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| who composed panis angelicus: L'Organiste C̩sar Franck, 1999-12-21 The collection of 59 short works known as L'Organiste was written by Cesar Franck in 1889 and 1890 for the harmonium and is most often played on organ. This score is an exact reprint of the original edition published by Enoch (Paris) in 1892. |
| who composed panis angelicus: César Franck Robert James Stove, 2012 C sar Franck (1822-1890), Belgian born and French domiciled, was one of the most remarkable composers of the 19th century. A number of his works are commonly recorded--such as his Symphony in D Minor, Symphonic Variations, Violin Sonata, and the ever-popular Panis Angelicus--and yet 38 years have elapsed since a biography of him appeared in English. Now with C sar Franck: His Life and Times, R. J. Stove fills this gap in the history of late 19th-century classical music with a full-length study of the man and his music. Drawing on sources never before cited in English, Stove paints a far more detailed picture of this great musician and deeply loved man, whose influence in both his native and adopted lands was exceptional. Stove carefully delves into intimate matters of Franck's life, including his resilience in the face of his exploitation as a child prodigy at the piano, his development from a shy and harassed piano teacher into one of the most sought-after luminaries of Paris's Conservatoire, and the truth behind Franck's alleged affair with one of his students. Throughout his study, Stove interweaves panoramic surveys of the political and social scene in Belgium and France, contextualizing Franck's achievements in his historical milieu, from his rise as a recognized master of the organ to his dealings with significant composers such as Liszt, Gounod, Saint-Sa ns, Massenet, Chabrier, and others. C sar Franck: His Life and Times is an engagingly written biography sure to interest classical music listeners of all stripes. |
| who composed panis angelicus: Singer's Library of Song Patrick M. Liebergen, 2005-05 The newest addition to our Alfred Vocal catalog, Singer's Library of Song features 37 of the world's best-loved songs from the Medieval era though the 20th Century, presented with historical information and performance suggestions that are designed to enhance and educate developing vocalists. Art Songs, Arias, Folk Songs, Spirituals, and Lieder -- they're all here, and they're all beautifully laid out in this comprehensive 200-page anthology for vocal study. English, Latin, Italian, German, French, Spanish, and Hebrew texts are included, and accurate translations and IPA pronunciation guides pave the way for serious singers. Available in low, medium, and high editions with optional accompaniment CDs (set of 2), Singer's Library of Song is a must-have for every voice teacher and student. |
| who composed panis angelicus: Listening for God Teresa Tomeo, 2020-11-15 We all long to know the will of God in our lives, to obtain answers to our prayers, and to receive tangible evidence of the personal care of our heavenly Father. We deeply desire to hear His voice. And here's the good news: God is not silent. He is constantly reaching out to each of us. Often His voice is quiet and can be heard only in prayer. He frequently breaks into our lives with timely remedies, miraculous encounters, and surprising circumstances that can be explained only by the reality of a loving and caring God. Popular Catholic author and radio host Teresa Tomeo has gathered an inspiring collection of such “Godcidences” from her life, as well as personal stories from a variety of Catholics—including broadcasters Joan Lewis, Al Kresta, Steve Ray, and authors Greg and Julie Alexander—of the unmistakable ways God has spoken to them. In these pages, you'll read about ordinary and extraordinary “come-to-Jesus moments,” such as: The mysterious man who appeared to an anxious couple at a deserted train station in Italy to give them assistance … and then just as quickly disappeared How a six-word sentence from a husband to his embittered wife served to redirect their marriage from bitterness toward reconciliation and renewal A business offer that arrived out of the blue, just as financial ruin threatened the future of a wife and husband recently jolted by an Alzheimer's diagnosis The unexpected link between a young woman's moment of despair, as she curled up on the floor of her shower, and the day she kissed the ring of Pope St. John Paul II How a car accident led to a life-saving ultrasound for an abortion-minded mother What the Holy Spirit inspired a woman to say in a casual airplane conversation that transformed it into a never-to-be-forgotten encounter These and many more profound and intimate stories will deepen your faith as they remind you of the active presence of God in your life. Each comes with lessons for you to apply to your life and reflections to help you grow in your ability to hear and respond to the still, small, powerful voice of God. |
| who composed panis angelicus: Outside the Limelight Terez Mertes Rose, 2016-10-30 A Kirkus Indie Books of the Month Selection for Jan 2017 - Two talented dancer sisters beset by professional rivalry and bound by love must reexamine loyalties when a devastating medical condition leaves one fighting for her career. Opportunity, betrayal and passion color this behind-the-scenes glimpse of the professional ballet world. |
| who composed panis angelicus: Ancient Chant Hymns for Guitar Gerard Garno, 2018-03-27 ÊThis is the first book to publish an extensive collection of pre-Renaissance music transcribed for guitar! Gregorian Chant melodies -- enormously popular in recent years -- form the basis for this volume. Inside, Garno argues that this music of the first 1500 years of Western history should no longer be ignored by guitarists. In support, he presents copious notes along with a myriad of single and multi-movement works, and concludes that such music is appropriately played on the guitar. A pioneering work that should be in every serious guitarist's library. Notation and tablature. Intermediate to advanced level. Includes access to online audio. |
| who composed panis angelicus: Ave Maria (Meditation) Johann Sebastian Bach, Charles François Gounod, 1996-02-01 A Violin solo with Piano Accompaniment composed by Johann Sebastian Bach and arranged byCharles François Gounod. |
| who composed panis angelicus: A Composer's Insight: Timothy Broege Timothy Salzman, 2003-01-01 (Meredith Music Resource). A Composer's Insight, Volume 1 with a foreword by Michael Colgrass is the first in a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others. |
| who composed panis angelicus: Hart Crane's Poetry John T. Irwin, 2011-11-17 In one of his letters Hart Crane wrote, Appollinaire lived in Paris, I live in Cleveland, Ohio, comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, The Broken Tower, through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language. |
| who composed panis angelicus: The New Church Anthem Book Lionel Dakers, 1992 A definitive collection of 100 anthems from Tudor times to the present, this book includes favorites as well as lesser-known pieces. The anthems were selected for their practical usefulness for church choirs today, bearing in mind the needs of smaller choirs: the anthems are mostly for SATBwith or without keyboard accompaniments. |
| who composed panis angelicus: Famous Composers and Their Works , 1900 |
| who composed panis angelicus: Prelude, Fugue and Variation, Opus 18 César Franck, 1999-08-26 An Organ solo composed by César Franck. |
| who composed panis angelicus: Famous Composers and Their Works John Knowles Paine, Theodore Thomas, Karl Klauser, 1906 |
| who composed panis angelicus: The Grammar of Rock Alexander Theroux, 2013-02-16 Novelist and critic Alexander Theroux analyzes the pop song. National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well ― nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language ― the power of words and the nature of syntax ― in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener. |
| who composed panis angelicus: Organ Voluntaries , |
| who composed panis angelicus: A Chronological History of Australian Composers and Their Compositions - Vol. 4 1999-2013 Stephen Pleskun, 2014-03-28 In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year. |
| who composed panis angelicus: Off Balance Terez Mertes Rose, 2020-10-15 Off balance takes the reader beyond the glitter of the stage to expose the sweat and struggle, amid the mandate to sustain the illusion at all cost. |
| who composed panis angelicus: Sacred Christmas Music Ronald M. Clancy, 2008 Take a musical journey in time--from the dawn of the Church's liturgical song through the Baroque's great choral and instrumental works to representative pieces of the 20th century. This is the sacred tradition of Christmas music, explored here in a stunningly illustrated book and a magnificent CD. It covers vocal and instrumental pieces from a variety of national and historical periods and styles, all of which have earned a place in the canon of great musical masterpieces. Not only will musicians and non-musicians alike find this an easily accessible guide, but they'll feast on a sumptuous gallery of thematically and historically corresponding full-color art (including a 14th century manuscript illumination and a nativity scene by Fra Angelico), and revel in some of the best recordings of the music ever made. There's rich, interesting background on every work, from Latin hymns and liturgical chants to Bach's cantatas to contemporary carols. The CD includes the Vienna Boys' Choir performing Anima Nostra; Arcangelo Corelli's Christmas Concerto; The Trappist Monks of the Abbey of Our Lady of Gethsemani singing Gregorian Chants; excerpts from Handel's Messiah; and the beloved Silent Night. No other collection brings together all these elements in such an aesthetically pleasing and educational way. |
| who composed panis angelicus: Metaphor Denis Donoghue, 2014-04-22 Metaphor supposes that an ordinary word could have been used, but instead something unexpected appears. The point of a metaphor is to enrich experience by bringing different associations to mind, by giving something a different life. The prophetic character of metaphor, Denis Donoghue says, changes the world by changing our sense of it. |
| who composed panis angelicus: A Dancer's Guide to Africa Terez Mertes Rose, 2018-10-02 Fiona Garvey, ballet dancer and recent college graduate, joins the Peace Corps to escape a painful family situation and ends up in Gabon, an African country she's never heard of, hoping its wild beauty will speak to her artist's soul. Instead Fiona quickly realizes she¿s in over her head. Her job teaching English, executed in breezy Western style, crashes hard into Africa's complicated reality. One of her older students becomes menacingly fixated on Fiona, until her former trainer, Christophe, a charismatic, philandering Gabonese man she¿s incapable of forgetting, uses his privilege and connections to make the problem go away.Surrounded by the roots of African dance, Fiona¿s abandoned ballet practice gradually morphs into something feral and mystical. This, along with her pale blue eyes, prompts the locals to believe she holds the power to access the spirit world. And when her former student returns, bent on confronting Fiona one last time, it is not Christophe but Fiona who can¿and must¿reach inside herself to find her own personal power and fight back.Blending humor and pathos, A DANCER¿S GUIDE TO AFRICA takes the reader along on a suspenseful, sensual journey through Africa¿s complex beauty, mystery and mysticism. |
| who composed panis angelicus: Music and Youth , 1928 |
| who composed panis angelicus: Famous Composers and Their Works: Musical critics and criticism, by W.S.B. Mathews. The great conductors, by R. Hughes. French composers. Belgian, German, and Bohemian composers. The realistic Italian opera, by L. Torchi. Modern Russian composers, by P. Hale. Organ playing in America, by J.W. Goodrich Philip Hale, Louis Charles Elson, 1900 |
| who composed panis angelicus: French Music Since Berlioz Caroline Potter, 2017-07-05 French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an |
| who composed panis angelicus: The St. Gregory Hymnal and Catholic Choir Book Nicola Aloysius Montani, 1920 |
| who composed panis angelicus: Choral Repertoire Dennis Shrock, 2022 The second edition of Choral Repertoire is a comprehensive reference book about choral music in Western culture from Gregorian chant to compositions of the early twenty-first century, now expanded to include dozens of new composers with the aim of further expanding and diversifying the western choral repertoire. |
| who composed panis angelicus: The 100 Greatest Composers and Their Musical Works Gary A. Smook, 2019-07-25 His fascinating exploration takes you inside the rich music and colorful lives of the world’s greatest classical composers. From Bach to Stravinsky and beyond, you will learn how the unique life stories of these gifted composers are reflected in the musical masterpieces that we enjoy to this day. Designed as an introductory book on classical music, this comprehensive collection presents biographical snapshots of the major composers in the context of distinct historical and stylistic periods and in relation to their notable contemporaries. Special attention is given to recognizing their prominent musical works. The book delineates the many forms of instrumental and vocal music; and it explores the “basics” of tonality, musical structure, performance criteria, the orchestra and its instruments, orchestration, chamber music, and the cataloguing of musical works. As well, the newcomer to classical music will find advice on building a musical library. This book is an excellent source of information about classical music in a unique and entertaining format. It will help lay the foundation for a lifelong love of classical music, through the great musical heritage of these fine composers. |
| who composed panis angelicus: All Music Guide to Classical Music Chris Woodstra, Gerald Brennan, Allen Schrott, 2005 Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original. |
| who composed panis angelicus: The Bellman , 1914 |
| who composed panis angelicus: New Perspectives on Marc-Antoine Charpentier Shirley Thompson, 2017-07-05 The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory. |
| who composed panis angelicus: Just the Three of Us Narciso S. Albarracin Jr. M.D., 2023-01-12 The book is about the author’s childhood during World War 2, his pursuit of a medical vocation, establishing a career in America, raising a family, and facing the challenges of the enterprise of life made possible by, in addition to his beloved wife, a third partner. The book includes accounts of life in an empty nest, milestone celebrations, tribulations, and divine interventions called Godwinks. It is a response to the primal need for humans to leave an account of their presence in this planet. |
| who composed panis angelicus: Grove's Dictionary of Music and Musicians George Grove, 1928 |
| who composed panis angelicus: Messages of Music Henry Brenner (O.S.B.), 1923 |
| who composed panis angelicus: Dictionary Catalog of the Rodgers and Hammerstein Archives of Recorded Sound Rodgers and Hammerstein Archives of Recorded Sound, 1981 |
| who composed panis angelicus: Cello and Double Bass Ensemble Music Nancy Price, 2016-02-25 Bibliography of Cello and Double Bass Ensemble Music for Three or More Celli and/or Double Basses |
| who composed panis angelicus: Song of a Happy Man Anselm Fitzgerald, 2002-09 Fr. Anselm, a Trappist monk, offers reflections on a long life of service, using Psalm 91 as a basis for his meditations. On his journey, we find food for thought about spiritual progress, covering such aspects as spiritual childhood, the problem of evil, struggles in life, and hope for final arrival at the Kingdom. |
| who composed panis angelicus: Grove's Dictionary of Music and Musicians J. A. Fuller Maitland, 1906 |
| who composed panis angelicus: Grove's Dictionary of Music and Musicians John Alexander Fuller-Maitland, George Grove, 1922 |
| who composed panis angelicus: What We Hear in Music Anne Faulkner Oberndorfer, 1921 |
| who composed panis angelicus: Jesus Our Priest Gerald O'Collins, Michael Keenan Jones, 2010-03-18 In recent years many books have been published in the area of Christology (who is Jesus in himself?) and soteriology (what did he do as Saviour?). A number of notable, ecumenical documents on Christian ministry have also appeared. But in all this literature there is surprisingly little reflection on the priesthood of Christ, from which derives all ministry, whether the priesthood of all the faithful or ministerial priesthood. This present work aims to fill that gap by examining, in the light of the Scriptures and the Christian tradition, what it means to call Christ our priest. Beginning with a study of the biblical material, the book then moves to the witness to Christ's priesthood coming from the fathers of the Church, Thomas Aquinas, Luther and Calvin, the Council of Trent, the seventeenth-century 'French School', John Henry Newman, Tom Torrance and the Second Vatican Council. The two concluding chapters describe and define in twelve theses the key characteristics of Christ's priesthood and what sharing in that priesthood, through baptism and ordination, involves. |
| who composed panis angelicus: Liturgical Music for the Revised Common Lectionary Year C Carl P. Daw, Thomas Pavlechko, 2009-05 Completing the three-book series for Lectionary Years A, B, and C, this new book |
Composed of/by - WordReference Forums
Mar 9, 2008 · People use 'composed of' to define what a substance is made out of. Like, "this drink is composed of sugar, water, and blue food coloring." I am almost positive, however, that …
comprises, comprised of, is composed of, includes ...
Aug 29, 2005 · As rsweet and Tony describe, comprises in the active voice corresponds with is composed of in the passive voice. The US comprises 50 states. The US is composed of 50 …
composed of/composed by | WordReference Forums
Dec 30, 2010 · Hello, this is my first post and I need to know which option is correct. Please could somebody help me? The first group is composed of the A and B networks and the second …
Family comprised of/ composed by | WordReference Forums
Mar 23, 2011 · Today I would like to know: Which expression do we use in English for this sentence: "My family is comprised of/ composed of my mother, my father and brother". I have …
Difference? be composed (out) of - WordReference Forums
Apr 2, 2021 · Hi everyone, I would like to ask a question regarding the difference between : be composed of be composed out of The full sentence was: "Signals in the brain are composed …
collected, composed - WordReference Forums
Apr 9, 2017 · Collected and composed are too specific for the context. I collect myself before I talk to my boss or I compose myself before I sing the song. To be calm is very general and what …
comprise vs is comprised of | WordReference Forums
Jun 13, 2013 · be composed of: The advisory board comprises six members. to form or constitute: Seminars and lectures comprised the day's activities. idiom. be comprised of, [be + ~-ed + of + …
Consist of /comprise/be comprised of | WordReference Forums
Aug 20, 2009 · To be composed of, to consist of." That's fairly unambiguous in my book, and not remotely ungrammatical, non-standard or 'less literate' than any other usage. Whether or not …
composed by / composed of | WordReference Forums
Apr 20, 2010 · Hi ! I do not understand the difference between XXX By and XXX of ? does the verb have a 2 meanings in those 2 sentences: "The X department...
self-composed - WordReference Forums
Nov 1, 2006 · Agreed. Self-composed sounds redundant, to me. Self-possessed, on the other hand, makes sense. What on earth possessed Tony to take up the Patagonian nose-flute is a …
Composed of/by - WordReference Forums
Mar 9, 2008 · People use 'composed of' to define what a substance is made out of. Like, "this drink is composed of sugar, water, and blue food coloring." I am almost positive, however, that …
comprises, comprised of, is composed of, includes ...
Aug 29, 2005 · As rsweet and Tony describe, comprises in the active voice corresponds with is composed of in the passive voice. The US comprises 50 states. The US is composed of 50 …
composed of/composed by | WordReference Forums
Dec 30, 2010 · Hello, this is my first post and I need to know which option is correct. Please could somebody help me? The first group is composed of the A and B networks and the second …
Family comprised of/ composed by | WordReference Forums
Mar 23, 2011 · Today I would like to know: Which expression do we use in English for this sentence: "My family is comprised of/ composed of my mother, my father and brother". I have …
Difference? be composed (out) of - WordReference Forums
Apr 2, 2021 · Hi everyone, I would like to ask a question regarding the difference between : be composed of be composed out of The full sentence was: "Signals in the brain are composed …
collected, composed - WordReference Forums
Apr 9, 2017 · Collected and composed are too specific for the context. I collect myself before I talk to my boss or I compose myself before I sing the song. To be calm is very general and what …
comprise vs is comprised of | WordReference Forums
Jun 13, 2013 · be composed of: The advisory board comprises six members. to form or constitute: Seminars and lectures comprised the day's activities. idiom. be comprised of, [be + ~-ed + of + …
Consist of /comprise/be comprised of | WordReference Forums
Aug 20, 2009 · To be composed of, to consist of." That's fairly unambiguous in my book, and not remotely ungrammatical, non-standard or 'less literate' than any other usage. Whether or not …
composed by / composed of | WordReference Forums
Apr 20, 2010 · Hi ! I do not understand the difference between XXX By and XXX of ? does the verb have a 2 meanings in those 2 sentences: "The X department...
self-composed - WordReference Forums
Nov 1, 2006 · Agreed. Self-composed sounds redundant, to me. Self-possessed, on the other hand, makes sense. What on earth possessed Tony to take up the Patagonian nose-flute is a …
