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| what film character am i: Yinka, Where Is Your Huzband? Lizzie Damilola Blackburn, 2022-03-31 |
| what film character am i: Matrix Lauren Groff, Dorință mascată de putere sau devotament sincer față de aproape? Aceasta e doar una dintre întrebările pe care le pune în lumină romanul lui Groff. Marie, o bastardă la curtea regală franceză, e trimisă la vârsta de șaptesprezece ani să se ocupe în Anglia de o mănăstire aflată în paragină. Odată devenită stareță, Marie (viitoarea poetă faimoasă pentru laiurile sale) o reconstruiește din temelii: dintr-un loc stăpânit de foamete și boală, abația ajunge să le ofere siguranță și prosperitate măicuțelor. Un scut în fața oricăror adversități, mănăstirea devine un spațiu aproape utopic, stârnind vâlvă și stupoare. Inspirată de viziunile pe care le are cu fecioara Maria, stareța își cultivă însă nestingherită propriile ambiții, căutând, totodată, un sens măreț în existența ei și a surorilor sale. Eroina cu inteligență ascuțită și spirit întreprinzător, meditația asupra credinței religioase, asupra sacralității și senzualității fac din captivantul roman al lui Lauren Groff o lectură de actualitate. |
| what film character am i: Exploring Movie Construction and Production John Reich, 2017-07-10 Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student. |
| what film character am i: Vicke the Viking Runer Jonsson, Lilian Seaton, Ewert Karlsson, 1969 Sjov fortælling om en kvik og snarrådig svensk vikingedrengs oplevelser. |
| what film character am i: The Cybernetic Walrus Jack L. Chalker, 2013-02-25 That was the strange message left on Cory Maddox's e-mail - just at the moment when years of work on a revolutionary subspace computer system were about to pay off. Nothing would be the same for Cory again. Suddenly his life was thrown into chaos when the company that controlled his patent was sold out from under him, and instead of imminent watch, Cory was facing immediate poverty. Then along came Alan Stark, who wanted to recruit Cory for a special research project on virtual reality. Initially thrilled to be involved, Cory quickly discovered that there was nothing virtual about the realities he was working on. Instead, he found that Stark was on the verge of controlling the very fabric of reality itself. Cory was unsure of Stark's ultimate goal until he began to recall pieces of another life and found himself in the middle of a battle between two groups of people who could use rabbit holes in space and time to jump between different realities, personalities, and lives. Whoever had control of the power to shape reality would have power to become a god - or a devil. But before Cory could combat Stark and his minions, he first had to remember which side he was on. |
| what film character am i: Auditioning for Film and Television Nancy Bishop, 2015-05-21 'If you're working with Nancy Bishop you know you're in good, accomplished hands, whether you're a director or an actor.' – Neil Burger, Director of The Illusionist Auditioning for Film and Television is a must-have book and video guide for actors, written from the perspective of a Casting Director and offering practical advice on audition technique, scene analysis, online casting and social media. Auditioning for Film and Television is a practical workbook written from a casting director's point of view that teaches actors the craft of film auditioning in front of the camera. It shows actors how to use today's internet technologies to advance their careers and features success strategies and actual exercises to achieve results in the casting studio. A new edition of the popular Secrets from the Casting Couch, and now including video, Auditioning for Film and Television includes commentary, analysis and questions in workbook form for scenes from many celebrated films; exercises for actors to practise in front of a camera; and advice on career advancement and marketing in the age of social media. |
| what film character am i: character-Based Film Sereies Part 1 Terry Rowan, 2016-09-16 Character-based film series, each complete on its own but sharing a common cast of main characters with continuing traits and a similar format, which includes Andy Hardy, The Beatles, Billy Jack, Blondie, Bomba the Jungle Boy, Buffalo Bill Cody, Columbo, Dr. Kildare, Ebenezer Scrooge, Frances the Talking Mule, Godzilla, Harry Potter, Henry Aldrich, Jesse James, Jungle Jim, Lassie, Ma 7 Pa Kettle, Philo Vance, The Pink Panther, Robin Hood, Roy Rogers, Santa Claus, Superman, Tarzan, The Wolfman, Zorro and many more characters. 1 of 3 books. |
| what film character am i: British Film Character Actors Terence Pettigrew, 1982 This informed, highly readable account of 65 great British cinema character actors recalls such highlights of film history as Alec Guiness's obdurate commanding officer in The Bridge on the River Kwai, the chilling screen presence of Peter Cushing, and the hilarious bungling of Ian Carmichael in I'm All Right Jack. |
| what film character am i: e-Pedia: Captain America: Civil War Contributors, Wikipedia, 2017-02-11 This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, and Daniel Brühl. In Captain America: Civil War, disagreement over international oversight of the Avengers fractures them into opposing factions—one led by Steve Rogers and the other by Tony Stark. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 634 related (linked) Wikipedia articles to the title article. This book does not contain illustrations. |
| what film character am i: Reading and Writing a Screenplay Isabelle Raynauld, 2019-04-12 Reading and Writing a Screenplay takes you on a journey through the many possible ways of writing, reading and imagining fiction and documentary projects for cinema, television and new media. It explores the critical role of a script as a document to be written and read with both future readers and the future film it will be giving life to in mind. The book explores the screenplay and the screenwriting process by approaching the film script in three different ways: how it is written, how it is read and how it can be rewritten. Combining contemporary screenwriting practices with historical and academic context, Isabelle Raynauld provides key analytical tools and reading strategies for conceptualizing and scripting projects based on the impact different writing styles can have on readers, with various examples ranging from early cinema to new media and new platforms throughout. This title offers an alternative, thought-provoking and inspiring approach to reading and writing a screenplay that is ideal for directors, producers, actors, students, aspiring screenwriters and readers interested in understanding how an effective screenplay is created. |
| what film character am i: British Cinema in Documents Sarah Street, 2016-01-28 British Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history. Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state. |
| what film character am i: 100 Marketing Trade Secrets for any business Gary L. Watts, 2012 There is no shame in asking for advice. Ask any marketer and most will help you focus and prioritize your efforts, as well as provide marketing advice. If you don’t ask for advice, you can spend a lot of time and energy on strategies and tasks that yield little results. Working hard does not mean working smart. He can help you grow your business. Gary is a marketing guru and consultant to a myriad of clients. His creation of prototype business-to-business, retail, and consumer-direct programs provides clients with creative marketing and sales support. And, Gary can help you! He has developed award-winning marketing and communications expertise through local, regional, and national marketing activities. His talents are reflected in the development of innovative, cutting-edge marketing ideas in Web site design and architecture, high-impact creative and collateral, advertising, promotions, and public relations programs. He has served in high profile staff positions with or as a marketing consultant to world-class companies like the Public Broadcasting Service (PBS) in Washington, D. C., Buena Vista Television, Hilton Hotels, Kraft Foods, and Walt Disney World, where he coordinated numerous awareness activities with major corporations and national media. This included comprehensive programs to launch Epcot and event coverage with NBC, CBS, ABC, PBS, SIN, CBC, and the BBC, as well as other major print, radio and television outlets. Gary is a graduate of Marshall University in Huntington, West Virginia, and completed comprehensive post-graduate work in broadcast journalism at West Virginia University in Morgantown. He also served as the university’s assistant director of Information and Publications prior to his two-year tour of duty as an officer in the U. S. Army where he earned a bronze star for his service. Other work consisted of community relations director for several radio and television stations where he won several national awards for his on-air promotion campaigns. Ready to impart an array of his best-kept secrets and knowledge that he has accumulated over the years, Gary will provide you with big marketing ideas that are charged with creativity and are cost effective, and simple to employ. Many issues are techniques that are currently being used by dynamic companies across the country and are closely guarded because the experts use them as “secret weapons” to accomplish their marketing missions, and to justify the big salaries and fees they charge you. These aren’t theories – these are techniques and creative marketing ideas that you can use successfully. You might compare them to the tricks-of-the-trade that a noted magician reveals about his illusions. What may appear to be magically marvelous (in a marketing sense), once revealed may not be so mystical. |
| what film character am i: Character-Based Film Series Part 3 Terry Rowan, 2016-08-31 The Character-based film series, each complete on its own but sharing a common cast of main characters with continuing traits and a similar fituation format and stars include Abbott & Costello, Alan Ladd, Batman, Calamity Jane, Elvis Presley, Harry Callahan, Harry Palmer, Hercules, Indiana Jones, James Bond, John Wayne, Laurel & Hardy, Martin & Lewis, Matt Helm, Nick Carter, Red Ryder, The Saint, Sinbad the Sailor, Spider-Man, Star Trek, Texas Rangers, The Thin Man, The Three Stooges and Tony Rome, plus so many more character-based series. The third book in the series of 3. See the other Books in the series. |
| what film character am i: All for Beauty Adrienne L. McLean, 2022-07-15 This book provides an industrial history that examines how and why makeup and hairdressing evolved as crafts in the studio era. Readers will never again watch Hollywood films without thinking about the roles of makeup and hairdressing in creating not just fictional characters but stars as emblems of an idealized and undeniably mesmerizing visual perfection. |
| what film character am i: Movie Acting, the Film Reader Pamela Robertson Wojcik, 2004 Combining classic and recent essays and examining key issues such Movie Acting, the Film Reader explores one of the most central but often overlooked aspects of cinema: film acting. |
| what film character am i: Jack Nicholson Robert Crane, Christopher Fryer, 2012-05-01 Originally published in 1975, this book is about the enigmatic star and the only one to have Nicholson's participation. In 1975 Nicholson was just becoming a household name in spite of having already starred in, written or produced 25 films. |
| what film character am i: Window Dressing on the Set United States Commission on Civil Rights, 1977 |
| what film character am i: Character Animation: 2D Skills for Better 3D Steve Roberts, 2012-08-06 Improve your character animation with a mastery of traditional principles and processes including weight and balance, timing, walks, birds, fish, snakes, four legged animals, acting and lip-synch. Traditional animation skills and techniques are presented in both 2D and 3D space. The companion CD features demonstration animations and exercises conducted in each of the major animation packages including 3ds Max, LightWave, Maya, and XSI Softimage. |
| what film character am i: Documentary's Awkward Turn Jason Middleton, 2013-12-04 Despite the prominence of awkwardness as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present. |
| what film character am i: Character as Form Aaron Kunin, 2019-03-07 What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance understood characters as types. They thought the job of a character was to collect every example of a kind, in the same way that an entry in a dictionary collects definitions of a word. Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable. This book tests the old meaning of character against modern examples from poems, novels, comics, and performances in theater and film by Shakespeare, Molière, Austen, the Marx Brothers, Raul Ruiz, Denton Welch, and Lynda Barry. The heart of the book is the character of the misanthrope, who, in Shakespeare's phrase, “banishes the world.” |
| what film character am i: The Films of Jon Garcia Eric B. Olsen, 2017-11-02 In just his first five years of filmmaking, acclaimed Portland independent director Jon Garcia was able to produce four feature films. Eric B. Olsen examines the first four films of Garcias career in order to provide a deeper understanding of works that transcend the limitations of independent filmmaking and to show how they have attained the status of art. Part oral history and part film analysis, the book provides a detailed textual commentary on Tandem Hearts (2010), the directors first film; The Falls (2011) and The Falls: Testament of Love (2013), his most well-known films; and The Hours Till Daylight (2016). The Films of Jon Garcia: 20092013 takes an in-depth look at a writer-director who has earned a reputation as one of the Pacific Northwests premier filmmakers. |
| what film character am i: Parliamentary Papers Great Britain. Parliament. House of Commons, 1914 |
| what film character am i: Filming Difference Daniel Bernardi, 2009-05-01 Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith’s “Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions” and Celine Perreñas Shimizu’s “Pain and Pleasure in the Flesh of Machiko Saito’s Experimental Movies” to Christopher Bradley’s “I Saw You Naked: ‘Hard’ Acting in ‘Gay’ Movies,” along with Kevin Sandler’s interview with Paris Barclay, Yuri Makino’s interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media. |
| what film character am i: Science Fiction Film Directors, 1895-1998 Dennis Fischer, 2011-12-14 This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998. For each director there is a complete filmography including television work, a career summary, a critical assessment, and behind-the-scenes production information. Seventy-nine directors are covered in especially lengthy entries and a short history of the science fiction film genre is also included. |
| what film character am i: Uncanny Cinema Murray Pomerance, 2022-10-20 Murray Pomerance's latest book explores an encyclopedic range of films and television shows to demonstrate the difficulty of conveying the experience of viewing cinema through words and the medium of text. From On the Waterfront to Marriage Story, Uncanny Cinema illuminates that words and writing are in perilous waters when applied to cinema, similar to ungestured talk. The book begins with this problem using Julian Jaynes's thoughts on vocality and imagination before delving into three exploratory 'movements' arranged to alternately challenge, inspire, and confound the reader to question if we know what we think we know or even see what we think we see. The viewer is faced with disturbances, ruptures, and surprises that occur during the viewing experience, which Pomerance analyzes to stretch the sense of what we do and do not (or, possibly, cannot) know, particularly as we think, talk, and write about cinema. |
| what film character am i: Work as a Spiritual Practice Lewis Richmond, 2011-07-20 A guide to developing and maintaining a spiritual life on the job, drawn from the teachings and practices of Buddhist tradition. Most people associate Buddhism with developing calmness, kindness, and compassion through meditation. Lewis Richmond's Work as a Spiritual Practice shows us another aspect of Buddhism: the active, engaged side that allows us to find creativity, inspiration, and accomplishment in our work lives. With over forty spiritual exercises that can be practiced in the middle of a busy workday, Work as a Spiritual Practice is based on the principle that regardless of your rank and title at work, you are always the chief executive of your inner life. Drawn from the author's diverse professional experience—as a Buddhist meditation teacher, business executive, musician, and high-tech entrepreneur—Work as a Spiritual Practice addresses a wide variety of on-the-job problems. Here you'll learn how to: • perform spiritual practices while commuting to and from work • meditate while sitting, walking, or standing—a minute at a time • understand ambition, money, and power from a spiritual perspective Work as a Spiritual Practice is an essential guide for anyone who wants to bring his or her spiritual life and work life together. |
| what film character am i: Parliamentary Debates (Hansard). Great Britain. Parliament. House of Commons, 1923 Contains the 4th session of the 28th Parliament through the session of the Parliament. |
| what film character am i: The Parliamentary Debates (official Report). Great Britain. Parliament. House of Commons, 1928 |
| what film character am i: Black Belt , 1998-11 The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world. |
| what film character am i: The Film Renter and Moving Picture News , 1926 |
| what film character am i: Popular Cinema in Bengal Madhuja Mukherjee, Kaustav Bakshi, 2020-06-09 Popular Cinema in Bengal marks a decisive turn in studies of Bengali language cinema by shifting the focus from auteur and text-based studies to exhaustive readings of the film industry. The book covers a wide range of themes and issues, including: generic tropes (like comedy and action); iconic figurations (of the detective and the city); (female) stars such as Kanan Bala, Sadhana Bose and Aparna Sen; intensities of public debates (subjects of high and low cultures, taste, viewership, gender and sexuality); print cultures (including posters, magazines and song-booklets); cinematic spaces; and trans-media and trans-cultural traffic. By locating cinema within the crosscurrents of geo-political transformations, the book highlights the new and persuasive research that has materialised over the last decade. The authors raise pertinent questions regarding 'regional' cinema as a category, in relation to 'national' cinema models, and trace the non-linear journey of the popular via multiple (media) trajectories. They address subjects of physicality, sexuality and its representations, industrial change, spaces of consumption, and cinema’s meandering directions through global circuits and low-end networks. Highlighting the ever-changing contours of cinema in Bengal in all its popular forms and proposing a new historiography, Popular Cinema in Bengal will be of great interest to scholars of film studies and South-Asian popular culture. The chapters were originally published in the journal South Asian History and Culture. |
| what film character am i: Lata Yatindra Mishra, 2023-01-30 An ode to the majestic life of the late Lata Mangeshkar, Lata: A Life in Music celebrates art in its totality and tells the life story of India's most loved vocal artists. The result of Yatindra Mishra's decade-long dialogue with the great singer, it also explores the lesser-known aspects of the great artist, introducing the readers to Lata Mangeshkar as an intellectual and cultural exponent and providing a rare glimpse into the person behind the revered enigma. At the confluence of cinema, music and literature, this is the most definitive biography of the voice of the nation that also documents sociocultural changes from the late British era through post-Independent India right up to the twenty-first century. This is the story of the various myths, mysteries, truths and contradictions which make a human an icon and also make an icon incredibly humane. |
| what film character am i: Roger Ebert's Movie Yearbook 2003 Roger Ebert, 2002-12-02 Every single new Ebert review. |
| what film character am i: T.P.'s and Cassell's Weekly , 1923 |
| what film character am i: The Best of Star Wars Insider Volume 11 Titan Comics, 2019-11-27 Star Wars: Aliens, Creatures, and Droids celebrates the Star Wars saga’s non-human, but occasionally humanoid, characters. This collection includes classic interviews with Anthony Daniels (C-3PO), Kenny Baker (R2-D2), Warwick Davis (Wicket), Matthew Wood (General Grievous) and acclaimed writer Paul Dini (the Ewoks animated series). Also included are interviews with the men behind BB-8, an in-depth look at the creation of R2-D2, essential trivia and rarely seen images featuring some of the Star Wars saga’s strangest beings. |
| what film character am i: Kathleen Turner on Acting Kathleen Turner, Dustin Morrow, 2018-09-18 Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her forty-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world. With her iconic wit on full display, Turner dazzles readers with her shrewd insights on the craft of acting and charming anecdotes from her own storied career. Touching on each of her roles, she expounds on the lessons she’s learned and describes her journey of discovery in the world of acting. An epic and intense one-on-one master class in acting from the best teacher imaginable, Kathleen Turner on Acting is a must for acting and directing students of every age, established actors and directors, filmmakers, theater pros, and artists of every stripe. |
| what film character am i: Report Commonwealth Shipping Committee, 1914 |
| what film character am i: Character Robert McKee, 2021-05-25 The long-awaited third volume of Robert McKee’s trilogy on the art of fiction. Following up his perennially bestselling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. CHARACTER explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles. |
| what film character am i: Bio-Typing Beyond Body Language Johnny Seitz, 2004-10 Johnny Seitz is currently teaching the art of reading bodies at Ryokan College of Psychology in Los Angeles and maintains a private practice. I have personally and professionally experienced many forms of physiotherapies and psychotherapies over the past 20 years, and all have given myself and my patients varying results. I have found that Johnny Seitz's work is a more lasered approach which goes directly to the core. -Dr. M. Adam Sheck, Licensed Clinical Psychologist I recommend him strongly. -Marcel Marceau, the 20th century's most famous mime I know of no other method better for putting you in touch with your body, thus pointing the way toward health and fitness. -Richard Pena, Director, New York Film Festival The interest in Johnny Seitz has been steadily increasing. Johnny presents a meaningful class, with a variety of approaches and techniques presented intensively in a very short time. He has an innate ability to present a class to students on an introductory level as well as those who are already well versed in a field. Mr. Seitz's influence has been deeply felt. -Myra A. Mayman, Office for the Arts, Harvard and Radcliffe Universities |
| what film character am i: The Electrical Review , 1888 |
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A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, …
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