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| wbgo.org playlist: Celebrating Bird Gary Giddins, 2013-09-01 Within days of Charlie “Bird” Parker’s death at the age of thirty-four, a scrawled legend began appearing on walls around New York City: Bird Lives. Gone was one of the most outstanding jazz musicians of any era, the troubled genius who brought modernism to jazz and became a defining cultural force for musicians, writers, and artists of every stripe. Arguably the most significant musician in the country at the time of his death, Parker set the standard many musicians strove to reach—though he never enjoyed the same popular success that greeted many of his imitators. Today, the power of Parker’s inventions resonates undiminished; and his influence continues to expand. Celebrating Bird is the groundbreaking and award-winning account of the life and legend of Charlie Parker from renowned biographer and critic Gary Giddins, whom Esquire called “the best jazz writer in America today.” Richly illustrated and drawing primarily from original sources, Giddins overturns many of the myths that have grown up around Parker. He cuts a fascinating portrait of the period, from Parker’s apprentice days in the 1930s in his hometown of Kansas City to the often difficult years playing clubs in New York and Los Angeles, and reveals how Parker came to embody not only musical innovation and brilliance but the rage and exhilaration of an entire generation. Fully revised and with a new introduction by the author, Celebrating Bird is a classic of jazz writing that the Village Voice heralded as “a celebration of the highest order”—a portrayal of a jazz virtuoso whose gargantuan talent was haunted by his excesses and a view into the ravishing art of one of jazz’s most commanding and remarkable figures. |
| wbgo.org playlist: Playing Changes Nate Chinen, 2019-07-23 One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come. |
| wbgo.org playlist: Jazz from Detroit Mark Stryker, 2019-07-08 Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit. |
| wbgo.org playlist: Gene Smith's Sink Sam Stephenson, 2017-08-22 An incisive biography of the prolific photo-essayist W. Eugene Smith; In an interview with Philippe Halsman, W. Eugene Smith remarked: I didn't write the rules, why should I follow them? Famously unabashed, Smith is photography's most celebrated humanist. During his reign as a photo-essayist at Life magazine in the 1940s and 1950s, he established himself as an intimate chronicler of human culture. His photographs of jazz musicians, disasters, doctors, and midwives revolutionized the role that image-making played in journalism, transforming photography for decades to come. In 1997, lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson set out to research those who knew him from various angles. In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes. The result of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's beguiling legacy and the subjects around him-- |
| wbgo.org playlist: Weird Like Us Ann Powers, 2000 Describes the various subcultures trying to reshape America today, and includes interviews with modern bohemians, who share their views on life. |
| wbgo.org playlist: Dangerous Rhythms T. J. English, 2022-08-02 From T. J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America. [A] brilliant and courageous book. —Dr. Cornel West Dangerous Rhythms tells the symbiotic story of jazz and the underworld: a relationship fostered in some of 20th century America’s most notorious vice districts. For the first half of the century mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl “Fatha” Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie “Lucky” Luciano, provided opportunities that would not otherwise have existed. Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in “protected” joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers. Through English’s voluminous research and keen narrative skills, Dangerous Rhythms reveals this deeply fascinating slice of American history in all its sordid glory. |
| wbgo.org playlist: Jazz Mandolin Appetizers Don Stiernberg, 2013-11 Mandolinists who wish to expand their improvisational vocabulary and spice up their rhythm accompaniment are invited to try some Jazz Mandolin Appetizers. This book and accompanying audio, prepared by chef Don Stiernberg, include a batch of etudes that address the challenges every improvising mandolinist faces. These include common issues such as selecting notes that sound good with chord progressions and finding them on the fretboard. In the first section, new melodies are presented for chord progressions that are often played at swing and jazz jam sessions. These tunes will benefit players of any style. Concepts are discussed at the beginning of each tune such as harmonic analysis and the effects of certain intervals (useful groups of tones). The tablature suggests fingerings for the melodies. The chordal section shows how chords and progressions can be made more interesting by adding color, tension and movement. Chord substitution is also demonstrated. Working through this section will prepare the player with commonly played progressions and will expand their chord voicing vocabulary up and down the neck. Lastly, a study of chord-melody style playing is presented. Playing the melody and harmony at the sametime yields full sounding solo arrangements. Don Stiernberg is a leading proponent of the jazz mandolin style. He has eight available recordings, performs coast to coast and abroad, writes a column for Mandolin Magazine and teaches at several mandolin events. |
| wbgo.org playlist: Tales of a Road Dog Ron Levy, 2013 Ron Levy, blues keyboardist, has written his memories of being a musician on the road with artists like B.B. King, and also recorded with Freddie Hubbard, Melvin Sparks, David T. Walker, Idris Muhammad. He includes anecdotes covering his career as a back-up musician, a solo artist, as well as a producer and record label owner. |
| wbgo.org playlist: Uptown Conversation Robert G. O'Meally, Brent Hayes Edwards, Farah Jasmine Griffin, 2004-06-30 Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define—it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures. Building on Robert G. O'Meally's acclaimed Jazz Cadence of American Culture, these original essays offer new insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States and worldwide. Articles contemplating the music's experimental wing—such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns's documentary Jazz and Horace Tapscott's autobiography Songs of the Unsung—share the stage with revisionary takes on familiar figures in the canon: Thelonious Monk, Miles Davis, Duke Ellington, and Louis Armstrong. |
| wbgo.org playlist: The History of Jazz Ted Gioia, 1997-11-20 Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities, New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe King Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton (the world's greatest hot tune writer), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being entertainers, wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature. |
| wbgo.org playlist: Miles, Ornette, Cecil Howard Mandel, 2010-04-26 Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. They remain figures of controversy due to their border-crossing processes. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds. Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work. |
| wbgo.org playlist: Tori Amos: Piece By Piece Tori Amos, Ann Powers, 2023-12-14 Written with acclaimed music journalist Ann Powers, Piece By Piece is a revelatory account of the most intimate details of Tori Amos's private and public lives. Tori reveals the specifics of her creative process and the way in which she balances her life as a writer and performer with the demands of family life. With photos taken especially for this book by award-winning photographer Loren Haynes, Piece By Piece is a rare treat for all Tori devotees. |
| wbgo.org playlist: Murder Falcon Daniel Warren Johnson, 2019-07-10 The world is under attack by hideous monsters, and Jake's life is falling apart until he meets Murder Falcon. He was sent from The Heavy to destroy all evil, but he can't do it without Jake shredding up a storm. Now, with every chord Jake plays on his guitar, the power of metal fuels Murder Falcon into all-out kung fu fury on those that seek to conquer Earth! From DANIEL WARREN JOHNSON creator of the Eisner-nominated EXTREMITY comes MURDER FALCON! GET READY TO SHRED! Collects MURDER FALCON #1-8 |
| wbgo.org playlist: A Stranger's Pose Emmanuel Iduma, 2018 A mesmerising collection of striking travel snapshots |
| wbgo.org playlist: How to Grow as a Musician Sheila E. Anderson, 2005 Through candid, engaging interviews with some of the great musicians of our time, author and radio and TV personality Sheila Anderson has created an inspirational guide on how to be a top player in the industry. Musicians and fans alike will be captivated by the invaluable insights of these remarkable artists. -Back cover. |
| wbgo.org playlist: New York and the International Sound of Latin Music, 1940-1990 Benjamin Lapidus, 2020-12-28 New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally. |
| wbgo.org playlist: Julian Abele Dreck Spurlock Wilson, 2019-02-01 Julian Abele, Architect and the Beaux Arts uncovers the life of one of the first beaux arts trained African American architects. Overcoming racial segregation at the beginning of the twentieth century, Abele received his architecture degree from the University of Pennsylvania in 1902. Wilson traces Abele’s progress as he went on to become the most formally educated architect in America at that time. Abele later contributed to the architectural history of America by designing over 200 buildings throughout his career including the Widener Memorial Library (1913) at Harvard University and the Free Library of Philadelphia (1917). Architectural history is a valuable resource for those studying architecture. As such this book is beneficial for academics and students of architecture and architectural historians with a particular interest in minority discussions. |
| wbgo.org playlist: I Got Thunder LaShonda Barnett, 2007-10-26 In this often fascinating, nostalgic, and thoroughly moving collection of 20 interviews, author LaShonda Katrice Barnett offers a rare glimpse into the careers of the world's prominent black women performing singers and songwriters. Marking an unprecedented exploration of the musical styles and careers of twenty black women performing songwriters, I Got Thunder represents practically all genres-folk, jazz, neo soul, hip-hop, rhythm and blues, and traditional blues. Barnett's interviews are accompanied by brief biographies and selected discographies for each of the influential artists included.Discussing their influences, inspirations and creative processes are: Abbey Lincoln, Angelique Kidjo, Brenda Russell, Chaka Khan, Dianne Reeves, Dionne Warwick, Joan Armatrading, Miriam Makeba, Narissa Bond, Nina Simone, Nona Hendryx, Odetta, Oleta Adams, Pamela Means, Patti Cathcart Andress (of Tuck & Patti), Shemekia Copeland, Shirley Caesar, Tokunbo Akinro, Toshi Reagon, and Tramaine Hawkins. |
| wbgo.org playlist: Q Quincy Jones, 2001 Jones started out playing trumpet in the Lionel Hampton Band before going on to a career as a composer, arranger, and record producer. |
| wbgo.org playlist: Billboard , 1980-12-20 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| wbgo.org playlist: Dust & Grooves Eilon Paz, 2015-09-15 A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community. |
| wbgo.org playlist: Wolf Season Helen Benedict, 2017 The war comes home in a searingly compassionate story about the wounds inflicted on soldiers, refugees, and their families |
| wbgo.org playlist: Rock She Wrote Evelyn McDonnell, Ann Powers, 1995 Originally published: New York: Delta, 1995. |
| wbgo.org playlist: The Lonely Soldier Helen Benedict, 2009 As a 29-year Army and Army Reserve Colonel, I urge everyone--especially women--to read this important book. Through unforgettable stories, The Lonely Soldier explains the shocking frequency of sexual assault and what can be done--Army Reserve Colonel Ann Wright. |
| wbgo.org playlist: Bat-manga! , 2008 The two hottest genres in comics gleefully collide head-on, as the most beloved American superhero gets the coolest Japanese manga makeover ever. In 1966, during the height of the first Batman craze, a weekly Japanese manga anthology for boys, Shonen King, licensed the rights to commission its own Batman and Robin stories. A year later, the stories stopped. They were never collected in Japan, and never translated into English. Now, in this gorgeously produced book, hundreds of pages of Batman-manga comics more than four decades old are translated for the first time, appearing alongside stunning photographs of the world's most comprehensive collection of vintage Japanese Batman toys. This is The Dynamic Duo as you've never seen them: with a distinctly Japanese, atomic-age twist as they battle aliens, mutated dinosaurs, and villains who won't stay dead. And as a bonus: Jiro Kuwata, the manga master who originally wrote and drew this material, has given an exclusive interview for our book. More than just a dazzling novelty, Bat-Manga is an invaluable, long-lost chapter in the history of one of the most beloved and timeless figures in comics. |
| wbgo.org playlist: You'll Know When You Get There Bob Gluck, 2012-08-15 This book tells the story of the Mwandishi band; the author examines the ingredients that would come to form this band's sound. He analyzes the group's instrumentation, their use of electronics, and their transformation of the studio into a compositional tool. |
| wbgo.org playlist: A Little Devil in America Hanif Abdurraqib, 2022-03-08 NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly “Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half “I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist |
| wbgo.org playlist: Modern Chords Vic Juris, 2013-06-06 One of the world's great jazz guitarists, Vic Juris shares his insight into the wonderful world of harmony in this book. Not for the fainthearted, Vic teaches polychords and intervallic structures derived from the major, minor, harmonic minor, melodic minor and harmonic major scales in this must have jazz guitar book. Each section has etudes that will help students integrate each concept into their own playing. Includes access to online audio that gives students the opportunity to hear and play along with these cutting edge concepts |
| wbgo.org playlist: Sand Queen Helen Benedict, 2012-07-31 Nineteen-year-old Kate Brady joined the army to bring honor to her family and to the Middle East. Instead, she finds herself in a forgotten corner of the Iraq desert in 2003, guarding a makeshift American prison. There, Kate meets Naema Jassim, an Iraqi medical student whose father and little brother have been detained in the camp. Kate and Naema promise to help each other, but the war soon strains their intentions. Like any soldier, Kate must face the daily threats of combat duty, but as a woman, she is in equal danger from the predatory men in her unit. Naema suffers bombs, starvation, and the loss of her home and family. As the two women struggle to survive and hold on to the people they love, each comes to have a drastic and unforeseeable effect on the other’s life. Culled from real life experiences of female soldiers and Iraqis, Sand Queen offers a story of hope, courage and struggle from the rare perspective of women at war. |
| wbgo.org playlist: My 2020 Daily Planner and Journal Larry Sparks, 2019-07-17 MY 2020 DAILY PLANNER AND JOURNAL: Page Format is designed to simplify your life! On the left, from top to bottom, is A Weekly TO DO list and on the right, top to bottom, is Each Day of the Week with lots of space! |
| wbgo.org playlist: Bebop Thomas Owens, 1996-05-23 When bebop was new, writes Thomas Owens, many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music. For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians. In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands. In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!' In this marvelous account, Owens comes right to the present day, with accounts of new musicians ranging from the Marsalis brothers to lesser-known masters like pianist Michel Petrucciani. Bebop is a jazz-lover's dream--a serious yet highly personal look at America's most distinctive music. |
| wbgo.org playlist: Just Right Jillian Nicole D. Collier, 2022-02-15 In this heartfelt middle grade novel from debut author Nicole D. Collier, fifth grader Jillian must learn to speak and break free of her shell to enter her school's academic competition and keep her promise to her grandmother. Fifth grader Jillian will do just about anything to blend in, including staying quiet even when she has the right answer. After she loses a classroom competition because she won't speak up, she sets her mind on winning her school's biggest competition. But breaking out of her shell is easier said than done, and Jillian has only a month to keep her promise to her grandmother and prove to herself that she can speak up and show everyone her true self. A warm and relatable middle grade debut novel about family, friendship, and finding the confidence to break free from the crowd and be who you truly are. A CCBC Best of the Year A Bank Street College Best Book of the Year |
| wbgo.org playlist: Swinger! Judy Carmichael, 2017-11-14 A collection of humorous, autobiographical essays about a California surfer-girl who became a jazz musician famous for playing stride piano. |
| wbgo.org playlist: Sounding Salsa Christopher Washburne, 2008 This ethnographic journey into the New York salsa scene of the 1990s is the first of its kind. Written by a musical insider and from the perspective of salsa musicians, Sounding Salsa is a pioneering study that offers detailed accounts of these musicians grappling with intercultural tensions and commercial pressures. Christopher Washburne, himself an accomplished salsa musician, examines the organizational structures, recording processes, rehearsing, and gigging of salsa bands, paying particular attention to how they created a sense of community, privileged the people over artistic and commercial concerns, and incited cultural pride during performances.Sounding Salsa addresses a range of issues, musical and social. Musically, Washburne examines sound structure, salsa aesthetics, and performance practice, along with the influences of Puerto Rican music. Socially, he considers the roles of the illicit drug trade, gender, and violence in shaping the salsa experience. Highly readable, Sounding Salsa offers a behind-the-scenes perspective on a musical movement that became a social phenomenon. |
| wbgo.org playlist: How to Wreck a Nice Beach Dave Tompkins, 2011-11-08 The history of the vocoder: how popular music hijacked the Pentagon's speech scrambling weapon The vocoder, invented by Bell Labs in 1928, once guarded phones from eavesdroppers during World War II; by the Vietnam War, it was repurposed as a voice-altering tool for musicians, and is now the ubiquitous voice of popular music. In How to Wreck a Nice Beach—from a mis-hearing of the vocoder-rendered phrase “how to recognize speech”—music journalist Dave Tompkins traces the history of electronic voices from Nazi research labs to Stalin’s gulags, from the 1939 World’s Fair to Hiroshima, from artificial larynges to Auto-Tune. We see the vocoder brush up against FDR, JFK, Stanley Kubrick, Stevie Wonder, Neil Young, Kraftwerk, the Cylons, Henry Kissinger, and Winston Churchill, who boomed, when vocoderized on V-E Day, “We must go off!” And now vocoder technology is a cell phone standard, allowing a digital replica of your voice to sound human. From T-Mobile to T-Pain, How to Wreck a Nice Beach is a riveting saga of technology and culture, illuminating the work of some of music’s most provocative innovators. |
| wbgo.org playlist: Jazzing Thomas H. Greenland, 2016-05-15 How do we speak about jazz? In this provocative study based on the author's deep immersion in the New York City jazz scene, Tom Greenland turns from the usual emphasis on artists and their music to focus on non-performing participants, describing them as active performers in their own right who witness and thus collaborate in a happening made one-of-a-kind by improvisation, mood, and moment. Jazzing shines a spotlight on the constituency of proprietors, booking agents, photographers, critics, publicists, painters, amateur musicians, fans, friends, and tourists that makes up New York City's contemporary jazz scene. Drawn from deep ethnographic research, interviews, and long term participant observation, Jazzing charts the ways New York's distinctive physical and social-cultural environment affects and is affected by jazz. Throughout, Greenland offers a passionate argument in favor of a radically inclusive conception of music-making, one in which individuals collectively improvise across social contexts to co-create community and musical meaning. An odyssey through the clubs and other performance spaces on and off the beaten track, Jazzing is an insider's view of a vibrant urban art world. |
| wbgo.org playlist: Billboard , 1980-09-20 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| wbgo.org playlist: Aretha Aretha Franklin, David Ritz, 1999 America's Queen of Soul recounts the story of her life, from her childhood as a minister's daughter in Detroit to her rise to success, offering insights into the faith and determination that have taken her to the top. |
| wbgo.org playlist: Why Bob Dylan Matters Richard F. Thomas, 2019-03-05 “The coolest class on campus” – The New York Times When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world’s most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn’t even deign to attend the medal ceremony? In Why Bob Dylan Matters, Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan’s Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar—affectionately dubbed Dylan 101—Thomas is introducing a new generation of fans and scholars to the revered bard’s work. This witty, personal volume is a distillation of Thomas’s famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, What makes a classic?, Thomas offers an eloquent argument for Dylan’s modern relevance, while interpreting and decoding Dylan’s lyrics for readers. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylan’s work for the Dylan neophyte and the seasoned fanatic alike. You’ll never think about Bob Dylan in the same way again. |
| wbgo.org playlist: Orlando R. Marsh Richard Raichelson, 2021-05 History of the recording and film industry in Chicago through Orlando Marsh's recording company, Marsh Laboratories, 1910s-1930s. |
Decreto 1893 de 2021 - Gestor Normativo - Función Pública
Que, para los fines de este Decreto, la Dirección General del Presupuesto Público Nacional del Ministerio de Hacienda y Crédito Público otorgó la viabilidad presupuestal para modificar la …
Decreto 1893 de 2021
Que, para los fines de este Decreto, la Dirección General del Presupuesto Público Nacional del Ministerio de Hacienda y Crédito Público otorgó la viabilidad presupuestal para modificar la …
Función Pública
Acceso al Gestor Normativo de Función Pública para consultar normas y regulaciones en Colombia.
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Informe de manera detallada cuáles son los controles establecidos al interior de su entidad, así como de las entidades cabeza de Sector, con respecto al trámite de revisión técnica y emisión …
Decreto 1893 de 2021 Presidencia de la República - Colombia
Que, para los fines de este decreto, la Dirección General del Presupuesto Público Nacional del Ministerio de Hacienda y Crédito Público otorgó la viabilidad presupuestal para modificar la …
Decreto 1893 de 2021 - Gestor Normativo - Función Pública
Que, para los fines de este Decreto, la Dirección General del Presupuesto Público Nacional del Ministerio de Hacienda y Crédito Público otorgó la viabilidad presupuestal para modificar la …
RESOLUCION 1148 DE 2022 - SUIN – JURISCOL
El Director de Seguimiento, Evaluación y Control del Sistema General del Sistema General de Regalías, en ejercicio de sus facultades legales, en especial las que le confieren los …
Leyes desde 1992 - Vigencia expresa y control de …
Que, para los fines de este decreto, la Dirección General del Presupuesto Público Nacional del Ministerio de Hacienda y Crédito Público otorgó la viabilidad presupuestal para modificar la …
Leyes desde 1992 - Vigencia expresa y control de constitucionalidad
Las notas de vigencia, concordancias, notas del editor, forma de presentación y disposición de la compilación están protegidas por las normas sobre derecho de autor.
Decreto 1891 de 2021 - Gestor Normativo - Función Pública
El presente Decreto rige a partir del 1º de enero de 2022, sustituye el Capítulo 1 del Título 10 de la Parte 2 del Libro 2 del Decreto 1082 de 2015, único Reglamentario del Sector …
请问URSS是哪一个国家的缩写？法国吗？_百度知道
URSS是苏联的缩写。 苏维埃社会主义共和国联盟 （俄语：Союз Советских Социалистических Республик，俄语缩写：СССР；英语：Union of Soviet Socialist Republics，英语缩 …
Vaincre l'URSS avec l'Allemagne - jeuxvideo.com
Je voulais savoir de votre côté, comment avez vous fait pour vaincre l'URSS avec l'Allemagne ? Quels conseils pouvez vous m'apporter pour celà et aussi ce que vous pensez de mon axe …
comment jouer avec l'URSS ? sur le forum Hearts of Iron IV - 21 …
Jun 21, 2016 · L URSS c'est assez facile. Grande purge, modernisation T'es tranquille de 36 à 40 voir 41. Tu peux ensuite de faire la main sur le Japon avant d'affronter le Reich …
Le Meilleur Avion de chaque nations selon vous sur le forum War …
Jan 18, 2015 · Je commence URSS: Yak 9T (rapport qualité dans le milieu de gamme)à vous ;) - Topic Le Meilleur Avion de chaque nations selon vous du 17-01-2015 21:25:53 sur les forums …
[Hearts of Iron 4] Aidez moi pour l'invasion de l'URSS sur le forum ...
Sep 2, 2021 · Je vais faire rapide. Je joue actuellement l'Allemagne et j'ai mis environ 7 x 24 divisions d'infanterie tout le long de la frontière contre l'URSS (de l'Estonie jusqu'au royaume …
Forum Blabla 18-25 ans - page 2 - jeuxvideo.com
Bienvenue sur la page d'accueil du forum Blabla 18-25 ans de jeuxvideo.com. Voici la liste des topics du forum. Venez rejoindre notre communauté ! - page 2
Pourquoi l'URSS s'est effondrée en fait ? sur le forum Blabla 18-25 …
Et si l'URSS à survécu pendant la WW2, c'est uniquement grâce au lend lease des pays capitalistes Ne pas comprendre qui il y'a eu des raison a cette effondrement
Trotsky URSS sur le forum Hearts of Iron IV - jeuxvideo.com
JE me demande comment on a trotsky avec l'URSS avec le patch Je crois qu'on peut mais JE sais pas comment faire merci - Topic Trotsky URSS du 08-11-2016 09:12:17 sur les forums de …
Organisation des divisions sur le forum Hearts of Iron IV - 08-08 …
Grosso modo, je te donne le guide du débutant, tu peu aisément envahir l'Allemand avec l'URSS sans appliquer une doctrine défensive mais pour commencer, c'est de cette manière que c'est …
Augmenter la population recrutable? sur le forum Hearts of Iron IV …
Jun 22, 2016 · j' ai une question:avec le reich j' ai annexé l' URSS en 1940 mais le nombre de reserves que j' ai recrutées restent les même.Logiquement je devrais pouvoir mobiliser les …
