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| who was shakespeare's rival: The New Oxford Shakespeare William Shakespeare, 2016 In one attractive volume, the Modern Critical Edition gives today's students and playgoers the very best resources they need to understand and enjoy all Shakespeare's works. The authoritative text is accompanied by extensive explanatory and performance notes, and innovative introductory materials which lead the reader into exploring questions about interpretation, textual variants, literary criticism, and performance, for themselves |
| who was shakespeare's rival: Reading Robert Greene Darren Freebury-Jones, 2022 Robert Greene holds a significant place in our understanding of Elizabethan literature. This book offers the most rigorous attempt yet undertaken to determine the scope of the playwright's canon through analyses of Greene's verse style, vocabulary, rhyming habits, and the dramatist's phraseology in his attested plays and in comparison to four plays that have long been on the margins of Greene's corpus: Locrine, Selimus, George a Greene, and A Knack to Know a Knave. The book defines the ranges for Greene's stylistic habits for the very first time, and proceeds to identify parallels of thought, language, and overall dramaturgy that reveal a single author's creative consciousness. This volume also casts light on Greene as a more collaborative dramatist than has hitherto been acknowledged. Through emphasizing the immediate surroundings in which Greene was writing - the flourishing of popular theatres in two compact areas of London, in which each theatre company and their dramatists kept a close eye on what their competitors were producing - Greene emerges as an influential playwright, whose restored oeuvre enables us to establish new ways in which his dramatic methods impacted other writers of the period, including Shakespeare-- |
| who was shakespeare's rival: William Shakespeare, Richard Barnfield, and the Sixth Earl of Derby Leo Daugherty, 2010 Leo Daugherty is the best literary detective I Know. His discoveries here will change the ways we think about Shakespeare and his times.---Professor Steven Shaviro, wayne State University --Book Jacket. |
| who was shakespeare's rival: King Lear: Arden Performance Editions William Shakespeare, 2022-05-19 King Lear has ruled for many years. As age overtakes him, he divides his kingdom amongst his children. Misjudging their loyalty, he soon finds himself stripped of all the trappings of state, wealth and power that had defined him. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play |
| who was shakespeare's rival: Rival Playwrights James Shapiro, 1991 |
| who was shakespeare's rival: Shakespeare Bill Bryson, 2009-10-06 William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a bunkerlike room in Washington, D.C., where the world's largest collection of First Folios is housed. Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness, a coiner of phrases (vanish into thin air, foregone conclusion, one fell swoop) that even today have common currency. His Shakespeare is like no one else's—the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time. |
| who was shakespeare's rival: Contested Will James Shapiro, 2011-09-19 For two hundred years after William Shakespeare's death, no one thought to argue that somebody else had written his plays. Since then dozens of rival candidates - including The Earl of Oxford, Sir Francis Bacon and Christopher Marlowe - have been proposed as their true author. Contested Will unravels the mystery of when and why so many people began to question whether Shakespeare wrote the plays (among them such leading writers and artists as Sigmund Freud, Henry James, Mark Twain, Helen Keller, Orson Welles, and Sir Derek Jacobi) Shakespeare scholar James Shapiro's fascinating search for the source of this controversy retraces a path strewn with fabricated documents, calls for trials, false claimants, concealed identity, bald-faced deception and a failure to grasp what could not be imagined. If Contested Will does not end the authorship question once and for all, it will nonetheless irrevocably change the nature of the debate by confronting what's really contested: are the plays and poems of Shakespeare autobiographical, and if so, do they hold the key to the question of who wrote them? '[Shapiro] writes erudite, undumbed-down history that . . . reads as fluidly as a good novel.' David Mitchell, the Guardian. |
| who was shakespeare's rival: Shakespeare's Rival Robert William Victor Gittings (dichter, biograaf), 1960 |
| who was shakespeare's rival: The Shakespeare Circle Paul Edmondson, Stanley Wells, 2015-10-22 This collection tells the life stories of the people whom we know Shakespeare encountered, shedding new light on Shakespeare's life and times. |
| who was shakespeare's rival: The Heavens Sandra Newman, 2019-02-12 “This electrifying novel of love, creativity and madness moves between Elizabethan England and 21st-century New York.” —The Guardian A New York Times Notable Book of the Year New York, late summer, 2000. A party in a spacious Manhattan apartment, hosted by a wealthy young activist. Dozens of idealistic twenty-somethings have impassioned conversations over takeout dumplings and champagne. The evening shines with the heady optimism of a progressive new millennium. A young man, Ben, meets a young woman, Kate—and they begin to fall in love. Kate lives with her head in the clouds, so at first Ben isn’t that concerned when she tells him about the recurring dream she’s had since childhood. In the dream, she’s transported to the past, where she lives a second life as Emilia, the mistress of a nobleman in Elizabethan England. But for Kate, the dream becomes increasingly real, to the point where it threatens to overwhelm her life. And soon she’s waking from it to find the world changed—pictures on her wall she doesn’t recognize, new buildings in the neighborhood that have sprung up overnight. As Kate tries to make sense of what’s happening, Ben worries the woman he’s fallen in love with is losing her grip on reality. Both intoxicating and thought-provoking, The Heavens is a powerful reminder of the consequences of our actions, a poignant testament to how the people we love are destined to change, and a masterful exploration of the power of dreams. “Heady and elegant.” —The New York Times Book Review “A complex, unmissable work from a writer who deserves wide acclaim.” —Kirkus Reviews (starred review) |
| who was shakespeare's rival: A Year in the Life of William Shakespeare James Shapiro, 2009-10-13 Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners award What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, succeed[ing] where others have fallen short. (Boston Globe) 1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history. |
| who was shakespeare's rival: Coriolanus William Shakespeare, 1904 |
| who was shakespeare's rival: The Rivalrous Renaissance Bradley J. Irish, 2024-12-10 Envy and jealousy are the emotions that fuel interpersonal rivalry, and interpersonal rivalry is a cornerstone of literature. Emerging from growing scholarly interest in the history of emotion, The Rivalrous Renaissance is the first full-length study of envy and jealousy in Renaissance England. The book introduces readers both to the cultural dynamics of affective rivalry in the period and to how these crucial feelings inspired literary works across a wide range of genres, by luminary authors such as Philip Sidney, Edmund Spenser, Mary Wroth, William Shakespeare, and John Milton. Early modern concepts of envy and jealousy were more actively theorized as central components of human experience than is typical today. Bradley J. Irish argues that literature is the key domain where this Renaissance theorization of affective rivalry was brought to life. Poetry, drama, and narrative prose created the conditions for these concepts to become most socially meaningful, simulating the interpersonal experiences in which the emotions practically manifest. This volume will appeal to scholars interested in the history of emotion and affect, as well as more broadly to scholars of the literature and social dynamics of early modern England, and to undergraduate and graduate students in specialized seminars. |
| who was shakespeare's rival: The Shakespeare Stealer Gary Blackwood, 2000-07-01 A delightful adveture full of humor and heart set in Elizabethan England! Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play Hamlet--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama. * A fast-moving historical novel that introduces an important era with casual familiarity. --School Library Journal, starred review Readers will find much to like in Widge, and plenty to enjoy in this gleeful romp through olde England --Kirkus Reviews Excels in the lively depictions of Elizabethan stagecraft and street life. --Publishers Weekly An ALA Notable Book |
| who was shakespeare's rival: The Cambridge Guide to Homer Corinne Ondine Pache, Casey Dué, Susan Lupack, Robert Lamberton, 2020-03-05 From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures. |
| who was shakespeare's rival: The Shakespeare Wars Ron Rosenbaum, 2011-11-09 “[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time. |
| who was shakespeare's rival: Musophilus Samuel Daniel, 1965 |
| who was shakespeare's rival: Selections from the British Classics Geoffrey Chaucer, 1856 |
| who was shakespeare's rival: Marlowe and Shakespeare: The Critical Rivalry Robert Sawyer, 2018-08-22 Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene's comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare's ghostwriter accelerates due to a climate of conspiracy, including belief echoes, which presently permeate our cultural and critical discourse. |
| who was shakespeare's rival: 1606 James Shapiro, 2016-04-07 An intimate portrait of one of Shakespeare's most inspired moments: the year of King Lear, Macbeth and Antony and Cleopatra. 1606, while a very good year for Shakespeare, is a fraught one for England. Plague returns. There is surprising resistance to the new king's desire to turn England and Scotland into a united Britain. And fear and uncertainty sweep the land and expose deep divisions in the aftermath of the failed terrorist attack that came to be known as the Gunpowder Plot. James Shapiro deftly demonstrates how these extraordinary plays responded to the tumultuous events of this year, events that in unexpected ways touched upon Shakespeare's own life ... [and] profoundly changes and enriches our experience of his plays--Publisher's description. |
| who was shakespeare's rival: The Fictional Lives of Shakespeare Kevin Gilvary, 2017-12-12 Modern biographies of William Shakespeare abound; however, close scrutiny of the surviving records clearly show that there is insufficient material for a cradle to grave account of his life, that most of what is written about him cannot be verified from primary sources, and that Shakespearean biography did not attain scholarly or academic respectability until long after Samuel Schoenbaum published William Shakespeare A Documentary Life in 1975. This study begins with a short survey of the history and practice of biography and then surveys the very limited biographical material for Shakespeare. Although Shakespeare gradually attained the status as a national hero during the seventeenth and eighteenth centuries, there were no serious attempts to reconstruct his life. Any attempt at an account of his life or personality amounts, however, merely to biografiction. Modern biographers differ sharply on Shakespeare’s apparent relationships with Southampton and with Jonson, which merely underlines the fact that the documentary record has to be greatly expanded through contextual description and speculation in order to appear like a Life of Shakespeare. |
| who was shakespeare's rival: Volpone Ben Jonson, 2004 These much-studied and frequently performed comedies by the great Elizabethan playwright satirize the greed, mendacity, gullibility, and pretension that Jonson saw rampant in 17h-century London society. Both plays feature colorful characters, ingenious plotting, biting wit, and sharp insight into human nature. This is the only edition to include both plays in one, inexpensive volume. |
| who was shakespeare's rival: Shakespeare and the Rival Playwrights, 1600-1606 David Farley-Hills, 2002-09-11 David Farley-Hills argues that Shakespeare did not work in splendid isolation, but responded as any other playwright to the commercial and artistic pressures of his time. In this book he offers an interpretation of seven of Shakespeare's plays in the light of pressures exerted by his major contemporary rivals. The plays discussed are Hamlet, Troilus and Cressida, All's Well That Ends Well, Othello, Measure for Measure, Timon of Athens, and King Lear. |
| who was shakespeare's rival: Shakespeare's rival Robert Gittings, 1976 |
| who was shakespeare's rival: The False One Francis Fletcher, John Beaumont, 2019-09-25 Reproduction of the original: The False One by Francis Beaumont, John Fletcher |
| who was shakespeare's rival: Shakespeare Harold Bloom, 1999 How can we understand Shakespeare, whose ability so far exceeds his predecessors and successors, whose genius has defied generations of critics' explanations, whose work is of greater influence in the modern age than even the Bible? This book is a visionary summation of Harold Bloom's reading of Shakespeare, in which he expounds a seminal critical theory: that Shakespeare was, through his dramatic characters, the inventor of human personality as we have to come understand it. In short, Shakespeare invented our understanding of ourselves. |
| who was shakespeare's rival: Shakespeare's Marlowe Robert A. Logan, 2016-04-01 Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends. |
| who was shakespeare's rival: Shakespeare Revealed René Weis, 2007 Intimacies with Marlowe, entanglements in London with the mysterious dark lady, the probable fathering of an illegitimate son - the mysteries of Shakespeare's personal life have proven tantalisingly obscure. In Shakespeare Revealed, acclaimed authority, René Weis, brings the man and his milieu to the fore in a compelling reassessment. Breaking with tradition, he reveals how the works themselves contain a rich seam of clues about Shakespeare's life, from his heretical dalliances with Catholicism to his grief at the death of his son Hamnet. If there is a code in his writing, Shakespeare always intended it to be broken. This striking re-reading is consolidated by scrupulous archival research. Through reconstruction of records of the age, René Weis builds a colourful picture of Shakespeare's daily life: the bustling market town of Stratford, the spellbinding forests of Warwickshire, the pell-mell of London's theatres. Above all he reanimates Shakespeare's social scene: Stratford's family affairs and neighbourly disputes and a dangerous London scene, peopled with shady spies, informers and torturers. |
| who was shakespeare's rival: Bussy D'Ambois George Chapman, 1905 |
| who was shakespeare's rival: How the Classics Made Shakespeare Jonathan Bate, 2019-04-16 From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare’s imagination Ben Jonson famously accused Shakespeare of having “small Latin and less Greek.” But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book of extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world’s leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, Bate offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare’s supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. Rounded off with a fascinating account of how Shakespeare became our modern classic and has ended up playing much the same role for us as the Greek and Roman classics did for him, How the Classics Made Shakespeare combines stylistic brilliance, accessibility, and scholarship, demonstrating why Jonathan Bate is one of our most eminent and readable literary critics. |
| who was shakespeare's rival: Elizabethan Sonnet Cycles Giles Fletcher, 2018-04-17 Elizabethan Sonnet Cycles: Phillis - Licia By Giles Fletcher, Thomas Lodge |
| who was shakespeare's rival: Tamburlaine the Great Christopher Marlowe, 1592 |
| who was shakespeare's rival: Shakespeare and the Dramaturgy of Power John D. Cox, 2014-07 Ranging over all the dramatic genres in the Shakespearean canon, this book focuses on plays where medieval drama most clearly illuminates Shakespeare's treatment of political power and social privilege. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| who was shakespeare's rival: The Sea-voyage Francis Beaumont, John Fletcher, 1910 |
| who was shakespeare's rival: Coined by Shakespeare Jeff McQuain, Stan Malless, 1998 A dictionary of terms that were first coined in William Shakespeare's plays. Each entry explains the source of the word, how the word is used throughout history, and where each word appears in Shakespeare's works. |
| who was shakespeare's rival: Dating Shakespeare's Plays Kevin Gilvary, 2010 |
| who was shakespeare's rival: The Shakespearean World Jill L Levenson, Robert Ormsby, 2017-03-27 The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. Shakespeare signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists. |
| who was shakespeare's rival: Introducing Shakespeare George Bagshawe Harrison, 1966 |
| who was shakespeare's rival: The Mystification of George Chapman Gerald Snare, 1989 George Chapman (1559–1634) continues to cut a significant figure as a dramatist and translator of Homer, but his reputation as a poet has fared poorly. The common critical view has made him notorious as a writer of “difficult” poetry, to the point of being considered guilty of deliberate and wanton obscurity. Gerald Snare argues that the fact of the matter is quite the reverse: his supposed difficulty as well as the moral and philosophical imperatives that are assumed to dominate his work are in fact the construction of critics. The Mystification of George Chapman is an argument against the accepted view of Chapman's art. Snare examines Hero and Leander to determine the nature of its poetics and its relation to Mousaios and Marlowe; he reports on the imitative strategies of Ovid's Banquet of Sense and declares that it deserves a reputation quite different from that of the most difficult poem in the English language; and he refers to Chapman's own criticism found in the prefaces and notes often attached to his poems. The author finds Chapman's poems were responses to the critical pressures inherent in adapting Greek, Latin, and contemporaneous English authors to his art, and he disputes the modern critical tendency to assume that doctrine, and not poetic practice, was the primary source of poetic energy in the Renaissance. |
The Shakespeare Forum - Productions
Productions are an integral part of what we do at The Shakespeare Forum. Through a shared experience with the audience, we form a community which pivots upon Shakespeare's text …
Saturday Shakespeare
Shakespeare Forum accepts payments by cash, check, or card and is willing to establish a payment plan based on what works for the student, as long as the full payment is received …
The Shakespeare Forum - The Players
Sybille teaches Shakespeare for Actors, as well as Voice and Speech, and Shakespearean Verse/Text courses. She has worked with educational arts outreach programs such as Project …
The Shakespeare Forum Classes
The Shakespeare Forum operates on the unceded lands of the Wappinger and Munsee Lenape people/nations, in what is colonially known as Manhattan, NY. We also want to acknowledge …
The Shakespeare Forum 2018 Maiden Tour
In 2008, Tim Kaine presented Jim Warren and Ralph Alan Cohen the Virginia Governor’s Award for the Arts. Before retiring from the ASC in 2017, Jim created Shakespeare’s New …
The Shakespeare Forum - School Workshops
The Shakespeare Forum offers free and low-cost customized workshops to schools in need of theatre arts programming.
The Shakespeare Forum - D75/Title 1 Schools
The Shakespeare Forum offers free and low-cost customized workshops to schools in need of theatre arts programming. In 2013, we donated 16 workshops and served over 300 students. If …
The Shakespeare Forum - Open Workshops
The Shakespeare Forum operates on the unceded lands of the Wappinger and Munsee Lenape people/nations, in what is colonially known as Manhattan, NY. We also want to acknowledge …
The Shakespeare Forum - Testimonials
"NY and the Internet can encourage cynicism and a distanced wit. The Shakespeare Forum reminds me, each week, the value of earnestness." - Zelda Knapp, Actor/Writer "The …
The Shakespeare Forum - Education
Additionally, The Shakespeare Forum would like to emphasize reaching schools in New York City's District 75. District 75 provides citywide educational, vocational, and behavior support …
The Shakespeare Forum - Productions
Productions are an integral part of what we do at The Shakespeare Forum. Through a shared experience with the audience, we form a community which pivots upon Shakespeare's text …
Saturday Shakespeare
Shakespeare Forum accepts payments by cash, check, or card and is willing to establish a payment plan based on what works for the student, as long as the full payment is received …
The Shakespeare Forum - The Players
Sybille teaches Shakespeare for Actors, as well as Voice and Speech, and Shakespearean Verse/Text courses. She has worked with educational arts outreach programs such as Project …
The Shakespeare Forum Classes
The Shakespeare Forum operates on the unceded lands of the Wappinger and Munsee Lenape people/nations, in what is colonially known as Manhattan, NY. We also want to acknowledge …
The Shakespeare Forum 2018 Maiden Tour
In 2008, Tim Kaine presented Jim Warren and Ralph Alan Cohen the Virginia Governor’s Award for the Arts. Before retiring from the ASC in 2017, Jim created Shakespeare’s New …
The Shakespeare Forum - School Workshops
The Shakespeare Forum offers free and low-cost customized workshops to schools in need of theatre arts programming.
The Shakespeare Forum - D75/Title 1 Schools
The Shakespeare Forum offers free and low-cost customized workshops to schools in need of theatre arts programming. In 2013, we donated 16 workshops and served over 300 students. If …
The Shakespeare Forum - Open Workshops
The Shakespeare Forum operates on the unceded lands of the Wappinger and Munsee Lenape people/nations, in what is colonially known as Manhattan, NY. We also want to acknowledge …
The Shakespeare Forum - Testimonials
"NY and the Internet can encourage cynicism and a distanced wit. The Shakespeare Forum reminds me, each week, the value of earnestness." - Zelda Knapp, Actor/Writer "The …
The Shakespeare Forum - Education
Additionally, The Shakespeare Forum would like to emphasize reaching schools in New York City's District 75. District 75 provides citywide educational, vocational, and behavior support …
