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| we are not responsible harryette mullen analysis: Sleeping with the Dictionary Harryette Romell Mullen, 2002 Part of the award-winning New California Poetry Series, Sleeping with the Dictionary is the fifth volume of poetry by Harryette Mullen, a well-respected African American poet. |
| we are not responsible harryette mullen analysis: Muse & Drudge Harryette Romell Mullen, 1995 |
| we are not responsible harryette mullen analysis: Of Poetry and Protest: From Emmett Till to Trayvon Martin Michael Warr, 2016-06-21 This stunning work illuminates today’s black experience through the voices of our most transformative and powerful African American poets. Included in this extraordinary volume are the poems of 43 of America’s most talented African American wordsmiths, including Pulitzer Prize–winning poets Rita Dove, Natasha Tretheway, Yusef Komunyakaa, and Tracy K. Smith, as well as the work of other luminaries such as Elizabeth Alexander, Ishmael Reed, and Sonia Sanchez. Included are poems such as “No Wound of Exit” by Patricia Smith, “We Are Not Responsible” by Harryette Mullen, and “Poem for My Father” by Quincy Troupe. Each is accompanied by a photograph of the poet along with a first-person biography. The anthology also contains personal essays on race such as “The Talk” by Jeannine Amber and works by Harry Belafonte, Amiri Baraka, and The Reverend Dr. William Barber II, architect of the Moral Mondays movement, as well as images and iconic political posters of the Black Lives Matter movement, Malcolm X, and the Black Panther Party. Taken together, Of Poetry and Protest gives voice to the current conversation about race in America while also providing historical and cultural context. It serves as an excellent introduction to African American poetry and is a must-have for every reader committed to social justice and racial harmony. |
| we are not responsible harryette mullen analysis: The Latin Deli Judith Ortiz Cofer, 2010-06-01 Prose and poetry of a particular immigrant experience and also of such universal themes as the pains, confusions, and wonders of growing up. |
| we are not responsible harryette mullen analysis: Trimmings Harryette Romell Mullen, 1991 Prose poems inspired by Stein's Tender Buttons and informed by current feminist and semiotic theories. |
| we are not responsible harryette mullen analysis: A History of African American Poetry Lauri Ramey, 2019-03-21 Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop. |
| we are not responsible harryette mullen analysis: Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America Saidiya Hartman, 2022-10-11 The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson. |
| we are not responsible harryette mullen analysis: S*PeRM**K*T Harryette Romell Mullen, 1992 The prose poems of Mullen offer an antidote to the stultifying sameness of officious representations of our multiplicity. A race through the supermarket with Mullen will leave you rolling in the aisle. --A.L. Nielsen, Multicultural Review. |
| we are not responsible harryette mullen analysis: Collected Prose Robert Hayden, 2021-08-02 A collection of essays on poetry and the experiences that influenced poet Robert Hayden. Contents include The History of Punchinello: A Baroque Play in One Act, Hayden's introductory remarks to volumes like Kaleidoscope: Poems by American Negro Poet and The New Negro, and interviews with Hayden. |
| we are not responsible harryette mullen analysis: Woman Hollering Creek Sandra Cisneros, 2013-04-30 A collection of stories by Sandra Cisneros, the celebrated bestselling author of The House on Mango Street and the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom. |
| we are not responsible harryette mullen analysis: The Singularity of Literature Derek Attridge, 2017-04-07 The Iliad and Beowulf provide rich sources of historical information. The novels of Henry Fielding and Henry James may be instructive in the art of moral living. Some go further and argue that Emile Zola and Harriet Beecher Stowe played a part in ameliorating the lives of those existing in harsh circumstances. However, as Derek Attridge argues in this outstanding and acclaimed book, none of these capacities is distinctive of literature. What is the singularity of literature? Do the terms literature and the literary refer to actual entities found in cultures at certain times, or are they merely expressions characteristic of such cultures? Attridge argues that this resistance to definition and reduction is not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art. Derek Attridge provides a rich new vocabulary for literature, rethinking such terms as invention, singularity, otherness, alterity, performance and form. He returns literature to the realm of ethics, and argues for the ethical importance of literature, demonstrating how a new understanding of the literary might be put to work in a responsible, creative mode of reading. The Singularity of Literature is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic. This Routledge Classics edition includes a new preface by the author. |
| we are not responsible harryette mullen analysis: The Undercommons Stefano Harney, Fred Moten, 2013 In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires, and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons. |
| we are not responsible harryette mullen analysis: The Death of Vishnu Manil Suri, 2012-05-07 An enthralling virtuoso debut that eloquently captures the loves and losses of a dying man 'All the elements of great storytelling are here, the mystic transports of Ben Okri with the intimate charm of Arundhati Roy ... enchanting' Sunday Tribune 'Beautifully captures with great tenderness and depth the eternal war between duty and desire. This is a love letter to Bombay and its people' Sunday Express Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close. |
| we are not responsible harryette mullen analysis: Urban Tumbleweed Harryette Mullen, 2013-11-05 Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic. —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones? |
| we are not responsible harryette mullen analysis: Literature & Composition Renee Shea, Robin Aufses, Lawrence Scanlon, Katherine Cordes, Carlos Escobar, Carol Jago, 2022-03-09 Since its first edition, Literature & Composition was designed specifically for the AP® English Literature course. Its unique structure of skill-building opening chapters combined with an engaging thematic anthology provides the flexibility you need to plan your year and differentiate based on your students’ needs. In this edition, the book you know and love now fully aligns to the new AP® Course and Exam Description. |
| we are not responsible harryette mullen analysis: Strange Encounters Sara Ahmed, 2013-02-01 Examining the relationship between strangers, embodiment and community, Strange Encounters challenges the assumptions that the stranger is simply anybody we do not recognize and instead proposes that he or she is socially constructued as somebody we already know. Using feminist and postcolonial theory this book examines the impact of multiculturalism and globalization on embodiment and community whilst considering the ethical and political implication of its critique for post-colonial feminism. A diverse range of texts are analyzed which produce the figure of 'the stranger', showing that it has alternatively been expelled as the origin of danger - such as in neighbourhood watch, or celebrated as the origin of difference - as in multiculturalism. The author argues that both of these standpoints are problematic as they involve 'stranger fetishism'; they assume that the stranger 'has a life of its own'. |
| we are not responsible harryette mullen analysis: Silent Dancing Judith Ortiz Cofer, 1991-01-01 Silent Dancing is a personal narrative made up of Judith Ortiz CoferÍs recollections of the bilingual-bicultural childhood which forged her personality as a writer and artist. The daughter of a Navy man, Ortiz Cofer was born in Puerto Rico and spent her childhood shuttling between the small island of her birth and New Jersey. In fluid, clear, incisive prose, as well as in the poems she includes to highlight the major themes, Ortiz Cofer has added an important chapter to autobiography, Hispanic American Creativity and womenÍs literature. Silent Dancing has been awarded the 1991 PEN/Martha Albrand Special Citation for Nonfiction and has been selected for The New York Public LibraryÍs 1991 Best Books for the Teen Age. |
| we are not responsible harryette mullen analysis: Blues Baby Harryette Mullen, 2002-03-01 Blues Baby: Early Poems brings together Harryette Mullen's first book, Tree Tall Woman, with previously uncollected poems from the beginning of her career. Her early poems draw inspiration from the feminist and Black Arts movements, as well as her connections to diverse communities of writers and artists. The movement of this volume is loosely autobiographical - from childhood narratives to poems about sexuality to indirect evocations of the poet's art. Many of the poems address the subject of family and community, often emphasizing the strength of women and female friendship; some evoke culturally specific traditions and locations; others of a satiric nature offer cultural critiques. Harryette Mullen's poetics work within various traditions, including the confessional and the performative mode of the Black Arts poets, and throughout her free-verse lyrics are written with insight, humor, and musicality, and will appeal to a diverse readership. |
| we are not responsible harryette mullen analysis: To Make a Poet Black J. Saunders Redding, 2018-08-06 This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes. |
| we are not responsible harryette mullen analysis: Ghostly Matters Avery Gordon, 1997 'Avery Gordon's stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. She shows how fiction writing can sometimes function as a social force, as a repository of memories that are too brutal, to debilitating, and too horrifying to register through direct historical or social science narratives...'--George Lipsitz, University of California, San Diego |
| we are not responsible harryette mullen analysis: The Other Blacklist Mary Washington, 2014-04-22 Revealing the formative influence of 1950s leftist radicalism on African American literature and culture. |
| we are not responsible harryette mullen analysis: The Poem Is You Stephanie Burt, 2016-09-12 The variety of contemporary American poetry leaves many readers overwhelmed. Critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, she presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture. |
| we are not responsible harryette mullen analysis: Fourth Person Singular Nuar Alsadir, 2017 Original and ambitious poetry that makes readers pay attention to the current conversation about the nature of lyric and human relationships in the 21st century. |
| we are not responsible harryette mullen analysis: The Last Children of Tokyo Yōko Tawada, 2018 A dreamlike story of filial love and glimmering hope, set in a future where the old live almost-forever and children's lives are all too brief. |
| we are not responsible harryette mullen analysis: Immaterial Archives Jenny Sharpe, 2020-03-15 In this innovative study, Jenny Sharpe moves beyond the idea of art and literature as an alternative archive to the historical records of slavery and its aftermath. Immaterial Archives explores instead the intangible phenomena of affects, spirits, and dreams that Caribbean artists and writers introduce into existing archives. Through the works of Frantz Zéphirin, Edouard Duval-Carrié, M. NourbeSe Philip, Erna Brodber, and Kamau Brathwaite, Immaterial Archives examines silences as black female spaces, Afro-Creole sacred worlds as diasporic cartographies, and the imaginative conjoining of spirits with industrial technologies as disruptions of enlightened modernity. |
| we are not responsible harryette mullen analysis: Sleight Kirsten Kaschock, 2011-09-07 Sisters Lark and Clef have spent their lives honing their bodies for sleight, an interdisciplinary art form that combines elements of dance, architecture, acrobatics, and spoken word. After being estranged for several years, the sisters are reunited by a deceptive and ambitious sleight troupe director named West who needs the sisters' opposing approaches to the form--Lark is tormented and fragile, but a prodigy; Clef is driven to excel, but lacks the spark of artistic genius. When a disturbing mass murder makes national headlines, West seizes on the event as inspiration for his new performance, one that threatens to destroy the very artists performing it. In language that is at once unsettling and hypnotic, Sleight explores ideas of performance, gender, and family to ask the question: what is the role of art in the face of unthinkable tragedy? Kirsten Kaschock has earned degrees from Yale University, the University of Iowa, Syracuse University, and the University of Georgia. The author of two collections of poetry, Unfathoms and A Beautiful Name for a Girl, she resides in Philadelphia, Pennsylvania, where she is currently a doctoral fellow in dance at Temple University. |
| we are not responsible harryette mullen analysis: The Red Leaves of Night David St. John, 1999 Possession and loss, rapture and despair. David St. John's narrator remains unflinchingly aware that the trajectory between these two states is brief. Like a modern Dante's Virgil, he guides us through a mosaic of experiences, each more intense and illuminating than the one before. Once our journey commences, its central purpose soon becomes clear: to limn the vast architecture of erotic desire and communion. |
| we are not responsible harryette mullen analysis: Attack of the Difficult Poems Charles Bernstein, 2011-04-30 Charles Bernstein is our postmodern jester of American poesy, equal part surveyor of democratic vistas and scholar of avant-garde sensibilities. In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language, and between everyday life and its adversaries. Attack of the Difficult Poems, his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art. Applying an array of essayistic styles, Attack of the Difficult Poems ardently engages with the promise of its title. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature’s place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner. From blues artists to Tin Pan Alley song lyricists to Second Wave modernist poets, The Attack of the Difficult Poems sounds both a battle cry and a lament for the task of the language maker and the fate of invention. |
| we are not responsible harryette mullen analysis: Bars Fight Lucy Terry Prince, 2020-10-28 Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland's History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover's shelves. |
| we are not responsible harryette mullen analysis: Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville, Andrew Norris, 2005 A comparative account of the musical and cultural acts of Zappa and his cohort, collaborator and antagonist Captain Beefheart. Written in the iconoclastic spirit of Zappa's art, this book traces the mixed media experiments of California freakdom through the dada blues of Beefheart, mapping out the pleasures of imaginative excess. |
| we are not responsible harryette mullen analysis: Postmodern American Poetry Paul Hoover, 1994 A survey of major poets and movements of American postmodern poetry includes more than four hundred poems by 103 poets |
| we are not responsible harryette mullen analysis: The Cambridge History of American Poetry Alfred Bendixen, Stephen Burt, 2014-10-27 The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fifty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the variety of ways in which both public and private forms of poetry have met the needs of different communities at different times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fluid canon, providing current perspectives on both major authors and a number of representative figures whose work embodies the diversity of America's democratic traditions. |
| we are not responsible harryette mullen analysis: Blackness and Value Lindon Barrett, 2009-04-30 Blackness and Value investigates the principles by which value operates, and asks if it is useful to imagine that the concepts of racial blackness and whiteness in the United States operate in terms of these principles. Testing these concepts by exploring various theoretical approaches and their shortcomings, Lindon Barrett finds that the gulf between the street (where race is acknowledged as a powerful enigma) and the literary academy (where until recently it has not been) can be understood as a symptom of racial violence. While commonly approaches to race and value are examined historically or sociologically, this intriguing study provides a new critical approach that speaks to theorists of race as well as gender and queer studies. |
| we are not responsible harryette mullen analysis: Sexual Stealing Wendy Walker, 2019-11 |
| we are not responsible harryette mullen analysis: Pleasures of the Game Austin Allen, 2016 A book of deceptively playful poems, of sparkling surfaces that conceal dark undercurrents. Its subjects include games of all kinds: from schoolyard Double Dutch to the chess match of love, from painters' illusions to professional ice hockey, from the stratagems of spies to the life-and-death game we play against the universe. Born in Middletown, C |
| we are not responsible harryette mullen analysis: Literature & Composition Carol Jago, Renee H. Shea, Lawrence Scanlon, Robin Dissin Aufses, 2010-06-11 From Carol Jago and the authors of The Language of Composition comes the first textbook designed specifically for the AP* Literature and Composition course. Arranged thematically to foster critical thinking, Literature & Composition: Reading • Writing • Thinking offers a wide variety of classic and contemporary literature, plus all of the support students need to analyze it carefully and thoughtfully. The book is divided into two parts: the first part of the text teaches students the skills they need for success in an AP Literature course, and the second part is a collection of thematic chapters of literature with extensive apparatus and special features to help students read, analyze, and respond to literature at the college level. Only Literature & Composition has been built from the ground up to give AP students and teachers the materials and support they need to enjoy a successful and challenging AP Literature course. Use the navigation menu on the left to learn more about the selections and features in Literature & Composition: Reading • Writing • Thinking. *AP and Advanced Placement Program are registered trademarks of the College Entrance Examination Board, which was not involved in the publication of and does not endorse this product. |
| we are not responsible harryette mullen analysis: Outline of American Literature Kathryn Van Spanckeren, 2009-09-24 The Outline of American literature, newly revised, traces the paths of American narrative, fiction, poetry and drama as they move from pre-colonial times into the present, through such literary movements as romanticism, realism and experimentation. Contents: 1) Early American and Colonial Period to 1776. 2) Democratic Origins and Revolutionary Writers, 1776-1820. 3) The Romantic Period, 1820-1860, Essayists and Poets. 4) The Romantic Period, 1820-1860, Fiction. 5) The Rise of Realism: 1860-1914. 6) Modernism and Experimentation: 1914-1945. 7) American Poetry, 1945-1990: The Anti-Tradition. 8) American Prose, 1945-1990: Realism and Experimentation. 9) Contemporary American Poetry. 10) Contemporary American Literature. |
| we are not responsible harryette mullen analysis: Buck Studies Douglas Kearney, 2016 These poems look at what life is like for a young black man today. |
| we are not responsible harryette mullen analysis: American Smooth Rita Dove, 2006 A new collection by the Pulitzer Prize-winning former poet laureate celebrates America's cultural heritage with pieces about such topics as World War I's African-American jazz band, a Harlem girl's examination of adult flirting behaviors, and the first African-American Oscar winner. Reprint. |
| we are not responsible harryette mullen analysis: Teach Living Poets Lindsay Illich, Melissa Alter Smith, 2021 Opens up the flourishing world of contemporary poetry to secondary teachers, giving advice on discovering new, diverse poets and reading contemporary poetry, as well as sharing sample lessons, writing prompts, and ways to become an engaged member of a professional learning community-- |
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