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| why mrs blake cried: Why Mrs Blake Cried Marsha Keith Schuchard, 2006 This work offers a new insight into the work of William Blake. The discovery of Blake family documents led to a radical cast of characters including Cagliostro, Zinzendorf and Swedenborg, and to a world of waking visions, magical practices, sexual-spiritual experimentation, tantric sex and free love. |
| why mrs blake cried: Politics and the Occult Gary Lachman, 2012-12-16 The gritty business of politics is not something we usually associate with the occult. But esoteric beliefs have influenced the destiny of nations since the time of ancient Egypt and China, when decisions of state were based on portents and astrology, to today, when presidents and prime ministers privately consult self-proclaimed seers. Politics and the Occult offers a lively history of this enduring phenomenon. Author and cultural pundit Gary Lachman provocativly questions whether the separation of church and state so dear to modern political philosophy should be maintained. A few of his fascinating topics include the fate of the Knights Templar and the medieval Gnostic Cathars, the occult roots of America and the French Revolution in Freemasonry, Gurdjieff and the swastika, Soviet interest in UFOs, the CIA and LSD, the Age of Aquarius, the millenarian politics that inform the struggle with Islamic terrorism, fundamentalism, and more. |
| why mrs blake cried: Witness Against the Beast E. P. Thompson, 1994-10-13 First paperback edition of one of E. P. Thompson's best and most deeply felt works. |
| why mrs blake cried: Original Stories, from Real Life Mary Wollstonecraft, 1799 |
| why mrs blake cried: The Evolution of Blake’s Myth Sheila Spector, 2020-05-04 Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of foundational principles, and organized in terms of the resulting symbolic form. The primary impediment to interpreting Blake has been the failure to recognize that he and much of his audience have thought in terms of two radically different myths. In The Evolution of Blake’s Myth, Sheila A. Spector establishes the dimensions of the myth that structures Blake’s thought. In the first of three parts, she uses Jerusalem, Blake’s most complete book, as the basis for extrapolating the components of the consolidated myth. She then traces the chronological development of the myth from its origin in the late 1780s through its crystallization in Milton. Finally, she demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well. |
| why mrs blake cried: Exorbitant Enlightenment Alexander Regier, 2018-12-06 Exorbitant Enlightenment compels us to see eighteenth- and early nineteenth-century literature and culture in new ways. This book reveals a constellation of groundbreaking pre-1790s Anglo-German relations, many of which are so radical so exorbitant that they ask us to fundamentally rethink the ways we grasp literary and intellectual history, especially when it comes to Enlightenment and Romanticism. Regier presents two of the great, untold stories of the eighteenth century. The first story uncovers a forgotten Anglo-German network of thought and writing in Britain between 1700 and 1790. From this Anglo-German context emerges the second story: about a group of idiosyncratic figures and institutions, including the Moravians in 1750s London, Henry Fuseli, and Johann Caspar Lavater, as well as the two most exorbitant figures, William Blake and Johann Georg Hamann. The books eight chapters show how these authors and institutions shake up common understandings of British literary and European intellectual history and offer a very different, much more counter-intuitive view of the period. Through their distinctive conceptions of language, Blake and Hamann articulate in different yet deeply related ways a radical critique of instrumental thought and institutional religion. They also argue for the irreducible relation between language and the sexual body. In each case, they push against some of the most central cultural and philosophical assumptions, then and now. The book argues that, when taken seriously, these exorbitant figures allow us to uncover and revise some of our own critical orthodoxies. |
| why mrs blake cried: Emanuel Swedenborg, Secret Agent on Earth and in Heaven Marsha Keith Schuchard, 2011-10-28 Drawing on unpublished diplomatic and Masonic archives, this study reveals the career of Emanuel Swedenborg as a secret intelligence agent for Louis XV and the pro-French, pro-Jacobite party of “Hats” in Sweden. Utilizing Kabbalistic meditation techniques, he sought political intelligence on earth and in heaven. |
| why mrs blake cried: The Postmistress Sarah Blake, 2010-02-09 Experience World War 2 through the eyes of two very different women in this captivating New York Times bestseller by the author of The Guest Book. “A beautifully written, thought-provoking novel.”—Kathryn Stockett, #1 New York Times bestselling author of The Help In 1940, Iris James is the postmistress in coastal Franklin, Massachusetts. Iris knows more about the townspeople than she will ever say, and believes her job is to deliver secrets. Yet one day she does the unthinkable: slips a letter into her pocket, reads it, and doesn't deliver it. Meanwhile, Frankie Bard broadcasts from overseas with Edward R. Murrow. Her dispatches beg listeners to pay heed as the Nazis bomb London nightly. Most of the townspeople of Franklin think the war can't touch them. But both Iris and Frankie know better... The Postmistress is a tale of two worlds-one shattered by violence, the other willfully naïve—and of two women whose job is to deliver the news, yet who find themselves unable to do so. Through their eyes, and the eyes of everyday people caught in history's tide, it examines how stories are told, and how the fact of war is borne even through everyday life. |
| why mrs blake cried: William Blake and Religion Magnus Ankarsjö, 2014-11-21 Over the last ten years the field of Blake studies has profited from new discoveries about Blake's life and work. This book examines the effect that Blake's mother's recently discovered Moravianism has had on our understanding of his poetry, and gives special attention to Moravianism and Swedenborgianism and their relation to his sexual politics. This is accomplished by a close reading of Blake's poetry, which examines in detail the subjects of religion, sex, and the attempted colonization of Africa by a Swedenborgian utopian group. |
| why mrs blake cried: The Encyclopedia of Romantic Literature, 3 Volume Set Frederick Burwick, Nancy Moore Goslee, Diane Long Hoeveler, 2012-01-30 The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities |
| why mrs blake cried: Solomon's Secret Arts Paul Kleber Monod, 2013-04-15 DIVDIVThe late seventeenth and eighteenth centuries are known as the Age of Enlightenment, a time of science and reason. But in this illuminating book, Paul Monod reveals the surprising extent to which Newton, Boyle, Locke, and other giants of rational thought and empiricism also embraced the spiritual, the magical, and the occult./divDIV /divDIVAlthough public acceptance of occult and magical practices waxed and waned during this period they survived underground, experiencing a considerable revival in the mid-eighteenth century with the rise of new antiestablishment religious denominations. The occult spilled over into politics with the radicalism of the French Revolution and into literature in early Romanticism. Even when official disapproval was at its strongest, the evidence points to a growing audience for occult publications as well as to subversive popular enthusiasm. Ultimately, finds Monod, the occult was not discarded in favor of “reason� but was incorporated into new forms of learning. In that sense, the occult is part of the modern world, not simply a relic of an unenlightened past, and is still with us today./div/div |
| why mrs blake cried: The Jews and British Romanticism S. Spector, 2016-04-30 Expanding the perspective initiated by British Romanticism and the Jews: History, Culture, Literature (0-312-29522-7), this volume explores more deeply the complexities inherent in the relationship between the British and Jewish cultures as initiated in the Romantic Period in England, though extending to the present in the Middle East. |
| why mrs blake cried: The Guest Book Sarah Blake, 2019-05-07 Instant New York Times Bestseller Longlisted for Andrew Carnegie Medal for Excellence 2020 New England Society Book Award Winner for Fiction “The Guest Book is monumental in a way that few novels dare attempt.” —The Washington Post The thought-provoking new novel by New York Times bestselling author Sarah Blake An exquisitely written, poignant family saga that illuminates the great divide, the gulf that separates the rich and poor, black and white, Protestant and Jew. Spanning three generations, The Guest Book deftly examines the life and legacy of one unforgettable family as they navigate the evolving social and political landscape from Crockett’s Island, their family retreat off the coast of Maine. Blake masterfully lays bare the memories and mistakes each generation makes while coming to terms with what it means to inherit the past. |
| why mrs blake cried: Panther Creek Tom Holm, 2024-08-15 J. D. Daugherty and Hoolie Smith return in this riveting 1928 mystery. A sadist is preying on young women, especially Native American girls. He murders them and dumps their bodies by two creeks—one near Pawnee and one near Claremore—both named Panther Creek. Hoolie, his family, and his friend John Tall Soldier have driven to Pawnee, Oklahoma, to visit the Shield Chiefs. After Mary Shield Chief goes missing, Hoolie and John find her body in the bed of Panther Creek. Hoolie’s family begin a hunt for the murderer. Meanwhile, J. D. has a new partner in Liz Shelby, daughter of oil man Big Bill Shelby. Together they search for the missing daughter of another wealthy Tulsa family, but they soon find her body at Panther Creek near Claremore. Their cases colliding, Daughtery, Shelby, and the Smith clan find themselves up against a wily killer and running against time to bring him to justice. |
| why mrs blake cried: The Written and the Visual Małgorzata Łuczyńska-Hołdys, 2021-06-07 The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history – a subject which has not yet been undertaken in a book-length study. The innovative feature of the project lies in its scope and merit: extensive readings of 19th century poetry, informed by carefully chosen critical approaches, are followed by a rich overview and analysis of visual renderings of the poems in question. Łuczyńska-Hołdys has succeeded in bringing to light previously unknown or undiscussed works, and reappraised many well-known paintings and illustrations. |
| why mrs blake cried: The Palgrave Encyclopedia of Urban Literary Studies Jeremy Tambling, 2022-10-29 This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field. |
| why mrs blake cried: Containing Multitudes Gary Schmidgall, 2014-10-28 Walt Whitman burst onto the literary stage raring for a fight with his transatlantic forebears. With the unmetered and unrhymed long lines of Leaves of Grass, he blithely forsook the old models declaring that poems distilled from other poems will probably pass away. In a self-authored but unsigned review of the inaugural 1855 edition, Whitman boasted that its influence-free author makes no allusions to books or writers; their spirits do not seem to have touched him. There was more than a hint here of a party-crasher's bravado or a new-comer's anxiety about being perceived as derivative. But the giants of British literature were too well established in America to be toppled by Whitman's patronizing that wonderful little island, he called England-or his frequent assertions that Old World literature was non grata on American soil. As Gary Schmidgall demonstrates, the American bard's manuscripts, letters, prose criticism, and private conversations all reveal that Whitman's negotiation with the literary big fellows across the Atlantic was much more nuanced and contradictory than might be supposed. His hostile posture also changed over the decades as the gymnastic rebel transformed into Good Gray Poet, though even late in life he could still crow that his masterwork Leaves of Grass is an iconoclasm, it starts out to shatter the idols of porcelain. Containing Multitudes explores Whitman's often uneasy embrace of five members of the British literary pantheon: Shakespeare, Milton, Burns, Blake, and Wordsworth (five others are treated more briefly: Scott, Carlyle, Tennyson, Wilde, and Swinburne). It also considers how the arcs of their creative careers are often similar to the arc of Whitman's own fifty years of poem-making. Finally, it seeks to illuminate the sometimes striking affinities between the views of these authors and Whitman on human nature and society. Though he was loath to admit it, these authors anticipated much that we now see as quintessentially Whitmanic. |
| why mrs blake cried: Everywoman Her Own Theology Martha Nell Smith, Julie R. Enszer, 2018-09-17 Alicia Ostriker’s artistic and intellectual productions as a poet, critic, and essayist over the past 50 years are protean and have been profoundly influential to generations of readers, writers, and critics. In all her writings, both the feminist and the human engage fiercely with the material and metaphysical world. Ostriker is a poet concerned with questions of social justice, equality, religion, and how to live in a world marked by both beauty and tragedy. Everywoman Her Own Theology: On the Poetry of Alicia Suskin Ostriker engages Ostriker’s poetry from throughout her career, including her first volume Songs, her award-winning collection The Imaginary Lover, and her more recent work in the collections No Heaven, the volcano sequence, The Old Woman, the Tulip, and the Dog, and Waiting for the Light. Like her literary criticism and essays, Ostriker’s poetry explores themes of feminism, Jewish life, family, and social justice. With insightful essays—some newly written for this collection—poets and literary critics including Toi Derricotte, Daisy Fried, Cynthia Hogue, Tony Hoagland, and Eleanor Wilner illuminate and open new pathways for critical engagement with Alicia Ostriker’s lifetime of poetic work. |
| why mrs blake cried: Romantic Colonization and British Anti-Slavery Deirdre Coleman, 2005-01-13 Publisher Description |
| why mrs blake cried: My Business Is to Create Eric G. Wilson, 2011-05-01 For William Blake, living is creating, conforming is death, and “the imagination . . . is the Human Existence itself.” But why are imagination and creation—so vital for Blake—essential for becoming human? And what is imagination? What is creation? How do we create? Blake had answers for these questions, both in word and in deed, answers that serve as potent teachings for aspiring writers and accomplished ones alike. Eric G. Wilson’s My Business Is to Create emulates Blake, presenting the great figure’s theory of creativity as well as the practices it implies. In both his life and his art, Blake provided a powerful example of creativity at any cost—in the face of misunderstanding, neglect, loneliness, poverty, even accusations of insanity. Just as Los cries out in Jerusalem: The Emanation of the Giant Albion, “I must Create a System, or be enslav'd by another Man's; / I will not Reason and Compare: my business is to Create,” generations of writers and artists as diverse as John Ruskin, William Butler Yeats, Allen Ginsberg, Philip K. Dick, songwriter Patti Smith, the avant-garde filmmaker Jim Jarmusch, and the underground comic-book artist R. Crumb have taken Blake’s creed as inspiration. Unwilling to cede his vision, Blake did more than simply produce iconoclastic poems and paintings; he also cleared a path toward spiritual and ethical enlightenment. To fashion powerful art is to realize the God within and thus to feel connected with enduring vitality and abundant generosity. This is Blake’s everlasting gospel, distilled here in an artist’s handbook of interest to scholars, writing teachers, and those who have made writing their way of life. My Business Is to Create is indispensable for all serious artists who want to transform their lives into art and make their art more alive. |
| why mrs blake cried: Memory, Humanity, and Meaning Mihail Neamțu, Bogdan Tătaru-Cazaban, 2009 |
| why mrs blake cried: The Secret History of Western Sexual Mysticism Arthur Versluis, 2008-03-25 The first book to reveal the history of Western sexual mysticism • Reveals the secret sexual practices that have been used since ancient Greece to achieve mystical union with God • Details the sects and individuals who transmitted the radical sexual practices that orthodox Christianity never completely silenced • Distinguishes between sexual magic and sexual mysticism Beginning with the ancient Greek Mystery traditions, Gnosticism, and the practices in early Christianity, Arthur Versluis uncovers the secret line of Western sexual mysticism that, like the Tantra of the East, seeks transcendence or union with God through sexual practices. Throughout antiquity, and right into the present day, sexuality has played an important, if largely hidden, role in religious traditions and practices. This includes not only Christian but also kabbalistic and hermetic alchemical currents of sexual mysticism, many discussed together here for the first time. In the Mystery tradition of hieros gamos (sacred marriage) and the Gnostic tradition of spiritual marriage, we see the possibility of divine union in which sexual union is the principal sign or symbol. Key to these practices is the inner or archetypal union of above and below, the intermingling of the revelatory divine world with the mundane earthly one. Versluis shows that these secret currents of sexual mysticism helped fuel the rise of the troubadours and their erotic doctrine, the esoteric teachings of Jacob Böhme in the late 16th century, the 19th-century utopian communities of John Humphrey Noyes and Thomas Lake Harris, the free love movement of the 20th century, and the modern writings of Denis de Rougemont and Alan Watts. |
| why mrs blake cried: The Lower Limbs in Jungian Psychology Inácio Cunha, 2019-01-03 In The Lower Limbs in Jungian Psychology: The Girl with Her Big Toe in Her Mouth, Inácio Cunha explores the motif of lower limbs by amplifying their symbolism from a wide range of source materials, including an intriguing statuette from prehistoric Brazilian culture. Taking a Jungian perspective, Cunha gathers and compares rich material from different historical, anthropological and mythological viewpoints, as well as from fetish, dreams, fairy tales and physical symptoms. Noticing how often the subject of legs and feet manifested in his analytical practice, not only as symptoms but also as dreams and fantasies, Cunha set out to deeply scrutinize our symbolic understanding of these body segments. By observing the lower limbs in the context of evolution and their occurrence in mythology, he proposes a parallel between the evolution in the manner of walking in different species and the development of consciousness. Cunha also surveys dreams relating to these body parts in multiple manifestations, as part of complexes, fantasies and fetishes, and through the description of physical marks, spots and injuries. Mythological icons, such as Ulysses, Achilles, Oedipus, Jacob and others, are utilized to amplify the meaning of the feet and legs as far as their psychological meaning is concerned. The book also explores the lower limbs as a sign of creativity and projection of creative power, before moving to investigate a clay icon from a pre-Columbian indigenous tribe, the Tapajó: an ancient statuette of a girl with her left big toe in her mouth. Cunha analyzes the relevance of this image as an archetypal pattern, occurring not only in his clinical work— in clients’ dreams and physical and emotional issues related to their lower limbs—but also in other cultures’ depictions of the left toe in stories and images. The utilization of material gathered in his extensive research from multiple sources characterizes the method of amplification, advocated in analytical psychology as a possibility to extract symbolic meaning of a given image. The Lower Limbs in Jungian Psychology: The Girl with Her Big Toe in Her Mouth is an original overview of a rarely examined part of analytical psychology and symbolism, and will have great appeal to Jungian analysts, analytical psychologists, and psychotherapists interested in somatic, psychosomatic and symbolical understanding. It will also be of interest to academics and students of Jungian studies, psychotherapy, mythology, anthropology, history and symbolism. |
| why mrs blake cried: Secret Body Jeffrey J. Kripal, 2017-11-14 This latest work by the renowned historian of religions Jeffrey Kripal crystallizes his twenty-five years of work on two aspects of the contemporary study of religion: the erotic expression of mystical experience and the rise of the paranormal in American culture. Combining elements of memoir, manifesto, and anthology (a Kripal Reader, as it were), Secret Body reveals Kripal's oeuvre not as a series of disconnected books but as a dynamic corpus with the potential to renew and reshape the study of religion. Kripal explains how this oeuvre came about with his trademark humor and honesty, answers his censors and critics, and lays the foundation for a future theory of religion grounded in the cosmic nature of consciousness as such. No one interested in the history of religion and the erotic dimension of mysticism can afford to overlook Kripal's latest, his definitive intellectual self-portrait. |
| why mrs blake cried: The Epworth Herald , 1907 |
| why mrs blake cried: Modernity and the Construction of Sacred Space Aaron French, Katharina Waldner, 2024-07-01 This volume focuses on the connection between modern design and architectural practices and the construction of sacred spaces. Not only language and ritual but space, place, and architecture play a significant role in constructing special or religious spaces. However, this concept of a constructed sacred space remains undertheorized in religious studies and the history of art and architecture in general. This volume therefore revisits the question of a modern sacred space from an interdisciplinary perspective, focusing on religion, space, and architecture during the emergence of the modern period and up until contemporary times. Revisiting the ways in which modern architects and artists have endeavored to create sacred spaces and buildings for the modern world will address the underlying questions of how religious ideas—especially those related to esotericism and to alternative religiosities—have transformed the way sacred spaces are conceptualized today. |
| why mrs blake cried: Myth, Literature, and the Unconscious Leon Burnett, Professor Sanja Bahun, Roderick Main, 2018-05-01 At a time when the place and significance of myth in society has come under renewed scrutiny, Myth, Literature, and the Unconscious contributes to shaping the new interdisciplinary field of myth studies. The editors find in psychoanalysis a natural and necessary ally for investigations in myth and myth-informed literature and the arts. At the same time the collection re-values myths and myth-based cultural products as vital aids to the discipline and practice of psychoanalysis. The volume spans a vast geo-cultural range (including ancient Egypt, India, Japan, nineteenth-century France, and twentieth-century Germany) and investigates cultural products from the Mahabharata to J. W. Goethe's opus and eighteenth-century Japanese fiction, and from William Blake's visionary poetry to contemporary blockbuster television series. It encompasses mythic topics and figures such as Oedipus, Orpheus, the Scapegoat, and the Hero, while mobilising Freudian, Jungian, object relations, and Lacanian psychoanalytic approaches. |
| why mrs blake cried: Magical Consciousness Susan Greenwood, Erik D. Goodwyn, 2015-08-20 How does a mind think magically? The research documented in this book is one answer that allows the disciplines of anthropology and neurobiology to come together to reveal a largely hidden dynamic of magic. Magic gets to the very heart of some theoretical and methodological difficulties encountered in the social and natural sciences, especially to do with issues of rationality. This book examines magic head-on, not through its instrumental aspects but as an orientation of consciousness. Magical consciousness is affective, associative and synchronistic, shaped through individual experience within a particular environment. This work focuses on an in-depth case study using the anthropologist’s own experience gained through years of anthropological fieldwork with British practitioners of magic. As an ethnographic view, it is an intimate study of the way in which the cognitive architecture of a mind engages the emotions and imagination in a pattern of meanings related to childhood experiences, spiritual communications and the environment. Although the detail of the involvement in magical consciousness presented here is necessarily specific, the central tenets of modus operandi is common to magical thought in general, and can be applied to cross-cultural analyses to increase understanding of this ubiquitous human phenomenon. |
| why mrs blake cried: Sloppy Firsts Megan McCafferty, 2002-03-05 The first book in the New York Times bestselling Jessica Darling series When her best friend, Hope Weaver, moves away from Pineville, New Jersey, hyperobservant sixteen-year-old Jessica Darling is devastated. A fish out of water at school and a stranger at home, Jessica feels more lost than ever now that the only person with whom she could really communicate has gone. How is she supposed to deal with the boy- and shopping-crazy girls at school, her dad’s obsession with her track meets, her mother salivating over big sister Bethany’s lavish wedding, and her nonexistent love life? A fresh, funny, utterly compelling novel, Sloppy Firsts is an insightful, true-to-life look at Jessica’s predicament as she embarks on another year of teenage torment. From the dark days of Hope’s departure through her months as a type-A personality turned insomniac to her completely mixed-up feelings about Marcus Flutie, the intelligent and mysterious “Dreg” who works his way into her heart, this poignant, hilarious novel is sure to appeal to readers who are still going through it, as well as those who are grateful that they don’t have to go back and grow up all over again. “A hilarious trip down memory lane. You’ll laugh out loud–and cringe–as this first novel by McCafferty takes you back to the soap opera that was high school.”—Glamour |
| why mrs blake cried: Imagination and Science in Romanticism Richard C. Sha, 2021-03-02 How did the idea of the imagination impact Romantic literature and science? 2018 Winner, Jean-Pierre Barricelli Book Prize, The International Conference on Romanticism Richard C. Sha argues that scientific understandings of the imagination indelibly shaped literary Romanticism. Challenging the idea that the imagination found a home only on the side of the literary, as a mental vehicle for transcending the worldly materials of the sciences, Sha shows how imagination helped to operationalize both scientific and literary discovery. Essentially, the imagination forced writers to consider the difference between what was possible and impossible while thinking about how that difference could be known. Sha examines how the imagination functioned within physics and chemistry in Percy Bysshe Shelley's Prometheus Unbound, neurology in Blake's Vala, or The Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Mary Shelley's Frankenstein. He also demonstrates how the imagination was called upon to do aesthetic and scientific work using primary examples taken from the work of scientists and philosophers Davy, Dalton, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Smellie, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason—but that this partnership was impossible unless imagination's penchant for fantasy could be contained. |
| why mrs blake cried: The Cambridge Companion to British Romanticism and Religion Jeffrey W. Barbeau, 2021-10-21 The first survey of the connections between literature, religion, and intellectual life in the British Romantic period. |
| why mrs blake cried: Super Consciousness Colin Stanley, Colin Wilson, 2019-12-10 Blending existential and occult thought, a highly acclaimed philosopher explains how we can find profound meaning and joy by inducing states of extreme awareness and emotion Throughout history there have been references and examples in literature, art and philosophy of an increased awareness of life while under the influence of extreme emotions. These have become known as Peak Experiences. Soon after Colin Wilson became aware of this phenomenon in the 1960s, he wondered about its history and how its power could be harnessed, and began a forty-year investigation. In Super Consciousness, we see how such luminaries as Yeats, Blake, Sartre, Nietzsche, and Robert Graves were affected by Peak Experiences, and how it has long been noted that we are least insightful when we are at our lowest ebb. By looking in detail through the different areas where this phenomenon has occurred—and by offering anecdotes and examples of how many people in history (as well as himself) were affected—Wilson reveals a pattern of insight with emotions. He ends the book with an instructional section on achieving power consciousness for yourself. |
| why mrs blake cried: Romantic Localities Christoph Bode, 2015-10-06 Romantic Localities explores the ways in which Romantic-period writers of varying nationalities responded to languages, landscapes – both geographical and metaphorical – and literatures. |
| why mrs blake cried: Maria Spilsbury (1776?820) Charlotte Yeldham, 2017-07-05 Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to enlightenment art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works. |
| why mrs blake cried: 'Orientalist Jones' Michael J. Franklin, 2011-09-22 Sir William Jones (1746-94) was the foremost Orientalist of his generation and one of the greatest intellectual navigators of all time. He re-drew the map of European thought. 'Orientalist' Jones was an extraordinary man and an intensely colourful figure. At the age of twenty-six, Jones was elected to Dr Johnson's Literary Club, on terms of intimacy with the metropolitan luminaries of the day. The names of his friends in Britain and India present a roll-call of late eighteenth-century glitterati: Samuel Johnson and James Boswell, Sir Joshua Reynolds, Benjamin Franklin, Joseph Priestley, Edmund Burke, Warren Hastings, Johannes Zoffany, Edward Gibbon, Oliver Goldsmith, Richard Brinsley Sheridan, Charles James Fox, William Pitt, and David Garrick. In Bengal his Sanskrit researches marked the beginning of Indo-European comparative grammar, and modern comparative-historical linguistics, of Indology, and the disciplines of comparative literature, philology, mythology, and law. He did more than any other writer to destroy Eurocentric prejudice, reshaping Western perceptions of India and the Orient. His commitment to the translation of culture, a multiculturalism fascinated as much by similitude as difference, profoundly influenced European and British Romanticism, offering the West disconcerting new relationships and disorienting orientations. Jones's translation of the Hindu myth of Sakuntala (1789) led to an Oriental renaissance in the West and cultural revolution in India. Remembered with great affection throughout the subcontinent as a man who facilitated India's cultural assimilation into the modern world, Jones helped to build India's future on the immensity, sophistication, and pluralism of its past. Michael J. Franklin's extensive archival research reveals new insights into this radical intellectual: a figure characterized by Goethe as 'a far-seeing man, he seeks to connect the unknown to the known', and described by Dr Johnson as 'the most enlightened of the sons of men'. Unpublished poems and new letters shed fresh light upon Jones in rare moments of relaxation, while Franklin's research of the legal documents in the courts of the King's Bench, the Carmarthen circuit, and the Supreme Court of Bengal illustrates his passion for social justice, his legal acumen, and his principled independence. |
| why mrs blake cried: The Gordon Riots Ian Haywood, John Seed, 2012-03 A new and controversial perspective on the causes, personalities and consequences of the most devastating urban riots in British history. |
| why mrs blake cried: Lux in Tenebris , 2016-11-28 Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages & Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Böhme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity & Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Pérez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Åkerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, György Szönyi, Carsten Wilke, and Thomas Willard. |
| why mrs blake cried: Sexual Privatism in British Romantic Writing Adam Komisaruk, 2019-05-09 The Romantic age, though often associated with free erotic expression, was ambivalent about what if anything sex had to do with the public sphere. Late-eighteenth- and early-nineteenth-century British texts often repressed the very sexual energies they claimed to be bringing into the open. The delineation of what could and could not be said and done in the name of physical pleasure was of a piece with the capitalist consecration of the social trust to the individual profit-motive. Both these practices, moreover, presupposed a determinate self with sovereignty over its own interests. Writings from and about some nominally public institutions were thus characterized by privatism—a sexual, economic and ontological withdrawal from otherness. Sexual Privatism in British Romantic Writing: A Public of One explores how this threefold ideology was both propagated and resisted, wittingly and unwittingly, successfully and unsuccessfully, in such Romantic publics as rape-law, sodomy-law, adultery-law, high-profile scandals, the population debates, and club-culture. It includes readings of imaginative literature by William Beckford, William Blake, Erasmus Darwin, Mary Hays, Percy Shelley and Mary Wollstonecraft; works of political economy by Jeremy Bentham, William Cobbett, William Godwin, William Hazlitt and Thomas Robert Malthus; as well as contemporary legal treatises, popular journalism and satirical pamphlets. |
| why mrs blake cried: Revolutionaries of the Soul Gary Lachman, 2014-09-30 Explorers of occult mysteries and the edges of consciousness change the way we view not only the nature of reality, but also our deepest sense of self. Insightful author Gary Lachman presents punchy, enlightening, and intriguing biographies of some of the most influential esoteric luminaries in recent history. His 16 subjects include Swedish mystical scientist Emanuel Swedenborg; H. P. Blavatsky, Russian cofounder of the Theosophical Society; Austrian philosopher Rudolf Steiner, who inspired the Waldorf School of education; Swiss visionary C. G. Jung, founder of depth psychology; notorious English ceremonial magician Aleister Crowley; Russian esotericist P. D. Ouspensky, explicator of Gurdjieff’s early works; and British psychic artist Dion Fortune, who was influential in the modern revival of magical arts. |
| why mrs blake cried: Anarchist Seeds beneath the Snow David Goodway, 2011-12-12 From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world. |
"Why it is" vs "Why is it" - English Language & Usage Stack …
Nov 7, 2013 · The question: "Why is [etc.]" is a question form in English: Why is the sky blue? Why is it that children require so much attention? Why is it [or some thing] like that? When that …
How did the letter Z come to be associated with sleeping/snoring?
May 26, 2011 · See also Why Does ZZZ mean sleep? for another theory: The reason zzz came into being is that the comic strip artists just couldn’t represent sleeping with much. ... As the …
What's the proper way to handwrite a lowercase letter A?
Oct 31, 2017 · But why are there two different As? Back in ye olde days there were many ways to write a lower-case A. (The same went for other letters, for example þ was later written "y", …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · I don't think we are discussing whether "ananas" or "pineapple" was used first, but where it came from and why the English language does not use "ananas" today. I would say …
Reason for different pronunciations of "lieutenant"
Dec 6, 2014 · As to why present day usage is as it is: People can be contrary. It's possible the US adopted "Loo" because and only because the Brits said "Lef" -- or vice-versa. But it seems the …
The whys and the hows - English Language & Usage Stack Exchange
Apr 13, 2017 · The rule on apostrophes on plurals applies if the word in question is a bona fide word as a plural. My dictionary shows the plural of "why" with a simple "s." Ditto other words …
terminology - Why use BCE/CE instead of BC/AD? - English …
Why do people use the latter terminology? For one thing, I find it confusing. It doesn't help that BCE is similar to BC. But moreover, there is only one letter of difference between the two …
etymology - Why "shrink" (of a psychiatrist)? - English Language ...
I'm afraid I have to disagree here. From my understanding, and a recent article in the Atlantic, derived from the new text Marketplace of the Marvelous: The Strange Origins of Modern …
Using hundreds to express thousands: why, where, when?
May 30, 2017 · Why change register half way through? [¶ Of course, even in the middle ages, educated professionals such as architects, military engineers and accountants would work to …
How did the word "beaver" come to be associated with vagina?
From "Why King George of England May Have to Lose His Beard: How the Game of 'Beaver' Which All England Is Playing Is So Threatening the Proper Reverence for the Throne That …
"Why it is" vs "Why is it" - English Language & Usage Stack …
Nov 7, 2013 · The question: "Why is [etc.]" is a question form in English: Why is the sky blue? Why is it that children require so much attention? Why is it [or some thing] like that? When that …
How did the letter Z come to be associated with sleeping/snoring?
May 26, 2011 · See also Why Does ZZZ mean sleep? for another theory: The reason zzz came into being is that the comic strip artists just couldn’t represent sleeping with much. ... As the …
What's the proper way to handwrite a lowercase letter A?
Oct 31, 2017 · But why are there two different As? Back in ye olde days there were many ways to write a lower-case A. (The same went for other letters, for example þ was later written "y", …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · I don't think we are discussing whether "ananas" or "pineapple" was used first, but where it came from and why the English language does not use "ananas" today. I would say …
Reason for different pronunciations of "lieutenant"
Dec 6, 2014 · As to why present day usage is as it is: People can be contrary. It's possible the US adopted "Loo" because and only because the Brits said "Lef" -- or vice-versa. But it seems the …
The whys and the hows - English Language & Usage Stack Exchange
Apr 13, 2017 · The rule on apostrophes on plurals applies if the word in question is a bona fide word as a plural. My dictionary shows the plural of "why" with a simple "s." Ditto other words …
terminology - Why use BCE/CE instead of BC/AD? - English …
Why do people use the latter terminology? For one thing, I find it confusing. It doesn't help that BCE is similar to BC. But moreover, there is only one letter of difference between the two …
etymology - Why "shrink" (of a psychiatrist)? - English Language ...
I'm afraid I have to disagree here. From my understanding, and a recent article in the Atlantic, derived from the new text Marketplace of the Marvelous: The Strange Origins of Modern …
Using hundreds to express thousands: why, where, when?
May 30, 2017 · Why change register half way through? [¶ Of course, even in the middle ages, educated professionals such as architects, military engineers and accountants would work to …
How did the word "beaver" come to be associated with vagina?
From "Why King George of England May Have to Lose His Beard: How the Game of 'Beaver' Which All England Is Playing Is So Threatening the Proper Reverence for the Throne That …
