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| who was that girl could sing written about: The Taylor-Trotwood Magazine , 1905 |
| who was that girl could sing written about: Taylor-Trotwood Magazine , 1905 |
| who was that girl could sing written about: Kenny Hall's Music Book: Old Time Music - Fiddle & Mandolin Kenny Hall, Vykki Mende Gray, 2011-03-04 Since the 1960's here has been an extraordinary revival of old-time string band music in California, and indeed throughout the American West. Despite being born blind, Kenny Hall has been a mainstay of many fiddle festivals and of the Western fiddle and string band revival in general. Kenny's musical style is passionate and energetic. This book is a helpful guide to his vast repertoire learned through years of careful listening. It is also a wonderful addition to the fiddler's bookshelf and a fitting tribute to a man who, for many an aspiring fiddler, has been a friend, guide, exemplar, and patron. Many of the tunes includes nonsense lyrics that Kenny used to help him remember the melody, and each tune is accompanied by Kenny's comments. the book is divided into five chapters: fiddle- based tunes (Fiddle Faddle), mandolin-based tunes (Rags, Tags, and Wags), Waltzes, tunes from an origin other than the United States or the British Isles (Kenny's Rambles); and vocal-based pieces including lyrics (Songs, Ballads, Ditties). Some of the transcriptions are written primarily for fiddle or mandolin, but most tunes can be performed on either instrument. This deluxe guide to Kenny Hall's vast repertoire offers fans of old-time music a great way to get to know Kenny and his music. |
| who was that girl could sing written about: Jackson Browne Mark Bego, 2005 A biography of the singer-songwriter covers his rise to fame in the 1970s, his commitment to progressive causes, and his later career. |
| who was that girl could sing written about: The Permanent Holdout Cornel Bonca, 2025-04 Known for albums like Late for the Sky, The Pretender, and Running on Empty, Jackson Browne was a master of capturing the counterculture ethos of the late 1960s and 70s. This book dives deeply into his music, long career, and activism within the context of American life, revealing a remarkable musician still fueled by ideals of love and peace-- |
| who was that girl could sing written about: They Knew Marilyn Monroe Les Harding, 2012-09-08 Taking an innovative approach to the life and legend of Marilyn Monroe (1926-1962), this biographical dictionary concentrates on her circle of friends, acquaintances and coworkers--1618 in all. Distilled from hundreds of celebrity biographies are references to, and quotes about, the iconic Hollywood sex symbol from such diverse personalities as architect Frank Lloyd Wright, Israeli diplomat Abba Eban, beat poet Jack Kerouac, novelist Somerset Maugham, jazz singer Ella Fitzgerald, counterculture guru Timothy Leary and evangelist Aimee Semple McPherson, to name but a few. All of these remarkable people have, in one way or another, crossed paths with the magnificent Monroe. The entries in this volume (with source listings for further reading and research) confirm the fact that Marilyn Monroe remains a figure of enduring fascination five decades after her death. |
| who was that girl could sing written about: There Ain't Nobody That Can Sing Like Me Anne E. Neimark, 2002 A detailed look at the life and songs of of the famous folk singer. |
| who was that girl could sing written about: The Musician , 1901 |
| who was that girl could sing written about: A Full History of the Wonderful Career of Moody and Sankey in Great Britain and America Edgar Johnson Goodspeed, 1877 |
| who was that girl could sing written about: A Full History of the Wonderful Career of Moody and Sankey in Great Britain and America. Embracing, Also, Mr. Moody's Sermons, as Preached in this Country and Abroad, Mr. Sankey's Songs, and Everything of Interest Connected with the Work. Illustrated with Steel Plate Portrait of Mr. Moody and Twelve Other Engravings from Original Drawings Edgar Johnson Goodspeed, 1876 |
| who was that girl could sing written about: Telling Stories, Writing Songs Kathleen Hudson, 2010-07-05 Willie Nelson, Joe Ely, Marcia Ball, Tish Hinojosa, Stevie Ray Vaughan, Lyle Lovett...the list of popular songwriters from Texas just goes on and on. In this collection of thirty-four interviews with these and other songwriters, Kathleen Hudson pursues the stories behind the songs, letting the singers' own words describe where their songs come from and how the diverse, eclectic cultures, landscapes, and musical traditions of Texas inspire the creative process. Conducted in dance halls, dressing rooms, parking lots, clubs-wherever the musicians could take time to tell their stories-the interviews are refreshingly spontaneous and vivid. Hudson draws out the songwriters on such topics as the sources of their songs, the influence of other musicians on their work, the progress of their careers, and the nature of Texas music. Many common threads emerge from these stories, while the uniqueness of each songwriter becomes equally apparent. To round out the collection, Hudson interviews Larry McMurtry and Darrell Royal for their perspectives as longtime friends and fans of Texas musicians. She also includes a brief biography and discography of each songwriter. |
| who was that girl could sing written about: Bob Taylor's Magazine , 1905 |
| who was that girl could sing written about: I Know Why the Caged Bird Sings Maya Angelou, 2010-07-21 Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition. |
| who was that girl could sing written about: Billboard , 1980-10-18 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| who was that girl could sing written about: Judy Gerold Frank, 2024-10-15 The tumultuous life story of Judy Garland, based on more than two hundred interviews and authorized access to her private papers, by the New York Times–bestselling biographer. Gerold Frank met with legendary singer and actress Judy Garland to collaborate on her autobiography—but he completed the project alone after her fatal overdose in 1969. Drawn from more than two hundred interviews and full access to her personal records and pictures, Frank delves into the superstar’s troubled life, assisted by the cooperation of her family, her doctors, and her friends in Hollywood. Still vivid in our memory thanks to films like The Wizard of Oz, Meet Me in St. Louis, and A Star Is Born, Judy Garland was an incomparable figure whose outsized talent made her an American icon—and her life story, an American tragedy. “[A] messy and insatiably involving story. . . . Somehow beyond all the mythology of how a star was born and a cult created, Judy’s consuming presence remains—the insecure charm, the mischievous humor, the guts—all programmed on self-destruct.” —Kirkus Reviews “When [Frank] digs into the roots of her behavior, he makes more sense than anybody else I have read. He is the perfect Dante for this trip into the underworld, the biographer Judy Garland deserves.” —The New York Times Includes photographs |
| who was that girl could sing written about: Billboard , 1980-10-04 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| who was that girl could sing written about: Till We Meet Again Judith Krantz, 2011-09-07 Eve dared. . . Eve, with passion that overruled her total innocence, ran away from home to live in unrepentant sin; won stardom singing on the stage of the Parisian music halls before Worlds War I; married into the world of international diplomacy; and become the greatest lady Champagne. Eve's younger daughter, Freddy, inherited all of her mother's recklessness. Growing up in California, she became a pilot by sixteen; throughout World War II she ferried war planes in Britain--a glorious redhead who captured men with one humorous, challenging glance. Eve's elder daughter, Delphine, exquisite, gifted, and wild, romped through the nightlife of Hollywood of the thirties. On a whim, she made a screen test in Paris and soon found herself a great star of French films. She chose to risk her life in occupied France because of a love that transformed her frivolity into courage. |
| who was that girl could sing written about: Stephen Sondheim Meryle Secrest, 2011-10-04 In the first full-scale life of the most important composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master of modernist compositional style--but also the private man. Beginning with his early childhood on New York's prosperous Upper West Side, Secrest describes how Sondheim was taught to play the piano by his father, a successful dress manufacturer and amateur musician. She writes about Sondheim's early ambition to become a concert pianist, about the effect on him of his parents' divorce when he was ten, about his years in military and private schools. She writes about his feelings of loneliness and abandonment, about the refuge he found in the home of Oscar and Dorothy Hammerstein, and his determination to become just like Oscar. Secrest describes the years when Sondheim was struggling to gain a foothold in the theatre, his attempts at scriptwriting (in his early twenties in Rome on the set of Beat the Devil with Bogart and Huston, and later in Hollywood as a co-writer with George Oppenheimer for the TV series Topper), living the Hollywood life. Here is Sondheim's ascent to the peaks of the Broadway musical, from his chance meeting with play- wright Arthur Laurents, which led to his first success-- as co-lyricist with Leonard Bernstein on West Side Story--to his collaboration with Laurents on Gypsy, to his first full Broadway score, A Funny Thing Happened on the Way to the Forum. And Secrest writes about his first big success as composer, lyricist, writer in the 1960s with Company, an innovative and sophisticated musical that examined marriage à la mode. It was the start of an almost-twenty-year collaboration with producer and director Hal Prince that resulted in such shows as Follies, Pacific Overtures, Sweeney Todd, and A Little Night Music. We see Sondheim at work with composers, producers, directors, co-writers, actors, the greats of his time and ours, among them Leonard Bernstein, Ethel Merman, Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Zero Mostel, Bernadette Peters, and Lee Remick (with whom it was said he was in love, and she with him), as Secrest vividly re-creates the energy, the passion, the despair, the excitement, the genius, that went into the making of show after Sondheim show. A biography that is sure to become the standard work on Sondheim's life and art. |
| who was that girl could sing written about: The Little Girl Within Willia Winnie Momberere, 2010-11-23 Esther, a girl who has been groomed by her grandmother to trust and believe in God, got a chance to go to high school. By divine connection, she meets Beth on her way to school. Beths family becomes a blessing to Esther in many ways. But an encounter with the Bad Girls Club, an occult group, separates the best friends after the school was turned into a spiritual battlefi eld. Esther hooks up with Sheila, a secret agent of the Bad Girls Club, who lures her from her God. Ruben, a popular boy at school, becomes a major player in altering her destiny, but God had not given up on her. The Word that was sowed in her became a paintbrush stroking up and down, bringing out the bright colors in her. Through Ms. Susie, her mentor, the power of Gods Word weaved every thread in place, creating a tapestry of a fl awless garment to cover the nakedness of her past, yet manifesting the greatness in her. |
| who was that girl could sing written about: Speaking and Writing English Bernard Matthew Sheridan, 1917 |
| who was that girl could sing written about: Mr Manchester and the Factory Girl Lindsay Reade, 2016-08-15 A classic tale of sex, drugs, and rock'n'roll, this heartfelt and searingly honest memoir details the relationship between Tony Wilson (the legendary impresario behind Factory Records, Joy Division, New Order and the Happy Mondays) and his first wife, Lindsay Reade. |
| who was that girl could sing written about: Gay Girl, Good God Jackie Hill Perry, 2018-09-03 “I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new. |
| who was that girl could sing written about: Musical America , 1921 |
| who was that girl could sing written about: You Are Beautiful and You Are Alone Jennifer Otter Bickerdike, 2021-08-10 A new, definitive biography of the iconic and mysterious singer, Warhol superstar, Velvet Underground collaborator: influential solo artist Nico. YOU ARE BEAUTIFUL AND YOU ARE ALONE is a new biography of Nico, the mysterious singer best known for her work with the Velvet Underground and her solo album Chelsea Girl. Her life is tangled in myth--much of it of her own invention. Rock and roll cultural historian Jennifer Bickerdike delivers a definitive book that unravels the story while making a convincing case for Nico's enduring importance. Over the course of her career, Nico was an ever-evolving myth: art film house actress, highly coveted fashion model, Dietrich of Punk, Femme Fatale, Chelsea Girl, Garbo of Goth, The Last Bohemian, Heroin Junkie. Lester Bangs described her as 'a true enigma.' At age 27, Nico became Andy Warhol's newest Superstar, featuring in his one commercial break out hit film Chelsea Girls and garnering the position of chanteuse for the Velvet Underground. It wasn't Nico's musical chops which got her the gig; it was her striking beauty. Her seeming otherworldly and unattainable presence was further amplified by her reputation for dating rock stars (Brian Jones, Bob Dylan, Jim Morrison, among others). She became famous for being Nico. Yet Nico's talent and her contribution to rock culture are often overlooked. She spent most of her career as a solo artist on the road, determined to make music, seemingly against all the odds, enduring empty concert halls, abusive fans, and the often perilous reality of being an ageing artist and drug addict. She created mesmerizing and unique projects that inspired a generation of artists, including Henry Rollins, Morrissey, Siousxie Sioux and the Banshees and Iggy Pop. Drawing on the archives at the Andy Warhol Museum and at Nico's record labels, various private collections, and rarely seen footage, and featuring exclusive new interviews from those who knew her best, including Iggy Pop and Danny Fields, and those inspired by her legacy, YOU ARE BEAUTIFUL AND YOU ARE ALONE reveals the complicated, often compromised, self-destructive and always head strong woman behind the one-dimensional myths. |
| who was that girl could sing written about: The Lost Road Richard Harding Davis, 2024-01-02 Richard Harding Davis, a prominent American journalist and author, wrote The Lost Road based on his adventurous recollections and war correspondence. Davis's literary work most likely tells a story about trip, exploration, and the human spirit. The name The Lost Road refers to a trip into the unknown or the exploration of undiscovered territory. Davis, known for his great storytelling and vivid prose, may be able to provide a fascinating picture of the landscapes and terrible situations observed along this misdirected route. The term out of place can also refer to a sense of mystery, danger, or unexpected twists and turns that the characters may experience. As an experienced adventure fiction writer, Davis may be able to develop characters with depth and complexity, making their journey not only physical but also an internal study of their motivations and goals. While exact plot details are unavailable, readers familiar with Richard Harding Davis's body of work can anticipate a lovely story that blends aspects of suspense, exploration, and the everlasting appeal of the unknown in The Lost Road. |
| who was that girl could sing written about: Focus On: 100 Most Popular RCA Records Artists Wikipedia contributors, |
| who was that girl could sing written about: The Unparalleled Farmer Girl Yan YangTian, 2019-11-08 In the 21st century, Bai Yixuan had risked her own life to save someone. She had traveled all the way to the body of a poor girl who had been annulled in ancient times.The Dual Healing Medicine slowly became a famous genius doctor in the distant and near future. It would open up heaven's space, help her clear all obstacles, and lead her relatives and friends to become well-off ... |
| who was that girl could sing written about: Pretty Good for a Girl Murphy Hicks Henry, 2013-05-01 The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others. |
| who was that girl could sing written about: Freckles & A Girl of the Limberlost Gene Stratton-Porter, 2020-03-30 Freckles & A Girl of the Limberlost are set in the Limberlost Swamp area of Indiana and describe this impressive wetland region, greatly reduced by heavy logging, natural oil extraction and drainage for agriculture. Freckles is an adult orphan, with bright red hair and a freckled complexion. His right hand is missing at the wrist, and has been since before he can remember. Exhausted after days of walking and looking like a hobo, he applies for a job with a lumber company in the Limberlost Swamp. Freckles gets hired by owner McLean to be on the watch for those who steal the timber. McLean's chief worry is Black Jack Carter, who has sworn to smuggle several priceless trees out of the swamp. When a recently fired lumberman named Wessner tries to bribe Freckles so the Black Jack's gang of thieves steal a prime tree next to the trail, Freckles gets into a fist fight with him and, although severely pummeled, chases him off. The next afternoon, while Freckles is recovering from beating, a lovely girl appears looking for him. Freckles falls in love with her while she helps him recover. She becomes his guardian angel as the Black Jack's gang seeks revenge. A Girl of the Limberlost – Elnora Comstock, is an impoverished young woman who lives with her widowed mother, Katharine, on the edge of the Limberlost. Elnora faces cold neglect by her mother, a woman who feels ruined by the death of her husband, Robert Comstock, who drowned in quicksand in the swamp. The Comstocks make money by selling eggs and other farm products, but Mrs. Comstock refuses to cut down a single tree in the forest, or to delve for oil. Elnora is beginning high school and she is determined to earn an education. She has a valuable specimens box which her friend Freckles left for her, and a desire to succeed in her enterprising scheme to gather and sell artifacts and moths from the Limberlost. Elnora is smart and witty; her heart aches for returned love and for support of her disapproving mother. |
| who was that girl could sing written about: To the Girl Looking for More Grace Valentine, 2023-04-11 In this 90-day devotional for young women, Grace Valentine encourages you to stop settling for the world's image of post-worthy perfection and live for more: more joy, more peace, and more meaning. Grace has felt the pressure of our culture's conflicting messages about girls and God, from the picture-perfect “good Christian girl” that toxic culture touts or the God who treats women like sidekicks or after-thoughts. For any girl tired of the lies and expectations, Grace has a message for you: you are important to God, and He has so much more for your life. In her first devotional, Grace shares the lessons she has learned through her own challenges and guides you to discover your true identity and self-worth in the eyes of your Creator. In these 90 daily devotions, Grace breaks down the truth of Scripture with her genuine, been-there honesty that has made her a role model for young women. She shows girls of all ages how to stop hustling to please, perform, and be perfect recognize toxic relationships and leave them let go of impossible expectations on yourself, your people, and your body replace worry, pressure, and fear with God's peace choose kindness and positivity navigate all the mixed messages around sex and dating live out God's amazing plans for your life I get it. You're busy! But stop trying to just get through another week, and grab this devotional. Five minutes a day will help you discover how to live your MORE. You deserve this, sister!” —Grace Valentine |
| who was that girl could sing written about: Encyclopedia of Great Popular Song Recordings Steve Sullivan, 2013-10-04 The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the full range of popular music recordings with virtually unprecedented breadth and depth. In this 2-volume encyclopedia, Sullivan explores approximately 1,000 song recordings from 1889 to the present, telling the stories behind the songs, recordings, performers, and songwriters. From the Victorian parlor ballad and ragtime hit at the end of the 19th century to today’s rock classics, the Encyclopedia progresses through a parade popular music styles, from jazz to blues to country Western, as well as the important but too often neglected genres of ethnic and world music, gospel, and traditional folk. This book is the ideal research tool for lovers of popular music in all its glorious variety. |
| who was that girl could sing written about: The Final Adventures of Fashion Girl Roby Graham, 2020-04-29 The first book introduced you to the Style Chicks. The second book introduced you to the Archangels. For this third book, they've saved their best adventures for last. Eight new stories featuring a two-part story and the origins of the Archangels. For the last time, if you're ready? Let's Do It to It and Rock! |
| who was that girl could sing written about: Fine Arts Journal , 1910 |
| who was that girl could sing written about: Slayers, Every One of Us Kristin Russo, Jenny Owen Youngs, 2025-04-08 [A] joyful ode to the awesome ability of pop-culture arcana to create a solid community. —The New York Times A memoir reflecting on heartbreak, perseverance, and life lessons learned from Buffy the Vampire Slayer, from the hosts of the hit podcast Buffering the Vampire Slayer. Kristin and Jenny’s marriage started with an ultimatum: to further their relationship, Kristin must watch Jenny's favorite show, Buffy the Vampire Slayer. With the terms set, they began a journey that has led them through seven seasons of the beloved genre show, a podcast rewatching the series with their newly minted listenership of “Scoobies,” unexpected success, and a divorce. Through it all, their love for Buffy and their commitment to their community held them together against the odds. Slayers, Every One of Us is the story of how two queer women navigated divorce on a very public level and managed to stay in each other’s lives through it all. While chock full of Buffy-related content (and Buffering!) for true fans, this is ultimately a memoir of queer love and chosen family. It's a heartwarming story for anyone who's experienced lost love, and a roadmap for staying close with your ex. |
| who was that girl could sing written about: Munsey's Weekly , 1922 |
| who was that girl could sing written about: The Sabbath Recorder , 1918 |
| who was that girl could sing written about: Harper's Monthly Magazine , 1921 |
| who was that girl could sing written about: Songwriters with a Touch of Gold Kent McNeel, Mark Luther, 1976 |
| who was that girl could sing written about: Harper's Magazine Henry Mills Alden, Thomas Bucklin Wells, Lee Foster Hartman, Frederick Lewis Allen, 1921 Important American periodical dating back to 1850. |
| who was that girl could sing written about: The Roofers John Hurley, 2016-04-13 Life is anything but boring for a roofing crew of good old Northern Ontario boys who work hard and party harder. This unforgettable cast of characters includes Dillon, Bossman, Brudder, Johnny the Ripper, Glenny, and What – a man of few words who seems to have trouble keeping his pants on, plus the beautiful bikinied “Brew Crew Girls”, who sit in the back of a pick-up truck turned swimming pool and give out business cards to potential customers. Although their days are filled with hard work and dealing with the harassing tactics of their competitors, the boys’ nights and weekends are filled with drinking, fighting, backyard barbecues, and good-natured practical jokes. That is, until they decide to head down to the southern states to help repair homes damaged by a hurricane. There, the boys risk everything when they come up against a gang of Mexican roofers who are willing to do anything to eliminate the competition. The Roofers follows the ups and downs of a family roofing business passed from brothers to sons. While a work of fiction, many of the roofers’ antics and the situations they face have been shaped by the author’s experiences as a real-life roofer. Both eye-opening and entertaining, this book celebrates the everyday blue-collar heroes who get things done.. |
Girl - Wikipedia
A girl is a young female human, usually a child or an adolescent. While the term girl has other meanings, including young woman, [1] daughter [2] or girlfriend [1] regardless of age, the first …
Girls games - Play free online games for girls at girlsgogames.com
Lots of cute and cool games for girls are here at girlsgogames.com. Go on adventures, take care of pets, manage cafes, and more in these free online games.
GIRL Definition & Meaning - Merriam-Webster
The meaning of GIRL is a female child from birth to adulthood. How to use girl in a sentence.
GIRL | English meaning - Cambridge Dictionary
GIRL definition: 1. a female child or young woman, especially one still at school: 2. a daughter: 3. a woman…. Learn more.
GIRL definition and meaning | Collins English Dictionary
Such terms as the girls in reference to a group of women, girl or gal friday in reference to a female secretary or assistant, and bachelor girl in reference to an unmarried woman are now widely …
girl noun - Definition, pictures, pronunciation and usage notes ...
Definition of girl noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
girl - Wiktionary, the free dictionary
Jun 10, 2025 · In some cases, the term is used as a euphemism for virgin, to distinguish a female who has never engaged in sexual intercourse (a "girl") from one who has done so (and is a …
Girl Definition & Meaning - YourDictionary
From Middle English girle, gerle, gyrle (“young person of either sex”), of uncertain origin.
Girl (2018) - IMDb
Girl: Directed by Lukas Dhont. With Victor Polster, Arieh Worthalter, Oliver Bodart, Tijmen Govaerts. A promising teenage dancer enrolls at a prestigious ballet school while grappling …
Girl: Definition, Meaning, and Examples - US Dictionary
Sep 30, 2023 · "Girl" primarily refers to a female child or young woman, yet its usage extends beyond age, encapsulating cultural, social, and emotional contexts. Whether discussing family …
Girl - Wikipedia
A girl is a young female human, usually a child or an adolescent. While the term girl has other meanings, including young woman, [1] daughter [2] or girlfriend [1] regardless of age, the first …
Girls games - Play free online games for girls at girlsgogames.com
Lots of cute and cool games for girls are here at girlsgogames.com. Go on adventures, take care of pets, manage cafes, and more in these free online games.
GIRL Definition & Meaning - Merriam-Webster
The meaning of GIRL is a female child from birth to adulthood. How to use girl in a sentence.
GIRL | English meaning - Cambridge Dictionary
GIRL definition: 1. a female child or young woman, especially one still at school: 2. a daughter: 3. a woman…. Learn more.
GIRL definition and meaning | Collins English Dictionary
Such terms as the girls in reference to a group of women, girl or gal friday in reference to a female secretary or assistant, and bachelor girl in reference to an unmarried woman are now widely …
girl noun - Definition, pictures, pronunciation and usage notes ...
Definition of girl noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
girl - Wiktionary, the free dictionary
Jun 10, 2025 · In some cases, the term is used as a euphemism for virgin, to distinguish a female who has never engaged in sexual intercourse (a "girl") from one who has done so (and is a …
Girl Definition & Meaning - YourDictionary
From Middle English girle, gerle, gyrle (“young person of either sex”), of uncertain origin.
Girl (2018) - IMDb
Girl: Directed by Lukas Dhont. With Victor Polster, Arieh Worthalter, Oliver Bodart, Tijmen Govaerts. A promising teenage dancer enrolls at a prestigious ballet school while grappling …
Girl: Definition, Meaning, and Examples - US Dictionary
Sep 30, 2023 · "Girl" primarily refers to a female child or young woman, yet its usage extends beyond age, encapsulating cultural, social, and emotional contexts. Whether discussing family …
