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| why does the new yorker use umlauts: Between You & Me Mary Norris, 2015-04-22 The most irreverent and enjoyable book on language since Eats, Shoots & Leaves. Mary Norris has spent more than three decades guarding the New Yorker's grand traditions of grammar and usage. Now she brings her vast experience and sharpened pencil to help the rest of us, in a charming language book as full of life as it is of practical advice. Between You & Me features Norris's hilarious exhortations about exclamation marks and emoticons, splice commas and swear words; her memorable exchanges with writers such as Pauline Kael, Philip Roth, and George Saunders; and her loving meditations on the most important tools of the trade. Readers - and writers - will find in Norris neither a scold nor a softie but a wise new friend in love with language. Mary Norris began working at the New Yorker in 1978. Originally from Cleveland, she now lives in New York. This is her first book. Her favourite pencil used to be the Dixon Ticonderoga No. 1, but she now makes do with the Palomino Blackwing. ‘Informative, witty and very funny: a must for anyone who cares about what they write.’ BookMooch ‘A delightful mix of autobiographer, New Yorker lore, and good language sense.’ Ben Yagoda ‘[The] verbal diagnostician I would turn to for a first, second, or third opinion on just about anything.' John McPhee, New Yorker ‘Countless laugh-out-loud passages...A funny book for any serious reader.’ Kirkus ‘Mary Norris is a grammar geek with a streak of mischief, and her book is obscenely fun.' Marilyn Johnson ‘Between You & Me is as entertaining as grammar can be. Very very. Read it and savor it.’ Garrison Keillor ‘Mary Norris’s Between You & Me is so smart and funny and soulful and effortlessly illuminating. Well, she herself is so generous and great—what else would she do?' Ian Frazier ‘Very funny, lucid, and lively...[Norris’] love of language transcends all, reconnecting the alienated pieces of this world—from the micromachinery of the serial comma up to the cosmic mystery of story.‘ New Republic ‘I enjoyed Mary Norris’s book so much. It’s exactly my idea of a good read.’ Kate Grenville, in correspondence ‘This book charmed my socks off...Norris is a master storyteller.’ New York Times ‘If you loved Eats Shoots and Leaves you will ADORE this marvellously intelligent and witty disquisition on the finer points of punctuation and grammar.’ Booktopia Buzz 'This enchanting little tome is a journey through her world of punctuation and grammar, with some very cool anecdotes...If you like words, language or puzzles, this is the book for you – or that friend or mother who always corrects you.' Readings ’So warm and un-fusty that the pages just slip by. Yet it manages in its final few to sneak in thoughtful discussions of, among other disputes, swearing, commas, colons and semi-colons.’ New Zealand Listener ‘Enlightening, useful, and often outright hilarious...From exclamation marks to emoticons, swear words to split infinitives, Mary Norris is the bomb.’ Australian Women’s Weekly |
| why does the new yorker use umlauts: Orthography as Social Action Alexandra Jaffe, Jannis Androutsopoulos, Mark Sebba, Sally Johnson, 2012-07-04 The chapters in this edited volume explore the sociolinguistic implications of orthographic and scriptural practices in a diverse range of communicative contexts, ranging from schoolrooms to internet discussion boards. The focus is on the way that scriptural practices both index and constitute social hierarchies, identities and relationships and in some cases, become the focus for public language ideological debates. Capitalizing on the now robust body of literature on orthographic choice and debate in sociolinguistics and anthropological linguistics, the volume addresses a number of cross-cutting themes that connect orthographic practices to areas of contemporary interest in sociolinguistics and linguistic anthropology. These themes include: the different social implications of self vs. other representation and the permeability of the personal/social and the public/private; how scriptural practices (inscription) serve as sites for social discipline; the historical and intertextual frameworks for the meaning potentials of orthographic choice (relating to issues of genre and style); and writing as a broader semiotic field: the visual and esthetic dimensions of texts and metalinguistic play in spelling and its ambiguous implications for writer stance. |
| why does the new yorker use umlauts: The New Yorker Harold Wallace Ross, William Shawn, Tina Brown, David Remnick, Katharine Sergeant Angell White, Rea Irvin, Roger Angell, 2009-08 |
| why does the new yorker use umlauts: The Big Book of Beastly Mispronunciations Charles Harrington Elster, 2006-02-22 |
| why does the new yorker use umlauts: Dictionary of Fine Distinctions Eli Burnstein, 2024-04-09 This delightful book is a tribute to the genius of the human mind for conceptual precision and the beauty of the English language in capturing it. It resolves a great deal of puzzlement over confusable terms, and its endearing illustrations and lighthearted explanations multiply the satisfaction. —Steven Pinker, author of The Language Instinct and Rationality What’s the difference between mazes and labyrinths? Proverbs and adages? Clementines and tangerines? Join author Eli Burnstein on a hairsplitter’s odyssey into the world of the ultra-subtle with Dictionary of Fine Distinctions. Illustrated by New Yorker cartoonist Liana Finck, this humorous dictionary takes a neurotic, brain-tickling plunge into the infinite (and infinitesimal) nuances that make up our world. The perfect gift for book lovers, word nerds, trivia geeks, and everyday readers, this illustrated gem is more than just a book—it is an indispensable resource akin to a thesaurus but filled with charm and wit. Each entry, from “latte vs. flat white to “Great Britain vs. The United Kingdom, is accompanied by mnemonic aids, quirky asides, and detailed illustrations, making it a standout dictionary for any bibliophile or language enthusiast's library. For fans of The Dictionary of Obscure Sorrows or Foyle's Philavery: A Treasury of Unusual Words, Dictionary of Fine Distinctions promises to be a cherished addition to the genre that offers clarity, joy, and a deeper appreciation for the subtleties of the English language. The quintessential librarian gift and English teacher gift, it’s an educational odyssey that’s as entertaining as it is enlightening. |
| why does the new yorker use umlauts: Documents of the Assembly of the State of New York New York (State). Legislature. Assembly, 1906 |
| why does the new yorker use umlauts: Brilliant Bathroom Reader (Mensa®) American Mensa, 2023-09-19 American Mensa presents: The Brilliant Bathroom Reader—The ultimate book of 5,000 facts curated by the world's smartest brand. Perfect to expand any curious mind! Whether gearing up for a big trivia night or simply wanting to give your brain something interesting to think about, this big book of 5,000 facts from the smartest brand in the world fits the bill. These facts will make you think. They’ll make you wonder. You may even want to research more about some of these topics. Most of all, you’ll have a ton of fun learning about everything from Thomas Edison’s attempts at mind reading to Dr. Lucy King’s beehive fences that scare elephants from destroying farms. We cover as many topics as possible, including facts that got our attention while weeding out the stuff that made us yawn or go, “Yeah, yeah, I’ve heard that one a million times.” Topics include: Flora, Fauna, and Funga Science and Technology World Culture History US Presidents National Parks Art, Fashion, and Literature Architecture Health Comics Music and Entertainment Sports and Leisure Bizarre but True The Brilliant Bathroom Reader is the perfect gift for learning new and exciting facts whenever you have a spare moment or two. |
| why does the new yorker use umlauts: Can't Slow Down Michaelangelo Matos, 2020-12-08 A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From Thriller to Purple Rain, Hello to Against All Odds, What's Love Got to Do with It to Wake Me Up Before You Go-Go, these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time. |
| why does the new yorker use umlauts: Bulletin New York State Library, 1923 |
| why does the new yorker use umlauts: State Library Bulletin New York State Library, 1922 |
| why does the new yorker use umlauts: Library School Bulletin New York State Library. School, 1918 |
| why does the new yorker use umlauts: Bulletin. Library School New York State Library, 1920 |
| why does the new yorker use umlauts: Indexing Committee on Library Organization and Equipment of the National Education Association, Martha Thorne Wheeler, New York State Library. School, 1915 |
| why does the new yorker use umlauts: The New International Encyclopaedia Frank Moore Colby, Talcott Williams, 1929 |
| why does the new yorker use umlauts: The Weight Of Ink Rachel Kadish, 2017-06-06 WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER A gifted writer, astonishingly adept at nuance, narration, and the politics of passion.—Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. When Helen is summoned by a former student to view a cache of newly discovered seventeenth-century Jewish documents, she enlists the help of Aaron Levy, an American graduate student as impatient as he is charming, and embarks on one last project: to determine the identity of the documents' scribe, the elusive Aleph. Electrifying and ambitious, The Weight of Ink is about women separated by centuries—and the choices and sacrifices they must make in order to reconcile the life of the heart and mind. |
| why does the new yorker use umlauts: Mockumentary Comedy Richard Wallace, 2018-07-13 This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible—through comedy—the performances that underpin straight documentaries and many of our public figures. Mockumentary Comedy focuses on the rock star and the politician, two figures that regularly feature as mockumentary subjects. These public figures are explored through detailed textual analyses of a range of film and television comedies, including A Hard Day’s Night, This is Spinal Tap, The Thick of It, Veep and the works of Christopher Guest and Alison Jackson. This book broadens the scope of existing mockumentary scholarship by taking comedy seriously in a sustained way for the first time. It ultimately argues that the comedic performances—by performers and of documentary conventions—are central to the form’s critical significance and popular appeal. |
| why does the new yorker use umlauts: Schottenfreude Ben Schott, 2013-10-23 An entertaining and insightful gift book from the bestselling author of several wordy favourites including Schott’s Original Miscellany and Schott’s Almanac Between them Ben Schott's books have sold some 2.5 million copies and been translated into twenty-one languages If you’ve ever wondered if there’s a word for 'stepping onto a stair that’s not there', Leetretung, or 'going back to your school and finding everything seems really small', Dreikäsehochregression, wonder no more! Find out why the German word for finding an indecipherable note in your own handwriting should be Ludwigssyndrom and marvel at how seamlessly Schott refers to the wisdom of both Fergie, Duchess of York, and Immanuel Kant when describing fear-of-missing-out (FOMO) or thwarting-fear: Ausbremsungsangst. From the delightfully silly to the curiously fascinating, Schottenfreude will make you laugh and make you think The perfect gift for that impossible-to-buy-for family member at Christmas, as well as word nerds and linguistics enthusiasts |
| why does the new yorker use umlauts: How to Tell Fate from Destiny Charles Harrington Elster, 2018 If you have trouble distinguishing the verbs imitate and emulate, the relative pronouns that and which, or the adjectives pliant, pliable, and supple, never fear--How to Tell Fate from Destiny is here to help! With more than 500 headwords, the book is replete with advice on how to differentiate commonly confused words and steer clear of verbal trouble-- |
| why does the new yorker use umlauts: Our Country Friends Gary Shteyngart, 2021-11-02 NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Financial Times, The Washington Post, Time, Los Angeles Times, New York Post, Town & Country, Good Housekeeping, Kirkus Reviews Finalist for the Bollinger Everyman Wodehouse Prize for Comic Fiction • Longlisted for the Joyce Carol Oates Prize • “A perfect novel for these times and all times, the single textual artifact from the pandemic era I would place in a time capsule as a representation of all that is good and true and beautiful about literature.”—Molly Young, The New York Times (Editors’ Choice) Eight friends, one country house, and six months in isolation—a novel about love, friendship, family, and betrayal hailed as a “virtuoso performance” (USA Today) and “an homage to Chekhov with four romances and a finale that will break your heart” (The Washington Post) In the rolling hills of upstate New York, a group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most. The unlikely cast of characters includes a Russian-born novelist; his Russian-born psychiatrist wife; their precocious child obsessed with K-pop; a struggling Indian American writer; a wildly successful Korean American app developer; a global dandy with three passports; a Southern flamethrower of an essayist; and a movie star, the Actor, whose arrival upsets the equilibrium of this chosen family. Both elegiac and very, very funny, Our Country Friends is the most ambitious book yet by the author of the beloved bestseller Super Sad True Love Story. |
| why does the new yorker use umlauts: New York Magazine , 1997-10-20 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| why does the new yorker use umlauts: Tawada Yoko Brett de Bary, Naoki Sakai, Sigrid Wiegel, Christine Ivanovic, Gizem Arslan, Paul McQuade, Madalina Meirosu, Fujiwara Dan, Annegret Märten, 2019-11-06 This collection brings together scholars from around the world to recognize and assess the achievements of Tawada Yōko, the prolific and highly lauded author who writes in Japanese and German. |
| why does the new yorker use umlauts: Studies in the History of the English Language III Christopher M. Cain, Geoffrey Russom, 2009-02-26 The essays of this volume employ diverse strategies for conceptualizing the history of English as at once chaotic and yet amenable to circumscribed analyses that incorporate a broad view of language change. Several of the world's leading scholars of the English language contribute to the overall perspective that an elaboration of linguistic, cultural, and social contexts and a renewed emphasis on the concrete historical conditions of language change are necessary to approach some long-standing obstacles in the study of the history of the English language. Designed for students, teachers, and scholars of the English language, Managing Chaos: Strategies for Identifying Change in English (SHEL III) presents studies on all periods of the English language in a variety of theoretical and methodological modes. Highlights include Anatoly Liberman's sweeping comparative revision of the history of palatalized and velarized consonants in English; William Kretzschmar's (et al.) wittily illuminating study of a suburban Atlanta, Georgia town that epitomizes the specific ways in which inter-regional linguistic variation can be maintained while local social factors drive dramatic change on an intra-regional level; Lesley Milroy's innovative analysis of recent unitary changes in global Englishes that cannot be accounted for by classic Labovian models that situate language change within small, close networks of speakers who mediate variation in face-to-face interactions, an observation that leads Milroy to propose two distinct but cross-influencing levels of social dynamics in language change. All of the essays of this volume include careful critiques of the construction of our present understanding of the history of English, thus marking the path behind while shining a light on the way ahead for the future of the discipline. |
| why does the new yorker use umlauts: Some Trick Helen DeWitt, 2019-10-29 Hailed a “Best Book of the Year” by NPR, Publishers Weekly, Vulture, and the New York Public Library, Some Trick is now in paperback Finalist for the Saroyan Prize for Fiction For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a reader as far as Helen DeWitt into the funniest, most far-reaching dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success. “Look,” a character begins to explain, laying out some gambit reasonably enough, even in the face of situations spinning out to their utmost logical extremes, where things prove “more complicated than they had first appeared” and “at 3 a.m. the circumstances seem to attenuate.” In various ways, each tale carries DeWitt’s signature poker-face lament regarding the near-impossibility of the life of the mind when one is made to pay to have the time for it, in a world so sadly “taken up with all sorts of paraphernalia superfluous, not to say impedimental, to ratiocination.” |
| why does the new yorker use umlauts: Indexing Martha Thorne Wheeler, Elva Lucile Bascom, 1905 |
| why does the new yorker use umlauts: Indexing; Principles, Rules and Examples Martha Thorne Wheeler, 1920 |
| why does the new yorker use umlauts: Proceedings of the ... Convocation of University of the State of New York University of the State of New York, 1895 |
| why does the new yorker use umlauts: Documents of the Senate of the State of New York New York (State). Legislature. Senate, 1895 |
| why does the new yorker use umlauts: With Child Andy Martin, 2019-09-10 With a foreword by Lee Child. Andy Martin spent a year in the company of Lee Child, creator of tough-guy hero Jack Reacher. With Child is the diary of their adventures, tracking the publication and reception of Make Me, the writing of Night School at an apartment in Manhattan, the filming of Never Go Back in New Orleans, all the agony and ecstasy of the creative process and the sheer hard work of selling a bestseller. They go on the road together, from TV studios to bookstores, from Harvard to Stockholm, amid literary conferences and gunshows, rivalries and reviews ranging from adulatory to murderous. We meet fellow writers like Stephen King and David Lagercrantz and Karin Slaughter, and dissect the latest novel from Jonathan Franzen. But Martin also reaches out to Child’s legion of readers in America and around the world. He tracks down a woman in Texas whose name appears in the home invasion scene in Make Me; he goes up a mountain in Montana in search of the only reader who thinks Reacher is a “lightweight”; and he talks to obsessive fans from Europe to South Africa who find salvation or consolation in the colossal form of Jack Reacher. This compelling account of life on the road with Lee Child demonstrates that readers are just as important as writers in the making of modern fiction. |
| why does the new yorker use umlauts: Style Manual for Preparation of Catalogue Copy in the New York Public Library New York Public Library, 1943 |
| why does the new yorker use umlauts: The Modern Language Journal , 1924 Includes section Reviews. |
| why does the new yorker use umlauts: Preparation Division Notes New York Public Library. Preparation Division, 1928 |
| why does the new yorker use umlauts: Consciousness Josh Weisberg, 2014-11-07 Each of us, right now, is having a unique conscious experience. Nothing is more basic to our lives as thinking beings and nothing, it seems, is better known to us. But the ever-expanding reach of natural science suggests that everything in our world is ultimately physical. The challenge of fitting consciousness into our modern scientific worldview, of taking the subjective “feel” of conscious experience and showing that it is just neural activity in the brain, is among the most intriguing explanatory problems of our times. In this book, Josh Weisberg presents the range of contemporary responses to the philosophical problem of consciousness. The basic philosophical tools of the trade are introduced, including thought experiments featuring Mary the color-deprived super scientist and fearsome philosophical “zombies”. The book then systematically considers the space of philosophical theories of consciousness. Dualist and other “non-reductive” accounts of consciousness hold that we must expand our basic physical ontology to include the intrinsic features of consciousness. Functionalist and identity theories, by contrast, hold that with the right philosophical stage-setting, we can fit consciousness into the standard scientific picture. And “mysterians” hold that any solution to the problem is beyond such small-minded creatures as us. Throughout the book, the complexity of current debates on consciousness is handled in a clear and concise way, providing the reader with a fine introductory guide to the rich philosophical terrain. The work makes an excellent entry point to one of the most exciting areas of study in philosophy and science today. |
| why does the new yorker use umlauts: Miss New India Bharati Mukherjee, 2011 Taken under the wing of an expat teacher for her ambition and talent, Anjali Bose hopes to escape unfavorable prospects and falls in with a crowd of young people in Bangalore, where she endeavors to confront her past and reinvent herself. |
| why does the new yorker use umlauts: Handbook of New York State Library School James Ingersoll Wyer, Martha Thorne Wheeler, New York State Library. School, William Reed Eastman, 1903 |
| why does the new yorker use umlauts: Gone to New York Ian Frazier, 2005 The author introduces another side of New York, including a man who climbed the World Trade Center and an eighty-three-year old typewriter repairman, among other characters. |
| why does the new yorker use umlauts: Germanic Linguistics Rosina Lippi-Green, Joe Salmons, 1996-01-01 This volume contains ten revised and expanded papers selected from the dozens presented at the last Michigan-Berkeley Germanic Linguistics Roundtable, five contributions each from syntax (by Werner Abraham, Sarah Fagan, Isabella Barbier, John te Velde, and Ruth Lanouette) and historical linguistics (by Garry Davis and Gregory Iverson, Mary Niepokuj, Neil Jacobs, Edgar Polomé, and David Fertig). The authors start from current theoretical discussions in syntactic and diachronic research, using theory to address longstanding but still current problems in Germanic linguistics, from clitic placement and verb-second phenomena through the Verschärfung to the Twaddellian view of umlaut. Each contribution relies on careful sifting of data situated in the relevant comparative context, Germanic, Indo-European and cross-linguistic. |
| why does the new yorker use umlauts: New York State Education Department Bulletin , 1913 |
| why does the new yorker use umlauts: New York Magazine , 1971-11-22 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| why does the new yorker use umlauts: New York Medical Journal , 1901 |
| why does the new yorker use umlauts: MLA Handbook The Modern Language Association of America, 2021-04-22 Relied on by generations of writers, the MLA Handbook is published by the Modern Language Association and is the only official, authorized book on MLA style. The new, ninth edition builds on the MLA's unique approach to documenting sources using a template of core elements--facts, common to most sources, like author, title, and publication date--that allows writers to cite any type of work, from books, e-books, and journal articles in databases to song lyrics, online images, social media posts, dissertations, and more. With this focus on source evaluation as the cornerstone of citation, MLA style promotes the skills of information and digital literacy so crucial today. The many new and updated chapters make this edition the comprehensive, go-to resource for writers of research papers, and anyone citing sources, from business writers, technical writers, and freelance writers and editors to student writers and the teachers and librarians working with them. Intended for a variety of classroom contexts--middle school, high school, and college courses in composition, communication, literature, language arts, film, media studies, digital humanities, and related fields--the ninth edition of the MLA Handbook offers New chapters on grammar, punctuation, capitalization, spelling, numbers, italics, abbreviations, and principles of inclusive language Guidelines on setting up research papers in MLA format with updated advice on headings, lists, and title pages for group projects Revised, comprehensive, step-by-step instructions for creating a list of works cited in MLA format that are easier to learn and use than ever before A new appendix with hundreds of example works-cited-list entries by publication format, including websites, YouTube videos, interviews, and more Detailed examples of how to find publication information for a variety of sources Newly revised explanations of in-text citations, including comprehensive advice on how to cite multiple authors of a single work Detailed guidance on footnotes and endnotes Instructions on quoting, paraphrasing, summarizing, and avoiding plagiarism A sample essay in MLA format Annotated bibliography examples Numbered sections throughout for quick navigation Advanced tips for professional writers and scholars |
"Why it is" vs "Why is it" - English Language & Usage Stack …
Nov 7, 2013 · The question: "Why is [etc.]" is a question form in English: Why is the sky blue? Why is it that children require so much attention? Why is it [or some thing] like that? When that …
How did the letter Z come to be associated with sleeping/snoring?
May 26, 2011 · See also Why Does ZZZ mean sleep? for another theory: The reason zzz came into being is that the comic strip artists just couldn’t represent sleeping with much. ... As the …
What's the proper way to handwrite a lowercase letter A?
Oct 31, 2017 · But why are there two different As? Back in ye olde days there were many ways to write a lower-case A. (The same went for other letters, for example þ was later written "y", …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · I don't think we are discussing whether "ananas" or "pineapple" was used first, but where it came from and why the English language does not use "ananas" today. I would say …
Reason for different pronunciations of "lieutenant"
Dec 6, 2014 · As to why present day usage is as it is: People can be contrary. It's possible the US adopted "Loo" because and only because the Brits said "Lef" -- or vice-versa. But it seems the …
The whys and the hows - English Language & Usage Stack Exchange
Apr 13, 2017 · The rule on apostrophes on plurals applies if the word in question is a bona fide word as a plural. My dictionary shows the plural of "why" with a simple "s." Ditto other words …
terminology - Why use BCE/CE instead of BC/AD? - English …
Why do people use the latter terminology? For one thing, I find it confusing. It doesn't help that BCE is similar to BC. But moreover, there is only one letter of difference between the two …
etymology - Why "shrink" (of a psychiatrist)? - English Language ...
I'm afraid I have to disagree here. From my understanding, and a recent article in the Atlantic, derived from the new text Marketplace of the Marvelous: The Strange Origins of Modern …
Using hundreds to express thousands: why, where, when?
May 30, 2017 · Why change register half way through? [¶ Of course, even in the middle ages, educated professionals such as architects, military engineers and accountants would work to …
How did the word "beaver" come to be associated with vagina?
From "Why King George of England May Have to Lose His Beard: How the Game of 'Beaver' Which All England Is Playing Is So Threatening the Proper Reverence for the Throne That …
"Why it is" vs "Why is it" - English Language & Usage Stack …
Nov 7, 2013 · The question: "Why is [etc.]" is a question form in English: Why is the sky blue? Why is it that children require so much attention? Why is it [or some thing] like that? When that …
How did the letter Z come to be associated with sleeping/snoring?
May 26, 2011 · See also Why Does ZZZ mean sleep? for another theory: The reason zzz came into being is that the comic strip artists just couldn’t represent sleeping with much. ... As the …
What's the proper way to handwrite a lowercase letter A?
Oct 31, 2017 · But why are there two different As? Back in ye olde days there were many ways to write a lower-case A. (The same went for other letters, for example þ was later written "y", …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · I don't think we are discussing whether "ananas" or "pineapple" was used first, but where it came from and why the English language does not use "ananas" today. I would say …
Reason for different pronunciations of "lieutenant"
Dec 6, 2014 · As to why present day usage is as it is: People can be contrary. It's possible the US adopted "Loo" because and only because the Brits said "Lef" -- or vice-versa. But it seems the …
The whys and the hows - English Language & Usage Stack Exchange
Apr 13, 2017 · The rule on apostrophes on plurals applies if the word in question is a bona fide word as a plural. My dictionary shows the plural of "why" with a simple "s." Ditto other words …
terminology - Why use BCE/CE instead of BC/AD? - English …
Why do people use the latter terminology? For one thing, I find it confusing. It doesn't help that BCE is similar to BC. But moreover, there is only one letter of difference between the two …
etymology - Why "shrink" (of a psychiatrist)? - English Language ...
I'm afraid I have to disagree here. From my understanding, and a recent article in the Atlantic, derived from the new text Marketplace of the Marvelous: The Strange Origins of Modern …
Using hundreds to express thousands: why, where, when?
May 30, 2017 · Why change register half way through? [¶ Of course, even in the middle ages, educated professionals such as architects, military engineers and accountants would work to …
How did the word "beaver" come to be associated with vagina?
From "Why King George of England May Have to Lose His Beard: How the Game of 'Beaver' Which All England Is Playing Is So Threatening the Proper Reverence for the Throne That …
