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| who is renato constantino: The Miseducation of the Filipino Renato Constantino, 1987 |
| who is renato constantino: Neocolonial identity and counter-consciousness Renato Constantino, 2017-09-29 This title was first published in 1978. |
| who is renato constantino: Identity and Consciousness Renato Constantino, 1974 Videnskabeligt studie af national identitet og national bevidsthed i Filippinerne |
| who is renato constantino: Veneration Without Understanding Renato Constantino, 1970 |
| who is renato constantino: Partisan Scholarship Peter Limqueco, 1989 |
| who is renato constantino: Origin of a Myth Renato Constantino, 1970 |
| who is renato constantino: Insight & Foresight Renato Constantino, 1977 |
| who is renato constantino: Footnotes to Philippine History Renato Perdon, 2008 |
| who is renato constantino: Revolutionary Spirit John Nery, 2011 A study of Rizal, his works, and his influence in Southeast Asia; how his contemporaries saw him; the role Rizal played in inspiring Indonesian nationalists; how the Indonesians and Malaysians appropriated him in the movement for independence, and how he figures in the region's intellectual, political and literary discourse. |
| who is renato constantino: Synthetic Culture and Development Renato Constantino, 1985 |
| who is renato constantino: The Filipinos in the Philippines and Other Essays Renato Constantino, 1971 |
| who is renato constantino: Luzon at War Milagros Camayon Guerrero, 2017-11-15 Mila Guerrero’s Luzon at War, first written in 1977, grew out of a world in motion seeking to understand another earlier era of radical turmoil. Its findings helped lay the groundwork for the emergence since the 1980s of new ways for understanding the historical roots and unresolvable contradictions of the Philippine Revolution. The book puts forth a series of questions about the colonial origins of the nation, the tensions between State and society, the role of the intelligentsia, and the resistance of ordinary people that successive generations of scholars are still seeking to come to terms with. It remains arguably the most astute critique of the first Philippine Republic, laying bare many of the sources of today’s political and social problems. |
| who is renato constantino: Costantino Nivola Costantino Nivola, 2012 In 1983 a special issue of Capital named Costantino Nivola among the one-hundred most important Italian people in the US, together with, among others, Mario Cuomo, Frank Sinatra, Giovanni Sartori, Riccardo Muti, and Luciano Pavarotti. What did he do that was so important? He had fled from Fascist Italy, leaving Sardinia for New York, where his talent as an artist quickly stood out. It was here that he befriended others forced into exile (like Steinberg, De Kooning, Breuer) as well as Americans (like Calder, Kline, and Pollock). But one friendship stood out, and made a profound impact on his life, both as an artist and an individual: that with Le Corbusier. In turn, Le Corbusier was touched by Nivola¿s authentic brilliance and the Mediterranean imprint of his works. |
| who is renato constantino: Liberalism and the Postcolony Lisandro E. Claudio, 2017-03-24 Extricating liberalism from the haze of anti-modernist and anti-European caricature, this book traces the role of liberal philosophy in the building of a new nation. It examines the role of toleration, rights, and mediation in the postcolony. Through the biographies of four Filipino scholar-bureaucrats—Camilo Osias, Salvador Araneta, Carlos P. Romulo, and Salvador P. Lopez—Lisandro E. Claudio argues that liberal thought served as the grammar of Filipino democracy in the 20th century. By looking at various articulations of liberalism in pedagogy, international affairs, economics, and literature, Claudio not only narrates an obscured history of the Philippine state, he also argues for a new liberalism rooted in the postcolonial experience, a timely intervention considering current developments in politics in Southeast Asia. |
| who is renato constantino: Renato Constantino Rosalinda Pineda-Ofreneo, 2001 |
| who is renato constantino: The Nationalist Alternative Renato Constantino, 1986 |
| who is renato constantino: AGAM , 2014 |
| who is renato constantino: The Revolt of the Masses Teodoro A. Agoncillo, 2017 |
| who is renato constantino: History of the Philippines Luis H. Francia, 2013-09-18 The story of this nation of over seven thousand islands, from ancient Malay settlements to Spanish colonization, the American occupation, and beyond. A History of the Philippines recasts various Philippine narratives with an eye for the layers of colonial and post-colonial history that have created this diverse and fascinating population. It begins with the pre-Westernized Philippines in the sixteenth century and continues through the 1899 Philippine-American War and the nation's relationship with the United States’ controlling presence, culminating with its independence in 1946 and two ongoing insurgencies, one Islamic and one Communist. Award-winning author Luis H. Francia creates an illuminating portrait that offers valuable insights into the heart and soul of the modern Filipino, laying bare the multicultural, multiracial society of contemporary times. |
| who is renato constantino: Moral Politics in the Philippines Wataru Kusaka, 2017-02-17 “The people” famously ousted Ferdinand Marcos from power in the Philippines in 1986. After democratization, though, a fault line appeared that split the people into citizens and the masses. The former were members of the middle class who engaged in civic action against the restored elite-dominated democracy, and viewed themselves as moral citizens in contrast with the masses, who were poor, engaged in illicit activities and backed flawed leaders. The masses supported emerging populist counter-elites who promised to combat inequality, and saw themselves as morally upright in contrast to the arrogant and oppressive actions of the wealthy in arrogating resources to themselves. In 2001, the middle class toppled the populist president Joseph Estrada through an extra-constitutional movement that the masses denounced as illegitimate. Fearing a populist uprising, the middle class supported action against informal settlements and street vendors, and violent clashes erupted between state forces and the poor. Although solidarity of the people re-emerged in opposition to the corrupt presidency of Gloria Macapagal Arroyo and propelled Benigno Aquino III to victory in 2010, inequality and elite rule continue to bedevil Philippine society. Each group considers the other as a threat to democracy, and the prevailing moral antagonism makes it difficult to overcome structural causes of inequality. |
| who is renato constantino: The Hispanization of the Philippines John Leddy Phelan, 1967 |
| who is renato constantino: International Studies in the Philippines Frances Antoinette Cruz, Nassef Manabilang Adiong, 2022 |
| who is renato constantino: History of the Filipino People Teodoro A. Agoncillo, 2012 |
| who is renato constantino: Tribute to Renato Constantino Peter Limqueco, 2000 |
| who is renato constantino: History of the Filipino People Teodoro A. Agoncillo, 1990 |
| who is renato constantino: An Illustrated History of the Philippines R. Canoy, 2018 Beginning with a definition of who the people of The Philippines are, this fully illustrated history then tracks back to describe the prehistory of the country through to 1500 AD. The next two chapters chart the colonial experiences under Spain (1500-1896), then the first republic and the subsequent defeat by the United States (1860-1910). Following this are chapters on the Japanese occupation and the third republic (1910-1972). Next comes a description of the Marcos dictatorship and its consequences (1970-1986) and the book ends with a look at the fifth republic and the future of the country. Ray Canoy's authoritative text describes the history of The Philippines from pre-history to the present day. |
| who is renato constantino: Black Lives & Brown Freedom: Untold Histories of War, Solidarity, & Genocide Kirby Araullo, 2018-11-06 An African American soldier beheaded deep in the jungle, a volcano crater filled with hundreds of desperate refugees, and church bells tainted with horrific bloodshed in the howling wilderness... What went on in the islands of the Philippines between 1899 to 1913? Black Lives & Brown Freedom: Untold Histories of War, Solidarity, & Genocide vividly engages its readers with the almost forgotten experiences and bond between Filipinos and African Americans in the events surrounding the Philippine-American War. We, at Project Bulosan, hope that this transforms into a series of publications that documents our roots, culture, and history through our own decolonized perspectives, so stay tuned! |
| who is renato constantino: Civil Liberties, Human Rights Renato Constantino, 1988* |
| who is renato constantino: Back to the Garden Clara Hume, 2018-10-16 Back to the Garden presents a frightening and tragic possibility for our future but doesn't ignore our affirmative connection to the wilderness and to other people. The novel attempts to open people's eyes to the importance of respecting limits, before it's too late. |
| who is renato constantino: Philippine History Teodoro A. Agoncillo, 1965 |
| who is renato constantino: Nation, Self and Citizenship Randolf S. David, 2004 |
| who is renato constantino: Nationalism and Liberation Renato Constantino, 1988 |
| who is renato constantino: The Philippines After Marcos Ronald James May, Francisco Nemenzo, 1985-01-01 |
| who is renato constantino: Shadow and Solitude Claro M Recto, 2023-07-18 A one-act play by Claro M. Recto, a prominent Filipino politician and writer. The play explores themes of loneliness, despair, and existential crisis through its portrayal of a solitary figure in a dark room. The dialogue is sparse and poetic, emphasizing mood and atmosphere. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| who is renato constantino: Distorted Priorities, the Politics of Food Renato Constantino, 1988 |
| who is renato constantino: Pasyon and Revolution Reynaldo Clemeña Ileto, 1979 Relates the impact of passion play Kasaysayan ng pasiong mahal ni Hesukristong Panginoon natin on Philippine social action. |
| who is renato constantino: The Politics of Culture in the Shadow of Capital Lisa Lowe, David Lloyd, 1997-11-17 DIVComing from a broad cross-section of academic disciplines and theoretical positions, this collection of essays questions and reworks Marxist critiques of capitalism that center on the West and which posit a uniform model of development. More specifically/div |
| who is renato constantino: A Pagan Face of God Delfo C. Canceran, 1993 |
| who is renato constantino: Filipinos and Their Revolution Reynaldo Clemeña Ileto, 1998 |
| who is renato constantino: The Oxford History of Historical Writing Stuart Macintyre, Juan Maiguashca, Attila Pók, 2011-10-27 Volume 4 of The Oxford History of Historical Writing offers essays by leading scholars on the writing of history globally from 1800 to 1945. Divided into four parts, it first covers the rise, consolidation, and crisis of European historical thought, and the professionalization and institutionalization of history. The chapters in Part II analyze how historical scholarship connected to various European national traditions. Part III considers the historical writing of Europe's 'Offspring': the United States, Canada, South Africa, Australia, New Zealand, Mexico, Brazil, and Spanish South America. The concluding part is devoted to histories of non-European cultural traditions: China, Japan, India, South East Asia, Turkey, the Arab world, and Sub-Saharan Africa. This is the fourth of five volumes in a series that explores representations of the past from the beginning of writing to the present day, and from all over the world. This volume aims at once to provide an authoritative survey of the field, and especially to provoke cross-cultural comparisons. |
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