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what is pity: Contempt and Pity Daryl Michael Scott, 2000-11-09 For over a century, the idea that African Americans are psychologically damaged has played an important role in discussions of race. In this provocative work, Daryl Michael Scott argues that damage imagery has been the product of liberals and conservatives, of racists and antiracists. While racial conservatives, often playing on white contempt for blacks, have sought to use findings of black pathology to justify exclusionary policies, racial liberals have used damage imagery primarily to promote policies of inclusion and rehabilitation. In advancing his argument, Scott challenges some long-held beliefs about the history of damage imagery. He rediscovers the liberal impulses behind Stanley Elkins's Sambo hypothesis and Daniel Patrick Moynihan's Negro Family and exposes the damage imagery in the work of Ralph Ellison, the leading anti-pathologist. He also corrects the view that the Chicago School depicted blacks as pathological products of matriarchy. New Negro experts such as Charles Johnson and E. Franklin Frazier, he says, disdained sympathy-seeking and refrained from exploring individual pathology. Scott's reassessment of social science sheds new light on Brown v. Board of Education, revealing how experts reversed four decades of theory in order to represent segregation as inherently damaging to blacks. In this controversial work, Scott warns the Left of the dangers in their recent rediscovery of damage imagery in an age of conservative reform. |
what is pity: Dancing at the Pity Party Tyler Feder, 2022-04-05 This acclaimed graphic memoir that Kirkus calls “cathartic and uplifting” is the tale of losing a parent and what it feels like to grieve and to move forward. “I can’t recommend this kind, funny, and poignant memoir enough. It’s an intimate, life-affirming story of resilience that feels like a good friend.” —Mari Andrew, author of Am I There Yet? Tyler Feder had just white-knuckled her way through her first year of college when her super cool mom was diagnosed with late-stage cancer. Now, with a decade of grief and nervous laughter under her belt, Tyler shares the story of that gut-wrenching, heart-pounding, extremely awkward time in her life—from her mom’s first oncology appointment to her funeral through the beginning of facing reality as a motherless daughter. She shares the sting of loss that never goes away, the uncomfortable post-death firsts, and the deep-down, hard-to-talk-about feelings of the grieving process. Dancing at the Pity Party is a frank and refreshingly funny look at what it’s like to grieve—for anyone struggling with loss who just wants someone to get it. |
what is pity: Pity the Reader Kurt Vonnegut, Suzanne McConnell, 2019-11-05 “A rich, generous book about writing and reading and Kurt Vonnegut as writer, teacher, and friend . . . Every page brings pleasure and insight.”—Gail Godwin, New York Times bestselling author Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he’s given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. His former student, Suzanne McConnell, has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result. Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed—fourteen novels, collections of his speeches, his essays, his letters, his plays—so this fresh view of him is a bonanza for writers and readers and Vonnegut fans everywhere. “Part homage, part memoir, and a 100% guide to making art with words, Pity the Reader: On Writing with Style is a simply mesmerizing book, and I cannot recommend it highly enough!”—Andre Dubus III, #1 New York Times bestselling author “The blend of memory, fact, keen observation, spellbinding descriptiveness and zany characters that populated Vonnegut’s work is on full display here.”—James McBride, National Book Award-winning author |
what is pity: The Portable Nietzsche Friedrich Nietzsche, 1977-01-27 A captivating collection of Friedrich Nietzsche’s seminal works, from his provocative musings on truth and morality to his profound exploration of human existence “In this volume, one may very conveniently have a rich review of one of the most sensitive, passionate, and misunderstood writers in Western, or any, literature.”—Newsweek “Few writers in any age were so full of ideas.”—Walter Kaufmann, from the Introduction The works of Friedrich Nietzsche have fascinated readers around the world ever since the publication of his first book more than a hundred years ago, yet few writers have been so consistently misinterpreted. The Portable Nietzsche includes Walter Kaufmann’s definitive translations of the complete and unabridged texts of Nietzsche’s four major works: Twilight of the Idols, The Antichrist, Nietzsche Contra Wagner, and Thus Spoke Zarathustra. In addition, Kaufmann brings together selections from his other books, notes, and letters, to give a full picture of Nietzsche’s development, versatility, and inexhaustibility. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
what is pity: No Pity Joseph P. Shapiro, 1994-10-25 “A sensitive look at the social and political barriers that deny disabled people their most basic civil rights.”—The Washington Post “The primer for a revolution.”—The Chicago Tribune “Nondisabled Americans do not understand disabled ones. This book attempts to explain, to nondisabled people as well as to many disabled ones, how the world and self-perceptions of disabled people are changing. It looks at the rise of what is called the disability rights movement—the new thinking by disabled people that there is no pity or tragedy in disability and that it is society’s myths, fears, and stereotypes that most make being disabled difficult.”—from the Introduction |
what is pity: The Existentialist's Survival Guide Gordon Marino, 2018-04-24 “When it comes to living, there’s no getting out alive. But books can help us survive, so to speak, by passing on what is most important about being human before we perish. In The Existentialist’s Survival Guide, Marino has produced an honest and moving book of self-help for readers generally disposed to loathe the genre.” —The Wall Street Journal Sophisticated self-help for the 21st century—when every crisis feels like an existential crisis Soren Kierkegaard, Frederick Nietzsche, Jean-Paul Sartre, and other towering figures of existentialism grasped that human beings are, at heart, moody creatures, susceptible to an array of psychological setbacks, crises of faith, flights of fancy, and other emotional ups and downs. Rather than understanding moods—good and bad alike—as afflictions to be treated with pharmaceuticals, this swashbuckling group of thinkers generally known as existentialists believed that such feelings not only offer enduring lessons about living a life of integrity, but also help us discern an inner spark that can inspire spiritual development and personal transformation. To listen to Kierkegaard and company, how we grapple with these feelings shapes who we are, how we act, and, ultimately, the kind of lives we lead. In The Existentialist's Survival Guide, Gordon Marino, director of the Hong Kierkegaard Library at St. Olaf College and boxing correspondent for The Wall Street Journal, recasts the practical takeaways existentialism offers for the twenty-first century. From negotiating angst, depression, despair, and death to practicing faith, morality, and love, Marino dispenses wisdom on how to face existence head-on while keeping our hearts intact, especially when the universe feels like it’s working against us and nothing seems to matter. What emerges are life-altering and, in some cases, lifesaving epiphanies—existential prescriptions for living with integrity, courage, and authenticity in an increasingly chaotic, uncertain, and inauthentic age. |
what is pity: 'Tis Pity She's a Whore John Ford, 2014-05-29 Like Shakespeare's Juliet, Annabella, accompanied by her down-to-earth nurse, is introduced to a series of suitors to her hand. Like Juliet, she finds all of them unsatisfactory - and rightly so, for the audience know that the nastiest of them is having an affair with her domineering aunt. Like Juliet, Annabella is wooed by a sensitive and passionate young man whose love she returns - but this young man happens to be her own brother, Giovanni. When they consummate their love and she, to avoid the scandal of extramarital pregnancy, agrees to marry her aunt's lover, the tragic outcome is inevitable. John Ford, writing his psychologically powerful and intellectually challenging tragedies in the early years of King Charles I's reign, is a playwright of the first rank, as 20th-century directors have shown both in the theatre and on film. |
what is pity: Pity Party Kathleen Lane, 2022-01-18 Discover an absurd, funny, and thought-provoking book perfect for anyone who has ever felt socially awkward or inadequate (Louis Sachar, author of Holes and the Wayside School series). Dear weird toes, crooked nose, stressed out, left out, freaked out Dear missing parts, broken hearts, picked-on, passed up, misunderstood, Dear everyone, you are cordially invited, come as you are, this party's for you Welcome to Pity Party, where the social anxieties that plague us all are twisted into funny, deeply resonant, and ultimately reassuring psychological thrills. There's a story about a mood ring that tells the absolute truth. One about social media followers who literally follow you around. And one about a kid whose wish for a new, improved self is answered when a mysterious box arrives in the mail. There's also a personality test, a fortune teller, a letter from the Department of Insecurity, and an interactive Choose Your Own Catastrophe. Come to the party for a grab bag of delightfully dark stories that ultimately offers a life-affirming reminder that there is hope and humor to be found amid our misery. |
what is pity: Pity the Nation Robert Fisk, 1990-01-01 |
what is pity: Living the Simply Luxurious Life Shannon Ables, 2018-10-07 What can you uniquely give the world? We often sell ourselves short with self-limiting beliefs, but most of us would be amazed and delighted to know that we do have something special - our distinctive passions and talents - to offer. And what if I told you that what you have to give will also enable you to live a life of true contentment? How is that possible? It happens when you embrace and curate your own simply luxurious life. We tend to not realize the capacity of our full potential and settle for what society has deemed acceptable. However, each of us has a unique journey to travel if only we would find the courage, paired with key skills we can develop, to step forward. This book will help you along the deeper journey to discovering your best self as you begin to trust your intuition and listen to your curiosity. You will learn how to: - Recognize your innate strengths - Acquire the skills needed to nurture your best self - Identify and navigate past societal limitations often placed upon women - Strengthen your brand both personally and professionally - Build a supportive and healthy community - Cultivate effortless style - Enhance your everyday meals with seasonal fare - Live with less, so that you can live more fully - Understand how to make a successful fresh start - Establish and mastermind your financial security - Experience great pleasure and joy in relationships - Always strive for quality over quantity in every arena of your life Living simply luxuriously is a choice: to think critically, to live courageously, and to savor the everydays as much as the grand occasions. As you learn to live well in your everydays, you will elevate your experience and recognize what is working for you and what is not. With this knowledge, you let go of the unnecessary, thus simplifying your life and removing the complexity. Choices become easier, life has more flavor, and you begin to feel deeply satisfying true contentment. The cultivation of a unique simply luxurious life is an extraordinary daily journey that each of us can master, leading us to our fullest potential. |
what is pity: Tragic Pathos Dana LaCourse Munteanu, 2011-11-10 Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions. |
what is pity: Impatience of the Heart Stefan Zweig, 2021-04-05 A series of misfortunes in the eastern Austro-Hungarian Empire of the last early 20th century. |
what is pity: Bread of Life Abigail Dodds, 2021 Abigail Dodds invites readers to ponder and celebrate God's spiritual and physical provision in Christ through the hands-on art of bread making. |
what is pity: The Pity of It All Amos Elon, 2013-04-26 From an acclaimed historian and social critic, a passionate and poignant history of German Jews from the mid-eighteenth century to the eve of the Third Reich As it's usually told, the story of the German Jews starts at the end, with their tragic demise in Hitler's Third Reich. Now, in this important work of historical restoration, Amos Elon takes us back to the beginning, chronicling a period of achievement and integration that at its peak produced a golden age second only to the Renaissance. Writing with a novelist's eye, Elon shows how a persecuted clan of cattle dealers and wandering peddlers was transformed into a stunningly successful community of writers, philosophers, scientists, tycoons, and activists. He peoples his account with dramatic figures: Moses Mendelssohn, who entered Berlin in 1743 through the gate reserved for Jews and cattle, and went on to become the German Socrates; Heinrich Heine, beloved lyric poet who famously referred to baptism as the admission ticket to European culture; Hannah Arendt, whose flight from Berlin signaled the end of the German-Jewish idyll. Elon traces how this minority-never more than one percent of the population-came to be perceived as a deadly threat to national integrity, and he movingly demonstrates that this devastating outcome was uncertain almost until the end. A collective biography, full of depth and compassion, The Pity of It All summons up a splendid world and a dream of integration and tolerance that, despite all, remains the essential ennobling project of modernity. |
what is pity: Pride Over Pity Kailyn Lowry, 2016-11 Kailyn Lowry, the feisty, tattooed beauty whose determination to raise her son on her own terms has been documented on MTV's hit series Teen Mom 2, opens up in this raw memoir about her painful past and offers an inspiring account of a young girl's resolve to survive and succeed. |
what is pity: The Poor Me Manual Hunter Lewis, 2014 This is a rollicking fictional memoir that takes us through the ups and downs of the mysterious author's life. And what a life it is, full to the brim with every imaginable kind of neurotic behavior. You will often laugh out loud. But you will also learn a great deal about the emotions and about which emotional strategies work and which don't. |
what is pity: Mrs. Oswald Chambers Michelle Ule, 2017-10-17 Among Christian devotional works, My Utmost for His Highest stands head and shoulders above the rest, with more than 13 million copies sold. But most readers have no idea that Oswald Chambers's most famous work was not published until ten years after his death. The remarkable person behind its compilation and publication was his wife, Biddy. And her story of living her utmost for God's highest is one without parallel. Bestselling novelist Michelle Ule brings Biddy's story to life as she traces her upbringing in Victorian England to her experiences in a WWI YMCA camp in Egypt. Readers will marvel at this young woman's strength as she returns to post-war Britain a destitute widow with a toddler in tow. Refusing personal payment, Biddy proceeds to publish not just My Utmost for His Highest, but also 29 other books with her husband's name on the covers. All the while she raises a child alone, provides hospitality to a never-ending stream of visitors and missionaries, and nearly loses everything in the London Blitz during WWII. The inspiring story of a devoted woman ahead of her times will quickly become a favorite of those who love true stories of overcoming incredible odds, making a life out of nothing, and serving God's kingdom. |
what is pity: Love and Honour and Pity and Pride and Compassion and Sacrifice:Penguin Specials Nam Le, 2012-04-23 A young Vietnamese-Australian named Nam, in his final year at the famed Iowa Writers' Workshop, is trying to find his voice on the page. When his father, a man with a painful past, comes to visit, Nam's writing and sense of self are both deeply changed. Love and Honour and Pity and Pride and Compassion and Sacrifice is a deeply moving story of identity, family and the wellsprings of creativity, from Nam Le's multi-award-winning collection The Boat. 'A tight and densely emotional journey that sucked me in and contained as much power as the lengthy title.' Killings, the Kill Your Darlings blog |
what is pity: Perfectly Hidden Depression Margaret Robinson Rutherford, 2019-11-01 When your life looks perfect, but you’re silently falling apart… If you were raised to believe that painful emotions are a sign of weakness, or if being vulnerable has always made you feel unsafe, then you may have survived by creating a perfect-looking life—a life where you appear to be successful, engaged, and always there for others. The problem? You’re filled with self-criticism and shame, and you can’t allow yourself to express fear, anger, loss, or grief. You recognize something is wrong, but you’re not sure what exactly—only that you feel trapped and alone. If this sounds like you, you may have perfectly hidden depression (PHD). With this compassionate guide, you’ll begin the process of understanding your perfectionism, identifying destructive beliefs, and connecting with emotions suppressed for far too long. You’ll also find tangible tips for quieting that critical inner voice, and powerful strategies for coping with difficult feelings. Most importantly, you’ll learn that asking for help isn’t a sign of weakness, but a sign of strength. If you’re ready to stop hiding and start healing, this groundbreaking book will guide you—every imperfect step of the way. |
what is pity: The Complete Concordance to Shakespeare: Being a Verbal Index to All the Passages in the Dramatic Works of the Poet Mary Cowden- Clarke, 1845 |
what is pity: Pity the Beast Robin McLean, 2022-10-18 'Not since Faulkner have I read American prose so bristling with life and particularity.' -- J M Coetzee Following in the footsteps of such chroniclers of American absurdity as Cormac McCarthy, Joy Williams, and Charles Portis, Robin McLean's Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas stretching back to prehistory, sideways into legend, and off into a lonesome future. Millennia ago, Ginny's family ranch was all grass and rock and wild horses. A thousand years hence, it'll all be peacefully underwater. In the matter-of-fact here and now, though, it's a hotbed of lust and resentment, and about to turn ugly, because Ginny's just cheated on her husband Dan with the man who lives next door. Out on these prairies, word travels fast: everyone seems to know everyone's business. They know what Ginny did, and they know Ginny isn't sorry. She might not be proud of what she's done, but she doesn't regret it either. To be honest, she enjoyed the hell out of it, and as far as Ginny is concerned, that should be the end of the story. Problem is, no one else seems able to let it go. The community can't bear to let a woman like Ginny off the hook. Not with an attitude like hers. With detours through time, space, and myth, not to mention into the minds of a pack of philosophical mules, Pity the Beast heralds the arrival of a major new voice in American letters. It is a novel that turns our assumptions about the West, masculinity, good and evil, and the very nature of storytelling onto their heads, with an eye to the cosmic as well as the comic. It urges us to write our stories anew--if we want to avoid becoming beasts ourselves. |
what is pity: The Cyclopaedia Abraham Rees, 1819 |
what is pity: Shakespeare, Rhetoric and Cognition Raphael Lyne, 2011-09-01 Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive literary theory he shows how Renaissance rhetoric could be considered a kind of cognitive science, an attempt to map out the patterns of thinking. His study reveals how Shakespeare's metaphors and similes work to think, interpret and resolve, and how their struggle to do so results in extraordinary poetry. |
what is pity: Aristotle on What Emotions Are Giles Pearson, 2024-08-15 This book provides the first systematic interpretation of what Aristotle thinks occurrent emotions are and points to some philosophical merits of his account. It is argued that he holds that emotions are representational pleasures or distresses that are formed in response to other intentional states that apprehend their objects. Even this bare formulation of his view is notable in several respects. First, the idea that the pleasures or distresses of emotions are representational--directed at objects in the world (or ourselves)--contrasts sharply with accounts that identify emotions with non-representational sensations or feelings. Second, the notion that emotions are pleasurable or distressful responses to other intentional states that apprehend their objects provides a fundamental contrast with many current accounts which instead view emotions as (in part) modes of apprehension or kinds of epistemic state themselves. Third, Aristotle's view stands in opposition to motivational accounts of emotions, insofar as while he thinks that emotions interact with desires or motivational states in important ways, he does not think they are themselves (even in part) motivational states. They are representational pleasures or distresses alone. Together, these three points give Aristotle a novel understanding of the representational role emotions play; namely, neither descriptive, nor prescriptive, but reactive. Besides developing these ideas, both textually and philosophically, the book also explores how Aristotle individuates emotion types; his understanding of the material dimension of emotions; and how his view can provide a novel explanation of recalcitrant emotions, a notoriously problematic phenomenon for many recent accounts of emotions. |
what is pity: Pity the Bathtub Its Forced Embrace of the Human Form Matthea Harvey, 2016-01-19 Comic, elegaic, and always formally intricate, using political allegory and painterly landscape, philosophic story and dramatic monologue, these poems describe a moment when something marvelous and unforeseen alters the course of a single day, a year, or an entire life. |
what is pity: Without Pity Ann Rule, 2003-12-01 In an update to one of the most astonishing crimes of the Case Files volumes, Ann Rule profiles the criminals that kill without conscience and shatters their crimes without pity. In eight stunning Case Files volumes, from A Rose for Her Grave to the #1 blockbuster Last Dance, Last Chance, Ann Rule reigns as America's best true-crime writer (Kirkus Reviews). Now, she updates the most astonishing cases from that acclaimed series—and presents shocking, all-new true-crime accounts—in one riveting anthology. In every explosive chapter of Without Pity, Ann Rule deepens her unrelenting exploration of the evil that lies behind the perfect facades of heartless killers...and the deadly compulsions of greed and power that shatter their outward trappings of material success. They are the admired, trusted neighbor; the affable family man; the sexy, charismatic lover; the high-achieving professional. Perhaps most frightening of all is that they are heroes in their own minds. But when someone gets in the way of their deluded dreams, they are capable of deadly acts of violence with no remorse. Analyzing the true nature of the sociopathic mind in chilling detail, Ann Rule traces the murderous crimes of seemingly ordinary men—killers who drew their unsuspecting victims into their twisted worlds with devastating consequences. |
what is pity: The Inspector, and Literary Review , 1826 |
what is pity: 'Tis Pity She's a Whore and Other Plays John Ford, 1998 Ford wrote darkly about sexual and political passion, despair, thwarted ambition, and incest. This selection also shows his ability to portray the poignancy of love as well as write entertaining comedy and create convincing roles for women. His Annabella, Hippolita, Penthea, Calantha, and Katherine Gordon rank among the most dramatically powerful female characters on the post-Shakespearean stage. Setting Ford's earliest surviving independently-written play, The Lover's Melancholy, alongside his three best known works, this edition includes an introduction with sections on each play addressing gender issues, modern relevance, and staging possibilities. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation, supplemented by detailed annotation. |
what is pity: Reading Nietzsche Douglas Burnham, 2014-12-05 Beyond Good and Evil is a concise and comprehensive statement of Nietzsche's mature philosophy and is an ideal entry point into Nietzsche's work as a whole. Pithy, lyrical and densely complex, Beyond Good and Evil demands that its readers are already familiar with key Nietzschean concepts - such as the will-to-power, perspectivism or eternal recurrence - and are able to leap with Nietzschean agility from topic to topic, across metaphysics, psychology, religion, morality and politics. Reading Nietzsche explains the key concepts, the range of Nietzsche's concerns, and highlights Nietzsche's writing strategies that are the key to understanding his work and processes of thought. In its close analysis of the text, Reading Nietzsche reassesses this most creative of philosophers and presents a significant contribution to the study of his thought. In setting this analysis within a comprehensive survey of Nietzsche's ideas, the book is a guide both to this key work and to Nietzsche's philosophy more generally. |
what is pity: The Wisdom of Oscar Wilde Oscar Wilde, 1906 |
what is pity: The Philosophy of Rhetoric George CAMPBELL (Professor of Divinity in Marischal College.), 1808 |
what is pity: An Early History of Compassion Françoise Mirguet, 2017-10-12 In this book, Françoise Mirguet traces the appropriation and reinterpretation of pity by Greek-speaking Jewish communities of Late Antiquity. Pity and compassion, in this corpus, comprised a hybrid of Hebrew, Greek, and Roman constructions; depending on the texts, they were a spontaneous feeling, a practice, a virtue, or a precept of the Mosaic law. The requirement to feel for those who suffer sustained the identity of the Jewish minority, both creating continuity with its traditions and emulating dominant discourses. Mirguet's book will be of interest to scholars of early Judaism and Christianity for its sensitivity to the role of feelings and imagination in the shaping of identity. An important contribution to the history of emotions, it explores the role of the emotional imagination within the context of Roman imperialism. It also contributes to understanding how compassion has come to be so highly valued in Western cultures. |
what is pity: Aesthetics and the Philosophy of Art Robert Stecker, 2010-02-16 Praised in its original edition for its up-to-date, rigorous presentation of current debates and for the clarity of its presentation, Robert Stecker's new edition of Aesthetics and the Philosophy of Art preserves the major themes and conclusions of the original, while expanding its content, providing new features, and enhancing accessibility. Described as a 'remarkably unified introduction to many contemporary debates in aesthetics and the philosophy of art,' Stecker specializes in sympathetically laying bear the play of argument that emerges as competing views on a topic engage each other. |
what is pity: Beatrice And Virgil [may-10] Yann Martel, 2010 When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey--named Beatrice and Virgil--and the epic journey they undertake together. |
what is pity: Albert Schweitzer's Ethical Vision A Sourcebook Predrag Cicovacki, 2009-02-02 The philosophy of Albert Schweitzer has proved widely influential in modern thinking, especially in the field of ethics. His leading ethical idea can be summarized in the phrase reverence for life - namely, that good consists in maintaining and perfecting life, and evil consists in destroying and obstructing life. For Schweitzer, all life is sacred. Ethics thus deals with human attitudes and behavior toward all living beings. Unlike many moral philosophers, Schweitzer argues that knowledge of human nature does not provide a sufficient foundation for any adequate moral theory. That is why he bases his ethics on much broader foundations, articulated in his philosophy of civilization and the philosophy of religion. Schweitzer argues that the material aspect of our civilization has become far more important than its spiritual counterpart. Even organized religion has put itself in the service of politics and economy, thereby losing its vitality and moral authority. Schweitzer's ethics of reverence for life, argues Predrag Cicovacki, offers a viable alternative at a time when traditional ethical theories are found inadequate. Schweitzer's robust and un-dogmatic idealism may offer the best antidote to the prevailing relativism and nihilism of the postmodern epoch. His ethical vision directs us toward a new way of building a more just and more peaceful world. Collecting sixteen of Schweitzer's most effective essays, this volume serves as a compelling introduction to this remarkable thinker and humanist. |
what is pity: The Romance of Flamenca E. D. Blodgett, 2014-04-23 Variously described as a comedy of manners, a psychological romance, and a type of fabliau, the 13th-century narrative Flamenca is the best medieval romance written in Occitan. Its uniqueness springs from qualities that anticipate the preoccupations of modern-day narrative. Not content with being a love story fraught with risk and intrigue, the poem is layered with responses to the troubadour tradition of love and poetry, as well as the Bible and the classics. Though among the most bookish of romances, its tone is invariably ironic, comic, and satirical. This playfulness may be measured by the variety and vehemence of critical response to the poem. Is it a vindication of the troubadour ideal, a mockery of the Church, a satire on jealous husbands, or an undermining of the ideals that romance is said to inscribe? Or is it all of these elements held in suspense? The introduction confronts these questions. The most recent edition and translation of Flamenca , by Hubert and Porter, is now out of print; their translation was into octosyllabic couplets that match the original. Blodgett's translation is unrhymed and line-for-line, on pages facing the edition; it adhers as closely as possible to the literal meaning of the original. The edition follows the recent text prepared by Gschwind. |
what is pity: Nietzsche's Zarathustra C. G. Jung, 1988-09-21 As a young man growing up near Basel, Jung was fascinated and disturbed by tales of Nietzsche's brilliance, eccentricity, and eventual decline into permanent psychosis. These volumes, the transcript of a previously unpublished private seminar, reveal the fruits of his initial curiosity: Nietzsche's works, which he read as a student at the University of Basel, had moved him profoundly and had a lifelong influence on his thought. During the sessions the mature Jung spoke informally to members of his inner circle about a thinker whose works had not only overwhelmed him with the depth of their understanding of human nature but also provided the philosophical sources of many of his own psychological and metapsychological ideas. Above all, he demonstrated how the remarkable book Thus Spake Zarathustra illustrates both Nietzsche's genius and his neurotic and prepsychotic tendencies. Since there was at that time no thought of the seminar notes being published, Jung felt free to joke, to lash out at people and events that irritated or angered him, and to comment unreservedly on political, economic, and other public concerns of the time. This seminar and others, including the one recorded in Dream Analysis, were given in English in Zurich during the 1920s and 1930s. |
what is pity: Beware of Pity Stefan Zweig, 2012-02-29 Wes Anderson on Stefan Zweig: I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well. The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host—s lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health. |
what is pity: I Will Not Be Broken Jerry White, 2008-04-29 A guide to recreating a happy and fulfilling life after catastrophe strikes that Bob and Lee Woodruff call a road map for the individual and their family to re-enter the land of the living* The loss of a loved one, a painful divorce, or a serious physical injury---we must all, at one point, face tragedy---unavoidable moments that divide our lives into before and after. How do we muscle our way through tough times and emerge stronger, wiser---even grateful for our struggle? In 1984, author Jerry White lost his leg---and almost his life---in a landmine accident. He has endured the pain of loss and the challenge of rebuilding. As cofounder of Survivors Corps, White has interviewed thousands of victims of tragedy. With his book I Will Not Be Broken, he shares what he has learned. White outlines a very specific five-step program to coping with disaster; to achieving strength and hope; and to turning tragedy into triumph. In their own words, his survivor friends and colleagues share their stories. It's a group that includes the well known, like Lance Armstrong, Nelson Mandela, and the late Princess Diana, and also everyday survivors of death, loss, injury and heartbreak. Through their stories and the author's words, the book takes readers step-by-step through the process of not only surviving tragedy and victimhood, but going on to thrive. * Bob and Lee Woodruff, authors of In an Instant |
what is pity: History and Utopia E. M. Cioran, 2015-01-20 “Only a monster can allow himself the luxury of seeing things as they are,” writes E. M. Cioran, the Romanian-born philosopher who has rightly been compared to Samuel Beckett. In History and Utopia, Cioran the monster writes of politics in its broadest sense, of history, and of the utopian dream. His views are, to say the least, provocative. In one essay he casts a scathing look at democracy, that “festival of mediocrity”; in another he turns his uncompromising gaze on Russia, its history, its evolution, and what he calls “the virtues of liberty.” In the dark shadow of Stalin and Hitler, he writes of tyrants and tyranny with rare lucidity and convincing logic. In “Odyssey of Rancor,” he examines the deep-rooted dream in all of us to “hate our neighbors,” to take immediate and irremediable revenge. And, in the final essay, he analyzes the notion of the “golden age,” the biblical Eden, the utopia of so many poets and thinkers. |
PITY Definition & Meaning - Merriam-Webster
The meaning of PITY is sympathetic sorrow for one suffering, distressed, or unhappy. How to use pity in a sentence. Synonym Discussion of Pity.
Pity - Wikipedia
Pity is a sympathetic sorrow evoked by the suffering of others. The word is comparable to compassion, condolence, or empathy. It derives from the Latin pietas (etymon also of piety). …
The Psychology of Pity (and Why It Matters More Than You Think)
Feb 1, 2023 · Pity is when you feel sad for someone else. For example: You feel pity when you notice your 6-year-old son has tears in his eyes after school and starts recounting his first …
PITY | English meaning - Cambridge Dictionary
PITY definition: 1. a feeling of sadness or sympathy for someone else's unhappiness or difficult situation: 2. If…. Learn more.
PITY Definition & Meaning - Dictionary.com
Pity definition: sympathetic or kindly sorrow evoked by the suffering, distress, or misfortune of another, often leading one to give relief or aid or to show mercy.. See examples of PITY used in …
Pity - Definition, Meaning & Synonyms - Vocabulary.com
If you feel pity, you feel sympathy for someone else's suffering. A documentary on prisoners who have been wrongfully convicted might make you feel pity for them.
Pity Definition & Meaning | Britannica Dictionary
PITY meaning: 1 : a strong feeling of sadness or sympathy for someone or something; 2 : something that causes sadness or disappointment
PITY definition and meaning | Collins English Dictionary
If you say that it is a pity that something is the case, you mean that you feel disappointment or regret about it. It is a great pity that all pupils in the city cannot have the same chances. Pity …
What does Pity mean? - Definitions.net
Two different kinds of pity can be distinguished, "benevolent pity" and "contemptuous pity" (see Kimball), where, through insincere, pejorative usage, pity is used to connote feelings of …
Pity - definition of pity by The Free Dictionary
1. sympathetic or kindly sorrow evoked by the suffering, distress, or misfortune of another, often leading one to give relief or aid or to show mercy. 2. a cause or reason for pity, sorrow, or …
PITY Definition & Meaning - Merriam-Webster
The meaning of PITY is sympathetic sorrow for one suffering, distressed, or unhappy. How to use pity in a sentence. Synonym Discussion of Pity.
Pity - Wikipedia
Pity is a sympathetic sorrow evoked by the suffering of others. The word is comparable to compassion, condolence, or empathy. It derives from the Latin pietas (etymon also of piety). Self …
The Psychology of Pity (and Why It Matters More Than You Think)
Feb 1, 2023 · Pity is when you feel sad for someone else. For example: You feel pity when you notice your 6-year-old son has tears in his eyes after school and starts recounting his first …
PITY | English meaning - Cambridge Dictionary
PITY definition: 1. a feeling of sadness or sympathy for someone else's unhappiness or difficult situation: 2. If…. Learn more.
PITY Definition & Meaning - Dictionary.com
Pity definition: sympathetic or kindly sorrow evoked by the suffering, distress, or misfortune of another, often leading one to give relief or aid or to show mercy.. See examples of PITY used in a …
Pity - Definition, Meaning & Synonyms - Vocabulary.com
If you feel pity, you feel sympathy for someone else's suffering. A documentary on prisoners who have been wrongfully convicted might make you feel pity for them.
Pity Definition & Meaning | Britannica Dictionary
PITY meaning: 1 : a strong feeling of sadness or sympathy for someone or something; 2 : something that causes sadness or disappointment
PITY definition and meaning | Collins English Dictionary
If you say that it is a pity that something is the case, you mean that you feel disappointment or regret about it. It is a great pity that all pupils in the city cannot have the same chances. Pity you …
What does Pity mean? - Definitions.net
Two different kinds of pity can be distinguished, "benevolent pity" and "contemptuous pity" (see Kimball), where, through insincere, pejorative usage, pity is used to connote feelings of …
Pity - definition of pity by The Free Dictionary
1. sympathetic or kindly sorrow evoked by the suffering, distress, or misfortune of another, often leading one to give relief or aid or to show mercy. 2. a cause or reason for pity, sorrow, or regret: …