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world literature file: World Literature I. Laura Getty, Kyounghye Kwon, 2015 |
world literature file: Timetables of World Literature George Thomas Kurian, 2003 Which authors were contemporaries of Charles Dickens? Which books, plays, and poems were published during World War II? Who won the Pulitzer Prize in the year you were born? Timetables of World Literature is a chronicle of literature from ancient times through the 20th century. It answers the question Who wrote what when? and allows readers to place authors and their works in the context of their times. A chronology of the best in global writing, this valuable resource lists more than 12,000 titles and 9,800 authors, includes all genres of literature from more than 58 countries, and covers 41 languages. It is divided into seven sections, spanning the Classical Age (to 100 CE), the Middle Ages (100–1500 CE), and the 16th through the 20th centuries. Comprehensive in scope, Timetables of World Literature provides students, researchers, and browsers with basic facts and a worldwide perspective on literature through time. Four extensive indexes by author, title, language/nationality, and genre make research quick and easy. Features include: Birth and death dates as well as nationalities of authors and other literary figures Winners of major literary prizes and awards, such as the Nobel Prize in Literature and the Pulitzer Prizes, for each year Brief discussions of literary developments in each period or century, and the relationship of literature to the social and political climate Timelines of key historical events in each century. |
world literature file: Recoding World Literature B. Venkat Mani, 2016-12-01 Winner, 2018 Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures, Modern Language Association Winner, 2018 German Studies Association DAAD Book Prize in Germanistik and Cultural Studies. From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy”—the physical and virtual movement of books—Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves. Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture—a Faustian pact with books. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification. Shifting current scholarship’s focus from the academic to the general reader, from the university to the public sphere, Recoding World Literature argues that world literature is culturally determined, historically conditioned, and politically charged. |
world literature file: World Literature, Cosmopolitanism, Globality Gesine Müller, Mariano Siskind, 2019-10-21 From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature. |
world literature file: What Is a World? Pheng Cheah, 2015-12-17 In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature’s exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization. |
world literature file: How Is World Literature Made? Gesine Müller, 2021-11-22 The debate over the concept of world literature, which has been taking place with renewed intensity over the last twenty years, is tightly bound up with the issues of global interconnectedness in a polycentric world. Most recently, critiques of globalization-related conceptualizations, in particular, have made themselves heard: to what extent is the concept of world literature too closely connected with the political and economic dynamics of globalization? Such questions cannot be answered simply through theoretical debate. The material side of the production of world literature must therefore be more strongly integrated into the conversation than it has been. Using the example of Latin American literatures, this volume demonstrates the concrete construction processes of world literature. To that purpose, archival materials have been analyzed here: notes, travel reports, and correspondence between publishers and authors. The Latin American examples provide particularly rich information about the processes of institutionalization in the Western world, as well as new perspectives for a contemporary mapping of world literature beyond the established dynamics of canonization. |
world literature file: Guide to Modern World Literature Martin Seymour-Smith, 1975 |
world literature file: Masterpieces of World Literature in Digest Form Frank Northen Magill, 1952 Contains detailed plot summaries of 510 famous novels, plays, and epics. |
world literature file: In the Shadow of World Literature Michael Allan, 2016-04-05 We have grown accustomed to understanding world literature as a collection of national or linguistic traditions bound together in the universality of storytelling. Michael Allan challenges this way of thinking and argues instead that the disciplinary framework of world literature, far from serving as the neutral meeting ground of national literary traditions, levels differences between scripture, poetry, and prose, and fashions textual forms into a particular pedagogical, aesthetic, and ethical practice. In the Shadow of World Literature examines the shift from Qur'anic schooling to secular education in colonial Egypt and shows how an emergent literary discipline transforms the act of reading itself. The various chapters draw from debates in literary theory and anthropology to consider sites of reception that complicate the secular/religious divide—from the discovery of the Rosetta stone and translations of the Qur'an to debates about Charles Darwin in the modern Arabic novel. Through subtle analysis of competing interpretative frames, Allan reveals the ethical capacities and sensibilities literary reading requires, the conceptions of textuality and critique it institutionalizes, and the forms of subjectivity it authorizes. A brilliant and original exploration of what it means to be literate in the modern world, this book is a unique meditation on the reading practices that define the contours of world literature. |
world literature file: The Cambridge Companion to World Literature Ben Etherington, Jarad Zimbler, 2018-11-22 This Companion presents lucid and exemplary critical essays, introducing readers to the major ideas and practices of world literary studies. |
world literature file: Encyclopedia of Ancient Literature James Wyatt Cook, 2008 A comprehensive reference examines the literary works, writers, and concepts of the ancient world, covering the beginnings to approximately 500 CE in ancient Greece and Rome to China, Egypt, Japan, India, Persia, Babylonia, the Hebrew world, and more. |
world literature file: The WikiLeaks Files WikiLeaks, 2015-09-15 What Cablegate tells us about the reach and ambitions of US Empire. Published in collaboration with WikiLeaks. WikiLeaks came to prominence in 2010 with the release of 251,287 top-secret State Department cables, which revealed to the world what the US government really thinks about national leaders, friendly dictators, and supposed allies. It brought to the surface the dark truths of crimes committed in our name: human rights violations, covert operations, and cover-ups. The WikiLeaks Files exposes the machinations of the United States as it imposes a new form of imperialism on the world, one founded on tactics from torture to military action, to trade deals and “soft power,” in the perpetual pursuit of expanding influence. The book also includes an introduction by Julian Assange examining the ongoing debates about freedom of information, international surveillance, and justice. An introduction by Julian Assange—writing on the subject for the first time—exposes the ongoing debates about freedom of information, international surveillance, and justice. With contributions by Dan Beeton, Phyllis Bennis, Michael Busch, Peter Certo, Conn Hallinan, Sarah Harrison, Richard Heydarian, Dahr Jamail, Jake Johnston, Alexander Main, Robert Naiman, Francis Njubi Nesbitt, Linda Pearson, Gareth Porter, Tim Shorrock, Russ Wellen, and Stephen Zunes. |
world literature file: The Work of World Literature Francesco Giusti, Benjamin Lewis Robinson, 2021-04-27 The contentious discourse around world literature tends to stress the ‘world’ in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around ‘world literature’ have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge’s theory of how literature ‘works’, the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of ‘the work of world literature’. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature. |
world literature file: World Literature in Motion Flair Donglai Shi, Gareth Guanming Tan, 2018-09-30 By bringing in different degrees of circulation in different regions and languages, this collection shows that while literary centers do exist in what Pascale Casanova calls the international literary space, their power does not operate unilaterally and modes of intercultural circulation do exist beyond their control. The title World Literature in Motion highlights the fact that world literature is always already the product of certain modes of conceptual and material mobility and mediation. |
world literature file: What Is World Literature? David Damrosch, 2018-06-05 World literature was long defined in North America as an established canon of European masterpieces, but an emerging global perspective has challenged both this European focus and the very category of the masterpiece. The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world. In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Menchú's writing today, foreign works have often been distorted by the immediate needs of their own editors and translators. Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales. |
world literature file: The Facts on File Encyclopedia of World Mythology and Legend Anthony S. Mercatante, James R. Dow, 2009 Provides an extensive survey of myths, legends, and folklore. Explores the folkways and beliefs of ancient, medieval, and modern cultures from around the world. |
world literature file: Around the World in 80 Books David Damrosch, 2021-11-16 A transporting and illuminating voyage around the globe, through classic and modern literary works that are in conversation with one another and with the world around them *Featured in the Chicago Tribune's Great 2021 Fall Book Preview * One of Smithsonian Magazine's Ten Best Books About Travel of 2021* Inspired by Jules Verne’s hero Phileas Fogg, David Damrosch, chair of Harvard University’s department of comparative literature and founder of Harvard’s Institute for World Literature, set out to counter a pandemic’s restrictions on travel by exploring eighty exceptional books from around the globe. Following a literary itinerary from London to Venice, Tehran and points beyond, and via authors from Woolf and Dante to Nobel Prize–winners Orhan Pamuk, Wole Soyinka, Mo Yan, and Olga Tokarczuk, he explores how these works have shaped our idea of the world, and the ways in which the world bleeds into literature. To chart the expansive landscape of world literature today, Damrosch explores how writers live in two very different worlds: the world of their personal experience and the world of books that have enabled great writers to give shape and meaning to their lives. In his literary cartography, Damrosch includes compelling contemporary works as well as perennial classics, hard-bitten crime fiction as well as haunting works of fantasy, and the formative tales that introduce us as children to the world we’re entering. Taken together, these eighty titles offer us fresh perspective on enduring problems, from the social consequences of epidemics to the rising inequality that Thomas More designed Utopia to combat, as well as the patriarchal structures within and against which many of these books’ heroines have to struggle—from the work of Murasaki Shikibu a millennium ago to Margaret Atwood today. Around the World in 80 Books is a global invitation to look beyond ourselves and our surroundings, and to see our world and its literature in new ways. |
world literature file: Library of the World's Best Literature: Ancient and Modern , 1897 |
world literature file: World Literature in an Age of Geopolitics Theo D'haen, 2021-07-19 If you want to know how globalisation affects literary studies today this is the book for you. Why has world literature become so hotly debated? How does it affect the study of national literatures? What does geopolitics have to do with literature? Does American academe still set an example for the rest of the world? Is China taking over? What about European literature? Europe’s literatures? Do “minor” European literatures get lost in the shuffle? How can authors from such literatures get noticed? Who gains and who loses in an age of world literature? If those are questions that bewilder you look no further: this book provides answers and leaves you fully equipped to dig deeper into the fascinating world of world literature in an age of geopolitics. |
world literature file: Karl Marx and World Literature Siegbert Salomon Prawer, 1976 |
world literature file: World Literature and Dissent Lorna Burns, Katie Muth, 2019 World Literature and Dissent reconsiders the role of dissent in the contemporary aesthetics of globalisation. Bringing together scholars from postcolonial and world literatures, the collection addresses themes of knowledge and the epistemology of ignorance, the rhetoric of innocence and enchantment, translation and global justice, and the aesthetics of revolution. The essays reframe the field of contemporary world literature in relation to dissenting politics and aesthetics, asking how we might theorise a world literature that cultivates radical thought and supports uncompromising resistance to the apparatuses of global inequality, furthers social justice and values human expression. -- |
world literature file: World Literatures Helena Wulff, Yvonne Lindqvist, Stefan Helgesson, 2020-10-09 Placing itself within the burgeoning field of world literary studies, the organising principle of this book is that of an open-ended dynamic, namely the cosmopolitan-vernacular exchange. As an adaptable comparative fulcrum for literary studies, the notion of the cosmopolitan-vernacular exchange accommodates also highly localised literatures. In this way, it redresses what has repeatedly been identified as a weakness of the world literature paradigm, namely the one-sided focus on literature that accumulates global prestige or makes it on the Euro-American book market. How has the vernacular been defined historically? How is it inflected by gender? How are the poles of the vernacular and the cosmopolitan distributed spatially or stylistically in literary narratives? How are cosmopolitan domains of literature incorporated in local literary communities? What are the effects of translation on the encoding of vernacular and cosmopolitan values? Ranging across a dozen languages and literature from five continents, these are some of the questions that the contributions attempt to address. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors. |
world literature file: Approaches to Select Texts in World Literature Geetha Ramanathan, Chris Kwame Awuyah, 2011 |
world literature file: The World Republic of Letters Pascale Casanova, 2004 The world of letters has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary melting pot, Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation. |
world literature file: The Reader's Companion to World Literature Lillian Herlands Hornstein, 1956 |
world literature file: Aleksis Kivi and/as World Literature Douglas Robinson, 2017-03-06 Aleksis Kivi (1834-1872) is Finland’s greatest writer. His great 1870 novel The Brothers Seven has been translated 59 times into 34 languages. Is he world literature, or not? In Aleksis Kivi and/as World Literature Douglas Robinson uses this question as a wedge for exploring the nature and nurture of world literature, and the contributions made by translators to it. Drawing on Deleuze and Guattari’s notion of major and minor literature, Robinson argues that translators have mainly “majoritized” Kivi—translated him respectfully—and so created images of literary tourism that ill suit recognition as world literature. Far better, he insists, is the impulse to minoritize—to find and celebrate the minor writer in Kivi, who “sends the major language racing.” |
world literature file: Literature and the Making of the World Stefan Helgesson, Helena Bodin, Annika Mörte Alling, 2021 Positioning itself at the intersection of world literature studies, literary anthropology, and philosophical critiques of world and globe concepts, this volume investigates how literature imagines and shapes worlds for its readers through linguistically specific cosmopolitan-vernacular dynamics, both at the level of textual engagement and on a material level of textual production and circulation. Moving from textual analyses in Part One-Worlds in Texts-to combined analyses of texts, media, and agents in the literary field in Part Two-Texts in Worlds-the concerns of these 9 chapters range from multilingualism, genre, and style, to material forms such as the little magazine or the scrapbook archive, and finally to activities such as travel (as a writing profession) and literary promotion. With this focus on practice-which geographically engages with Constantinople, China, Russia, western Europe, North America, southern Africa, and India-the volume's contributors demonstrate methodologically how world literature studies can bring the empirically specific detail to bear on global modes of analysis. It is precisely through such a dual optic that the world-making capacity of literature becomes apparent-- |
world literature file: An Ecology of World Literature Alexander Beecroft, 2015-01-06 What is a literature? How do literatures of different countries interact with each other? In this groundbreaking study, Alexander Beecroft develops a new way of thinking about world literature. Drawing on a series of examples and case studies, the book ranges from ancient epic to the contemporary fiction of Roberto Bolao and Amitav Ghosh. Beecroft identifies a series of literary ecologies, from small-scale societies to the planet as a whole, within which literary texts are produced and circulated. An Ecology of World Literature places in dialogue scholarship on ancient and modern, western and non-western texts, producing new and unexpected demands for literary study. |
world literature file: The Cambridge Companion to the City in World Literature Ato Quayson, Jini Kim Watson, 2023-07-27 This book addresses the way cities have given rise to key aesthetic dispositions that are central to debates in World Literature. |
world literature file: Turkish Literature as World Literature Burcu Alkan, Çimen Günay-Erkol, 2020-12-10 Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world. Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters. The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized. Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world. |
world literature file: The Story of the World's Literature John Albert Macy, 1925 |
world literature file: The World Book Encyclopedia , 1984 An encyclopedia designed especially to meet the needs of elementary, junior high, and high school students. |
world literature file: The Norton Anthology of World Literature Martin Puchner, Suzanne Conklin Akbari, Wiebke Denecke, Barbara Fuchs, Caroline Levine, Pericles Lewis, Emily R. Wilson, 2018 An unmatched value and an incomparable resource |
world literature file: Debating World Literature Benedict Richard O'Gorman Anderson, 2004 Goethe's Weltliteratur , and the cultural forms of globalization. |
world literature file: Around the World in 80 Books David Damrosch, 2021-11-16 A transporting and illuminating voyage around the globe, through classic and modern literary works that are in conversation with one another and with the world around them *Featured in the Chicago Tribune's Great 2021 Fall Book Preview * One of Smithsonian Magazine's Ten Best Books About Travel of 2021* Inspired by Jules Verne’s hero Phileas Fogg, David Damrosch, chair of Harvard University’s department of comparative literature and founder of Harvard’s Institute for World Literature, set out to counter a pandemic’s restrictions on travel by exploring eighty exceptional books from around the globe. Following a literary itinerary from London to Venice, Tehran and points beyond, and via authors from Woolf and Dante to Nobel Prize–winners Orhan Pamuk, Wole Soyinka, Mo Yan, and Olga Tokarczuk, he explores how these works have shaped our idea of the world, and the ways in which the world bleeds into literature. To chart the expansive landscape of world literature today, Damrosch explores how writers live in two very different worlds: the world of their personal experience and the world of books that have enabled great writers to give shape and meaning to their lives. In his literary cartography, Damrosch includes compelling contemporary works as well as perennial classics, hard-bitten crime fiction as well as haunting works of fantasy, and the formative tales that introduce us as children to the world we’re entering. Taken together, these eighty titles offer us fresh perspective on enduring problems, from the social consequences of epidemics to the rising inequality that Thomas More designed Utopia to combat, as well as the patriarchal structures within and against which many of these books’ heroines have to struggle—from the work of Murasaki Shikibu a millennium ago to Margaret Atwood today. Around the World in 80 Books is a global invitation to look beyond ourselves and our surroundings, and to see our world and its literature in new ways. |
world literature file: Contemporary World Literature Chinua Achebe, Isabel Allende, Gabriel García Márquez, Naguib Mahfouz, V. S. Naipaul, 2010-12-21 An extraordinary collection of renowned world literature including Nobel Prize winners and beloved fiction writers in beautiful, enduring hardcover editions with elegant cloth sewn bindings, gold stamped covers, and silk ribbon markers. Titles included: The African Trilogy by Chinua Achebe The Cairo Trilogy by Naguib Mahfouz A House for Mr. Biswas by V. S. Naipaul The House of Spirits by Isabel Allende Midnight’s Children by Salman Rushdie One Hundred Years of Solitude by Gabriel García Márquez |
world literature file: Vernaculars in an Age of World Literatures Christina Kullberg, David Watson, 2023-09-21 Reimagines the vernacular as a critical concept for rethinking world literatures-- |
world literature file: The Facts on File Companion to 20th-century American Poetry Burt Kimmelman, 2005-01-01 Includes more than six hundred A-to-Z entries which provide concise information on particular poems, poets, and subjects which have contributed to this literary form. |
world literature file: World Databases in Geography and Geology Chris Armstrong, 2020-01-20 No detailed description available for World Databases in Geography and Geology. |
world literature file: Greenvoe George Mackay Brown, 1976 Greenvoe, the community on the Orkney Island of Hellya, has existed unchanged for generations. George Mackay Brown has recreated a week in its life, mixing history with personality in a sparkling mixture of prose and poetry. |
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May 28, 2025 · 2,362 likes, 6 comments - volleyballworld on May 28, 2025: "🎟️ Tickets on sale and venues confirmed for the Women’s World Championship Thailand 2025 🇹🇭! The tournament …
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1M Followers, 479 Following, 1,079 Posts - Hannah Brooks (@hannah_brooks_world) on Instagram: "World traveler 🌎 Gym bunny 💪 Golfer ⛳️"
Volleyball World on Instagram: "1️⃣ Month to Go til World …
Jun 7, 2025 · 709 likes, 5 comments - volleyballworld on June 7, 2025: "1️⃣ Month to Go til World #Volleyball Day! 🗓️ Mark your calendars — on 7 July 2025, we’ll make history with the very …
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4M Followers, 49 Following, 3,120 Posts - Scarlett Johansson (@scarlettjohanssonworld) on Instagram: "This is a Fan account♥️ I'm not Scarlett Johansson She is on @theoutset 🤍 …
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145K Followers, 1,094 Following, 697 Posts - Nandiniii🕊 (@nandiniguptaa13) on Instagram: "Femina Miss India World ️ Reach out to janhvi.galani@wwm.co.in …
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479 likes, 2 comments - volleyballworld on May 25, 2025: "Early Bird Gets the Deal! Save 20% OFF all plans with code 20EARLY — but hurry, it disappears after May 31! Lock it in now - …
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350K Followers, 787 Following, 1,270 Posts - Thick World (@thickthickworld) on Instagram: "𝗗𝗠 𝗙𝗼𝗿 𝗣𝗿𝗼𝗺𝗼 *Advertise Your business/products with us*"
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