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| west end blues solo transcription: Selected Piano Solos, 1928-1941 Earl Hines, 2006-01-01 l + 133 pp. |
| west end blues solo transcription: The World of Jazz Trumpet Scotty Barnhart, 2005 In The World of Jazz Trumpet - A Comprehensive History and Practical Philosophy, acclaimed jazz trumpet soloist Scotty Barnhart examines the political, social and musical conditions that led to the creation of jazz as America's premier art form. He traces the many factors that enabled freed slaves and their descendants to merge the blues, gospel, classical marches, and African rhythms to create a timeless and profound art that, since its inception, circa 1900, continues to have a major impact on all music. The World of Jazz Trumpet is a must-have study of the jazz trumpet for students, instructors, and professional musicians, as well as for anyone who appreciates the genre. Readers will appreciate Barnhart's personal and professional connection to a major part of American and world history. This book fills a major void in the world of jazz education as well as in general music education. With entries on 800 trumpeters, it is destined to become required reading in thousands of colleges, schools and homes around the world. |
| west end blues solo transcription: The Duke Ellington Reader Duke Ellington, 1993 A collection of writings by and about Duke Ellington and his place in jazz history. |
| west end blues solo transcription: The Cambridge Companion to Jazz Mervyn Cooke, David Horn, 2003-01-09 The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented. |
| west end blues solo transcription: Edexcel A2 Music Study Guide Paul Terry, David Bowman, 2014-06-23 The Edexcel A2 Music Study Guide, 5th Edition, presents all the key information that you will need to know for your Edexcel A2 Music course - For exams from 2015 to 2017. Written in a clear and approachable style by experienced teachers and examiners, this guide includes: - A detailed analysis of all the set works, providing a clear and concise outline of the key features of each work and its musical context, with practice questions to help you check you have understood the information given - Advice on how to improve your analytical writing about music - Sample essay questions to use for practice - Tips on how to hone your listening skills and develop your aural awareness - In-depth guidance on the requirements of the Composition and Technical Study unit, with information on genres, instrumentation and how to develop your ideas - Advice on how to tackle Extended Performance - A comprehensive glossary explaining all the musical terms you will need to know. Author Paul Terry studied music at the University of East Anglia and trained as a teacher at Cambridge University. Paul was an examiner for the Associated Board of the Royal Schools of Music for nearly 30 years, and has been Chief Examiner in Music for both OCSEB (now part of OCR) and Edexcel (for whom he pioneered the introduction of Music Technology as an A-level subject). |
| west end blues solo transcription: Luck's In My Corner Todd Bryant Weeks, 2014-06-11 Luck’s in My Corner is a comprehensive biography of one of the most compelling jazz musicians of the Swing Era, Oran Hot Lips’ Page. Page was the greatest of the Kansas City trumpeters, whose crackling, growling solos made him the go-to man during Count Basie’s earliest days as a bandleader. Page went on to be a featured trumpeter with Artie Shaw, a star of New York’s 52nd street, and a pioneer of the R & B scene of the 1950s. This book presents an in-depth chronology of Page’s career, with special attention paid to the development of his trumpet style. Luck’s in My Corner examines the life and music of a forgotten figure of the Swing Era and returns him to his rightful place as a leading light in the world of jazz. Todd Bryant Weeks has combined genealogical, musicological, discographical and historical research, resulting in a revealing and entertaining examination of a life that spanned major changes in American popular music. This book includes a new and complete discography by the author and dozens of unpublished photos. |
| west end blues solo transcription: Visions of Jazz Gary Giddins, 1998 On jazz and jazz players |
| west end blues solo transcription: The Triumph of Music Tim Blanning, 2013-03-07 Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius. |
| west end blues solo transcription: 25 Great Sax Solos Eric J. Morones, 2008-04-01 (Sax Instruction). From Chuck Rio and King Curtis to David Sanborn and Kenny G, take an inside look at the genesis of pop saxophone. This book/audio pack provides solo transcriptions in standard notation, lessons on how to play them, bios, equipment, photos, history, and much more. The audio features full-band demos of every sax solo in the book. Songs include: After the Love Has Gone * Deacon Blues * Just the Two of Us * Just the Way You Are * Mercy, Mercy Me * Money * Respect * Spooky * Take Five * Tequila * Yakety Sax * and more. |
| west end blues solo transcription: Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert Catherine Tackley, 2012-10-19 On January 16, 1938 Benny Goodman brought his swing orchestra to America's venerated home of European classical music, Carnegie Hall. The resulting concert - widely considered one of the most significant events in American music history - helped to usher jazz and swing music into the American cultural mainstream. This reputation has been perpetuated by Columbia Records' 1950 release of the concert on LP. Now, in Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert, jazz scholar and musician Catherine Tackley provides the first in depth, scholarly study of this seminal concert and recording. Combining rigorous documentary and archival research with close analysis of the recording, Tackley strips back the accumulated layers of interpretation and meaning to assess the performance in its original context, and explore what the material has come to represent in its recorded form. Taking a complete view of the concert, she examines the rich cultural setting in which it took place, and analyzes the compositions, arrangements and performances themselves, before discussing the immediate reception, and lasting legacy and impact of this storied event and album. As the definitive study of one of the most important recordings of the twentieth-century, Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert is a must-read for all serious jazz fans, musicians and scholars. |
| west end blues solo transcription: Concise History of Western Music Hanning, Barbara Russano, 2020-07-01 This update to Barbara HanningÕs concise survey aligns it with the Eighth Edition of the Norton Anthology of Western Music and supports your students with a more robust media package. New resources include Audio Timelines, tutorials to help build music history skills, and adaptive activities to reinforce concepts. |
| west end blues solo transcription: Spreadin' Rhythm Around David A Jasen, Gene Jones, 2013-10-31 Spreadin' Rhythm Around: Black Popular Songwriters,1880-1930 is a classic work on a little-studied subject in American music history: the contribution of African-American songwriters to the world of popular song. Hailed by Publishers Weekly as thoroughly researched and entertainingly written, this work documents the careers of songwriters like James A. Bland (Carry Me Back to Ole Virginny), Bert Williams (Nobody), W. C. Handy (St. Louis Blues), Noble Sissle, Eubie Blake (I'm Just Wild About Harry), and many more. Richly illustrated with rare photographs from sheet music, newspapers, and other unique sources, the book documents an entire era of performance when black singers, dancers, and actors were active on the New York stage. In sheer depth of research, new information, and full coverage, Spreadin' Rhythm Around offers a comprehensive picture of the contributions of black musicians to American popular song. For anyone interested in the history of jazz, pop song, or Broadway, this book will be a revelation. |
| west end blues solo transcription: A Comparative Study of Solo Improvisation on the Transverse Flute in Select Musical Cultures (European Renaissance and Baroque, North Indian Raga, Korean Sanjo, and African-American Jazz) Alissa Roedig, 2007 |
| west end blues solo transcription: Struggling to Define a Nation Charles Hiroshi Garrett, 2008-10-12 Identifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres—including art music, jazz, popular song, ragtime, and Hawaiian music—and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound. |
| west end blues solo transcription: Musical Anthologies for Analytical Study James E. Perone, 1995-09-30 Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements. The book is designed primarily for researchers and teachers of music theory to make the search for analytical source material easier and faster than previously possible. The anthologies cited are all currently in print or are generally available in music libraries. The book lists all excerpts, complete compositions, and movements contained in the anthologies, providing information concerning the type of score (full, piano reduction, etc.) employed, source of the excerpt, and specific theoretical topics. This is the only book that details anthologies in a manner that makes a search quick and easy. |
| west end blues solo transcription: A Student's Guide to AS Music for the Edexcel Specification Paul Terry, 2001 This guide to AS level music includes: ideas on how to integrate skills in understanding music with work in performing/composing; questions that students can use to check their understanding; summaries of the full specifications; and coverage of all the set works prescribed for the areas of study. |
| west end blues solo transcription: Experiencing Jazz Richard Lawn, 2013 Experiencing Jazz, Second Edition, is an integrated textbook with online resources for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a streaming audio library, it immerses the reader in a journey through the history of jazz, while placing the music within a larger cultural and historical context. Designed to introduce the novice to jazz, Experiencing Jazz describes the elements of music, and the characteristics and roles of different instruments. Prominent artists and styles from the roots of jazz to present day are relayed in a story-telling prose. This new edition features expanded coverage of women in jazz, the rise of jazz as a world music, the influence of Afro-Cuban and Latin jazz, and streaming audio. Features: Important musical trends are placed within a broad cultural, social, political, and economic context Music fundamentals are treated as integral to the understanding of jazz, and concepts are explained easily with graphic representations and audio examples Comprehensive treatment chronicles the roots of jazz in African music to present day Commonly overlooked styles, such as orchestral jazz, Cubop, and third-stream jazz are included Expanded and up-to-date coverage of women in jazz The media-rich companion website presents a comprehensive streaming audio library of key jazz recordings by leading artists integrated with interactive listening guides. Illustrated musical concepts with web-based tutorials and audio interviews of prominent musicians acquaint new listeners to the sounds, styles, and figures of jazz. Course components The complete course comprises the textbook and Online Access to Music token, which are available to purchase separately. The textbook and Online Access to Music Token can also be purchased together in the Experiencing Jazz Book and Online Access to Music Pack. Book and Online Access to Music Pack: 978-0-415-65935-2 (Paperback and Online Access to Music) Book Only: 978-0-415-69960-0 (please note this does not include the Online Access to Music) Online Access to Music Token: 978-0-415-83735-4 (please note this does not include the textbook) eBook and Online Access to Music Pack: 978-0-203-37981-3 (available from the Taylor & Francis eBookstore) ebook: 978-0-203-37985-1 (please note this does not include the audio and is available from the Taylor & Francis eBookstore) |
| west end blues solo transcription: Louis Armstrong, Master of Modernism Thomas Brothers, 2014-02-03 Finalist for the 2015 Pulitzer Prize in Biography. Profoundly evocative and altogether admirable…The writing and detail are so brilliant that I found the volume revelatory. —Tim Page, Washington Post Nearly 100 years after bursting onto Chicago’s music scene under the tutelage of Joe King Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn’t count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century. |
| west end blues solo transcription: The Granta , 1929 |
| west end blues solo transcription: Quotation and Cultural Meaning in Twentieth-Century Music David Metzer, 2003-04-17 Throughout the twentieth century, musicians frequently incorporated bits of works by other musicians into their own compositions and performances. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations. This book explores that vibrant practice, examining how musicians used quotation to participate in the cultural dialogues sustained around such areas as race, childhood, madness, and the mass media. |
| west end blues solo transcription: Norton Anthology of Western Music: Twentieth century James Peter Burkholder, Claude V. Palisca, 2010 This volume includes 50 examples of music from Debussy and Scriabin to Adams and Zwilich. With a note on using the anthology, list of instrument names and abbreviations, glossary, and indices. |
| west end blues solo transcription: Stan Getz - Omnibook Stan Getz, 2019-02-01 (Jazz Transcriptions). 54 Getz songs transcribed for all Eb instruments exactly from his recorded solos. Includes: All the Things You Are * Autumn Leaves * Billie's Bounce (Bill's Bounce) * Blue Skies * Come Rain or Come Shine * Con Alma * Desafinado * Funkallero * Garota De Ipanema * I Remember You * Night and Day * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Pennies from Heaven * Quiet Nights of Quiet Stars (Corcovado) * Stella by Starlight * The Way You Look Tonight * Where or When * Yardbird Suite * and more. Also includes a bio of Getz. |
| west end blues solo transcription: Continuum Encyclopedia of Popular Music of the World Volume 8 John Shepherd, David Horn, 2012-03-08 See: |
| west end blues solo transcription: Anthology for Musical Analysis Charles L. Burkhart, 1993-12-31 This landmark collection of complete musical compositions and movements, ranging in time from the Middle Ages to the present, contains a large and varied body of music for study. In addition to providing ample material for both a full-year course in the analysis of musical forms and a one-semester course in twentieth-century techniques, the book offers first- and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and forms--plus some material for figured-bass realization and score reading. Because the book consists primarily of music and takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style. |
| west end blues solo transcription: Louis Armstrong's Hot Five and Hot Seven Recordings Brian Harker, 2011-04-02 For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the discs were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. Through a careful analysis of seven seminal recordings in this compact and engaging book, author Brian Harker recaptures the perspective of Armstrong's original audience without abandoning that of today's listeners. The world of vaudeville and show business provide crucial context to his readings, revealing how the demands of making a living in a competitive environment catalyzed Armstrong's unique artistic gifts. Invoking a breadth of influences ranging from New Orleans clarinet style to Guy Lombardo, and from tap dancing to classical music, Louis Armstrong's Hot Five and Hot Seven Recordings offers bold insights, fresh anecdotes, and, ultimately, a new interpretation of Louis Armstrong and his most influential body of work. |
| west end blues solo transcription: Enslaved Sean Kingsley, Simcha Jacobovici, 2022-10-04 A riveting and illuminating exploration of the transatlantic slave trade by an intrepid team of divers seeking to reclaim the stories of their ancestors. From the writers behind the acclaimed documentary series Enslaved (starring Samuel L. Jackson), comes a rich and revealing narrative of the true global and human scope of the transatlantic slave trade. The trade existed for 400 years, during which 12 million people were trafficked, and 2 million would die en route. In these pages we meet the remarkable group, Diving with a Purpose (DWP), as they dive sunken slave ships all around the world. They search for remains and artifacts testifying to the millions of kidnapped Africans that were transported to Europe, the Americas, and the Caribbean. From manilla bracelets to shackles, cargo, and other possessions, the finds from these wrecks bring the stories of lost lives back to the surface. As we follow the men and women of DWP across eleven countries, Jacobovici and Kingsley’s rich research puts the archaeology and history of these wrecks that lost between 1670 to 1858 in vivid context. From the ports of Gold Coast Africa, to the corporate hubs of trading companies of England, Portugal and the Netherlands, and the final destinations in the New World, Jacobovici and Kingsley show how the slave trade touched every nation and every society on earth. Though global in scope, Enslaved makes history personal as we experience the divers’ sadness, anger, reverence, and awe as they hold tangible pieces of their ancestors’ world in their hands. What those people suffered on board those ships can never be forgiven. Enslaved works to ensure that it will always be remembered and understood, and is the first book to tell the story of the transatlantic slave trade from the bottom of the sea. |
| west end blues solo transcription: 25 Great Jazz Piano Solos Huw White, Hal Leonard Corp., 2016-04-01 (Piano Instruction). From Duke Ellington, to Chick Corea, Bill Evans, Oscar Peterson and many others, take a look at the genesis of jazz piano. This book with audio provides solo transcriptions in standard notation, lessons on how to play them, biographies, instrument information, photos, history, and more. The accompanying audio contains full-band demo tracks and accompaniment-only tracks for every piano solo in the book. Songs include: All of You * Caravan * Freddie Freeloader * Have You Met Miss Jones? * I Fall in Love Too Easily * If I Were a Bell * In Walked Bud * Night and Day * Slings & Arrows * West Coast Blues * and more. |
| west end blues solo transcription: First 50 Blues Songs You Should Play on the Piano Hal Leonard Corp., 2019-09-01 (Easy Piano Songbook). Blues fans can get started playing their favorite tunes with this collection of 50 songs in easy piano format with lyrics. Songs include: Ain't No Sunshine * All Blues * Basin Street Blues * Cross Road Blues (Crossroads) * Every Day I Have the Blues * Fever * I Got It Bad and That Ain't Good * Is You Is, or Is You Ain't (Ma' Baby) * Kansas City * Night Train * Pride and Joy * Route 66 * St. Louis Blues * Stormy Weather (Keeps Rainin' All the Time) * Sweet Home Chicago * The Thrill Is Gone * and more. |
| west end blues solo transcription: The Louis Armstrong Collection (Songbook) Louis Armstrong, 2004-03-01 (Artist Transcriptions). The All Music Guide regards trumpet virtuoso Louis Armstrong as the most important musician in (jazz's) history. This great songbook features note-for-note transcriptions of this legend's trumpet playing on 16 songs he's famous for: Basin Street Blues * Cornet Chop Suey * Gut Bucket Blues * Hotter Than Hot * Shine * Tiger Rag * When the Saints Go Marching In * and more. Includes a bio and discography. |
| west end blues solo transcription: The New Grove Dictionary of Jazz Barry Kernfeld, 1988 |
| west end blues solo transcription: Louis Armstrong, Master of Modernism Thomas David Brothers, 2014-02-03 The definitive account of Louis Armstrong—his life and legacy—during the most creative period of his career. Nearly 100 years after bursting onto Chicago’s music scene under the tutelage of Joe King Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn’t count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century. |
| west end blues solo transcription: Blues Bass Jon Liebman, 1999 El-basguitarskole. |
| west end blues solo transcription: Catalog of Copyright Entries Library of Congress. Copyright Office, 1975 |
| west end blues solo transcription: Brilliant Corners , 2003 |
| west end blues solo transcription: Swing That Music Louis Armstrong, 1993-08-22 The first autobiography of a jazz musician, Louis Armstrong's Swing That Music is a milestone in jazz literature. Armstrong wrote most of the biographical material, which is of a different nature and scope than that of his other, later autobiography, Satchmo: My Life in New Orleans (also published by Da Capo/Perseus Books Group). Satchmo covers in intimate detail Armstrong's life until his 1922 move to Chicago; but Swing That Music also covers his days on Chicago's South Side with ”King” Oliver, his courtship and marriage to Lil Hardin, his 1929 move to New York, the formation of his own band, his European tours, and his international success. One of the most earnest justifications ever written for the new style of music then called ”swing” but more broadly referred to as ”Jazz,” Swing That Music is a biography, a history, and an entertainment that really ”swings.” |
| west end blues solo transcription: Catalog of Copyright Entries, Third Series , 1966 The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.). |
| west end blues solo transcription: The Real Dixieland Book Songbook Hal Leonard Corp., Robert Rawlins, 2014-07-01 (Fake Book). You don't have to be from below the Mason-Dixon line to enjoy this primo collection for B-flat instruments of nearly 250 Dixieland tunes: Ain't Misbehavin' * Alexander's Ragtime Band * Bill Bailey, Won't You Please Come Home * California, Here I Come * Dinah * Down by the Riverside * Georgia on My Mind * Hard Hearted Hannah (The Vamp of Savannah) * Honeysuckle Rose * I'm Gonna Sit Right down and Write Myself a Letter * It Don't Mean a Thing (If It Ain't Got That Swing) * Jelly Roll Blues * Lazy River * Makin' Whoopee! * My Baby Just Cares for Me * Nobody Knows You When You're down and Out * Puttin' on the Ritz * St. Louis Blues * Smile * Stompin' at the Savoy * Tiger Rag (Hold That Tiger) * When the Saints Go Marching In * and many more. All the Real Books feature accurate arrangements in the famous easy-to-read, hand-written notation. |
| west end blues solo transcription: Traditional World Music Influences in Contemporary Solo Piano Literature Elizabeth C. Axford, 1997 Everything But Bach, Beethoven and Brahms, comprises this multicultural repertoire guide for pianists, composers, music teachers and students, world music enthusiasts and scholars. It identifies pieces in the contemporary solo piano literature which show world music influences not traditionally associated with the standard repertoire of Western European art music. The resulting annotated bibliography therefore includes pieces which use or attempt to emulate non-Western scales, modes, folk tunes, rhythmic, percussive or harmonic devices and timbres. Axford highlights the music cultures of the Middle East and North Africa, Sub-Saharan Africa, India, the Far East, Indonesia, Oceania, ethnic North America, Latin America and Spain, and Eastern Europe, Russia, and Scandinavia. Separate bibliographies for each world music region show examples of contemporary solo piano pieces that demonstrate some of the traditional musical influences associated with the region. |
| west end blues solo transcription: Ask Me Now Sascha Feinstein, 2007-09-18 Explores the relationship between the language of music and the music of language with 20 conversations on jazz and literature. This work gathers a variety of artists, poets, musicians, fiction writers, essayists, playwrights, and record producers for discussions on the elusive but engaging relationships between jazz and literature. |
| west end blues solo transcription: The New Grove Dictionary of Jazz: Nightclubs-Zwingenberger Barry Dean Kernfeld, 2002 The New Grove Dictionary of Jazz, second edition will be the definitive resource for any serious lover & listener of jazz. This 3 volume hardcover second edition builds upon the impressive foundation laid by its predecessor in 1988 to become the most comprehensive jazz reference work ever published. Editor Barry Kernfeld, a well-known jazz authority & scholar, has brought together the world's leading experts in jazz, ensuring the accuracy, breadth, & depth expected from Grove's. |
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The West Village is a neighborhood in the western section of the larger Greenwich Village neighborhood of Lower Manhattan, New York City. [1] The West Village is bounded by the …
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