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| whose legacy did ftii inherit: Detroit: I Do Mind Dying Marvin Surkin, Dan Georgakas, 2022-02-17 Detroit: I Do Mind Dying tracks the extraordinary development of the Dodge Revolutionary Union Movement and the League of Revolutionary Black Workers as they became two of the landmark political organizations of the 1960s and 1970s. It is widely heralded as one the most important books on the black liberation movement. Marvin Surkin received his PhD in political science from New York University and is a specialist in comparative urban politics and social change. He worked at the center of the League of Revolutionary Black Workers in Detroit. Dan Georgakas is a writer, historian, and activist with a long-time interest in social movements. He is the author of My Detroit, Growing up Greek and American in Motor City. |
| whose legacy did ftii inherit: The International Movie Industry Gorham Anders Kindem, 2000 A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context. |
| whose legacy did ftii inherit: Why Acting Matters David Thomson, 2015-03-01 Does acting matter? David Thomson, one of our most respected and insightful writers on movies and theater, answers this question with intelligence and wit. In this fresh and thought-provoking essay, Thomson tackles this most elusive of subjects, examining the allure of the performing arts for both the artist and the audience member while addressing the paradoxes inherent in acting itself. He reflects on the casting process, on stage versus film acting, and on the cult of celebrity. The art and considerable craft of such gifted artists as Meryl Streep, Laurence Olivier, Vivien Leigh, Marlon Brando, Daniel Day-Lewis, and others are scrupulously appraised here, as are notions of “good” and “bad” acting. Thomson’s exploration is at once a meditation on and a celebration of a unique and much beloved, often misunderstood, and occasionally derided art form. He argues that acting not only “matters” but is essential and inescapable, as well as dangerous, chronic, transformative, and exhilarating, be it on the theatrical stage, on the movie screen, or as part of our everyday lives. |
| whose legacy did ftii inherit: The Oxford History of World Cinema Geoffrey Nowell-Smith, 1996 Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world. |
| whose legacy did ftii inherit: The Positive Sciences of the Ancient Hindus Sir Brajendranath Seal, 1915 |
| whose legacy did ftii inherit: Indian Cinema in the Time of Celluloid Ashish Rajadhyaksha, 2009 |
| whose legacy did ftii inherit: Essential Cinema Jonathan Rosenbaum, 2004-04-27 A cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere. |
| whose legacy did ftii inherit: Kumar Shahani Kumar Shahani, 2015 The fifty-one essays compiled in this book were written over a forty-year period by India's leading independent filmmaker. They provide new insights into a turbulent era in modern India's cultural history. Although known primarily as a filmmaker, Kumar Shahani has taught, spoken and written on a variety of subjects over this period, that include the cinema, but also politics, aesthetics, history and psychoanalysis. In these essays Shahani addresses diverse political issues, aesthetic practice, questions of artistic freedom and censorship. There are also personal essays on filmmakers and artists including his teachers and colleagues. Shahani's often polemical positions, as they occur in several previously unpublished essays and presentations, are essential contributions to film and cultural histories of the Indian cinema as well as of the New Cinema worldwide. The book includes a comprehensive introductory essay, Kumar Shahani Now, by Ashish Rajadhyaksha. |
| whose legacy did ftii inherit: The Jewish Encyclopedia Isidore Singer, Cyrus Adler, 1901 V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel. |
| whose legacy did ftii inherit: Mayakovsky Bengt Jangfeldt, 2014-12-23 A Life at Stake is the first serious biography of the legendary Russian poet Vladimir Mayakovsky. Physically imposing, crude, a sexual adventurer and ex-convict, Mayakovsky rose to fame between 1912 and 1917 as a Futurist agitator and the author of radical poems and plays. He embraced the Russian Revolution and became one of its most passionate propagandists, then at the age of thirty-six took his own life, disappointed in the course of Soviet society and ravaged by private conflicts. Mayakovsky s poems are as exhilarating today as when he declaimed them for friends in smoky flats in Moscow, Berlin, Paris, and New York. In Bengt Jangfeldt s propulsive biography, Mayakovsky s life, too, is compelling: a story of constant, passionate upheaval against the background of the First World War, the Russian Revolution, Stalin s terror, and cycles of anti-Semitism. Mayakovsky emerges from this biography a highly vulnerable figure, more a dreamer than a revolutionary, more a political romantic than a hardened Communist. |
| whose legacy did ftii inherit: And Then One Day Naseeruddin Shah, 2015-11-10 Naseeruddin Shah’s sparkling memoir of his early years, ‘from zero to thirty-two’, spans his extraordinary journey from a feudal hamlet near Meerut, to Catholic schools in Nainital and Ajmer, and finally to stage and film stardom in Mumbai. Along the way, he recounts his passages through Aligarh University, the National School of Drama and the Film and Television Institute of India, where his luck finally began to change. And Then One Day tells a compelling tale, written with rare honesty and consummate elegance, leavened with tongue-in-cheek humour. There are moving portraits of family members, darkly funny accounts of his schooldays, and vivid cameos of directors and actors he has worked with, among them Ebrahim Alkazi, Shyam Benegal, Girish Karnad, Om Puri and Shabana Azmi. The accounts of his struggle to earn a living through acting, his experiments with the craft, his love affairs, his early marriage, his successes and failures are narrated with remarkable frankness and objective self-assessment. Brimming with delightful anecdotes as well as poignant, often painful revelations, this book is a tour de force. |
| whose legacy did ftii inherit: The Visual Story Bruce Block, 2013-04-02 If you can't make it to one of Bruce Block's legendary visual storytelling seminars, then you need his book! Now in full color for the first time, this best-seller offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, animated piece, or video game. You'll learn how to structure your visuals as carefully as a writer structures a story or a composer structures music. Understanding visual structure allows you to communicate moods and emotions, and most importantly, reveals the critical relationship between story structure and visual structure. The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future. |
| whose legacy did ftii inherit: One Third of the Nation's Land United States. Public Land Law Review Commission, 1970 Where and what are public lands? -- To whom the public lands are important -- Planning future public land use -- Public land policy and the environment -- Timber resources -- Range resources -- Mineral resources -- Water resources -- Fish and wildlife resources -- Intensive agriculture -- The Outer Continental Shelf -- Outdoor recreation -- Occupancy uses -- -Tax immunity -- Land grants to states -- Administrative procedures -- Trespass and disputed title -- Disposals, acquisitions, and exchanges -- Federal legislative jurisdiction -- Organization, administration, and budgeting policy -- Appendices. |
| whose legacy did ftii inherit: The Accountant's Magazine , 1972 |
| whose legacy did ftii inherit: Go Kiss the World Subroto Bagchi, 2009-08-05 'Go, kiss the world' were Subroto Bagchi's blind mother's last words to him. These words became the guiding principle of his life. Subroto Bagchi grew up amidst what he calls the 'material simplicity' of rural and small-town Orissa, imbibing from his family a sense of contentment, constant wonder, connectedness to a larger whole and learning from unusual sources. From humble beginnings, he went on to achieve extraordinary professional success, eventually co-founding MindTree, one of India'™s most admired software services companies. Through personal anecdotes and simple words of wisdom, Subroto Bagchi brings to the young professional lessons in working and living, energizing ordinary people to lead extraordinary lives. Go Kiss the World will be an inspiration to 'young India', and to those who come from small-town India, urging them to recognize and develop their inner strengths, thereby helping them realize their own, unique potential. |
| whose legacy did ftii inherit: The Epic Cinema of Kumar Shahani Laleen Jayamanne, 2014-10-22 Laleen Jayamanne examines the major works of leading Indian film director, Kumar Shahani, and explores the reaches of modernist film aesthetics in its international form. More than an auteur study, Jayamanne approaches Shahani's films conceptually, as those that reveal cinema's synaesthetic capabilities, or cinaesthesia. As the author shows, Shahani's cinematic project entails a modern reformulation of the ancient oral tradition of epic narration and performance in order to address the contemporary world, establishing a new cinematic expression, an epic idiom. As evidenced by his films, constructing cinematic history becomes more than an archival project of retrieval, and is instead a living history of the present which can intervene in the current moment through sensory experiences, propelling thought. |
| whose legacy did ftii inherit: Education for All American Youth , 1951 |
| whose legacy did ftii inherit: Cinemas Dark and Slow in Digital India Lalitha Gopalan, 2021-02-12 This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles. |
| whose legacy did ftii inherit: Alberunis India Edward C. Sachau, 2017-11-12 Alberunis India - Vol.1 is an unchanged, high-quality reprint of the original edition of 1888. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future. |
| whose legacy did ftii inherit: The Challenge of the Silver Screen Freek L. Bakker, 2009 In 1897 only two years after the invention of film the first feature film about Jesus appeared. This and other films about Jesus became examples for and an inspiration for films on other important religious figures like Rama, Buddha and Muhammad. Although religious leaders did not always approve of these films, they did find a ready audience among believers. This book explores these films and looks at how these films dealt with the fundamental question of portraying an individual thought to have either divine status or a very special and unique status among human beings. This book will thus benefit not only students of religious film but also those studying the portrayal of central religious figures in the contemporary world. |
| whose legacy did ftii inherit: Taxation , 2003 |
| whose legacy did ftii inherit: Descendants of Bartholomew Jacoby Helen Eaton Jacoby Evard, 1955 Bartholomew Jacoby (b. ca. 1747) married Maria Catharine Mayer about 1770 in Berks Co., Pennsylvania and died after 1830 in Mississippi. |
| whose legacy did ftii inherit: Yiddish Salomo A. Birnbaum, 1979 |
| whose legacy did ftii inherit: The Wentworth Genealogy John Wentworth, 1878 |
| whose legacy did ftii inherit: A History of the Theater Glynne Wickham, 1992 Outlines the development of drama throughout the world over the last 3000 years, from its origins in primitive dance rituals to the 1990s. |
| whose legacy did ftii inherit: Natural Language Processing Using Very Large Corpora S. Armstrong, Kenneth W. Church, Pierre Isabelle, Sandra Manzi, Evelyne Tzoukermann, David Yarowsky, 2013-04-17 ABOUT THIS BOOK This book is intended for researchers who want to keep abreast of cur rent developments in corpus-based natural language processing. It is not meant as an introduction to this field; for readers who need one, several entry-level texts are available, including those of (Church and Mercer, 1993; Charniak, 1993; Jelinek, 1997). This book captures the essence of a series of highly successful work shops held in the last few years. The response in 1993 to the initial Workshop on Very Large Corpora (Columbus, Ohio) was so enthusias tic that we were encouraged to make it an annual event. The following year, we staged the Second Workshop on Very Large Corpora in Ky oto. As a way of managing these annual workshops, we then decided to register a special interest group called SIGDAT with the Association for Computational Linguistics. The demand for international forums on corpus-based NLP has been expanding so rapidly that in 1995 SIGDAT was led to organize not only the Third Workshop on Very Large Corpora (Cambridge, Mass. ) but also a complementary workshop entitled From Texts to Tags (Dublin). Obviously, the success of these workshops was in some measure a re flection of the growing popularity of corpus-based methods in the NLP community. But first and foremost, it was due to the fact that the work shops attracted so many high-quality papers. |
| whose legacy did ftii inherit: Written by Salim-Javed Diptakirti Chaudhuri, 2015-10-01 The dramatic, entertaining story of the dream team that pioneered the Bollywood blockbuster Salim Khan and Javed Akhtar reinvented the Bollywood formula with an extraordinary lineup of superhits, becoming game changers at a time when screenwriting was dismissed as a back-room job. From Zanjeer to Deewaar and Sholay to Shakti, their creative output changed the destinies of several actors and filmmakers and even made a cultural phenomenon of the Angry Young Man. Even after they decided to part ways, success continued to court them-a testament not only to their impeccable talent and professional ethos, but also their enterprising showmanship and business acumen. Fizzing with energy and brimming over with enough trivia to delight a cinephile's heart, Written by Salim-Javed tells the story of a dynamic partnership that transformed Hindi cinema forever. |
| whose legacy did ftii inherit: Education, Values, and Society John Raven, 1977 |
| whose legacy did ftii inherit: Chambal, the Valley of Terror Taruṇakumāra Bhāduṛī, 1972 |
| whose legacy did ftii inherit: The Female Gaze in Documentary Film Lisa French, 2021-07-04 The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the recent rise in interest in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has infrequently been the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America. |
| whose legacy did ftii inherit: An Introductory Grammar of Rabbinic Hebrew Miguel Pérez Fernández, 1997 |
| whose legacy did ftii inherit: The Illio , 1911 |
| whose legacy did ftii inherit: The Penguin Guide to Punctuation R L Trask, 2019-06-13 The Penguin Guide to Punctuation is indispensable for anyone who needs to get to grips with using punctuation in their written work. Whether you are puzzled by colons and semicolons, unsure of where commas should go or baffled by apostrophes, this jargon-free, succinct guide is for you. |
| whose legacy did ftii inherit: The Baillio Family Catherine Futch, 1983-01-03 Descendants of Pierre Baillo who married Catherine Poisot (Poissot) in in New Orleans in 1763. This history of the Bai l.lio Fa.mil y has been prepared from the best available records, beginning with April 4, 1763, when Pierre Baillio I married Catherine Poisot (Poissot) and continuing to mid-1960. |
| whose legacy did ftii inherit: India’s Film Society Movement V. K. Cherian, 2016-12-12 First comprehensive account of the seven-decade long journey of the Film Society Movement in India, and how it helped Indian cinema come into its own. Till 1950s, 80 % of the films screened in India were from Hollywood. Today, only 10 % films shown in India are of foreign origin. One of the main factors that aided in bringing about this massive transformation was the formation of Film Societies in India. They soon became a catalyst to a new film culture, impacting quality of Indian films, both in technology and content. This book studies this historic Film Society movement, from its origin, to the crisis of its identity in the 80s and 90s to its revival in 2000s. It not only narrates the history, the heroes, the institutions, crises, technological changes and the transformation of the Film Society Movement but also debates on the future of this movement. |
| whose legacy did ftii inherit: From Modernism to Postmodernism Lawrence E. Cahoone, 1996-01 This outstanding volume provides an unparalleled collection of the essential readings of modernism and postmodernism. Motivated by the assumption that students cannot appreciate postmodernism without first understanding the development of modernity, this anthology puts contemporary debate in the context of the criticism of modernity since the seventeenth century. Chronologically and thematically arranged, the book is the ideal text for students and general readers alike. Its breadth and depth of coverage ensure that it will be an indispensable and multidisciplinary resource in philosophy, literature, cultural studies, social theory, and religious studies. |
| whose legacy did ftii inherit: The Schall Family in America Margaret Schall Hotham, 1938 Chiefly, a record of descendants of Michael Schall, who was born in the Palatinate of the Rhine, Germany in 1739. At the age of thirteen, with his parants, his sister and two older brothers, Michael emigrated to Pennsylvania on the ship Neptune, which departed from Rotterdam, Holland and arrived on 4 October 1752. Michael was the son of Nicholas Schall who was born on 26 May 1709. Nicholas died on 27 September 1772 at the age of 64 years, and was buried at Dryland Church, Hecktown, Lower Nazareth township, Northampton County, Pennsylvania. Michael married Anna Maria an unknown date. They moved several times and had seven children. MIchael Schall lived to be ninety-one years of age and died about 1830. |
| whose legacy did ftii inherit: Encyclopedia of Indian Cinema Ashish Rajadhyaksha, 1999 |
| whose legacy did ftii inherit: Pharmacology for Nurses, Third Canadian Edition Michael Adams, Norman Holland, Paula Manuel Bostwick, Mohamed El-Hussein, Joseph Osuji, 2020-03-25 |
| whose legacy did ftii inherit: Psychological Testing Robert J. Gregory, 2014-05-16 Establishes a solid foundation of knowledge about psychological testing Psychological testing impacts virtually every corner of modern life, from education to vocation to remediation. Psychological Testing: History, Principles, and Applications, 7/e, covers all variations of testing and explores social issues testing raises. This program provides readers extensive knowledge about the characteristics, objectives, and wide-ranging effects of psychological testing. |
Who's vs Whose: Using Each Correctly - Merriam-Webster
Whose shows possession, as in "whose shoes are these?" or identifies or specifies someone or something, as in "the doctor whose name I forget" and "the book whose cover is torn."
“Whose” vs. “Who’s”: What’s the Difference? | Grammarly Blog
Feb 21, 2025 · Whose is the possessive form of who, while who’s is a contraction for who is or who has—both are homophones but have different meanings. Whose is used to indicate …
Whose Vs. Who's - Thesaurus.com
Nov 10, 2017 · When do you use whose? The word whose is possessive, and it is often used as an adjective, which is a word that describes or clarifies a noun or a pronoun. So, in this case, …
WHOSE | English meaning - Cambridge Dictionary
We usually use whose as a relative pronoun to indicate possession by people and animals. In more formal styles we can also use it for things. …
Who's or Whose? - Grammar Monster
Who's and whose are easy to confuse. Who's means who is or who has. Whose shows possession (e.g., Never trust a doctor whose plants have died).
Who’s or whose? - Collins Dictionary Language Blog
Jun 2, 2025 · whose. Whose is a determiner. You use whose to ask or say who something or someone belongs or relates to. I know whose fault it is. Whose dog is that? We live next door …
How to Use "Whose" and "Who's" - Encyclopedia Britannica
So what is the difference between whose and who's? The word whose is the possessive form of the pronoun who. It is used in questions to ask who owns something, has something, etc. Who …
Whose vs. Who’s – Usage, Difference and Examples - GRAMMARIST
It asks a question, but “whose” suggests ownership, as in who owns this mess. If you used “who’s” in this context, you’d be saying, “Who is mess is this?” which doesn’t make sense at all.
Who’s vs. Whose – What’s the Difference? - Two Minute English
Mar 28, 2024 · Understanding the difference between “who’s” and “whose” is key in mastering English. “ Who’s ” is a contraction for “who is” or “who has.” For example, “Who’s going to the …
Whose vs. Who’s | Examples, Definition & Quiz - Scribbr
Aug 8, 2022 · Whose car is parked in my spot? “Whose” is the possessive form of the pronoun “who.” It can be used before a noun to ask a question about possession. Tyler, whose band is …
Who's vs Whose: Using Each Correctly - Merriam-Webster
Whose shows possession, as in "whose shoes are these?" or identifies or specifies someone or something, as in "the doctor whose name I forget" and "the book whose cover is torn."
“Whose” vs. “Who’s”: What’s the Difference? | Grammarly Blog
Feb 21, 2025 · Whose is the possessive form of who, while who’s is a contraction for who is or who has—both are homophones but have different meanings. Whose is used to indicate …
Whose Vs. Who's - Thesaurus.com
Nov 10, 2017 · When do you use whose? The word whose is possessive, and it is often used as an adjective, which is a word that describes or clarifies a noun or a pronoun. So, in this case, …
WHOSE | English meaning - Cambridge Dictionary
We usually use whose as a relative pronoun to indicate possession by people and animals. In more formal styles we can also use it for things. …
Who's or Whose? - Grammar Monster
Who's and whose are easy to confuse. Who's means who is or who has. Whose shows possession (e.g., Never trust a doctor whose plants have died).
Who’s or whose? - Collins Dictionary Language Blog
Jun 2, 2025 · whose. Whose is a determiner. You use whose to ask or say who something or someone belongs or relates to. I know whose fault it is. Whose dog is that? We live next door …
How to Use "Whose" and "Who's" - Encyclopedia Britannica
So what is the difference between whose and who's? The word whose is the possessive form of the pronoun who. It is used in questions to ask who owns something, has something, etc. Who …
Whose vs. Who’s – Usage, Difference and Examples - GRAMMARIST
It asks a question, but “whose” suggests ownership, as in who owns this mess. If you used “who’s” in this context, you’d be saying, “Who is mess is this?” which doesn’t make sense at all.
Who’s vs. Whose – What’s the Difference? - Two Minute English
Mar 28, 2024 · Understanding the difference between “who’s” and “whose” is key in mastering English. “ Who’s ” is a contraction for “who is” or “who has.” For example, “Who’s going to the …
Whose vs. Who’s | Examples, Definition & Quiz - Scribbr
Aug 8, 2022 · Whose car is parked in my spot? “Whose” is the possessive form of the pronoun “who.” It can be used before a noun to ask a question about possession. Tyler, whose band is …
