates Sims's marriage and the first milestones of her career as a poet. The book is full of engaging commentary on life, love, and the writing life. Markson reveals himself to be casually erudite, caustically funny, lovably cantankerous, and always entertaining. This volume marks a significant contribution to our understanding and appreciation of Markson's indubitably important and affecting body of work and will be a delight for his longtime fans as well as those just now discovering him. |
| wittgenstein's mistress: Dear Committee Members Julie Schumacher, 2015-06-23 “Like Richard Russo’s Straight Man this book has a lot to say about the humanities in American colleges and universities…. Very funny and also moving.” —Tom Perrotta, New York Post A BEST BOOK OF THE YEAR: NPR and Boston Globe Finally a novel that puts the pissed back into epistolary. Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville's Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend Dear Committee Members to you in the strongest possible terms. Don’t miss Julie Schumacher's new novel, The English Experience, coming soon. |
| wittgenstein's mistress: The House of Wittgenstein Alexander Waugh, 2009-01-01 The true story of a one-handed pianist and the fall of his aristocratic family. |
| wittgenstein's mistress: Dissipatio H.G. Guido Morselli, 2020-12-01 A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider. |
| wittgenstein's mistress: Langrishe, Go Down Aidan Higgins, 2004 An eminently poetic book, Langrishe, Go Down (Higgins's first novel) traces the fall of the Langrishes--a once wealthy, highly respected Irish family--through the lives of their four daughters, especially the youngest, Imogen, whose love affair with a self-centered German scholar resonates throughout the book. Their relationship, told in lush, erotic, and occasionally melancholic prose, comes to represent not only the invasion and decline of this insular family, but the decline of Ireland and Western Europe as a whole in the years preceding World War II. In the tradition of great Irish writing, Higgins's prose is a direct descendent from that of James Joyce and Samuel Beckett, and nowhere else in his mastery of the language as evident as in Langrishe, Go Down, which the Irish Times applauded as the best Irish novel since At Swim-Two-Birds and the novels of Beckett. |
| wittgenstein's mistress: Lost Empress Sergio De La Pava, 2019-04-16 FROM THE PEN/ROBERT W. BINGHAM PRIZE-WINNING AUTHOR OF A NAKED SINGULARITY Led by a renegade young owner out for revenge against her traitorous family, the Paterson Pork—New Jersey’s only Indoor Football League franchise—is challenging the Dallas Cowboys for championship glory. Meanwhile, a brilliant and lethal mastermind has gotten himself intentionally thrown into prison on Rikers Island with plans to commit the most audacious crime of all time. And is the world ending? Maybe. Filled with impossible triumphs and grave injustices, Lost Empress is another brilliant, hilarious, and eccentric masterpiece from Sergio de la Pava: a vibrant exultation of a novel, populated by a cast of unforgettable characters—immigrants, exiles, and outsiders—who will have you rooting for them, right up until the end. |
| wittgenstein's mistress: Springer's Progress David Markson, 1999 Here comes Lucien Springer. Age: forty-seven. Still handsome though muchly vodka'd novelist, currently abashed by acute creative dysfunction. Sole preoccupation amid these artistic doldrums: pursuit of fair women. Springer is a randy incorrigible who is guided by only one inflexible precept: no protracted affairs. And thus he has slyly sustained eighteen years of marriage. Enter, then, Jessica Cornford. Age: almost half of Lucien's. Lush of body and roguish of mind. Whereupon what begins as bawdy interlude becomes perhaps the most untidy extramarital lech in literature. Rabelaisian yet uncannily wise, both ribald and bittersweet, Springer's Progress is that rarest of gifts, a mature love story. It is an also exuberant linguistic romp, a novel saturated with irrepressible wordplay and outrageous literary thieveries. Contemplating his own work, Lucien Springer modestly restricts his ambition to a phrase or three worth some lonely pretty girl's midnight underlining. For the discerning reader, David Markson has contrived a hundred of them. |
| wittgenstein's mistress: Consider David Foster Wallace David Hering, 2010 From Tristram Shandy to Fredric Jameson, Consider David Foster Wallace blazes a trail into the new territory of David Foster Wallace studies. Greg Carlisle, author of the landmark Wallace study Elegant Complexity, provides an introduction that sets the scene and speculates on the future of Wallace studies. Editor David Hering provides a provocative look at the triangular symbols in Infinite Jest. Adam Kelly explores the intriguing question of why Wallace is considered to be at the forefront of a new sincerity in American fiction. Thomas Tracey discusses trauma in Oblivion. Gregory Phipps examines Infinite Jest's John No Relation Wayne and the concept of the ideal athlete. Daniel Turnbull compares Wallace's Kenyon College commencement address to the ethics of Iris Murdoch. These 17 essays stem from the first ever academic conference devoted the work of David Foster Wallace. Held in Liverpool, England, in 2009, the conference sparked a worldwide discussion of the place of Wallace's work in academia and popular culture. Essential for all Wallace scholars, fans of Wallace's fiction and nonfiction will also find the collection full of insights that span Wallace's career. Yes, there are footnotes. |
| wittgenstein's mistress: This is Not a Tragedy Françoise Palleau-Papin, 2011 How much of myself is in there? It's all me. Especially in Reader's Block, all that personal stuff re: Reader and/or Protagonist, ex-wife, ex-galfriends, children, lack of money, isolation, messed-up life, and/or some items dictated by novelistic necessity---and of course there is necessary invention there also, e.g., a house at a cemetery---but even little items like a couple of yellow stones from Masada or a reproduction of Giotto's Dante---I plucked up whatever was ready at hand. Is that laziness, or is it what they speak of as using what one knows? Take your pick.---David Markson To Francoise Palleau-Papin --Book Jacket. |
| wittgenstein's mistress: Pond Claire-Louise Bennett, 2016-07-12 “A sharp, funny, and eccentric debut … Pond makes the case for Bennett as an innovative writer of real talent. … [It]reminds us that small things have great depths.”–New York Times Book Review Dazzling…exquisitely written and daring . –O, the Oprah Magazine Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page. |
| wittgenstein's mistress: The Lime Twig John Hawkes, 1961 But it would be unfair to the reader to reveal what happens when a gang of professional crooks gets wind of the scheme and moves to muscle in on this bettors' dream of a long-odds situation. Worked out with all the meticulous detail, terror, and suspense of a nightmare, the tale is, on one level, comparable to a Graham Greene thriller; on another, it explores a group of people, their relationships fears, and loves. For as Leslie A. Fiedler says in his introduction, John Hawkes.. . makes terror rather than love the center of his work, knowing all the while, of course, that there can be no terror without the hope for love and love's defeat . . . . |
| wittgenstein's mistress: Darconville's Cat Alexander Theroux, 1996-04-15 The conflicts between love and hate, good and evil, and life and art are explored in a portrait of Alaric Darconville, a twenty-nine-year-old professor at Quinsy College--a women's college in Virginia--who falls in love with and is jilted by one of his students |
| wittgenstein's mistress: Fate, Time, and Language David Foster Wallace, 2011 Presents David Foster Wallace critiques philosopher Richard Taylor's work implying that humans have no control over the future and includes essays linking Wallace's critique with his later works of fiction. |
| wittgenstein's mistress: Indelicacy Amina Cain, 2020-02-11 FINALIST FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE Cain’s small but mighty novel reads like a ghost story and packs the punch of a feminist classic. —The New York Times Book Review A haunted feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams. In a strangely ageless world somewhere between Emily Dickinson and David Lynch (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary? Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling. |
| wittgenstein's mistress: Both Flesh And Not David Foster Wallace, 2012-10-24 Brilliant, dazzling, never-before-collected non-fiction, by the legendary David Foster Wallace Beloved for his wonderfully discerning eye, his verbal elasticity and his uniquely generous imagination, David Foster Wallace was heralded by critics and fans as the voice of a generation. Collected in Both Flesh and Not are fifteen essays published for the first time in book form. From 'Federer Both Flesh and Not', considered by many to be his nonfiction masterpiece; to 'The (As it Were) Seminal Importance of Terminator 2,' which deftly dissects James Cameron's blockbuster; to 'Fictional Futures and the Conspicuously Young', an examination of television's effect on a new generation of writers, David Foster Wallace's writing swoops from erudite literary discussion to open-hearted engagement with the most familiar of our twentieth-century cultural references. A celebration of David Foster Wallace's great loves – for language, for precision, for meaning - and a feast of enjoyment for his fans, Both Flesh and Not is a fitting tribute to this writer who was never concerned with anything less important than what it means to be alive. 'The prose isn't showing off; it effortlessly catches the fleeting thought. You have the illusion that you're being talked to, one on one, by an extraordinarily intelligent friend.' Weekend Australian 'In [Wallace's] ambitious attempt to realise the literary project sketched out in these early essays – to reconcile head and heart, to transcend the perceived limitations of his own time – he was to create the extraordinary body of work he has left us.' Saturday Age 'At their best these essays remind us of Wallace's arsenal of talents: his restless, heat-seeking reportorial eye; his ability to convey the physical or emotional truth of things with a couple of flicks of the wrist; his capacity to make leaps, from the mundane to the metaphysical, with breathtaking velocity and ardor.' Michiko Kakutani, New York Times |
| wittgenstein's mistress: David Markson's "Wittgenstein's Mistress" Frédérique Loisseau, 2005 |
| wittgenstein's mistress: Basic Black With Pearls Helen Weinzweig, 2018-04-17 A brilliant, lost feminist classic that is equal parts domestic drama and international intrigue. Shirley and Coenraad’s affair has been going on for decades, but her longing for him is as desperate as ever. She is a Toronto housewife; he works for an international organization known only as the Agency. Their rendezvous take place in Tangier, in Hong Kong, in Rome and are arranged by an intricate code based on notes slipped into issues of National Geographic. He recognizes her by her costume: a respectable black dress and string of pearls; his appearance, however, is changeable. But something has happened, the code has been discovered, and Coenraad sends Shirley (who prefers to be known as “Lola Montez”) to Toronto, the last place she wants to go. There the trail leads her through the sites of her impoverished immigrant childhood and sends her, finally, to her own house, where she discards her pearls and trades in her basic black for a dress of vibrant multicolored silk. Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery. |
| wittgenstein's mistress: Miss MacIntosh, My Darling Marguerite Young, 1966 Novel. |
| wittgenstein's mistress: Frisk Dennis Cooper, 1992 When Dennis is 13, he sees a series of photographs of a boy apparently unimaginably mutilated. He is not shocked, but stunned by their mystery and power; their glimpse at the reality of death. Some years later, Dennis meets the boy who posed for the photographs. He did it for love. In his work, Dennis Cooper explores the dividing line between the body and the spirit. His first book Frisk is a novel about the power of fantasy and faith, about the ecstasy of being human. It is a work of unflinching honesty that refuses to allow the reader a vicarious, passive role in mapping out the relationship between desire, pornography and violence. |
| wittgenstein's mistress: Closure Hilary Lawson, 2005-07-05 Lawson's radical new study about the nature of ourselves and the world challenges the dominant faith of today - science. Drawing on practical examples of closure, it exposes the central questions of contemporary philosophy. |
| wittgenstein's mistress: It Will End with Us Sam Savage, 2014 Newsweek's Favorite Books of 2014 Praise for Sam Savage: Winner of the O. Henry Prize for Cigarettes Sam Savage manages to be both artful and literal-minded in this faux autobiographical tale of childhood and a mother afflicted and finally driven mad by her wish for artistic success. Savage writes knowingly about the uncertainties of childhood memory, but creates a convincing world of sibling combat and adult pretension. A wonderful, absorbing novel.--C. Michael Curtis, Fiction Editor, The Atlantic Monthly If the world--all its hysteric noise--was muted for just one minute, Sam Savage is what you might be fortunate enough to hear. His elegant laconism, his leaps across the self-evident, his soft aplomb, and the rarified air he bestows upon the mundane make him the only American writer worthy of the label the true eccentric.--Valeria Luiselli It Will End With Us is Sam Savage's latest deep dive into the mind and voice of a character, and his most personal work yet. Brick by textual brick, his narrator, Eve, builds a memorial to the mother who raised her, emotionally abandoned her, and shaped her in her own image. Eve's memories summon a childhood in rural South Carolina, a decaying house on impoverished soil, and an insular society succumbing to the influences of a wider world. It Will End With Us is a portrait of a place full of hummingbirds and wild irises, but also of frustration and grief. It is the story of a family tragedy, provoked by a mother's stifled ambitions, and seized by the wide-open gaze of a child. Rarely has a novel so brief taken on so much, so powerfully. Sam Savage is the best-selling author of Firmin: Adventures of a Metropolitan Lowlife, The Cry of the Sloth, Glass, and The Way of the Dog, all from Coffee House Press. A finalist for the Barnes & Noble Discover Great New Writers Award, Savage holds a PhD in philosophy from Yale University and resides in Madison, Wisconsin. |
| wittgenstein's mistress: Wittgenstein's Tractatus Alfred Nordmann, 2005-08-25 Ludwig Wittgenstein's 'Tractatus Logico-Philosophicus' is one of the most important books of the twentieth century. It influenced philosophers and artists alike and it continues to fascinate readers today. It offers rigorous arguments but clothes them in enigmatic pronouncements. Wittgenstein himself said that his book is 'strictly philosophical and simultaneously literary, and yet there is no blathering in it'. This introduction, first published in 2005, considers both the philosophical and the literary aspects of the 'Tractatus' and shows how they are related. It also shows how the work fits into Wittgenstein's philosophical development and the tradition of analytic philosophy, arguing strongly for the vigour and significance of that tradition. |
| wittgenstein's mistress: Grimmish Michael Winkler, 2023-04-25 “The strangest book you are likely to read this year.” – JM Coetzee SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD Pain was Joe Grim’s self-expression, his livelihood and reason for being. A superstar boxer who rarely won a fight, Grim distinguished himself for his extraordinary ability to withstand physical punishment. In this wild and expansive novel, Michael Winkler moves between the present day and Grim’s 1908–09 tour of Australia, bending genres and histories into a kaleidoscopic investigation of pain, masculinity, and narrative. Pain is often said to defy the limits of language. And yet Grimmish suggests that pain – physical and mental – is also the most familiar and universal human condition; and, perhaps, the secret source of our impulse to tell stories. “A powerful blast of literary ingenuity and originality.” – Lloyd Jones, author of Mister Pip Grimmish meets a need I didn't even know I had. I lurched between bursts of wild laughter, shudders of horror, and gasps of awe at Winkler’s verbal command: the freshness and muscle of his verbs, the unstoppable flow of his images, the bizarre wit of the language of pugilism—and all the while, a moving subterranean glint of strange masculine tenderness. – Helen Garner “All the makings of a cult classic. It’s grotesque and gorgeous, smart and searching.” – Beejay Silcox, The Guardian |
| wittgenstein's mistress: Time of the Magicians Wolfram Eilenberger, 2020-08-18 “[A] fascinating and accessible account . . . In his entertaining book, Mr. Eilenberger shows that his magicians’ thoughts are still worth collecting, even if, with hindsight, we can see that some performed too many intellectual conjuring tricks.” —Wall Street Journal A grand narrative of the intertwining lives of Walter Benjamin, Martin Heidegger, Ludwig Wittgenstein, and Ernst Cassirer, major philosophers whose ideas shaped the twentieth century The year is 1919. The horror of the First World War is fresh for the protagonists of Time of the Magicians, each of whom finds himself at a crucial juncture. Benjamin is trying to flee his overbearing father and floundering in his academic career, living hand to mouth as a critic. Wittgenstein, by contrast, has dramatically decided to divest himself of the monumental fortune he stands to inherit, in search of spiritual clarity. Meanwhile, Heidegger, having managed to avoid combat in war by serving as a meteorologist, is carefully cultivating his career. Finally, Cassirer is working furiously on the margins of academia, applying himself to his writing and the possibility of a career at Hamburg University. The stage is set for a great intellectual drama, which will unfold across the next decade. The lives and ideas of this extraordinary philosophical quartet will converge as they become world historical figures. But as the Second World War looms on the horizon, their fates will be very different. |
| wittgenstein's mistress: Witch Grass Raymond Queneau, 2003 |
| wittgenstein's mistress: A Questionable Shape Bennett Sims, 2024-03-12 Mazoch discovers an unreturned movie envelope, smashed windows, and a pool of blood in his father's house: the man has gone missing. So he creates a list of his father's haunts and asks Vermaelen to help track him down. However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained and eliminate all hope of ever finding Mazoch's father. Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss. |
| wittgenstein's mistress: Wittgenstein's Ladder Marjorie Perloff, 2012-06-12 “[Perloff] has brilliantly adapted Wittgenstein’s conception of meaning and use to an analysis of contemporary language poetry.” —Linda Voris, Boston Review Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein’s remark that “philosophy ought really to be written only as a form of poetry,” Perloff begins by discussing Wittgenstein the “poet.” What we learn is that the poetics of everyday life is anything but banal. “This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.” —Linda Munk, American Literature “Wittgenstein’s Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds.” —David Clippinger, Chicago Review “Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic . . . Entertaining, witty, and above all highly original.” —Willard Bohn, SubStance |
| wittgenstein's mistress: Under The Volcano MALCOLM LOWRY, 1965 |
| wittgenstein's mistress: The Old Man and the Wasteland Nick Cole, 2013-01-22 Part Hemingway, part Cormac McCarthy's The Road, a suspenseful odyssey into the dark heart of the post-apocalyptic American Southwest. Forty years after the destruction of civilization, human beings are reduced to salvaging the ruins of a broken world. One survivor's most prized possession is Hemingway's classic The Old Man and the Sea. With the words of the novel echoing across the wasteland, a living victim of the Nuclear Holocaust journeys into the unknown to break a curse. What follows is an incredible tale of grit and endurance. A lone traveler must survive the desert wilderness and mankind gone savage to discover the truth of Hemingway's classic tale of man versus nature. Now with a new introduction by author Nick Cole. |
| wittgenstein's mistress: Wherever We Are When We Come to the End Richard Barnett, 2021-05-20 Spring 1916: Ludwig Wittgenstein is on his way to the Eastern Front. Wittgenstein's Tractatus Logico-Philosophicus, the terse, gnomic masterpiece of modern philosophy, is also a war poem. At the outbreak of the First World War this strange, intense, immensely wealthy young man volunteered as a private soldier in an Austro-Hungarian regiment, serving in some of the most brutal battles of the conflict, and carrying notes for the Tractatus in his backpack. Wherever We Are When We Come to the End digs into the form and the language of the Tractatus, following Wittgenstein through the war and his own conflicts with words and silence, violence and grief, time and eternity. The result is a highly original formal experiment and a poetic fantasia on logic, love and war. |
| wittgenstein's mistress: Contemporary Fiction and the Ethics of Modern Culture J. Karnicky, 2007-03-05 This book argues for the ethical relevancy of contemporary fiction at the beginning of the twenty-first century. Through reading novels by such writers as David Foster Wallace, Richard Powers, and Irvine Welsh, this book looks at how these works seek to transform the ways that readers live in the world. |
Ludwig Wittgenstein - Wikipedia
Ludwig Josef Johann Wittgenstein (/ ˈvɪtɡənʃtaɪn, - staɪn / VIT-gən-s (h)tyne; [6] Austrian German: [ˈluːdvɪɡ ˈjoːsɛf ˈjoːhan ˈvɪtɡn̩ʃtaɪn]; 26 April 1889 – 29 April 1951) was an Austrian philosopher …
Ludwig Wittgenstein - Stanford Encyclopedia of Philosophy
Nov 8, 2002 · Considered by some to be the greatest philosopher of the 20th century, Ludwig Wittgenstein played a central, if controversial, role in mid-20th-century analytic philosophy.
Ludwig Wittgenstein | Austrian Philosopher, Logician ...
Jun 6, 2025 · Ludwig Wittgenstein (born April 26, 1889, Vienna, Austria-Hungary [now in Austria]—died April 29, 1951, Cambridge, Cambridgeshire, England) was an Austrian-born …
Wittgenstein, Ludwig | Internet Encyclopedia of Philosophy
Ludwig Wittgenstein is one of the most influential philosophers of the twentieth century, and regarded by some as the most important since Immanuel Kant. His early work was influenced …
The Ludwig Wittgenstein Project
The Ludwig Wittgenstein Project provides complete, well-formatted, downloadable, free books: the German or English originals are available as well as translations in multiple languages, …
Ludwig Wittgenstein (1889-1951) - Philosophy A Level
Wittgenstein argued that the meanings of words and sentences derive from their role within specific forms of life, shaped by shared human behaviours and customs. For example, in the …
Ludwig Wittgenstein: The Turbulent Life of a Philosophical ...
Jun 16, 2021 · An essential look into the life, work and philosophical transitions of the influential Austrian thinker Ludwig Wittgenstein.
Ludwig Wittgenstein - Wikipedia
Ludwig Josef Johann Wittgenstein (/ ˈvɪtɡənʃtaɪn, - staɪn / VIT-gən-s (h)tyne; [6] Austrian German: [ˈluːdvɪɡ ˈjoːsɛf ˈjoːhan ˈvɪtɡn̩ʃtaɪn]; 26 April 1889 – 29 April 1951) was an Austrian philosopher …
Ludwig Wittgenstein - Stanford Encyclopedia of Philosophy
Nov 8, 2002 · Considered by some to be the greatest philosopher of the 20th century, Ludwig Wittgenstein played a central, if controversial, role in mid-20th-century analytic philosophy.
Ludwig Wittgenstein | Austrian Philosopher, Logician ...
Jun 6, 2025 · Ludwig Wittgenstein (born April 26, 1889, Vienna, Austria-Hungary [now in Austria]—died April 29, 1951, Cambridge, Cambridgeshire, England) was an Austrian-born …
Wittgenstein, Ludwig | Internet Encyclopedia of Philosophy
Ludwig Wittgenstein is one of the most influential philosophers of the twentieth century, and regarded by some as the most important since Immanuel Kant. His early work was influenced …
The Ludwig Wittgenstein Project
The Ludwig Wittgenstein Project provides complete, well-formatted, downloadable, free books: the German or English originals are available as well as translations in multiple languages, …
Ludwig Wittgenstein (1889-1951) - Philosophy A Level
Wittgenstein argued that the meanings of words and sentences derive from their role within specific forms of life, shaped by shared human behaviours and customs. For example, in the …
Ludwig Wittgenstein: The Turbulent Life of a Philosophical ...
Jun 16, 2021 · An essential look into the life, work and philosophical transitions of the influential Austrian thinker Ludwig Wittgenstein.
