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| what is the philosophy of art apex: The End of Art Eva Geulen, 2006 Readings of Hegel, Nietzsche, Benjamin, Adorno, and Heidegger trace the role that the discourse on the end of art has played in post-Hegelian philosophical aesthetics. |
| what is the philosophy of art apex: Gilles Deleuze: Image and Text Eugene W. Holland, Daniel W. Smith, Charles J. Stivale, 2009-06-04 Gilles Deleuze: Image and Text focuses on the intersection between Deleuzian philosophy and the arts. Deleuze combined exceptionally rigorous insight into important Western philosophers with an extraordinary sensitivity to literature, music, painting and film. He was intensely interested in the medium of thought, which is by no means limited to philosophy alone: it also takes place in science, mathematics, literature, painting and cinema, to name just some of the genres of thought to which Deleuze most often refers. His own thinking emerged almost as often in conversation with artists and literary writers as in engagement with other philosophers, and his philosophy cannot be fully grasped without an understanding of his engagement with the arts. This significant and timely collection of essays from an international team of leading Deleuze scholars brings together interpretations and commentaries from Deleuzian perspectives on subjects such as literature, painting, music and film. The book represents diverse modes of engagement with Deleuze's philosophical concepts and problems and demonstrates the central role the arts play in any understanding of his philosophical ideas. |
| what is the philosophy of art apex: What Is Art and Essays on Art Leo Nikolayevich Tolstoy, 2020-10-16 Originally published in 1930, this book contains the widely respected essay 'What Is Art', by the well-known Russian writer Leo Tolstoy, and is highly recommended for inclusion on the bookshelf of any fan of his works. Many of these earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
| what is the philosophy of art apex: A Companion to Arthur C. Danto Jonathan Gilmore, Lydia Goehr, 2022-04-19 A Companion to Arthur C. Danto paints a detailed portrait of one the most significant figures in twentieth-century philosophy and art criticism, offering unparalleled coverage of all aspects of Danto’s writings, artworks, and thought. Edited by two long-time colleagues of Arthur Danto, this interdisciplinary resource presents more than 40 original essays from both prominent Danto scholars and leading practitioners from various sub-fields of philosophy. The Companion illuminates Danto’s many contributions to the artworld, aesthetics, criticism, and philosophy of knowledge, action, science, history, and politics. The essays explore central concepts and intersecting themes in Danto’s writings while providing new interventions into the areas of philosophy in which Danto engaged. Topics include Danto’s mode of writing and art production, his critical engagement with artists and philosophers, conflicts in Danto’s views and in interpretations of his works, and much more. An important addition to Danto studies, A Companion to Arthur C. Danto is essential reading for practitioners, scholars, and advanced students looking for a critical, provocative, and insightful treatment of Danto’s philosophy, art, and criticism. |
| what is the philosophy of art apex: Encounters & Reflections Arthur C. Danto, 1997-01-01 Provides a collection of essays on modern art covering such artists as Andy Warhol, David Hockney, and Robert Mapplethorpe |
| what is the philosophy of art apex: Reinventing Physics: The Dialectical Debate In Physics Dr. Patrick ODougherty, 2018-03-07 Thesis, antithesis, synthesis resolve in complexity. The Marxist and Fuerback paradigm is too easy. Everything in nature has individual differences and variation. The Bardo of birth death the interim period and rebirth reflect the complexity paradigm. Alegebra has four principles the associative, distributive communitative laws and the inverse. Thes laws and paradigm reflect in this new dialectic Complexity. |
| what is the philosophy of art apex: The Voiding of Being William Desmond, 2020 In contemporary philosophy the status, indeed the very viability of metaphysics is a much contested issue. The reflections offered here explore diverse aspects of this contested status and offer a defense of metaphysics. In other works, perhaps most fully in Being and the Between, William Desmond has tried to develop what he calls a metaxological metaphysics in response to different skeptical, if not hostile approaches to metaphysics quite common in our time. The Voiding of Being complements the systematic dimensions of this metaxological metaphysics outlined in Being and the Between. It presents a set of studies which amplify important themes in the unfolding of modern metaphysics, in relation to major earlier and contemporary thinkers, while adding nuance to what is involved in the more systematic articulation of a metaxological metaphysics. There is what the author calls a voiding of being in modernity, expressed in diverse developments of thought. “The Voiding of Being,” might seems to conjure up too negative associations but the aim of the thoughts gathered here is not at all negative. While attempting to understand the voiding of being in modern thought, our appreciation of the promise of metaphysical thinking can also be renewed and indeed extended – extended beyond skepticism and hostility to metaphysics. Desmond engages many interlocutors along the way, from the long tradition, such as Heraclitus, Aquinas and Hegel, as well as more contemporary thinkers like Heidegger and Marion. As the book’s subtitle suggests, it is concerned with the continued doing of metaphysics and not only the contemporary undoing of it. |
| what is the philosophy of art apex: Becoming Art Howard Morphy, 2020-08-28 Thirty years ago Australian Aboriginal art was little more than a footnote to world art. Today, it is considered to be an important contemporary art movement, often promoted as being connected to a deep cultural past. Becoming Art provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument.Western art history has traditionally regarded Aboriginal art as distanced from time and place. Becoming Art uses the recent history of Aboriginal art to challenge some of the presuppositions of western art discourse and western art worlds. It argues for a more cross-cultural perspective on world art history. |
| what is the philosophy of art apex: The Artist's Reality Mark Rothko, 2004-01-01 This recently discovered manuscript by the celebrated artist Mark Rothko offers a landmark discussion of his views on topics ranging from the Renaissance to contemporary art, criticism, and the role of art and artists in society. |
| what is the philosophy of art apex: The Poetics of Evil Philip Tallon, 2012 What role do art and aesthetics play in unravelling the theological problem of evil? Philip Tallon constructs an aesthetic theodicy through a fascinating examination of Christian aesthetics, ranging from the writings of Augustine to contemporary philosophy. |
| what is the philosophy of art apex: Analysis and Assessment, 1940-1979 Cary D. Wintz, 1996 Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate. |
| what is the philosophy of art apex: Ontics Mike Hockney, The New Way Is there a better way of doing physics that retains the best of current physics while going far beyond it? Physics is currently based on the claim – and claim it most certainly is – that physics deals with something real (let's call that real thing matter, though there is no ontological definition of matter) and it can be somehow analyzed by an unreal, manmade abstraction, namely mathematics. But what happens if you accept a different assertion, one that makes mathematics not an abstraction but a concrete reality, an ontology? As soon as you make mathematics real, you cast doubt on the reality of matter. But do we need to make a definitive choice? Why not operate both systems – one based on mathematics as real, and one based on matter as real – and then try to find a way to synthesize these different views? Kant, with his transcendental idealism, sought to reconcile empiricism and rationalism. Ontics seeks to reconcile the empiricism of materialism and the rationalism of mathematics. Ontics, via ontological mathematics, gives mind a reality that is entirely absent in materialism. So, with science on the one hand and ontological mathematics on the other hand, body and soul, matter and mind can start to be brought together into a single system. Isn't explaining mind science's biggest challenge? Ontological mathematics provides that exact capacity! Isn't it time for the ultimate paradigm shift? Isn't it time for an intellectual revolution, for a true age of reason?! |
| what is the philosophy of art apex: Metaphysical Institutions Caner K. Dagli, 2024-03-01 In Metaphysical Institutions, Caner K. Dagli explores the ultimate nature of the realities we call religions, cultures, civilizations, and traditions through the lens of a particular question often limited to religious studies, history, and anthropology, namely: What is Islam? The book is both a philosophical treatise about the nature of shared thinking that uses the encounter between the Modern Project and Islam as an illustrative example, and an exploration of the conceptualization of Islam in light of the metaphysics of consciousness and meaning. Dagli first develops a comprehensive theory of the institution and then expands its meaning to include a new category called metaphysical institutions, with the goal of establishing both necessary and empirically variable features of all institutions, including those that deal with ultimate questions. The new model is then used to analyze questions of authority and autonomy, rationality and imitation, the universal and the particular, and other enduring questions. |
| what is the philosophy of art apex: Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century Stefano Marino, Pietro Terzi, 2020-11-09 Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi. |
| what is the philosophy of art apex: Concerning the Spiritual—and the Concrete—in Kandinsky’s Art Lisa Florman, 2014-03-26 This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to spirit as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century. |
| what is the philosophy of art apex: Metaphysics, the Kpịm of Philosophy Pantaleon Iroegbu, 1995 |
| what is the philosophy of art apex: The Only Efficient Instrument Aleta Feinsod Cane, Susan Alves, 2005-04 Many farsighted women writers in nineteenth-century America made thoughtful and sustained use of newspapers and magazines to effect social and political change. “The Only Efficient Instrument”: American Women Writers and the Periodical, 1837-1916 examines these pioneering efforts and demonstrates that American women had a vital presence in the political and intellectual communities of their day. Women writers and editors of diverse social backgrounds and ethnicities realized very early that the periodical was a powerful tool for education and social reform—it was the only efficient instrument to make themselves and their ideas better known. This collection of critical essays explores American women's engagement with the periodical press and shows their threefold use of the periodical: for social and political advocacy; for the critique of gender roles and social expectations; and for refashioning the periodical as a more inclusive genre that both articulated and obscured such distinctions as class, race, and gender. Including essays on familiar figures such as Margaret Fuller, Harriet Beecher Stowe, Kate Chopin, and Charlotte Perkins Gilman, “The Only Efficient Instrument” also focuses on writings from lesser-known authors, including Native American Zitkala-Sä, Mexican American María Cristina Mena, African American Frances Ellen Watkins Harper, and the Lowell factory workers. Covering nearly eighty years of publishing history, from the press censure of the outspoken Angelina Grimké in 1837 to the last issue of Gilman's Forerunner in 1916, this fascinating collection breaks new ground in the study of the women's rights movement in America. |
| what is the philosophy of art apex: Concerning the Spiritual in Art Wassily Kandinsky, 2012-04-20 Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations. |
| what is the philosophy of art apex: The Jewish Derrida Gideon Ofrat, 2001-06-01 A fresh look at the influential French philosopher Jacques Derrida... |
| what is the philosophy of art apex: Desire, Dialectic, and Otherness William Desmond, 2014-09-25 This book is a philosophical effort to deal with the problem of otherness, particularly as it has been bequeathed to contemporary thought by the legacy of German idealism, whose most challenging, influential thinker was Hegel. |
| what is the philosophy of art apex: The Tragic and the Ecstatic Chafe, 2008-08-12 During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as a gift from heaven. Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music. |
| what is the philosophy of art apex: Religion in the Age of Romanticism Bernard M. G. Reardon, 1985-09-12 The conflict between Romantic thought of the early 1800s in Europe and traditional Christian beliefs resulted in liberalism competing against conservatism. This text attempts to show how writers such as Schleiermacher, Hegel, Schelling and Auguste Compte did not reject religion, despite the influence of the increasingly science oriented culture of their time. |
| what is the philosophy of art apex: Two Thumbs Up Stephanie Ross, 2020-11-10 “An expansive and witty examination of the usefulness of criticism” from the realm of professional tastemakers to the vast landscape of social media (Times Literary Supplement, UK). Far from an elite practice reserved for the highly educated, criticism is all around us. We turn to the Yelp reviewers to help us pick restaurants, to Rotten Tomatoes to guide our movie choices, and to voices on social media for critiques on everything from political candidates to beach resorts. Yet even amid this sea of opinions, professional critics still hold considerable power in guiding how we make aesthetic judgements. In Two Thumbs Up, philosopher Stephanie Ross examines how critics influence our decisions, and why that’s a good thing. Starting from David Hume’s conception of ideal critics, Ross refines his position and makes the case that review-based journalistic or consumer reporting criticism proves the best model for helping us find and appreciate quality. Ross demonstrates how aesthetic and philosophical concerns permeate our lives, choices, and culture. Ultimately, whether we’re searching for the right wine or the best concert, Ross encourages us all to find and follow critics whose taste we share. |
| what is the philosophy of art apex: Curating Art Janet Marstine, Oscar Ho Hing Kay, 2021-12-30 Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains. |
| what is the philosophy of art apex: Self and Wisdom in Arts-Based Contemplative Inquiry in Education Giovanni Rossini, 2020-11-09 By foregrounding a first-person perspective, this text enacts and explores self-reflection as a mode of inquiry in educational research and highlights the centrality of the individual researcher in the construction of knowledge. Engaging in particular with the work of Thomas Merton through a dialogical approach to his writings, Self and Wisdom in Arts-Based Contemplative Inquiry in Education offers rich examples of personal engagement with text and art to illustrate the pervasive influence of the personal in reflective, narrative, and aesthetic forms of inquiry. Chapters consider methodological and philosophical implications of self-study and contemplative research in educational contexts, and show how dialogic approaches can enrich empirical forms of inquiry, and inform pedagogical practice. In its embrace of a contemplative voice within an academic treatise, the text offers a rich example of arts-based contemplative inquiry. This unique text will be of interest to postgraduate scholars, researchers, and academics working in the fields of educational philosophy, arts-based and qualitative research methodologies and Merton studies. |
| what is the philosophy of art apex: Adorno's Poetics of Critique Steven Helmling, 2009-05-09 An important monograph presenting a critique of the work of Theodor W. Adorno, a founding member of the Frankfurt School. |
| what is the philosophy of art apex: Readings in the Principles of Vocational Guidance: a Collection of Short Articles ... Arthur Davis Wright, 1925 |
| what is the philosophy of art apex: Higher Magic Oscar Schutte Teale, 1920 |
| what is the philosophy of art apex: The Ferreira Genesis Equation (0=0/0=X=0/0=0) Keith Ferreira, 2008 The Ferreira Genesis Equation (0=0/0=X=0/0=0), where X equals anything and everything possible, is the ultimate equation, because it encompasses all of creation, including God. |
| what is the philosophy of art apex: Hegel and the Present of Art’s Past Character Alberto L. Siani, 2023-08-11 This book reclaims Hegel’s notion of the “end of art”—or, more precisely, of “art’s past character”—not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art in both Hegel and contemporary philosophy and aesthetics. The book’s innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but also applies the idea of the past character of art to themes that are related to both Hegel’s philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan's poetry, Gramsci's criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel’s aesthetics, but can be used to shed light on some core motives of his philosophy. The author’s interpretation of art’s past character reclaims the full value, attractiveness, and philosophical soundness of Hegel’s thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art’s Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. |
| what is the philosophy of art apex: General Register University of Michigan, 1961 Announcements for the following year included in some vols. |
| what is the philosophy of art apex: Catalogue of the University of Michigan University of Michigan, 1964 Announcements for the following year included in some vols. |
| what is the philosophy of art apex: The Publishers' Trade List Annual , 1917 |
| what is the philosophy of art apex: Peirce, Semeiotic and Pragmatism Kenneth Laine Ketner, Christian J.W. Kloesel, 1986 This volume is a scholarly collection of massive biographical detail, much of which is being revealed for the first time. —Isis A selection of Fisch's most important articles on these topics is presented here in a convenient format, including revisions and updating and a complete bibliography of Fisch's published writings. |
| what is the philosophy of art apex: Concerning the Spiritual in Art Wassily Kandinsky, 2024-05-30 A seminal text in the history of modern art, from one of the most famous artists of the twentieth century ‘Art is the language that speaks to the soul’ Why do we make art? In Concerning the Spiritual in Art Wassily Kandinsky, one of the earliest and most famous abstract painters, argued against ‘art for art’s sake’. Exploring form and colour, spirituality and tradition, Kandinsky instead predicted a future for painting in its potential to redirect the attention of viewers away from the shallow materialism of the modern world toward the more profound intellectual and emotional concerns of their interior lives. His revolutionary work became a landmark in modern art history, helping to usher in the age of non-representational painting. This new translation also includes Kandinsky’s later essay, ‘The Question of Form’, in which he interrogates and sharpens many of his earlier ideas. A new translation by Ruth Ahmedzai Kemp With an introduction by Lisa Florman |
| what is the philosophy of art apex: Revealing Art Matthew Kieran, 2005 Revealing Art is a stimulating and lucid book about why art is important and the role of the imagination in art, illustrated with colour and black-and-white plates of examples from Michaelangelo to Matisse and from Poussin to Pollock. |
| what is the philosophy of art apex: Ethics, Principles, and Logic Wadley Iii, 2009-12 |
| what is the philosophy of art apex: Curating As Ethics Jean-Paul Martinon, 2020-01-28 A new ethics for the global practice of curating Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging, and distributing an always conjectural knowledge about the world. Curating as Ethics is primarily philosophical in scope, evading normative approaches to ethics in favor of an intuitive ethics that operates at the threshold of thought and action. It explores the work of authors as diverse as Heidegger, Spinoza, Meillassoux, Mudimbe, Chalier, and Kofman. Jean-Paul Martinon begins with the fabric of these ethics: how it stems from matter, how it addresses death, how it apprehends interhuman relationships. In the second part he establishes the ground on which the ethics is based, the things that make up the curatorial—for example, the textual and visual evidence or the digital medium. The final part focuses on the activity of curating as such—sharing, caring, preparing, dispensing, and so on. With its invigorating new approach to curatorial studies, Curating as Ethics moves beyond the field of museum and exhibition studies to provide an ethics for anyone engaged in this highly visible activity, including those using social media as a curatorial endeavor, and shows how philosophy and curating can work together to articulate the world today. |
| what is the philosophy of art apex: The Speaker , 1890 |
| what is the philosophy of art apex: Appletons' Journal , 1881 |
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