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| who wrote southern horrors: Southern Horrors Ida B Wells-Barnett, 2024-05-20 Southern Horrors: Lynch Law in All Its Phases, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable. |
| who wrote southern horrors: The Red Record Ida B. Wells-Barnett, 2021-06-24 In the post-civil war American south, the despicable act of lynching was commonplace and considered to be a form of vigilantism that was used to murder African Americans for alleged “crimes” ranging from acting suspiciously to “insulting whites”. In “The Red Record”, Ida Bell Wells-Barnett records statistics concerning instances of lynching and offers vivid descriptions of the extrajudicial killings in an attempt to galvanise the public into action and put an end to such horrifying practices. Ida Bell Wells-Barnett (1862–1931) was an American educator, investigative journalist, and leading figure of the civil rights movement. Having been born into slavery in Holly Springs, Mississippi, Wells was freed in 1862 during the American Civil War by the Emancipation Proclamation. From then on she dedicated her life as a free woman to fighting prejudice and violence, founding the National Association for the Advancement of Colored People and becoming the most famous African American of her time. Contents include: “The Case Stated”, “Lynch-Law Statistics”, “Lynching Imbeciles (An Arkansas Butchery)”, “Lynching of Innocent Men (Lynched on Account of Relationship)”, “Lynched for Anything or Nothing (Lynched for Wife Beating)”, “History of Some Cases of Rape”, “The Crusade Justified (Appeal from America to the World)”, “Miss Willard's Attitude”, “Lynching Record for 1894”, and “The Remedy”. Other notable works by this author include: “Southern Horrors: Lynch Law in All its Phases” (1892) and “Mob Rule in New Orleans” (1900). Read & Co. History is proudly republishing this classic work now in a brand new edition complete with introductory chapters by Irvine Garland Penn and T. Thomas Fortune. |
| who wrote southern horrors: Southern Horrors and Other Writings Jacqueline Jones Royster, 2019-08-14 Gain insight into the life of Ida B. Wells as Southern Horrors and Other Writings illustrates how events like yellow fever epidemic transformed her into a internationally famous journalist, public speaker, and activist at the turn of the twentieth century. |
| who wrote southern horrors: Ida B. the Queen Michelle Duster, 2021-01-26 Journalist. Suffragist. Antilynching crusader. In 1862, Ida B. Wells was born enslaved in Holly Springs, Mississippi. In 2020, she won a Pulitzer Prize. Ida B. Wells committed herself to the needs of those who did not have power. In the eyes of the FBI, this made her a “dangerous negro agitator.” In the annals of history, it makes her an icon. Ida B. the Queen tells the awe-inspiring story of an pioneering woman who was often overlooked and underestimated—a woman who refused to exit a train car meant for white passengers; a woman brought to light the horrors of lynching in America; a woman who cofounded the NAACP. Written by Wells’s great-granddaughter Michelle Duster, this “warm remembrance of a civil rights icon” (Kirkus Reviews) is a unique visual celebration of Wells’s life, and of the Black experience. A century after her death, Wells’s genius is being celebrated in popular culture by politicians, through song, public artwork, and landmarks. Like her contemporaries Frederick Douglass and Susan B. Anthony, Wells left an indelible mark on history—one that can still be felt today. As America confronts the unfinished business of systemic racism, Ida B. the Queen pays tribute to a transformational leader and reminds us of the power we all hold to smash the status quo. |
| who wrote southern horrors: Southern Horrors Crystal N. Feimster, 2011-09-30 Between 1880 and 1930, close to 200 women were murdered by lynch mobs in the American South. Many more were tarred and feathered, burned, whipped, or raped. In this brutal world of white supremacist politics and patriarchy, a world violently divided by race, gender, and class, black and white women defended themselves and challenged the male power brokers. Crystal Feimster breaks new ground in her story of the racial politics of the postbellum South by focusing on the volatile issue of sexual violence. Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women. Southern Horrors provides a startling view into the Jim Crow South where the precarious and subordinate position of women linked black and white anti-rape activists together in fragile political alliances. It is a story that reveals how the complex drama of political power, race, and sex played out in the lives of Southern women. |
| who wrote southern horrors: The Light of Truth Ida B. Wells, 2014-11-25 The broadest and most comprehensive collection of writings available by an early civil and women’s rights pioneer Seventy-one years before Rosa Parks’s courageous act of resistance, police dragged a young black journalist named Ida B. Wells off a train for refusing to give up her seat. The experience shaped Wells’s career, and—when hate crimes touched her life personally—she mounted what was to become her life’s work: an anti-lynching crusade that captured international attention. This volume covers the entire scope of Wells’s remarkable career, collecting her early writings, articles exposing the horrors of lynching, essays from her travels abroad, and her later journalism. The Light of Truth is both an invaluable resource for study and a testament to Wells’s long career as a civil rights activist. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| who wrote southern horrors: Ida B. Wells-Barnett and American Reform, 1880-1930 Patricia A. Schechter, 2003-01-14 Pioneering African American journalist Ida B. Wells-Barnett (1862-1931) is widely remembered for her courageous antilynching crusade in the 1890s; the full range of her struggles against injustice is not as well known. With this book, Patricia Schechter restores Wells-Barnett to her central, if embattled, place in the early reform movements for civil rights, women's suffrage, and Progressivism in the United States and abroad. Schechter's comprehensive treatment makes vivid the scope of Wells-Barnett's contributions and examines why the political philosophy and leadership of this extraordinary activist eventually became marginalized. Though forced into the shadow of black male leaders such as W. E. B. Du Bois and Booker T. Washington and misunderstood and then ignored by white women reformers such as Frances E. Willard and Jane Addams, Wells-Barnett nevertheless successfully enacted a religiously inspired, female-centered, and intensely political vision of social betterment and empowerment for African American communities throughout her adult years. By analyzing her ideas and activism in fresh sharpness and detail, Schechter exposes the promise and limits of social change by and for black women during an especially violent yet hopeful era in U.S. history. |
| who wrote southern horrors: Crusade for Justice Ida B. Wells, 2020-04-17 The NAACP co-founder, civil rights activist, educator, and journalist recounts her public and private life in this classic memoir. Born to enslaved parents, Ida B. Wells was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony. This engaging memoir, originally published 1970, relates Wells’s private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells’s great-granddaughter, Michelle Duster. “No student of black history should overlook Crusade for Justice.” —William M. Tuttle, Jr., Journal of American History |
| who wrote southern horrors: Southern Horrors Ida B. Wells-Barnett, 2015-09-09 [Wells was] a sophisticated fighter whose prose was as though as her intellect.--Walter Goodman, New York Times There is hardly a town in the South which has not an instance of the kind which is well known, and hence the assertion is reiterated that nobody in the South believes the old thread bare lie that negro men rape white women. Hence there is a growing demand among Afro-Americans that the guilt or innocence of parties accused of rape be fully established. They know the men of the section of the country who refuse this are not so desirous of punishing rapists as they pretend. The utterances of the leading white men show that with them it is not the crime but the class. Bishop Fitzgerald has become apologist for lynchers of the rapists of white women only. Governor Tillman, of South Carolina, in the month of June, standing under the tree in Barnwell, S.C., on which eight Afro-Americans were hung last year, declared that he would lead a mob to lynch a negro who raped a white woman. So say the pulpits, officials and newspapers of the South. But when the victim is a colored woman it is different. Deeply alarmed and appalled by the rising numbers of white-on-black murders in the South since the beginning of Reconstruction, and by the unwillingness of local, state and federal governments to prosecute those who were responsible, Ida Bell Wells-Barnett wrote Southern Horrors in 1892, a short booklet in which she exposed the horrible reality of lynchings to the rest of the nation and to the world. Wells explained, through case study, how the federal government's failure to intervene allowed Southern states the latitude to slowly but effectively disenfranchise blacks from participating as free men and women in a post-Civil War America with the rights and opportunities guaranteed to all Americans by the Constitution. |
| who wrote southern horrors: The Widow of the South Robert Hicks, 2005-08-30 Based on a true story, this debut Civil War novel follows a Southern plantation woman's journey of transforming her home into a hospital for the war. This debut novel is based on the true story of Carrie McGavock. During the Civil War's Battle of Franklin, a five-hour bloodbath with 9,200 casualties, McGavock's home was turned into a field hospital where four generals died. For 40 years she tended the private cemetery on her property where more than 1,000 were laid to rest. |
| who wrote southern horrors: Scottsboro Dan T. Carter, 1979 In a chapter written especially for this revised edition of his modern classic, Carter recounts the latest turns in the case. Included are the surprising story of the last surviving Scottsboro defendant and the vivid description of Victoria Price's libel suit against the network that televised the drama and subsequent trial--presumably the last of the Scottsboro trials. |
| who wrote southern horrors: Those Across the River Christopher Buehlman, 2020-01-28 A man must confront a terrifying evil in this captivating horror novel that's as much F. Scott Fitzgerald as Dean Koontz.* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols.... |
| who wrote southern horrors: On Lynchings Ida B. Wells-Barnett, 2014-04-01 Three pamphlets by a civil rights pioneer chronicle some of the most regrettable incidents in American history. Wells–Barnett's meticulous research and documentation of crimes from the 1890s offer priceless historical testimony. |
| who wrote southern horrors: Ida B. Wells Dennis B. Fradin, 2000 Story of Ida B. Wells, one of the great, yet one of the least known, civil rights leaders. A promised journalist, she is remembered for her leadership in women's voting rights, the NAACP, and anti-lynching. |
| who wrote southern horrors: The Darkling R. B. Chesterton, 2013-04-02 The “spellbinding tale” of an Alabama family and a troubled teenage orphan: “eloquent evidence that Southern storytelling is indeed a very special art form” (The New York Times Book Review). In the 1940s, Coden, Alabama was a hideaway for movie stars—an isolated playground tucked among live oaks and placid bay waters where pleasure and vice could be indulged. By the summer of 1974 Coden's glamour has faded, but it doesn't bother Mimi Bosarge, who is just happy to have a job as a live-in tutor with the wealthiest family in town, the Hendersons. When the Hendersons generously open their arms to Annie, a troubled teenager with no recollection of her past, Mimi's greatest concern is creating a curriculum for the family's new ward. But it soon becomes obvious that something is wrong. Annie seems suspiciously savvy for her young age, and Mimi can't quell the unnerving sense that there is something malicious about the waiflike beauty. |
| who wrote southern horrors: Apostles of Disunion Charles B. Dew, 2002-03-18 In late 1860 and early 1861, state-appointed commissioners traveled the length and breadth of the slave South carrying a fervent message in pursuit of a clear goal: to persuade the political leadership and the citizenry of the uncommitted slave states to join in the effort to destroy the Union and forge a new Southern nation. Directly refuting the neo-Confederate contention that slavery was neither the reason for secession nor the catalyst for the resulting onset of hostilities in 1861, Charles B. Dew finds in the commissioners' brutally candid rhetoric a stark white supremacist ideology that proves the contrary. The commissioners included in their speeches a constitutional justification for secession, to be sure, and they pointed to a number of political outrages committed by the North in the decades prior to Lincoln's election. But the core of their argument—the reason the right of secession had to be invoked and invoked immediately—did not turn on matters of constitutional interpretation or political principle. Over and over again, the commissioners returned to the same point: that Lincoln's election signaled an unequivocal commitment on the part of the North to destroy slavery and that emancipation would plunge the South into a racial nightmare. Dew's discovery and study of the highly illuminating public letters and speeches of these apostles of disunion—often relatively obscure men sent out to convert the unconverted to the secessionist cause--have led him to suggest that the arguments the commissioners presented provide us with the best evidence we have of the motives behind the secession of the lower South in 1860–61. Addressing topics still hotly debated among historians and the public at large more than a century after the Civil War, Dew challenges many current perceptions of the causes of the conflict. He offers a compelling and clearly substantiated argument that slavery and race were absolutely critical factors in the outbreak of war—indeed, that they were at the heart of our great national crisis. |
| who wrote southern horrors: Topsy-Turvy Anya Jabour, 2010-09-16 This book brings into sharp relief the way in which gender, race, slavery, and status shaped the lives of children in the American South before, during, and after the Civil War. She argues that the identities children developed in the antebellum era shaped their responses to the upheavals of the war years and their lives after the war's conclusion. |
| who wrote southern horrors: Southern Horrors (EasyRead Comfort Edition) Ida B. Wells-Barnett, 2005 |
| who wrote southern horrors: Cold Moon Over Babylon (Valancourt 20th Century Classics) Michael McDowell, 2015 Welcome to Babylon, a typical sleepy Alabama small town, where years earlier the Larkin family suffered a terrible tragedy. Now they are about to endure another: fourteen-year-old Margaret Larkin will be robbed of her innocence and her life by a killer who is beyond the reach of the law. But something strange is happening in Babylon: traffic lights flash an eerie blue, a ghostly hand slithers from the drain of a kitchen sink, graves erupt from the local cemetery in an implacable march of terror ... And beneath the murky surface of the river, a shifting, almost human shape slowly takes form. Night after night it will pursue the murderer. And when the full moon rises over Babylon, it will seek a terrible vengeance ... |
| who wrote southern horrors: The Plantation Negro as a Freeman Philip Alexander Bruce, 1889 |
| who wrote southern horrors: We Sold Our Souls Grady Hendrix, 2022-06-14 From the New York Times best-selling author of The Southern Book Club’s Guide to Slaying Vampires comes a hard-rocking, spine-tingling horror novel about a washed-up guitarist of a ’90s heavy metal band who embarks on an epic road-trip across America and deep into the web of a sinister conspiracy. Every morning, Kris Pulaski wakes up in hell. In the 1990s she was lead guitarist of Dürt Würk, a heavy-metal band on the brink of breakout success until lead singer Terry Hunt embarked on a solo career and rocketed to stardom, leaving his bandmates to rot in obscurity. Now Kris works as night manager of a Best Western; she’s tired, broke, and unhappy. Then one day everything changes—a shocking act of violence turns her life upside down, and she begins to suspect that Terry sabotaged more than just the band. Kris hits the road, hoping to reunite Dürt Würk and confront the man who ruined her life. Her journey will take her from the Pennsylvania rust belt to a celebrity rehab center to a satanic music festival. A furious power ballad about never giving up, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, pill-popping, paranoid country that seems to have lost its very soul. |
| who wrote southern horrors: Southern Horrors Gilbert Bonifas, Martine Monacelli, 2014-07-18 Rather than focus on the attraction exerted by the Mediterranean South on Northerners in search of health, pleasure, leisure and culture, the contributors to this book choose to bring out its less enticing aspects and the repugnance these induced in northern Europeans over four centuries, through a series of sixteen essays covering a geographical area stretching from Portugal to Turkey and Lebanon, from the Balkans to Egypt, and embracing several cultures, two religious faiths and very diverse populations. Most of them were read at an international conference held in Nice in April 2012, and were substantially revised for publication in this volume. All contributions centre around the manner in which British, German (and American) travellers, tourists, writers, thinkers, all members of Protestant modernizing nations rapidly rising in political and economic power reacted to their physical, or merely intellectual, encounter with a Mediterranean world whose pure light, warm sunshine and marvellous scenery could not make them overlook the fact that the glories of the classical past were now “set in the midst of a sordid present” (George Eliot in Middlemarch) and that the successors, possibly the descendants, of the Romans in the countries of the South were sunk in poverty, religious superstition and racial degeneracy. What emerges from these studies that draw on a variety of primary sources is nothing but cruelty, decrepitude, ignorance and obscurantism. With its dark side exposed, the Mediterranean bears little resemblance to the “exquisite lake,” the fons et origo of form and harmony, to which E. M. Forster compared it in A Passage to India. Beyond the portrayal of horrors, however, all essays attempt to unravel the historical conditions and the nexus of mentalités that determined or inspired the perception, imagination or representation of a dark Mediterranean and Near-Eastern world. Not only do they make a useful contribution to the elaboration of the Mediterranean as an intellectual construct, but their original angle of vision offers a valuable addition to the intellectual and cultural history of the North, telling more, perhaps, about the values, prejudices and certainties of northern Europeans than about the true nature of the Mediterranean South. |
| who wrote southern horrors: Slavery by Another Name Douglas A. Blackmon, 2012-10-04 A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today. |
| who wrote southern horrors: Caste Isabel Wilkerson, 2023-02-14 #1 NEW YORK TIMES BESTSELLER • NEW YORK TIMES READERS PICK: 100 BEST BOOKS OF THE 21st CENTURY • OPRAH’S BOOK CLUB PICK • “An instant American classic and almost certainly the keynote nonfiction book of the American century thus far.”—Dwight Garner, The New York Times The Pulitzer Prize-winning author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions—now with a new Afterword by the author. #1 NONFICTION BOOK OF THE YEAR: Time ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, The New York Times, Los Angeles Times, Boston Globe, O: The Oprah Magazine, NPR, Bloomberg, The Christian Science Monitor, New York Post, The New York Public Library, Fortune, Smithsonian Magazine, Marie Claire, Slate, Library Journal, Kirkus Reviews Winner of the Los Angeles Times Book Prize • National Book Critics Circle Award Finalist • Winner of the Carl Sandburg Literary Award • Dayton Literary Prize Finalist • PEN/John Kenneth Galbraith Award for Nonfiction Finalist • PEN/Jean Stein Book Award Finalist • Kirkus Prize Finalist “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Isabel Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. |
| who wrote southern horrors: Why They Marched Susan Ware, 2019-05-06 “Lively and delightful...zooms in on the faces in the crowd to help us understand both the depth and the diversity of the women’s suffrage movement. Some women went to jail. Others climbed mountains. Visual artists, dancers, and journalists all played a part...Far from perfect, they used their own abilities, defects, and opportunities to build a movement that still resonates today.” —Laurel Thatcher Ulrich, author of Well-Behaved Women Seldom Make History “An intimate account of the unheralded activism that won women the right to vote, and an opportunity to celebrate a truly diverse cohort of first-wave feminist changemakers.” —Ms. “Demonstrates the steady advance of women’s suffrage while also complicating the standard portrait of it.” —New Yorker The story of how American women won the right to vote is usually told through the lives of a few iconic leaders. But movements for social change are rarely so tidy or top-heavy. Why They Marched profiles nineteen women—some famous, many unknown—who worked tirelessly out of the spotlight protesting, petitioning, and insisting on their right to full citizenship. Ware shows how women who never thought they would participate in politics took actions that were risky, sometimes quirky, and often joyous to fight for a cause that mobilized three generations of activists. The dramatic experiences of these pioneering feminists—including an African American journalist, a mountain-climbing physician, a southern novelist, a polygamous Mormon wife, and two sisters on opposite sides of the suffrage divide—resonate powerfully today, as a new generation of women demands to be heard. |
| who wrote southern horrors: Surviving Henry Green, 1993 The uncollected writings of the author of Living, Loving, Caught, Nothing and Blindness. |
| who wrote southern horrors: Revelator Daryl Gregory, 2024-02-27 ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEAR • The dark, gripping tale of a 1930’s family in the remote hills of the Smoky Mountains, their secret religion, and the daughter who turns her back on their mysterious god—from the acclaimed author of Spoonbenders. “Gods and moonshine in the Great Depression, written with a tenderness and brutality … this is as good as novels get.” —Stephen Graham Jones, author of The Only Good Indians In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy. Years later, after a tragic incident that caused her to flee, Stella—now a professional bootlegger—returns for Motty's funeral, and to check on the mysterious ten-year-old girl named Sunny that Motty adopted. Sunny appears innocent enough, but she is more powerful than Stella could imagine—and she’s a direct link to Stella's buried past and her family's destructive faith. Haunting and wholly engrossing, summoning mesmerizing voices and giving shape to the dark, Revelator is a southern gothic tale for the ages. |
| who wrote southern horrors: The Lions of Little Rock Kristin Levine, 2012-01-05 Satisfying, gratifying, touching, weighty—this authentic piece of work has got soul.—The New York Times Book Review As twelve-year-old Marlee starts middle school in 1958 Little Rock, it feels like her whole world is falling apart. Until she meets Liz, the new girl at school. Liz is everything Marlee wishes she could be: she's brave, brash and always knows the right thing to say. But when Liz leaves school without even a good-bye, the rumor is that Liz was caught passing for white. Marlee decides that doesn't matter. She just wants her friend back. And to stay friends, Marlee and Liz are even willing to take on segregation and the dangers their friendship could bring to both their families. Winner of the New-York Historical Society Children’s History Book Prize A New York Times Book Review Editor’s Choice |
| who wrote southern horrors: Small Things Like These (Oprah's Book Club) Claire Keegan, 2021-11-30 **OPRAH'S BOOK CLUB PICK** NOW A MAJOR MOTION PICTURE STARRING CILLIAN MURPHY A New York Times Bestseller • Shortlisted for the 2022 Booker Prize • Winner of the Orwell Prize for Political Fiction One of the New York Times's 100 Best Books of the 21st Century A hypnotic and electrifying Irish tale that transcends country, transcends time. —Lily King, New York Times bestselling author of Writers & Lovers Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church. An international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers. |
| who wrote southern horrors: My Best Friend's Exorcism Grady Hendrix, 2017-07-11 Soon to be a major motion picture. From the New York Times best-selling author of The Southern Book Club's Guide to Slaying Vampires, this unholy hybrid of Beaches and The Exorcist blends teen angst and unspeakable horrors into a pulse-pounding supernatural thriller. The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act…different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries—and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? |
| who wrote southern horrors: To Keep the Waters Troubled Linda McMurry Edwards, Linda O. McMurry, 1998 Describes the life of the Black woman journalist who conducted a lifelong crusade for racial justice and women's rights in the period after Reconstruction |
| who wrote southern horrors: Whisperwood Van Temple, 2020-02 Like all great writers, Temple reveals general truths by focusing on the particular. In Whisperwood's young Confederate soldier Anderson Flowers, we have a 19th-century Odysseus, caught in a tedious, bewildering, brutal, and terrifying struggle and longing to return home to his true love. In Flowers's unique experience are reflected not only the epic sweep of the Civil War but also Temple's grand themes of the absurdity of war and the redemptive power of love.--Terence Gleeson, Professor of Theater, English, and Humanities, Neumann University (retired). My paternal great-grandfather, Anderson Flowers Temple, died more than two decades before I was born, but he whispered in my ear when I was twelve years old through a narrative of his life written by his youngest son. I was captivated by Anderson's story of humble roots, struggle against adversity, and search for a true path. At the age of twenty-five, after four years in the Civil War, Anderson vowed that he would never again take up arms. For the rest of his life he helped quarreling neighbors talk through their differences and become friends. Whisperwood is a work of fiction based upon my great grandfather's lived experiences, a rifleman's view--not a general's perspective--on the Civil War. The story focuses on the depravity and addiction of war and Anderson's hard-earned wisdom about war and honor. The life lessons in Anderson's story guided me during the Vietnam War when I faced the prospect of becoming a soldier. |
| who wrote southern horrors: Acadian Driftwood Tyler LeBlanc, 2020 Winner, Evelyn Richardson Award for Non-Fiction and Democracy 250 Atlantic Book Award for Historical Writing Finalist, Dartmouth Book Award for Non-Fiction, and the Margaret and John Savage Award for Best First Book (Non-fiction) A Hill Times' 100 Best Books in 2020 Selection On Canada's History Bestseller List Growing up on the south shore of Nova Scotia, Tyler LeBlanc wasn't fully aware of his family's Acadian roots -- until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc's discovery that he could trace his family all the way to the time of the Acadian Expulsion and beyond forms the basis of this compelling account of Le Grand Dérangement. Piecing together his family history through archival documents, Tyler LeBlanc tells the story of Joseph LeBlanc (his great-great-great-great-great-great-great-great grandfather), Joseph's ten siblings, and their families. With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their homeland. Some escaped the deportation and were able to retreat into the wilderness. Others found their way back to Acadie. But many were exiled to Britain, France, or the future United States, where they faced suspicion and prejudice and struggled to settle into new lives. A unique biographical approach to the history of the Expulsion, Acadian Driftwood is a vivid insight into one family's experience of this traumatic event. |
| who wrote southern horrors: African American Gothic M. Wester, 2012-11-09 This new critique of contemporary African-American fiction explores its intersections with and critiques of the Gothic genre. Wester reveals the myriad ways writers manipulate the genre to critique the gothic's traditional racial ideologies and the mechanisms that were appropriated and re-articulated as a useful vehicle for the enunciation of the peculiar terrors and complexities of black existence in America. Re-reading major African American literary texts such as Narrative of the Life of Frederick Douglass, Of One Blood, Cane, Invisible Man, and Corregidora African American Gothic investigates texts from each major era in African American Culture to show how the gothic has consistently circulated throughout the African American literary canon. |
| who wrote southern horrors: Southern Horrors Crystal N. Feimster, 2009-11-23 Between 1880 and 1930, close to 200 women were murdered by lynch mobs in the American South. Many more were tarred and feathered, burned, whipped, or raped. In this brutal world of white supremacist politics and patriarchy, a world violently divided by race, gender, and class, black and white women defended themselves and challenged the male power brokers. Crystal Feimster breaks new ground in her story of the racial politics of the postbellum South by focusing on the volatile issue of sexual violence. Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women. Southern Horrors provides a startling view into the Jim Crow South where the precarious and subordinate position of women linked black and white anti-rape activists together in fragile political alliances. It is a story that reveals how the complex drama of political power, race, and sex played out in the lives of Southern women. |
| who wrote southern horrors: Southern Horrors Ida B Wells, 2021-09-28 Southern Horrors (1892) is a pamphlet by Ida B. Wells. Published several months after a white mob destroyed the office of her prominent Memphis newspaper, the Free Speech, Southern Horrors is an impassioned work of investigative journalism and political criticism from a leading activist of the nineteenth century. Nobody in this section of the country believes the old thread-bare lie that Negro men rape white women. If Southern white men are not careful, they will overreach themselves and public sentiment will have a reaction; a conclusion will then be reached which will be very damaging to the moral reputation of their women. After publishing these words in a May 1892 edition of the Memphis Free Speech, Ida B. Wells left for a brief vacation in New York--no doubt inspired by the numerous threats made against her life at the time. In her absence, a mob of white men destroyed the newspaper's office, leaving no trace of her extensive research on the last half century of violence perpetrated against African Americans in the name of white supremacy. Undeterred, Wells published Southern Horrors just months later, combining personal reflections on the incident with daring investigative reporting on the widespread practice of lynching in the American South. With a beautifully designed cover and professionally typeset manuscript, this edition of Ida B. Wells' Southern Horrors is a classic of African American literature reimagined for modern readers. |
| who wrote southern horrors: Ida B. Wells Kristina DuRocher, 2016-08-25 Born into slavery in 1862, Ida B. Wells went on to become an influential reformer and leader in the African American community. A Southern black woman living in a time when little social power was available to people of her race or gender, Ida B. Wells made an extraordinary impact on American society through her journalism and activism. Best-known for her anti-lynching crusade, which publicly exposed the extralegal killings of African Americans, Wells was also an outspoken advocate for social justice in issues including women's suffrage, education, housing, the legal system, and poor relief. In this concise biography, Kristina DuRocher introduces students to Wells's life and the historical issues of race, gender, and social reform in the late 19th- and early 20th-century U.S. Supplemented by primary documents including letters, speeches, and newspaper articles by and about Wells, and supported by a robust companion website, this book enables students to understand this fascinating figure and a contested period in American history. |
| who wrote southern horrors: Nineteenth Century Prose , 1993 |
| who wrote southern horrors: The Greatest Black Achievers in History Sylvia Lovina Chidi, 2014-06-13 This book summarizes the lives of the great black people that have made great contributions to the lives of many Worldwide. The book has brief detailed biographies of black activists, scientists, educators, entertainers, musicians, inventors, politicians, authors, sportsmen & women, and others who have surpassed the normal to make historical marks on society. The biographical account of each individual provides relevant dates, events and achievements by the individual. There are pictures and excellent drawings that highlight particular moments in history. This is one of the greatest pieces of work on black history and it will appeal to everyone including, students, groups, universities, libraries, schools and anyone interested in history of black people in the World. |
| who wrote southern horrors: To Make Our World Anew Volume 2 Robin D. G. Kelley, Earl Lewis, 2005-04-28 Written by the most prominent of the new generation of historians, this superb volume offers the most up-to-date and authoritative account available of African-American history, ranging from the first Africans brought as slaves into the Americas, to today's black filmmakers and politicians. Here is a panoramic view of African American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans experienced it. We begin in Africa, with the growth of the slave trade, and follow the forced migration of what is estimated to be between ten and twenty million people, witnessing the terrible human cost of slavery in the colonies of England and Spain. We read of the Haitian Revolution, which ended victoriously in 1804 with the birth of the first independent black nation in the New World, and of slave rebellions and resistance in the United States in the years leading up to the Civil War. There are vivid accounts of the Civil War and Reconstruction years, the backlash of notorious Jim Crow laws and mob lynchings, and the founding of key black educational institutions. The contributors also trace the migration of blacks to the major cities, the birth of the Harlem Renaissance, the hardships of the Great Depression and the service of African Americans in World War II, the struggle for Civil Rights in the 1950s and '60s, and the emergence of today's black middle class. From Harriet Tubman and Frederick Douglass to Martin Luther King, Jr., and Louis Farrakhan, To Make Our World Anew is an unforgettable portrait of a people. |
WROTE Definition & Meaning - Merriam-Webster
The meaning of WROTE is to form (characters, symbols, etc.) on a surface with an instrument (such as a pen). How to use wrote in a sentence.
Wrote or Written: Which Is Correct? (With Examples) - Tw…
Mar 28, 2024 · “Wrote” is used alone, while “written” is part of the perfect tenses and must be accompanied by an auxiliary verb. So, when to use wrote …
WROTE | English meaning - Cambridge Dictionary
He wrote prolifically, publishing his ideas in books, pamphlets, magazines and newspapers. From the …
Wrote or Written: Which Is Correct? (Helpful Examples)
“Wrote” is correct when we use it to talk about “writing” in the past. It’s the simple past tense of the verb “to write.” “Written” is never correct on its own …
WROTE Definition & Meaning - Dictionary.com
See examples of WROTE used in a sentence.
WROTE Definition & Meaning - Merriam-Webster
The meaning of WROTE is to form (characters, symbols, etc.) on a surface with an instrument (such as a pen). How to use wrote in a sentence.
Wrote or Written: Which Is Correct? (With Examples) - Two …
Mar 28, 2024 · “Wrote” is used alone, while “written” is part of the perfect tenses and must be accompanied by an auxiliary verb. So, when to use wrote or when to use written? …
WROTE | English meaning - Cambridge Dictionary
He wrote prolifically, publishing his ideas in books, pamphlets, magazines and newspapers. From the Cambridge English Corpus Moreover, not all government correspondents wrote for official …
Wrote or Written: Which Is Correct? (Helpful Examples)
“Wrote” is correct when we use it to talk about “writing” in the past. It’s the simple past tense of the verb “to write.” “Written” is never correct on its own because it’s the past participle of “to write.” …
WROTE Definition & Meaning - Dictionary.com
See examples of WROTE used in a sentence.
When to Use Written vs. Wrote - YourDictionary
Feb 26, 2020 · Wrote is the simple past tense of "to write." Written is the past participle of "to write." So, what do simple past tense and past participle mean? That is where you'll find the …
Wrote - definition of wrote by The Free Dictionary
1. to trace or form (characters, letters, words, etc.), esp. on paper, with a pen, pencil, or other instrument or means: Write your name on each page. 2. to express or communicate in writing: …
WROTE definition and meaning | Collins English Dictionary
She wrote a letter to a friend of Joao Ribeiro's, a mathematics professor at Cambridge called Louis Greig. → the past tense of write.... Click for English pronunciations, examples …
wrote verb - Definition, pictures, pronunciation and usage notes ...
Definition of wrote verb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
What’s the Past Tense of Write? Wrote or Written?
Jun 6, 2025 · The post explains that “wrote” is the simple past tense of “write”. It’s used for completed actions in the past and stands alone without a helper verb, as shown in “She wrote …
