Advertisement
| wang xiaobo artist: Golden Age Wang Xiaobo, 2022-07-26 Like a Chinese Kurt Vonnegut. By turns lyrical and satirical, Wang Xiaobo's sexual comedies set during the Chinese Cultural Revolution are as improbable as that genre sounds. His long overdue publication in English comes as a gift. Golden Age is funny and brave and profound. —Chris Kraus, author of I Love Dick At the time Wang was writing, novels about the Cultural Revolution tended to be fairly conventional tales of how good people suffered nobly during this decade of madness. The system itself was rarely called into question. Wang’s book was radically different . . . The idea of how to stand up to power underlies Golden Age. —Ian Johnson, The New York Times Book Review Like Gary Shteyngart or Michel Houellebecq, Wang Xiaobo is a Chinese literary icon whose satire forces us to reconsider the ironies of history. “Apparently, there was a rumor that Chen Qingyang and I were having an affair. She wanted me to prove our innocence. I said, to prove our innocence, we must prove one of the following: 1. Chen Qingyang is a virgin 2. I was born without a penis. Both of these propositions were hard to prove; therefore, we couldn’t prove our innocence. In fact, I was leaning more toward proving that we weren’t innocent.” And so begins Wang Er’s story of his long affair with Chen Qinyang. Wang Er, a 21-year-old ox herder, is shamed by the local authorities and forced to write a confession for his crimes. Instead, he takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone and humbled, Wang Er must come to terms with the banality of his own existence. But what makes this novel both hilarious and important is Xiaobo’s use of the awkwardness of sex as a metaphor for all that occured during the Cultural Revolution. This achievement was revolutionary in China and places Golden Age in the great pantheon of novels that argue against governmental control. A leading icon of his generation, Wang Xiaobo’s cerebral and sarcastic narrative is a reflection on the failures of individuals and the enormous political, social, and personal changes in twentieth-century China. |
| wang xiaobo artist: Contemporary Chinese Literature Y. Huang, 2007-11-26 This book offers a case study of four of the most influential contemporary Chinese writers and 'cultural bastards' - Duoduo, an underground 'misty' poet; Wang Shuo, a 'hooligan' writer; Zhang Chengzhi, an old 'Red Guard' and new 'cultural heretic'; and Wang Xiaobo, a chronicler of Rabelaisian modern history. |
| wang xiaobo artist: The Journey of Liu Xiaobo Democratic China, 2020-04-01 As a fearless poet and prolific essayist and critic, Liu Xiaobo became one of the most important dissident thinkers in the People’s Republic of China. His nonviolent activism steered the nation’s prodemocracy currents from Tiananmen Square to support for Tibet and beyond. Liu undertook perhaps his bravest act when he helped draft and gather support for Charter 08, a democratic vision for China that included free elections and the end of the Communist Party’s monopoly on power. While imprisoned for “inciting subversion of state power,” Liu won the 2010 Nobel Peace Prize. He was granted medical parole just weeks before dying of cancer in 2017. The Journey of Liu Xiaobo draws together essays and reflections on the “Nelson Mandela of China.” The Dalai Lama, artist and activist Ai Weiwei, and a distinguished list of leading Chinese writers and intellectuals, including Zhang Zuhua, the main drafter of Charter 08, and Liu Xia, the wife of Liu Xiaobo, and noted China scholars, journalists, and political leaders from around the globe, including Yu Ying-shih, Perry Link, Andrew J. Nathan, Marco Rubio, and Chris Smith illuminate Liu’s journey from his youth and student years, through his indispensable activism, and to his defiant last days. Many of the pieces were written immediately after Liu’s death, adding to the emotions stirred by his loss. Original and powerful, The Journey of Liu Xiaobo combines memory with insightful analysis to evaluate Liu’s impact on his era, nation, and the cause of human freedom. |
| wang xiaobo artist: Minjian Sebastian Veg, 2019-04-23 Who are the new Chinese intellectuals? In the wake of the crackdown on the 1989 democracy movement and the rapid marketization of the 1990s, a novel type of grassroots intellectual emerged. Instead of harking back to the traditional role of the literati or pronouncing on democracy and modernity like 1980s public intellectuals, they derive legitimacy from their work with the vulnerable and the marginalized, often proclaiming their independence with a heavy dose of anti-elitist rhetoric. They are proudly minjian—unofficial, unaffiliated, and among the people. In this book, Sebastian Veg explores the rise of minjian intellectuals and how they have profoundly transformed China’s public culture. An intellectual history of contemporary China, Minjian documents how, amid deep structural shifts, grassroots thinker-activists began to work outside academia or policy institutions in an embryonic public sphere. Veg explores the work of amateur historians who question official accounts, independent documentarians who let ordinary people speak for themselves, and grassroots lawyers and NGO workers who spread practical knowledge. Their interventions are specific rather than universal, with a focus on concrete problems among disenfranchised populations such as victims of Maoism, migrant workers and others without residence permits, and petitioners. Drawing on careful analysis of public texts by grassroots intellectuals and the networks and publics among which they circulate, Minjian is a groundbreaking transdisciplinary exploration of crucial trends developing under the surface of contemporary Chinese society. |
| wang xiaobo artist: Pretending Is Lying Dominique Goblet, 2017-02-07 The first book to appear in English by the acclaimed Belgian artist Dominique Goblet, Pretending is Lying is a memoir unlike any other. WINNER OF THE 2018 SCOTT MONCRIEFF PRIZE FOR TRANSLATION FROM FRENCH In a series of dazzling fragments—skipping through time, and from raw, slashing color to delicate black and white—Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents. The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma—a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics. This NYRC edition is a hardcover with extra-thick paper, full color throughout, and features new English hand-lettering by the artist. |
| wang xiaobo artist: Redefining Chinese Literature and Art Jixi Yuan, 2019-02-04 This Key Concepts pivot discusses the significance of the ancient Chinese concept of xìng or ‘Association’ in defining Chinese civilization and thought through the centuries. An approach unique to literary creation in China, xìng highlights the importance Chinese civilization sets by the integration of intellect, emotion and will into a highly consistent concept across its personal and public spheres. The book explores how the concept has been a widely used creative technique even in the earliest collections of Chinese poems, using metaphor and symbolism to set the scene and indicate thoughts and emotions invested in the vehicle of metaphor, as well as its impact on Chinese literature and philosophy as a domain of multiple meanings in classical Chinese aesthetics. |
| wang xiaobo artist: An Oral History of the Special Olympics in China Volume 2 William P. Alford, Mei Liao, Fengming Cui, 2020-05-25 This open access book contains the oral histories that were inspired by the work of the Special Olympics in conjunction with the 50th anniversary of its founding. The foreword and prefatory materials provide an overview of the Special Olympics and its growth in the People’s Republic of China. The sections that follow record interview transcripts of individuals with intellectual disabilities living in Shanghai. In addition to chronicling the involvement of these individuals and their families in the Special Olympics movement, the interview transcripts also capture their daily lives and how they have navigated school and work. |
| wang xiaobo artist: Belief, History and the Individual in Modern Chinese Literary Culture Artur K. Wardega, 2009-03-26 A value system in constant change; a longing for stability amid uncertainties about the future; a new consciousness about the unlimited challenges and aspirations in modern life: these are themes in modern Chinese literature that attract the attention of overseas readers as well as its domestic audience. They also provide Chinese and foreign literary researchers with complex questions about human life and achievements that search beyond national identities for global interaction and exchange. This volume presents ten outstanding essays by Chinese and European scholars who have undertaken such exchange for the purpose of examining the individual and society in modern Chinese literature. |
| wang xiaobo artist: A History of Pain Michael Berry, 2011 This work probes the restaging, representation, and reimagining of historical violence and atrocity in contemporary Chinese fiction, film, and popular culture. It examines five historical moments including the Musha Incident (1930) and the February 28 Incident (1947). |
| wang xiaobo artist: The Art of Remembering Yat Ming Loo, Hua Li, Jing Xie, Eugenio Mangi, 2024-05-31 Focusing on the non-Western context and case studies, this book explores theories of interdisciplinary architectural thinking and the construction of urban memory in Chinese cities, with an emphasis on contemporary architecture and the diversity of agencies. China has undergone one of the fastest urbanisation and urban renewal processes in human history, but discussions of urban memory in China have tended to be practice-oriented and lack theoretical reflection. This book brings together interdisciplinary architectural scholarship to interrogate the production of urban memory and examine experiences in China. The 14 chapters explore different processes, projects, materials, architecture and urban spaces in different Chinese cities by analysing cityscapes such as temples, bridges, conservation projects, architectural design, historical architecture, memorial hall, market street, city images, custom bike, food market and so on. The book deals with different agencies and methods, tangible and intangible, in the construction of memories aimed at promoting hybridised multiple identities, and explores the interplay of different versions of memory, i.e. state, public, regional, local, individual and collective memory. This book will be essential reading for scholars and students of architecture and urbanism, cultural studies and China studies, as well as architects, urban planners and historians interested in these fields. |
| wang xiaobo artist: Never Forget National Humiliation Zheng Wang, 2012-07-31 How could the Chinese Communist Party (CCP) not only survive but even thrive, regaining the support of many Chinese citizens after the Tiananmen Square crackdown of 1989? Why has popular sentiment turned toward anti-Western nationalism despite the anti-dictatorship democratic movements of the 1980s? And why has China been more assertive toward the United States and Japan in foreign policy but relatively conciliatory toward smaller countries in conflict? Offering an explanation for these unexpected trends, Zheng Wang follows the Communist government's ideological reeducation of the public, which relentlessly portrays China as the victim of foreign imperialist bullying during one hundred years of humiliation. By concentrating on the telling and teaching of history in today's China, Wang illuminates the thinking of the young patriots who will lead this rising power in the twenty-first century. Wang visits China's primary schools and memory sites and reads its history textbooks, arguing that China's rise should not be viewed through a single lens, such as economics or military growth, but from a more comprehensive perspective that takes national identity and domestic discourse into account. Since it is the prime raw material for constructing China's national identity, historical memory is the key to unlocking the inner mystery of the Chinese. From this vantage point, Wang tracks the CCP's use of history education to glorify the party, reestablish its legitimacy, consolidate national identity, and justify one-party rule in the post-Tiananmen and post–Cold War era. The institutionalization of this manipulated historical consciousness now directs political discourse and foreign policy, and Wang demonstrates its important role in China's rise. |
| wang xiaobo artist: China's Influence and American Interests Larry Diamond, Orville Schell, 2019-08-01 While Americans are generally aware of China's ambitions as a global economic and military superpower, few understand just how deeply and assertively that country has already sought to influence American society. As the authors of this volume write, it is time for a wake-up call. In documenting the extent of Beijing's expanding influence operations inside the United States, they aim to raise awareness of China's efforts to penetrate and sway a range of American institutions: state and local governments, academic institutions, think tanks, media, and businesses. And they highlight other aspects of the propagandistic “discourse war” waged by the Chinese government and Communist Party leaders that are less expected and more alarming, such as their view of Chinese Americans as members of a worldwide Chinese diaspora that owes undefined allegiance to the so-called Motherland.Featuring ideas and policy proposals from leading China specialists, China's Influence and American Interests argues that a successful future relationship requires a rebalancing toward greater transparency, reciprocity, and fairness. Throughout, the authors also strongly state the importance of avoiding casting aspersions on Chinese and on Chinese Americans, who constitute a vital portion of American society. But if the United States is to fare well in this increasingly adversarial relationship with China, Americans must have a far better sense of that country's ambitions and methods than they do now. |
| wang xiaobo artist: Ignorance is Bliss: The Chinese Art of Not Knowing Mieke Matthyssen, 2021-06-15 This book examines the popular, yet puzzling, Chinese saying Nande hutu 难得糊涂 to uncover how the ancient Chinese wisdom of not knowing is constructed, interpreted, practiced and valued in contemporary society. Originating in the calligraphy of Qing-dynasty scholar Zheng Banqiao, Nande hutu translates literally as: “hard to attain muddle-headedness”. Mieke Matthyssen traces the historical development of this saying and related philosophies to reveal a culturally conditioned, multi-layered inclination to different forms of not knowing. In contemporary society, she argues, this inclination forms part of a living art: in some respects, a passive, evasive strategy for self-preservation; in other respects, a strategy for coping with intrapersonal, interpersonal and social complexities. Drawing on an extensive range of primary sources and original research, the analysis skillfully combines philosophical and socio-historical analysis with theory from Chinese philosophy, philosophical psychology and the relatively new field of indigenous psychology, to provide an in-depth understanding of how Nande hutu has shaped, and continues to shape, the Chinese psyche and behaviour. This book will appeal to all readers looking for fresh insights into Chinese culture, and in particular to students and scholars of Chinese and Asian studies, cultural and social anthropology, and philosophical and indigenous psychology. |
| wang xiaobo artist: Pow! Mo Yan, 2014 [In this novel by the 2012 Nobel Laureate in Literature], a benign old monk listens to a prospective novice's tale of depravity, violence and carnivorous excess while a nice little family drama--in which nearly everyone dies--unfurls ... As his dual narratives merge and feather into one another, each informing and illuminating the other, Mo Yan probes the character and lifestyle of modern China.--Publisher's description. |
| wang xiaobo artist: The Zoomorphic Imagination in Chinese Art and Culture Jerome Silbergeld, Eugene Y. Wang, 2016-10-31 China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang. |
| wang xiaobo artist: Role of Japan in Modern Chinese Art Joshua A. Fogel, 2013 The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon. |
| wang xiaobo artist: Performing Perversion Hongjian Wang, 2012 |
| wang xiaobo artist: Socially Engaged Art in Contemporary China Meiqin Wang, 2019-03-04 This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China’s top-down, pro-urban, and profit-oriented socioeconomic transformations. It focuses on the socially conscious practices of eight art professionals who assume the role of artist, critic, curator, educator, cultural entrepreneur, and social activist, among others, as they strive to expose the injustice and inequality many Chinese people have suffered, raise public awareness of pressing social and environmental problems, and invent new ways and infrastructures to support various underprivileged social groups. |
| wang xiaobo artist: A History of Contemporary Chinese Art Yan Zhou, 2020-07-14 Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world. |
| wang xiaobo artist: 1587, a Year of No Significance Ray Huang, 1981-01-01 Creates a portrait of the world and culture of late imperial China by examining the lives of seven prominent officials and members of the Ming ruling class |
| wang xiaobo artist: Transnationalism in East and Southeast Asian Comics Art John A. Lent, Wendy Siuyi Wong, Benjamin Wai–ming Ng, 2022-10-03 This book explores various aspects of transnationalism and comics art in six East Asian and seven Southeast Asian countries/territories. The 14 richly illustrated chapters embrace comics, cartoons, and animation relative to offshore production, transnational ownership, multinational collaboration, border crossings of comics art creators and characters, expansion of overseas markets, cartoonists in political exile, colonial underpinnings, adaptation of foreign styles and formats, representation of other cultures, and more. Using case studies, historical accounts, descriptive overviews, individual artists’ profiles, and representational analyses, and fascinatingly told through techniques as document use, interviews, observation, and textual analyses, the end result is a thorough, interesting, and compact volume on transnationalism and comics art in East and Southeast Asia. |
| wang xiaobo artist: Creativity and Mental Illness James C. Kaufman, 2014-08-07 This book re-examines the common view that a high level of individual creativity often correlates with a heightened risk of mental illness. |
| wang xiaobo artist: The Backstreets Perhat Tursun, 2022-03-08 The Backstreets is an astonishing novel by a preeminent contemporary Uyghur author who was disappeared by the Chinese state. Perhat Tursun follows an unnamed Uyghur man who comes to the capital of Xinjiang. Seeking to escape the pain and poverty of the countryside, he finds only cold stares and rejection. |
| wang xiaobo artist: Confucianism, Chinese History and Society Sin Kiong Wong, 2012 A collection of essays that cover many important themes and topics in Chinese Studies, including the Confucian perspective on human rights, Nationalism and Confucianism, Confucianism and the development of Science in China, crisis and innovation in contemporary Chinese cultures, plurality of cultures in the context of globalization, and more. |
| wang xiaobo artist: The Minjian Avant-Garde Chang Tan, 2024-02-15 The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era. Departing from the usual emphasis on art institutions, global markets, or artists' communities, Chang Tan proposes a new analytical framework in the theories of socially engaged art that stresses the critical agency of participants, the affective functions of objects, and the versatility of the artists in diverse sociopolitical spheres. Drawing from hitherto untapped archival materials and interviews with the artists, Tan challenges the views of Chinese artists as either dissidents or conformists to the regime and sees them as navigators and negotiators among diverse political discourses and interests. She questions the fetishization of marginalized communities among practitioners of progressive art and politics, arguing that the members of minjian are often more complex, defiant, and savvy than the elites would assume. The Minjian Avant-Garde critically assesses the rise of populism in both art and politics and show that minjian could constitute either a democratizing or a coercive force. This book was published with generous support from the George Dewey and Mary J. Krumrine Endowment. |
| wang xiaobo artist: The Fat Years Chan Koonchung, 2012-01-10 Banned in China, this controversial and politically charged novel tells the story of the search for an entire month erased from official Chinese history. Beijing, sometime in the near future: a month has gone missing from official records. No one has any memory of it, and no one could care less—except for a small circle of friends, who will stop at nothing to get to the bottom of the sinister cheerfulness and amnesia that have possessed the Chinese nation. When they kidnap a high-ranking official and force him to reveal all, what they learn—not only about their leaders, but also about their own people—stuns them to the core. It is a message that will astound the world. A kind of Brave New World reflecting the China of our times, The Fat Years is a complex novel of ideas that reveals all too chillingly the machinations of the postmodern totalitarian state, and sets in sharp relief the importance of remembering the past to protect the future. |
| wang xiaobo artist: Brushing History Against the Grain Qingxin Lin, 2005-01-01 This book explores some essential features of the Chinese new historical fiction (NHF) and its socio-cultural implications. It argues that the NHF constitutes an oppositional discourse that rejects, both the grand narrative of linear (revolutionary) history, which dominates Chinese official historiography, and naïve confidence in 'Chinese modernity.' |
| wang xiaobo artist: The New Valley Josh Weil, 2010-05-11 From the author of The Great Glass Sea, three linked novellas set between the Virginias about men confronting love, loss, and personal demons. Set in the hardscrabble hill country between the Virginias, The New Valley contains characters striving to forge new lives in the absence of those they have loved. Told in three varied and distinct voices—a soft-spoken middle-aged beef farmer struggling to hold himself together after his dad’s death; a health-obsessed single father desperate to control his reckless, overweight daughter; and a developmentally delayed man who falls in love with a married woman intent on using him in a scheme that will wound them both—each story explores survival, isolation, and the deep, consuming ache for human connection. As the men battle against grief and solitude, their heartache leads them all to commit acts that will bring both ruin and salvation, in these tales “full of tenderness and looming menace” (The New York Times Book Review). “Stark and haunting . . . Delivers great beauty” —Publishers Weekly, starred review “[Weil’s] language is exquisite, his sentences glorious. . . . Refreshing and engaging.” —Ploughshares |
| wang xiaobo artist: North Dark Lane Kareska, 2013-06 Set in a lonesome and barbarous failed state, North Dark is the story of a lone man traveling by dogsled across a frozen wasteland in pursuit of the fugitive who destroyed his family. Haunted by predators both physical and spectral, the musher's journey takes him across a deadened tundra, tortured cities and the remains of civilizations long-lapsed into madness. All the while, his enemy slides in and out of striking distance, always one step ahead, always one act of violence away. |
| wang xiaobo artist: Bullets and Opium Liao Yiwu, 2020-03-03 A “memorable series of portraits of the working class people who defended Tiananmen Square” (The New York Review of Books) during the protests from the award-winning poet, dissident, and “one of the most original and remarkable Chinese writers of our time” (Philip Gourevitch). Much has been written about the Tiananmen Square protests, but very little exists in the words of those who were actually there. For over seven years, Liao Yiwu—a master of contemporary Chinese literature, imprisoned and persecuted as a counter-revolutionary until he fled the country in 2011—secretly interviewed survivors of the devastating 1989 Tiananmen Square massacre. Tortured, imprisoned, and forced into silence and the margins of Chinese society for thirty years, their harrowing and unforgettable stories are now finally revealed in this “indispensable historical document” (Kirkus Reviews, starred review). |
| wang xiaobo artist: About Trees Katie Holten, 2016 About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings. |
| wang xiaobo artist: For Art and for Life Vincent Van Gogh, 2025-04-17 90 classic titles celebrating 90 years of Penguin Books Few artists' letters are as self-revelatory as Vincent van Gogh's. From the humanistic inspiration behind The Potato Eaters to his long-time obsession with painting the vision that eventually became The Starry Night, the letters in this selection paint an intense personal narrative of his artistic development and creative process across the years. They reveal a man of great spiritual and emotional depths who – in his own words – did everything ‘for art and for life itself’. |
| wang xiaobo artist: The Party and the Arty in China Richard Curt Kraus, 2004-04-02 In this original exploration of the dynamic and potent interface between Chinese culture and politics, Richard Kraus examines the impact of the market on the once-comprehensive system of state patronage of the arts in the PRC. The author uses all genres of art to explore the changing nature of politics, seen through such phenomena as ideology, propaganda, censorship, and the relationship of artists to the state. Kraus makes three provocative arguments: First, the commercialization of China's cultural life has been intellectually liberating, but also poses serious economic challenges that artists are sometimes slow to master. Second, despite conventional wisdom in the West that China's economic reforms have not been followed by serious political reform, he shows that the shift from state patronage to a mixed system of private and public sponsorship is in fact a fundamental political change. Third, Western recognition of the reformation in China's cultural life has been obscured by a combination of ignorance, ideological barriers, and foreign policy rivalry. Cogent, witty, and deeply informed, this comprehensive overview of the Chinese arts scene will be an essential text for all observers of contemporary China. |
| wang xiaobo artist: The River Fans Out Yiheng Zhao, 2020-10-06 This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times. It is divided into three parts: traditional Chinese literature, contemporary Chinese literature, and semiotics. In the first part, Professor Zhao summarizes the core elements of narrative cultural relations, ethical dilemmas, and narrative features. He also provides a comprehensive description of the formal structures in Chinese traditional literature. Taking the traditional Chinese play White Rabbit as a case, he discusses the connections between the narrative structure and the characteristics of Chinese novels and stratification of Chinese culture. |
| wang xiaobo artist: Cities Surround The Countryside Robin Visser, 2010-04-12 Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends. In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China’s urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government’s inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China’s neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance. |
| wang xiaobo artist: The A to Z of Modern Chinese Literature Li-Hua Ying, 2010 The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature. |
| wang xiaobo artist: Popular Memories of the Mao Era Sebastian Veg, 2019-01-10 The present volume provides an overview of new forms of popular memory, in particular critical memory, of the Mao era. Focusing on the processes of private production, public dissemination, and social sanctioning of narratives of the past in contemporary China, it examines the relation between popular memories and their social construction as historical knowledge. The three parts of the book are devoted to the shifting boundary between private and public in the press and media, the reconfiguration of elite and popular discourses in cultural productions (film, visual art, and literature), and the emergence of new discourses of knowledge through innovative readings of unofficial sources. Popular memories pose a challenge to the existing historiography of the first thirty years of the People’s Republic of China. Despite the recent backlash, these more critical reflections are beginning to transform the mainstream narrative of the Mao era in China. Public discussions of key episodes in the history of the People’s Republic, in particular the Anti-Rightist Movement of 1957, the Great Famine of 1959–1961, and the Cultural Revolution, have proliferated in the last fifteen years. These discussions are qualitatively different from previous expressions of traumatic or nostalgic memories of Mao in the 1980s and the 1990s respectively. They reflect a growing dissatisfaction with the authoritarian control over history exercised by the Chinese state, and often they make use of the new spaces provided for counter-hegemonic narratives by social media and the growing private economy in the 2000s. Unofficial or independent journals, self-published books, social media groups, independent documentary films, private museums, oral history projects, and archival research by amateur historians, all of which analyzed in this collection, have contributed to these embryonic public or semi-public dialogues. “An excellent guide to the independent journalism, cultural production, and amateur histories that are transforming the mainstream narrative of the Mao era in China. Rich in detail and sound in analysis, these studies document the emergence of critical memory in Chinese society. A valuable resource for students and scholars.” —Timothy Cheek, University of British Columbia; author of The Intellectual in Modern Chinese History “Popular memories of the Mao era are signposts of contemporary politics and culture. This volume features exciting new research by distinguished scholars. Extremely rich and readable, the chapters in this collection illuminate both China’s past and present. A timely and important contribution.” —Guobin Yang, University of Pennsylvania; author of The Red Guard Generation and Political Activism in China |
| wang xiaobo artist: The Golden Rule Amanda Craig, 2020-07-02 'A highly enjoyable story about female resilience... with a twist that is all the more compelling for its unexpectedness' Sunday Times 'She's such a skilful storyteller, who vividly dramatizes our lives with wit, wisdom and compassion' Bernardine Evaristo 'Amanda Craig anatomises the state of the nation with wit and empathy' Jonathan Coe 'An irresistible summer read' Guardian 'A typically sharp and hugely satisfying page-turner' Daily Mail When Hannah is invited into the first-class carriage of the London to Penzance train, she walks into a spider's web. Now a poor young single mother, she once escaped Cornwall to go to university, but after marriage to Jake her dreams turned to bitter disillusion. Her husband has left her for a rich woman, and Hannah has survived by working as a cleaner. Jinni is equally angry, and in the course of their journey the two women agree to murder each other's husbands. After all, they are strangers on a train - who could possibly connect them? But when Hannah goes to Jinni's house she meets its shambolic caretaker, who claims Jinni is very different to the person Hannah had been led to believe. Who is telling the truth - and what will become of the women's pact to commit a terrible crime? |
| wang xiaobo artist: Circulation, Translation and Reception Across Borders Elio Baldi, Cecilia Schwartz, 2023-12-15 This volume offers a detailed analysis of selected cases in the reception, translation and artistic reinterpretation of Italo Calvino's Invisible Cities (1972) around the world. The book traces the many different ways in which Calvino's modern classic has been read, translated and adapted in Brazil, France, the Netherlands and Flanders, Mexico, Romania, Scandinavia, the USSR, China, Poland, Japan and Australia. It also offers analyses of the relation between Calvino's book and, respectively, the East and Africa, as well as reflections on the book's inspiration for, and resonance in, dance, architecture and art. The volume thus traces the diversity in the reception and circulation of Invisible Cities in different countries and continents, offering a much wider framework for the discussion of Calvino’s masterpiece than before, and a more detailed picture of its cultural and linguistic ramifications. This book will be of interest to scholars in Comparative Literature, World Literature, Translation Studies, Italian Studies, Romance Languages, European Studies, Dance, Architecture and Media Studies, as well as to scholars specialised in paratext and reception. |
| wang xiaobo artist: Visions of Dystopia in China’s New Historical Novels Jeffrey C. Kinkley, 2014-11-18 The depiction of personal and collective suffering in modern Chinese novels differs significantly from standard Communist accounts and many Eastern and Western historical narratives. Writers such as Yu Hua, Su Tong, Wang Anyi, Mo Yan, Han Shaogong, Ge Fei, Li Rui, and Zhang Wei skew and scramble common conceptions of China's modern development, deploying avant-garde narrative techniques from Latin American and Euro-American modernism to project a surprisingly un-Chinese dystopian vision and critical view of human culture and ethics. The epic narratives of modern Chinese fiction make rich use of magical realism, surrealism, and unusual treatments of historical time. Also featuring graphic depictions of sex and violence, as well as dark, raunchy comedy, these novels reflect China's recent history re-presenting the overthrow of the monarchy in the early twentieth century and the resulting chaos of revolution and war; the recurring miseries perpetrated by class warfare during the dictatorship of Mao Zedong; and the social dislocations caused by China's industrialization and rise as a global power. This book casts China's highbrow historical novels from the late 1980s to the first decade of the twenty-first century as a distinctively Chinese contribution to the form of the global dystopian novel and, consequently, to global thinking about the interrelations of utopia and dystopia. |
网易云音乐
网易云音乐是一款专注于发现与分享的音乐产品，依托专业音乐人、DJ、好友推荐及社交功能，为用户打造全新的音乐生活。
下载网易云音乐iPhone、iPad、Mac、Android、WP、PC版客户端
免费下载网易云音乐iPhone、iPad、Android、PC版客户端。手机版及电脑版无限免费下载320K高品质音乐。囊括百万无损SQ音乐，你在用手机听歌时，也能感受到纤毫毕现的CD音质，更能 …
网易云音乐
网易公司版权所有©1997-2025杭州乐读科技有限公司运营：浙网文[2024] 0900-042号浙公网安备 33010802013307号算法服务公示信息
热歌榜 - 排行榜 - 网易云音乐
热歌榜为你提供最权威最及时的榜单，最近更新：07月09日（每天更新）
网易云网页版 - 歌单 - 网易云音乐
一条会讲话的咸鱼创建的歌单《网易云网页版》。更多相关热门精选歌单推荐尽在网易云音乐
飙升榜 - 排行榜 - 排行榜 - 网易云音乐
飙升榜为你提供最权威最及时的榜单，最近更新：07月09日（每天更新）
我的客服 - 163
网易云音乐是一款专注于发现与分享的音乐产品，依托专业音乐人、DJ、好友推荐及社交功能，为用户打造全新的音乐生活。
网易云音乐 - 163
网易云音乐提供丰富的音乐榜单、原创歌曲和音乐电台服务。
王蓉（Rollin Wang） - 歌手 - 网易云音乐
王蓉，中国著名流行女歌手，业界公认的“电音舞曲天后”，“创作才女”，同时也是华人演艺圈“公开整容第一人”。2004年凭借一首脍炙人口的《我不是黄蓉》而一炮走红。其创作并演唱的代表 …
网易云音乐
关于网易 - 客户服务 - 相关法律 - 网站导航 网易公司版权所有©1997-2021 浙网文 [2021] 1186-054号
网易云音乐
网易云音乐是一款专注于发现与分享的音乐产品，依托专业音乐人、DJ、好友推荐及社交功能，为用户打造全新的音乐生活。
下载网易云音乐iPhone、iPad、Mac、Android、WP、PC版客户端
免费下载网易云音乐iPhone、iPad、Android、PC版客户端。手机版及电脑版无限免费下载320K高品质音乐。囊括百万无损SQ音乐，你在用手机听歌时，也能感受到纤毫毕现的CD音质，更能 …
网易云音乐
网易公司版权所有©1997-2025杭州乐读科技有限公司运营：浙网文[2024] 0900-042号浙公网安备 33010802013307号算法服务公示信息
热歌榜 - 排行榜 - 网易云音乐
热歌榜为你提供最权威最及时的榜单，最近更新：07月09日（每天更新）
网易云网页版 - 歌单 - 网易云音乐
一条会讲话的咸鱼创建的歌单《网易云网页版》。更多相关热门精选歌单推荐尽在网易云音乐
飙升榜 - 排行榜 - 排行榜 - 网易云音乐
飙升榜为你提供最权威最及时的榜单，最近更新：07月09日（每天更新）
我的客服 - 163
网易云音乐是一款专注于发现与分享的音乐产品，依托专业音乐人、DJ、好友推荐及社交功能，为用户打造全新的音乐生活。
网易云音乐 - 163
网易云音乐提供丰富的音乐榜单、原创歌曲和音乐电台服务。
王蓉（Rollin Wang） - 歌手 - 网易云音乐
王蓉，中国著名流行女歌手，业界公认的“电音舞曲天后”，“创作才女”，同时也是华人演艺圈“公开整容第一人”。2004年凭借一首脍炙人口的《我不是黄蓉》而一炮走红。其创作并演唱的代表 …
网易云音乐
关于网易 - 客户服务 - 相关法律 - 网站导航 网易公司版权所有©1997-2021 浙网文 [2021] 1186-054号
