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| walter pater: Selected Writings of Walter Pater Walter Pater, 1982 Harold Bloom's selection of Pater's writings brings together in one volume the most important sections and passages from The Renaissance, Imaginary Portraits, Appreciations, Plato and Platonism, Greek Studies, and Sketches and Reviews, as well as The Child in the House. Pater, the chief aesthetician and literary critic of Victorian England, brought his powerful imagination to bear on a wide range of subjects: from the drama of Euripides to the painters of the Renaissance, from the Romantic poets to the pre-Raphaelites, from Plato to Oscar Wilde. In the twentieth century, Pater's theories of art and literature exerted a strong inluence on the work of Yeats, Pound, Eliot, Joyce, and Stevens. |
| walter pater: Walter Pater R.M. Seiler, 2013-10-15 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes. |
| walter pater: Walter Pater and the French Tradition John J. Conlon, 1982 Dr. Conlon focuses on Pater's unique role as the English interpreter of a new Matter of France, an extraordinary body of French Romantic literature, history, and criticism. More than Arnold or Swinburne, Pater made a major contribution to the Victorian awareness of French literature. |
| walter pater: Studies in the History of the Renaissance Walter Pater, 1873 Pater's first major work, a study of kindred spirits in love of beauty. Criticized as a demoralizing moralizer.--Jim Kepner ; Oscar Wilde's favorite book by Pater (Greif, p. 157) ; Includes essays on Pico della Mirandola, Michelangelo, da Vinci and Winckelmann. |
| walter pater: The Renaissance Walter Pater, 1899 |
| walter pater: Walter Pater. [Mit Portr.] (1. Print.) Gerald Monsman, 1977 There have been no biographies of Pater in English (except for a rather slight, commemorative outline by Arthur Symons) since the brief or inaccurate tributes and studies before World War I, and the time has come for a full-length study to combine such facts of Pater's life as can be established with a careful analysis of his art. Centering on the Aesthetic hero, this study attempts to present Pater's fiction and biography as lucidly as possible, so that the general reader, the undergraduate, and the fledgling graduate student will benefit from its critical reading as much as the Victorian specialist. Since the scope of a few hundred pages limits consideration to the more significant writings, this study has been weighted in the direction of Pater's completed imaginative work, utilizing his reviews, lectures, critical appreciations, and unfinished fiction and other fragments only when the occasion warrants. And finally, inasmuch as any new line of critical inquiry that also aspires to be a broad-based reassessment of Pater's theory of culture must build upon a core of established insights, I have not hesitated when appropriate both to incorporate my previously published readings or to draw on the excellent recent work of Lawrence Evans, Harold Bloom, J. Hillis Miller, Ian Fletcher, and a number of others who have enriched my understanding of the subject.--author's preface. |
| walter pater: The Works of Walter Pater Walter Pater, 1900 |
| walter pater: The Renaissance Walter Pater, 1913 |
| walter pater: Imaginary Portraits Walter Pater, 1894 |
| walter pater: Walter Pater and the Language of Sculpture Lene Østermark-Johansen, 2011 Walter Pater and the Language of Sculpture is the first monograph to discuss the Victorian critic Walter Pater's attitude to sculpture. Bringing together Pater's aesthetic theories with his theories on language and writing, it demonstrates how his ideas of the visual and written language are closely interlinked. This study throws new light on the extraordinary complexity and coherence of Pater's writing, and repositions him solidly within Victorian art and literature. |
| walter pater: Selected Essays Walter Pater, 2018 Famed for his singular prose style as much as for his controversial aestheticist principles, Walter Pater (1839-1894) was one of the great essayists in a century of great essayistic writing. His first book, Studies in the History of the Renaissance--one of the most original and influential texts of the Victorian Aesthetic Movement--was described by Arthur Symons as the most beautiful book of prose in our literature, and his later work moved Vernon Lee to call him the natural exponent of the highest aesthetic doctrine. Selected Essays is a generous gathering of Pater's essays on literature, art, history, philosophy and mythology--all of them, in the words of Oscar Wilde, delicately wrought works of art. The selection is accompanied by Alex Wong's critical and biographical introduction and rich explanatory notes. |
| walter pater: Walter Pater Kate Hext, 2016-06-30 Repositioning Walter Pater at the philosophical nexus of Aestheticism, this study presents the first discussion of how Pater redefines Romantic Individualism through his engagements with modern philosophical discourses and in the context of emerging moder |
| walter pater: Transfigured World Carolyn Williams, 2016-11-01 Exploring the intricacy and complexity of Walter Pater’s prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater’s aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater’s aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures of argument such as genealogy, and historical or fictional personae. |
| walter pater: Aestheticism and the Philosophy of Death Giles Whitely, 2017-12-02 Walter Pater, best known as the author of The Renaissance (1873) and as Oscar Wildes tutor and friend, was a leading figure in European aestheticism and British fin-de-siecle culture. Despite this, he has received only limited critical attention, and has tended to be read conservatively. Drawing on Paters unpublished manuscripts, Giles Whiteley challenges this view of Pater as a closeted don who spend the remainder of his life regretting the excesses of his Renaissance. Focusing on Paters reading of the German idealist philosopher, G. W. F. Hegel, Whiteley argues that Paters response to both the philosophical and the ideological legacies of idealism was significantly more advanced than has been hitherto thought. Presenting a persuasive new reading of the genre of the imaginary portrait Paters most elusive form of writing the book paints a picture of Walter Pater as a truly revolutionary thinker. Pater, like Nietzsche during the same period, breaks with the dialectic as a method. Anticipating the radical critiques of ideology of post- Hegelians such as Derrida and Deleuze, Pater becomes a radical and transgressive thinker in his own right. |
| walter pater: A Study of Walter Pater Arthur Symons, 1932 |
| walter pater: Plato and Platonism Walter Pater, 1893 |
| walter pater: Appreciations Walter Pater, 1895 |
| walter pater: Walter Pater Richmond Crinkley, 2014-07-15 This provocative study suggests that Pater, usually thought of as a florid prose stylist and second-rate adjunct to the Esthetic Movement, is, in reality, an articulate prophet of the twentieth century. Pater's work, the book indicates, shows a consistent concern with the transmission of humanism from one generation to the next through the medium of art. The link in that transmission is the human image in a milieu—the appearance of man as manifested in painting, sculpture, prose, poetry, or drama. Pater's fiction, as well as his criticism, strives to create a milieu, extracting both what is unique and what is constant from that milieu. His treatment of humanism has seemed introverted, bizarre, almost obsessional, but he prefigured the concerns of such writers as Joyce and Yeats, and his esthetic has become an accepted part of our mid-twentieth century intellectual structure. |
| walter pater: Essays on Literature and Art Walter Pater, 1973 |
| walter pater: The Works of Walter Pater Walter Pater, 2011-11-10 The first volume of Pater's only novel, first published in 1885 and here reissued in his collected works of 1900-1. |
| walter pater: Walter Pater Edward Thomas, 1913 |
| walter pater: The Reception of Walter Pater in Europe Stephen Bann, 2004-11-28 Just over a century after his death, Walter Pater's critical reputation now stands as high as it has ever been. In the English-speaking world, this has involved recovery from the widespread neglect and indifference which attended his work in the first half of the twentieth century. In Europe, however, enthusiastic disciples such as Hugo von Hofmannsthal in the German-speaking world and Charles Du Bos in France, helped to fuel a growing awareness of his writings as central to the emergence of modernist literature. Translations of works like Imaginary Portraits, established his distinctive voice as an aesthetic critic and his novel, Marius the Epicurean, was enthusiastically received in Paris in the 1920s and published in Turin on the eve of the Second World War. This collection traces the fortunes of Pater's writings in these three major literatures and their reception in Spain, Portugal, Poland, Hungary, and the Czech Republic. |
| walter pater: Algernon Swinburne and Walter Pater SarahGlendon Lyons, 2017-07-05 How did literary aestheticism emerge in Victorian Britain, with its competing models of religious doubt and visions of secularisation? For Lyons, the aestheticism developed and progressively revised by Algernon Charles Swinburne (1837-1909) and Walter Pater (1839-1894) illuminates the contradictory impulses of modern secularism: on the one hand, a desire to cast itself as a form of neutrality or disinterestedness; on the other, a desire to affirm 'this world' as the place of human flourishing or even enchantment. The standard narrative of a 'crisis of faith' does not do justice to the fissured, uncertain quality of Victorian visions of secularisation. Precisely because it had the status of a confusing hypothesis rather than a self-evident reality, it provoked not only dread and melancholia, but also forms of fantasy. Within this context Lyons gives a fundamentally new account of the aims and nature of Victorian aestheticism, taking as a focus its deceptively simple claim that art is for art's sake first of all. |
| walter pater: Pater's Portraits Gerald Cornelius Monsman, 2019-12-01 Originally published in 1967. Monsman undertakes a comprehensive critical analysis of Walter Pater's fiction, which presents the critic with numerous causes of frustration, not the least of which is a lack of both dramatic narration and description. Pater is rarely vivid and firsthand in his fiction; he tends instead toward exposition. Monsman's emphasis in Pater's Portraits is tracing out the conscious artistic structure of Pater's fiction. The scope of Pater's writings comprises nothing less than Western culture itself; its subject is all that man has written, thought, said, sung, hoped, or prayed as a civilized creature over two and one-half millennia. Pater's success in handling such panoply is attributable to his discovery of a coherent pattern by which art, religion, and life can be organized. Monsman aims to discover in Pater's fiction the use of old scientific-religious patterns of myth to explain moments of religious and cultural awakening, to reveal the way in which one man arrived at a credo that would answer to the desolation of life and culture. |
| walter pater: The Works of Walter Pater: Miscellaneous studies Walter Pater, 1901 |
| walter pater: The Works of Walter Pater: Greek studies Walter Pater, 1901 |
| walter pater: Walter Pater's Reading Billie Andrew Inman, 1981 |
| walter pater: Walter Pater Laurel Brake, Lesley Hall Higgins, Carolyn Williams, 2002 Available for the first time in the United States a new series of innovative critical studies introducing writers and their contexts to a wide range of readers. Drawing upon the mast recent thinking in English studies, each book considers biographical material, examines recent criticism, includes a detailed bibliography, and offers a concise but challenging reappraisal of a writer's major work. Published in the U. K. by Northcote House in association with The British Council. |
| walter pater: Walter Pater Ferris Greenslet, 1903 |
| walter pater: Literary Architecture Ellen Eve Frank, 1983-02-18 Includes a chapter on Proust. |
| walter pater: Gaston de Latour Walter Pater, 1901 |
| walter pater: Miscellaneous Studies Walter Pater, 1895 |
| walter pater: The Works of Walter Pater: The Renaissance Walter Pater, 1900 |
| walter pater: Aesthetic Poetry Walter Pater, 2017 |
| walter pater: Rereading Walter Pater William Shuter, 1997-01-09 Shuter first offers a conventional account of the texts in the order in which they were written, paying close attention to the changes in Pater's thought and interests over time; he then returns to the earlier texts, showing how the later work serves, paradoxically, as an introduction to the earlier. Drawing extensively on unpublished manuscript material, Shuter reveals that Pater himself authorized rereadings of his work in an effort to rewrite his own literary past and the past of his culture. |
| walter pater: Greek Studies Walter Pater, 1895 |
| walter pater: A Companion to Impressionism André Dombrowski, 2028-08-14 The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history. |
| walter pater: Walter Pater Walter Pater, 1986 |
| walter pater: Emerald Uthwart Walter Pater, 1899 |
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