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| who in one lifetime by muriel rukeyser: The Essential Muriel Rukeyser Muriel Rukeyser, 2021-06-08 The definitive edition of selected work from a poet whose influence continues to be widely felt today, introduced by Natasha Trethewey Engaging closely with the violence, oppression, and injustice that she witnessed in her lifetime, Muriel Rukeyser was one of the seminal poets of the mid-twentieth century. Closely informed by issues relating to equality, social justice, feminism, and Judaism, her impassioned poetry was often seen as a mode of social protest, but it was also heralded for its deep emotional impact; its personal perspective; forthright discussion of the female experience, particularly sex and single parenthood at a time when these topics were largely taboo; and its wide-ranging exploration of genre and form. As Adrienne Rich wrote: “Muriel Rukeyser’s poetry is unequalled in the twentieth-century United States…She pushes us…to enlarge our sense of what poetry is about in the world, and of the place of feelings and memory in politics.” The Essential Muriel Rukeyser represents the curation of Rukeyser’s most enduring and urgent work, gathered in one volume that spans the many decades of her life and career, and with an introduction from Natasha Trethewey, one of our most important contemporary poets. |
| who in one lifetime by muriel rukeyser: Savage Coast Muriel Rukeyser, 2013-05-07 Never before published, this autobiographical novel captures the politics and passion of the Spanish Civil War. |
| who in one lifetime by muriel rukeyser: The Speed of Darkness Muriel Rukeyser, 1968 |
| who in one lifetime by muriel rukeyser: A Book of Women Poets from Antiquity to Now Aliki Barnstone, Willis Barnstone, 1992-04-28 A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. [A] splendid collection of verse by women (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets. |
| who in one lifetime by muriel rukeyser: Muriel Rukeyser and Documentary Catherine Gander, 2013-01-04 Provides a new perspective on the documentary diversity of Muriel Rukeyser's work and influences. This study of twentieth-century American poet Muriel Rukeyser explores the multiple avenues of her 'poetics of connection' to reveal a profound engagement with the equally intertextual documentary genre. It examines previously overlooked photo narratives, poetry, prose and archival material and demonstrates an enduring dialogue between the poet's relational aesthetics and documentary's similarly interdisciplinary and creative approach to the world. By considering the sources of documentary in Rukeyser's work, the study provides insight into her guiding poetic principles, situating her as a vital figure in the history of twentieth-century American literature and culture, and as a pioneering personality in the development of American Studies. |
| who in one lifetime by muriel rukeyser: The Life of Poetry Muriel Rukeyser, 1968 |
| who in one lifetime by muriel rukeyser: A Muriel Rukeyser Reader Muriel Rukeyser, 1995 In many ways, writes Adrienne Rich in her Introduction, Muriel Rukeyser was beyond her time - and seems, at the edge of the twenty-first century, to have grasped resources we are only now beginning to reach for: the connections between history and the body, memory and politics, sexuality and public space, poetry and physical science, and much else. She spoke as a poet, first and foremost; but she spoke also as a thinking activist, biographer, traveler, explorer of her country's psychic geography. A Muriel Rukeyser Reader gathers a generous selection of poetry and prose spanning the forty-five years of Rukeyser's writing life. Bringing together works only sparsely anthologized or long out of print, this book is a resource for understanding the range, depth, and originality of this pioneering writer whom the poet Anne Sexton named Muriel, mother of everyone. |
| who in one lifetime by muriel rukeyser: The Collected Poems of Muriel Rukeyser Janet E. Kaufman, Anne F. Herzog, Jan Heller Levi, 2005-05-22 Muriel Rukeyser held a visionary belief in the human capacity to create social change through language. She earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. Her eloquent poetry of witness-of the Scottsboro Nine, the Spanish Civil War, the poisoning of the Gauley Bridge laborers-split the darkness covering a shameful world. In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser's translations, including the first English translations of Octavio Paz's work; early work by Rukeyser not previously published in book form; and the controversial book-length poem Wake Island. An introduction by the editors traces Rukeyser's life and literary reputation and complements discerning annotations and textual notes to the poems. |
| who in one lifetime by muriel rukeyser: Breaking Open Muriel Rukeyser, 1973 |
| who in one lifetime by muriel rukeyser: The Wedding Dress Fanny Howe, 2003-11-25 Novelist and poet Howe suggests new and fruitful ways of thinking about both the artist's role and the condition of doubt. In these original meditations on bewilderment, motherhood, imagination, and art-making, Howe takes on conventional systems of belief and argues for another, brave way of proceeding. In the essays Immanence and Work and Love and those on writers such as Carmelite nun Edith Stein, French mystic Simone Weil, Thomas Hardy, and Ilona Karmel--who were particularly affected by political, philosophical, and existential events in the twentieth century--she directly engages questions of race, gender, religion, faith, language, and political thought and, in doing so, expands the field of the literary essay. A richly evocative memoir, Seeing Is Believing, situates Howe's own domestic and political life in Boston in the late '60s and early '70s within the broader movement for survival and social justice in the face of that city's racism. From publisher description. |
| who in one lifetime by muriel rukeyser: Monument Natasha D. Trethewey, 2018 Longlisted for the 2018 National Book Award for Poetry Trethewey's poems] dig beneath the surface of history--personal or communal, from childhood or from a century ago--to explore the human struggles that we all face. --James H. Billington, 13th Librarian of Congress Layering joy and urgent defiance--against physical and cultural erasure, against white supremacy whether intangible or graven in stone--Trethewey's work gives pedestal and witness to unsung icons. Monument, Trethewey's first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet's own family history of trauma and loss, resilience and love. In this setting, each section, each poem drawn from an opus of classics both elegant and necessary,* weaves and interlocks with those that come before and those that follow. As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet's remarkable labor to source evidence, persistence, and strength from the past in order to change the very foundation of the vocabulary we use to speak about race, gender, and our collective future. *Academy of American Poets' chancellor Marilyn Nelson |
| who in one lifetime by muriel rukeyser: Do Story Bobette Buster, 2018-05 Today's world wants to know you and the real story behind why you do what you do. Whether you have a product to sell, a company mission to share or an audience to entertain, people are far more likely to engage and connect if you deliver a well-crafted story with an emotional core. Bobette Buster is a story consultant to major studios including Pixar, Disney and Sony Animation. In Do Story she teaches the art of telling powerful and engaging stories. With profiles of activists, leaders and visionaries, she shares a variety of styles and subjects to demonstrate her Ten Principles of Storytelling. Find out: - How to source, structure and shape your story - The power of the 'gleaming detail' - Why an emotional connection is key With practical tips and exercises, you will discover how to take your story from good...to great. So, what's your story? |
| who in one lifetime by muriel rukeyser: Songlines in Michaeltree Michael S. Harper, 2002 Songlines in Michaeltree is the long-awaited collected poems--with the sparkling addition of some new ones--of one of America's most revered poets. Hailed by critics as a distinctive and powerful presence in contemporary American poetry, Michael S. Harper is an artist and a truth teller who tempers his astonishing technical virtuosity with a compassionate and healing vision. A keen observer and a potent commentator, Harper calls a complacent society vigorously to account while cradling the wounded and remembering the lost. Calling Harper one of the finest poets of our time . . . [and] one of the most human and humane, George Cuomo of the San Francisco Examiner and Chronicle observed, Harper's poetry has drawn its vitality from the incredible energy of his language and the honesty of his perceptions. Songlines in Michaeltree is a magnificent celebration of Harper's continuing, unstinting gifts. |
| who in one lifetime by muriel rukeyser: The Social Life of Poetry C. Green, 2009-11-23 From Jewish publishers to Appalachian poets, Green s cultural study reveals the role of Mountain Whites in American racial history. Part One (1880-1935) explores the networks that created American pluralism, revealing Appalachia s essential role in shaping America s understanding of African Americans, Anglos, Jews, Southerners, and Immigrants. Drawing upon archival research and deft close readings of poems, Part Two (1934-1946) delves into the inner-workings of literary history and shows how diverse alliances used four books of poetry about Appalachia to change America s notion of race, region, and pluralism. Green starts with how Jesse Stuart and the Agrarians defended Southern whiteness, follows how James Still appealed to liberals, shows how Muriel Rukeyser put Appalachia at the center of anti-fascism, and ends with how Don West and the Progressives struggled to form interracial labor unions in the South. |
| who in one lifetime by muriel rukeyser: Muriel Rukeyser and Documentary Catherine Gander, 2013-01-31 Provides a new perspective on the documentary diversity of Muriel Rukeyser's work and influencesWinner of the inaugural Peggy O'Brien Book Prize of the Irish Association for American Studies (IAAS) |
| who in one lifetime by muriel rukeyser: Are You My Mother? Alison Bechdel, 2013 Depicts the author's mother as a voracious reader, music lover, and passionate amateur actress who quietly suffers as the wife of a closeted gay artist and withdraws from her young daughter, who searches for answers to the separation later in life. |
| who in one lifetime by muriel rukeyser: My Poets Maureen N. McLane, 2014-07-01 A thrillingly original exploration of a life lived under poetry's uniquely seductive spell Oh! there are spirits of the air, wrote Percy Bysshe Shelley. In this stunningly original book Maureen N. McLane channels the spirits and voices that make up the music in one poet's mind. Weaving criticism and memoir, My Poets explores a life reading and a life read. McLane invokes in My Poets not necessarily the best poets, nor the most important poets (whoever these might be), but those writers who, in possessing her, made her. I am marking here what most marked me, she writes. Ranging from Chaucer to H.D. to William Carlos Williams to Louise Glück to Shelley (among others), McLane tracks the growth of a poet's mind, as Wordsworth put it in The Prelude. In a poetical prose both probing and incantatory, McLane has written a radical book of experimental criticism. Susan Sontag called for an erotics of interpretation: this is it. Part Bildung, part dithyramb, part exegesis, My Poets extends an implicit invitation to you, dear reader, to consider who your my poets, or my novelists, or my filmmakers, or my pop stars, might be. |
| who in one lifetime by muriel rukeyser: Theory of Flight Muriel Rukeyser, 1939 |
| who in one lifetime by muriel rukeyser: Oblique Prayers: Poetry Denise Levertov, 1984-10-17 Over the years, Denise Levertov's poetry has moved ever more deeply into the realm of meditation, while yet speaking with the familiar voice of the poet in the world. Oblique Prayers is arranged in four thematic sections that, taken together, work toward a mature philosophy in equal harmony with public activism and private reflection. A personal mood links the poems of “Decipherings.” In “Prisoners, the poet addresses the continuing horrors of our dark time: genocide, imperialism, impending nuclear holocaust––human degradation in brutal political guise. Levertov is an accomplished translator. With Fourteen Poems by Jean Joubert, she introduces English-speaking readers to a contemporary French poet whose work is remarkably akin to her own. Of God and of the Gods, the final section of the book, is informed by a transcendent lyricism that can equate in a breath a day of spring, a needle's eye. |
| who in one lifetime by muriel rukeyser: The Bell and the Blackbird David Whyte, 2018 Poetry, including a chapter of blessings and prayers, a section of small, haiku-inspired poems, and an homage to Pulitzer Prize-winner poet Mary Oliver. The sound / of a bell / still reverberating. Or a blackbird / calling / from a corner / of a / field. Asking you / to wake / into this life / or inviting you / deeper / to one that waits. Either way / takes courage, / either way wants you / to be nothing / but that self that / is no self at all. |
| who in one lifetime by muriel rukeyser: U.S. 1 Muriel Rukeyser, 1938 This book contains one of Muriel Rukeyser's most powerful pieces; a group of poems entitled The Book of the Dead (1938), documenting the details of the Hawk's Nest incident, an industrial disaster in which hundreds of miners died of silicosis. |
| who in one lifetime by muriel rukeyser: Collected Poems Of Muriel Rukeyser Janet Kaufman, Anne Herzog, 2006-05-10 Muriel Rukeyser held a visionary belief in the human capacity to create social change through language. She earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. Her eloquent poetry of witness-of the Scottsboro Nine, the Spanish Civil War, the poisoning of the Gauley Bridge laborers-split the darkness covering a shameful world. In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser's translations, including the first English translations of Octavio Paz's work; early work by Rukeyser not previously published in book form; and the controversial book-length poem Wake Island. An introduction by the editors traces Rukeyser's life and literary reputation and complements discerning annotations and textual notes to the poems. |
| who in one lifetime by muriel rukeyser: The Muriel Rukeyser Era Muriel Rukeyser, 2023-11-15 Cowinner of the MLA Prize for Bibliographical or Archival Scholarship The Muriel Rukeyser Era makes available for the first time a range of Muriel Rukeyser's prose, a rich and diverse archive of political, social, and aesthetic writings. Eric Keenaghan and Rowena Kennedy-Epstein assemble a selection of unpublished and out-of-print texts, demonstrating the diversity, brilliance, and possibilities of mid-twentieth-century women's intellectual life and sociopolitical engagement. Although primarily known as a poet, Rukeyser produced an expansive and influential body of nonfiction and critical writings. Reflective of a deeply committed thinker, her accessible but philosophically complex prose—including essays, lectures, radio scripts, stories, and reviews—addresses issues related to racial, gender, and class justice, war and war crimes; the prison-industrial complex, Jewish culture and diaspora, motherhood, literature, music, cinema, and translation. Many of the selected texts have been forgotten, have fallen out of print, or were never previously published because of conservative Cold War political and gender orthodoxies. The Muriel Rukeyser Era offers new insight into Rukeyser's radical and strikingly contemporary vision for the role of the writer—especially the woman writer. This selection reveals the centrality of feminism, antifascism, and antiracism to her thinking and thus affirms the resonance and urgency of her work today. |
| who in one lifetime by muriel rukeyser: Proxies Brian Blanchfield, 2016-06-22 Past compunction, expressly unbeholden, these twenty-four single-subject essays train focus on a startling miscellany of topics - Foot Washing, Dossiers, Br'er Rabbit, Housesitting, Man Roulette, the Locus Amoenus - that begin to unpack the essayist himself and his life's rotating concerns: sex and sexuality, poetry and poetics, subject positions in American labor (not excluding academia), and his upbringing in working-class, Primitive Baptist, central-piedmont North Carolina. In Proxies an original constraint, a total suppression of recourse to authoritative sources, engineers Brian Blanchfield's disarming mode of independent intellection. The repeatable experiment to draw only from what he knows, estimates, remembers, and misremembers about the subject at hand often opens onto an unusually candid assessment of self and situation. The project's driving impulse, courting error, peculiar in an era of crowd-sourced Wiki-knowledge, is at least as old as the one Montaigne had when, putting all the books back on the shelf, he asked, What do I know? |
| who in one lifetime by muriel rukeyser: Five Oceans in a Teaspoon Dennis J. Bernstein, 2019-09-15 Five Oceans in a Teaspoon is a memoir in short visual poems, written by poet/investigative journalist Dennis J Bernstein, typographic visualizations by designer/author Warren Lehrer. As with his journalism, Bernstein's poems reflect the struggle of everyday people trying to survive in the face of adversity. Divided into eight chapters, it spans a lifetime, lifetimes: growing up confused by dyslexia and a parent's alcoholism; graced by pogo sticks, boxing lessons and a mother's compassion; becoming a frontline witness to war and its aftermaths, to prison, street life, poverty, love and loss, to open heart surgery, caring for aging parents and visitations from them after they're gone. Lehrer's typographic compositions give form to the interior, emotional and metaphorical underpinnings of the poems. Together, the writing and visuals create a new whole that engages the reader to become an active participant in the navigation, discovery, and experience of each poem. |
| who in one lifetime by muriel rukeyser: Songs of Ourselves Cambridge International Examinations, 2014-07-31 This series contains poetry and prose anthologies composed of writers from across the English-speaking world. |
| who in one lifetime by muriel rukeyser: Elegies Muriel Rukeyser, 1949 |
| who in one lifetime by muriel rukeyser: The Collected Poems of Bertolt Brecht Bertolt Brecht, 2018-12-04 Times Literary Supplement • Books of the Year (The most generous available English collection of Brecht’s poetry.) A landmark literary event, The Collected Poems of Bertolt Brecht is the most extensive English translation of Brecht’s poetry to date. Widely celebrated as the greatest German playwright of the twentieth century, Bertolt Brecht was also, as George Steiner observed, “that very rare phenomenon, a great poet, for whom poetry is an almost everyday visitation and drawing of breath.” Hugely prolific, Brecht also wrote more than two thousand poems—though fewer than half were published in his lifetime, and early translations were heavily censored. Now, award-winning translators David Constantine and Tom Kuhn have heroically translated more than 1,200 poems in the most comprehensive English collection of Brecht’s poetry to date. Written between 1913 and 1956, these poems celebrate Brecht’s unquenchable “love of life, the desire for better and more of it,” and reflect the technical virtuosity of an artist driven by bitter and violent politics, as well as by the untrammeled forces of love and erotic desire. A monumental achievement and a reclamation, The Collected Poems of Bertolt Brecht is a must-have for any lover of twentieth-century poetry. |
| who in one lifetime by muriel rukeyser: Why History Matters Gerda Lerner, 1998-02-26 All human beings are practicing historians, writes Gerda Lerner. We live our lives; we tell our stories. It is as natural as breathing. It is as important as breathing, too. History shapes our self-definition and our relationship to community; it locates us in time and place and helps to give meaning to our lives. History can be the vital thread that holds a nation together, as demonstrated most strikingly in the case of Jewish history. Conversely, for women, who have lived in a world in which they apparently had no history, its absence can be devastating. In Why History Matters, Lerner brings together her thinking and research of the last sixteen years, combining personal reminiscences with innovative theory that illuminate the importance of history and the vital role women have played in it. Why History Matters contains some of the most significant thinking and writing on history that Lerner has done in her entire career--a summation of her life and work. The chapters are divided into three sections, each widely different from the others, each revelatory of Lerner as a woman and a feminist. We read first of Lerner's coming to consciousness as a Jewish woman. There are moving accounts of her early life as a refugee in America, her return to Austria fifty years after fleeing the Nazis (to discover a nation remarkable both for the absence of Jews and for the anti-Semitism just below the surface), her slow assimilation into American life, and her decision to be a historian. If the first section is personal, the second focuses on more professional concerns. Included here is a fascinating essay on nonviolent resistance, tracing the idea from the Quakers (such as Mary Dyer), to abolitionists such as Theodore Dwight Weld (the most mobbed man in America), to Thoreau's essay Civil Disobedience, then across the sea to Tolstoy and Gandhi, before finally returning to America during the civil rights movement of the 1950s. There are insightful essays on American Values and on the tremendous advances women have made in the twentieth century, as well as Lerner's presidential address to the Organization of American Historians, which outlines the contributions of women to the field of history and the growing importance of women as a subject of history. The highlight of the final section of the book is Lerner's bold and innovative look at the issues of class and race as they relate to women, an essay that distills her thinking on these difficult subjects and offers a coherent conceptual framework that will prove of lasting interest to historians and intellectuals. A major figure in women's studies and long-term activist for women's issues, a founding member of NOW and a past president of the Organization of American Historians, Gerda Lerner is a pioneer in the field of Women's History and one of its leading practitioners. Why History Matters is the summation of the work and thinking of this distinguished historian. |
| who in one lifetime by muriel rukeyser: My Nature Is Hunger Luis J. Rodríguez, 2012-06-12 DIVDIVThe collected poems of one of America’s foremost balladeers of urban struggle and immigrant dreams/divDIV /divDIV/divDIVOver his three-decade career as a poet, novelist, and memoirist, Luis J. Rodríguez has earned acclaim for his remarkable ear for the voices of the city. My Nature Is Hunger represents the best of his lyrical work during his most prolific period as a poet, a time when he carefully documented the rarely heard voices of immigrants and the poor living on society’s margins. For Rodríguez’s subjects, the city is all-consuming, devouring lives, hopes, and the dreams of its citizens even as it flourishes with possibility. “Out of my severed body / the world has bloomed,” and out of Rodríguez’s stirring vision, so has beauty./divDIV /divDIVThis ebook features an illustrated biography of Luis J. Rodríguez including rare images from the author’s personal collection./divDIV /div/div |
| who in one lifetime by muriel rukeyser: Letter from a Young Poet Hyam Plutzik, 2015-11 Written on the eve of America's entry into World War II, this remarkable Letter From a Young Poet discloses a young Jewish American man's spiritual and literary odyssey through rural Connecticut and urban Brooklyn during the turbulent 1930s. In a finely wrought first-person narrative, young Plutzik tells his mentor, what it means for a poet to live an authentic life in the modern world. Like Joyce and Rilke before him, Plutzik ultimately strikes out on a path that can be blessed both by his literary muses and by his ancestral voices. Letter From a Young Poet can be described as an early example of Holocaust literature for the way Plutzik challenges the growing menace of Nazism that he views looming from afar. |
| who in one lifetime by muriel rukeyser: Underworld Lit Srikanth Reddy, 2020-08-04 Simultaneously funny and frightful, Srikanth Reddy's Underworld Lit is a multiverse quest through various cultures' realms of the dead. Couched in a literature professor's daily mishaps with family life and his sudden reckoning with mortality, this adventurous serial prose poem moves from the college classroom to the oncologist's office to the mythic underworlds of Mayan civilization, the ancient Egyptian place of judgment and rebirth, the infernal court of Qing dynasty China, and beyond—testing readers along with the way with diabolically demanding quizzes. It unsettles our sense of home as it ferries us back and forth across cultures, languages, epochs, and the shifting border between the living and the dead. |
| who in one lifetime by muriel rukeyser: The Poem Josephine Miles, 1959 Anthology of poems from five of her previous books. |
| who in one lifetime by muriel rukeyser: The Book of Nightmares Galway Kinnell, 1971 A book-length poem evokes the horror, anguish, and brutality of 20th century history. |
| who in one lifetime by muriel rukeyser: A Brief History of Fruit Kimberly Quiogue Andrews, 2020 In Kimberly Quiogue Andrews's award-winning full-length debut, A Brief History of Fruit, we are shuttled between the United States and the Philippines in the search for a sense of geographical and racial belonging. Driven by a restless need to interrogate the familial, environmental, and political forces that shape the self, these poems are both sensual and cerebral: full of the beautiful science, as she puts it, of naming: trees of one thing, then another, then yet another. Colonization, class dynamics, an abiding loneliness, and a place's titular fruit--tiny Filipino limes, the frozen berries of rural America--all serve as focal markers in a book that insists that we hold life's whole fragrant pollination in our hands and look directly at it, bruises and all. Throughout, these searching, fiercely intelligent and formally virtuosic poems offer us a vital new perspective on biracial identity and the meaning of home, one that asks us again and again: what does it mean, really, to live in a country? |
| who in one lifetime by muriel rukeyser: Shifting the Silence Etel Adnan, 2020-09 A heart-rending meditation on aging, grief, and the universal experience of facing deathShifting the Silence does just that, breaks the social taboo around writing and speaking about our own deaths. In short unrelenting paragraphs, Adnan enumerates her personal struggle to conceptualize the breadth of her own life at 95, the process of aging, and the knowledge of her own inevitable death. The personal is continuously projected outwards and mirrored back through ruminations on climate catastrophe, California wildfires, the on-going war in Syria, planned missions to Mars, and the view of the sea from Adnan's window in Brittany in a poignant often painful interplay between the interior and the cosmic. |
| who in one lifetime by muriel rukeyser: 100 Poems to Break Your Heart Edward Hirsch, 2021-03-30 “A really beautiful book” of poems that delve into—and help us transcend—suffering, loss, fear, and loneliness, by the author of How to Read a Poem (The Boston Globe). Implicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering—not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others. In 100 Poems to Break Your Heart, Edward Hirsch—prize-winning poet, critic, and author of How to Read a Poem—selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within them. “Darkly illuminating.” —Booklist (starred review) “These 100 poems will indeed break hearts, but they also offer examples of resilience, the lasting impact of words, and a wisdom that a reader can return to and share.” —New York Journal of Books |
| who in one lifetime by muriel rukeyser: The Year of Magical Thinking Joan Didion, 2009-02-20 From one of America's iconic writers, a portrait of a marriage and a life – in good times and bad – that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion. |
| who in one lifetime by muriel rukeyser: Federico García Lorca Ian Gibson, 1989 Known primarily as a poet and dramatist, Spanish writer Federico Garcia Lorca published four books before his early death in the Spanish Civil War. This biography gives an account of his family, his homosexuality and his mysterious death, as well as tracing his literary development. |
| who in one lifetime by muriel rukeyser: One Life Muriel Rukeyser , 1957 |
"One-to-one" vs. "one-on-one" - English Language & Usage …
Apr 19, 2012 · You may use one-to-one when you can identify a source and a destination. For eg., a one-to-one email is one sent from a single person to another, i.e., no ccs or bccs. In maths, …
relative pronouns - Which vs Which one - English Language …
The "one" could imply that of the alternates only ONE choice is possible, or permitted. "Which" alone could indicate several choices from the set of alterates could be selected in various …
Which is correct vs which one is correct? [duplicate]
Aug 11, 2019 · When using the word "which" is it necessary to still use "one" after asking a question or do "which" and "which one" have the same meaning? Where do you draw the line …
Is the possessive of "one" spelled "ones" or "one's"?
Indefinite pronouns like one and somebody: one's, somebody's. The possessive of the pronoun one is spelled one's. There are many types of pronouns. Unfortunately, people explaining the …
pronunciation - Why is "one" pronounced as "wan", not "oh-ne ...
one and once are pronounced differently from the related words alone, only and atone. Stressed vowels often become diphthongs over time (Latin bona → Italian buona and Spanish buena ), …
difference - Which one is correct, "in the USA" or "in USA"?
Oct 18, 2016 · So, to answer the question, "Where was this car made?" (assuming the car was made in Detroit), one could say any of the following: It was made in the United States. It was …
Which is it: "1½ years old" or "1½ year old"? [duplicate]
Feb 1, 2015 · It would come much more naturally to a native speaker to say not "That man is a 50-year-old" [note also the hyphenation here] but "That is a 50-year-old man"; similarly, not "That …
conjunctions - "One another" or "one and other" - English …
Oct 19, 2012 · Is using the phrase "one another" considered equivalent to the phrase "one and other"? Is one of the two considered right and the other wrong? To give an example: The two …
Is "Jack of all trades, master of none" really just a part of a longer ...
Furthermore if, when one hears the phrase, one often thinks of the words which tend immediately to follow it: 'Master of none', it is worth remembering the saying in fullest version: 'Jack of all …
idioms - "On one hand" vs "on the one hand." - English Language ...
Mar 2, 2019 · Diachronically, one and an are cognate and semantically related; ān was adj. “one“ in OE (which didn't have the article). “ōn[e]” separated as a n./pron. with the sense of unity …
"One-to-one" vs. "one-on-one" - English Language & Usage Stack …
Apr 19, 2012 · You may use one-to-one when you can identify a source and a destination. For eg., a one-to-one email is one sent from a single person to another, i.e., no ccs or bccs. In …
relative pronouns - Which vs Which one - English Language …
The "one" could imply that of the alternates only ONE choice is possible, or permitted. "Which" alone could indicate several choices from the set of alterates could be selected in various …
Which is correct vs which one is correct? [duplicate]
Aug 11, 2019 · When using the word "which" is it necessary to still use "one" after asking a question or do "which" and "which one" have the same meaning? Where do you draw the line …
Is the possessive of "one" spelled "ones" or "one's"?
Indefinite pronouns like one and somebody: one's, somebody's. The possessive of the pronoun one is spelled one's. There are many types of pronouns. Unfortunately, people explaining the …
pronunciation - Why is "one" pronounced as "wan", not "oh-ne ...
one and once are pronounced differently from the related words alone, only and atone. Stressed vowels often become diphthongs over time (Latin bona → Italian buona and Spanish buena ), …
difference - Which one is correct, "in the USA" or "in USA"?
Oct 18, 2016 · So, to answer the question, "Where was this car made?" (assuming the car was made in Detroit), one could say any of the following: It was made in the United States. It was …
Which is it: "1½ years old" or "1½ year old"? [duplicate]
Feb 1, 2015 · It would come much more naturally to a native speaker to say not "That man is a 50-year-old" [note also the hyphenation here] but "That is a 50-year-old man"; similarly, not …
conjunctions - "One another" or "one and other" - English …
Oct 19, 2012 · Is using the phrase "one another" considered equivalent to the phrase "one and other"? Is one of the two considered right and the other wrong? To give an example: The two …
Is "Jack of all trades, master of none" really just a part of a longer ...
Furthermore if, when one hears the phrase, one often thinks of the words which tend immediately to follow it: 'Master of none', it is worth remembering the saying in fullest version: 'Jack of all …
idioms - "On one hand" vs "on the one hand." - English Language ...
Mar 2, 2019 · Diachronically, one and an are cognate and semantically related; ān was adj. “one“ in OE (which didn't have the article). “ōn[e]” separated as a n./pron. with the sense of unity …
