Advertisement
| white and red plum blossoms: Ogata Kōrin Frank Feltens, 2021-01-01 A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists. |
| white and red plum blossoms: Guide to Capturing a Plum Blossom Sung Po-Jen, Boren Song, 2012-02 Red Pine is the best-selling and ground-breaking translator of Chinese literature |
| white and red plum blossoms: Red and White Plum Blossoms Kōrin Ogata, 1955 |
| white and red plum blossoms: Designing Nature John T. Carpenter, 2012 Exhibition of paintings, lacquerwork, ceramics, textiles, calligraphy, and other media all in the Rinpa style from 1600 to the present day. |
| white and red plum blossoms: History of Research on Kôrin's Red and White Plum Blossoms Tokugo Uchida, MOA Museum of Art, 2005 |
| white and red plum blossoms: Simple Times Amy Sedaris, 2014-03-04 The New York Times bestselling craft guide that inspired the hit new TV show, At Home With Amy Sedaris It's often been said that ugly people craft and attractive people have sex. In Simple Times, Amy Sedaris sets the record straight and delivers a book that will forever change the world of crafting. Demonstrating that crafting is one of life's more pleasurable and constructive leisure activities, Sedaris shows that anyone with a couple of hours to kill and access to pipe cleaners can join the elite society of crafters. You will discover how to make popular crafts such as Pompom Ringworms and Seashell Toilet Seat Covers, all while avoiding the most common crafting accidents (sawdust fires, feather asphyxia, pine cone lodged in throat). You will cook your own edible crafts, from a Crafty Candle Salad to Sugar Skulls, with many more recipes and craft ideas that will inspire you to create your very own hastily constructed obscure d'arts. Praise for Simple Times Amy Sedaris is a kookier, kitschier version of Martha Stewart...Simple Times is an ideal gift for the crafter who has crafted everything. - Associated Press A wildly cheeky guide. -- InStyle For anyone who's ever collected hats crocheted together...or simply for fans of Amy Sedaris and her idiosyncratic sense of humor. -- New York Times Book Review |
| white and red plum blossoms: The Flowers and Gardens Of Japan Ella Du Cane, 2013-10-15 First Published in 2005. Japan is often called the land of flowers. This book gives an account of those flowers that occur in the country that are most remarkable for their beauty and profusion and that are most typically Japanese. There are also pages on landscape gardening. |
| white and red plum blossoms: Colors in Japanese Art Nobuyoshi Hamada, 2024-11-26 How color is used in the most famous works of Japanese art—from the 16th century to the present. From the vibrant reds of traditional kimonos to the serene blues of tarashikomi riverscapes and woodblock prints, this book shows that color itself is a leading figure in Japan's long and varied artistic tradition. Whether you are a collector of Japanese art, a student of art history, or simply captivated by the rich shades, tones and hues that Japanese art presents, Colors in Japanese Art is your key to understanding this extraordinary artistic tradition. This book presents over 120 great works of fine and decorative art and discusses the color schemes used in each work, including: The vibrant red, gold, multi-hued kimonos from the 18th and 19th century Edo period The gold, green and deep-blue season-themed screens of Tohaku and Sesshu The elegant pinks and blues in the landscape prints of Hiroshige and Hokusai The blues, reds and yellows in the Ko-Kutani and Imari porcelains of the Edo and Meiji periods Earthy golds in fine lacquerwares dating as far back as the Heian period And so many more colors in over 120 magnificent examples! A detailed analysis of each work shows how these color schemes evolved; how their popularity waxed and waned over time; the social and spiritual significance of certain color combinations; and the pigments and dyes used to create them. Color swatches accompany the featured artworks to show readers how colors were used in subtle combinations, including many hues, tones and tints unique to the Japanese arts. A color chart at the end of the book summarizes the beautiful colors that are most characteristic of this tradition. |
| white and red plum blossoms: Peach Blossom Spring Richard M. Barnhart, 1983 |
| white and red plum blossoms: Art of Chinese Brush Painting Caroline Self, Susan Self, 2012-03-13 The Art of Chinese Brush Painting is an excellent way for newcomers to experience this ancient Chinese art form. The book introduces traditional Chinese ink painting techniques developed over a thousand years ago. In 35 simple and intermediate lessons, readers will learn to paint towering landscapes; the elegant Four Generals: bamboo, orchid, plum blossom and chrysanthemum; rugged, steadfast pine; animals from the Chinese Zodiac; and basic strokes used in Chinese calligraphy. To better understand the soft martial art, the book includes an introduction to the Chinese ink painting tradition and detailed discussion of brushes, paper and other tools and accessories. The lessons are instructive for artists at any level of expertise but are directed to the dedicated beginner. |
| white and red plum blossoms: 反派2 liu qu, 2025-01-21 The slap made the little girl fall to the ground, her cheek hurt, and her mouth was filledwith a bloody smell. |
| white and red plum blossoms: Notes in Japan Alfred Parsons, 1896 |
| white and red plum blossoms: Chinese Brush Painting Mei Ruo, 2020-01-14 Try your hands at these historically and culturally important methods, and create some beautiful paintings of your own. Chinese painting is an ancient art that has evolved and become refined over many centuries. Artists brush ink and color pigments onto silk or paper using a variety of techniques, with two main approaches: gongbi a traditional and realistic style based on line drawing, and xieyi style, a freehand method that uses fewer strokes to suggest objects in a less literal way. Painting themes generally fall into three categories: figure, landscaping, and bird-and-flower. Chinese brush painting is mainly presented in lines, shades and white space to express the feelings about nature, social phenomena, and the very essence of the universe. The framework for this expression is often traditional: certain subjects carry cultural connotations that are well-known and imbue the painting with a layer of meaning beyond face value of objects shown. The traditional subjects such as mandarin ducks, butterflies, and the 'Four Gentlemen' (plum blossoms, orchids, bamboos, and chrysanthemum) are examples that contain this rich cultural meaning. Readers will learn first about the tools and materials, then painting techniques. Early pages explore the very basic painting methods and subjects—perfect for beginning painters—but continue to build skills for painting plants and animals of increasing complexity. Chinese Brush Painting illustrates several Chinese brush painting techniques with the use of different tools, brushwork and color mixing. With the step-by-step projects, you can first follow the introductory lessons to learn the necessary skills of brushwork, usage of paper, and characteristics of water, ink and colors; then follow the advanced lessons to learn the compositions and more complicated color applications. |
| white and red plum blossoms: Chinese Painting in Four Seasons Leslie Tseng-Tseng Yu, Gail Schiller Tuchman, 1981 A manual of aesthetics & techniques. - Cover. |
| white and red plum blossoms: World of Chessboard Yi JiuQianShang, 2020-05-20 Life is like a play, young master Qing Yi. What was distinct in black and white was the chess game; what was indistinct was the human heart. Chess is difficult to decide, step by step, one wrong move, all lost. He was gentle and refined, drunk and free from worldly strife; he wore an open and upright robe, his reputation as a man of the world was just like smoke passing through his eyes; he lowered his eyebrows and gave a slight smile. He was playful, dashing, and elegant; he had a fan in his hand; it was common for people to fight openly or secretly, and they would look down on him with their heads held high. It was originally a different life, yet it became a straight line that led to a completely different end point. Was he going to be reborn from the flames? When the chessboard was no longer black and white, when every single chess piece was imbued with the hearts of the people, vividly displaying the word chess, the chessboard would no longer be a chessboard, but a formidable game. Close] |
| white and red plum blossoms: The Past and the Punishments Hua Yu, 1996-05-01 To travel through these stories is to cross a landscape of stunning beauty and terrific cruelty, where expectations are subverted, where moral certainties are shattered, where gorgeously wrought surfaces beguile at the same time that acts of incredible brutality horrify. It is no wonder that Yu Hua’s stories caused a sensation when they first appeared in the 1980s. His work represents a sophisticated and often disturbing revolution in the Chinese literary tradition, reminiscent of the fiction of modernists like Kafka, Kawabata, Borges, and Robbe-Grillet, but drawing inspiration from several strains of traditional Chinese narrative as well. This is the first collection of short fiction by Yu Hua to appear in English. It takes us on a haunting and harrowing journey from classical China through the Cultural Revolution and into the new era of economic reform, exploding along the way our preconceived notions of what Chinese literature and culture are all about in the 1990s. |
| white and red plum blossoms: Traditional Japanese Arts And Culture Stephen Addiss, Gerald Groemer, J. Thomas Rimer, 2006-01-01 Compiled in this volume is original material on Japanese arts and culture from the prehistoric era to the Meiji Restoration (1867). These sources, including many translated here for the first time, are placed in their historical context and outfitted with brief commentaries, allowing the reader to make connections to larger concepts and values found in Japanese culture. This book contains material on the visual and literary arts, as well as primary texts on topics not easily classified in Western categories, such as the martial and culinary arts, the art of tea, and flower arranging. More than sixty color and black-and-white illustrations enrich the collection and provide further insights into Japanese artistic and cultural values. Also included are a bibliography of English-language and Japanese sources and an extensive list of suggested further readings. |
| white and red plum blossoms: Pink Hideto Fuse, 2006 This book on the nature of the colour pink makes its debut, featuring works by fifty international artists and young talents from the art academies in Weimar and Tokyo. It is the result of an unusual intercultural discourse, initiated by the artists and art professor Barbara Nemitz. |
| white and red plum blossoms: Beauty and Sadness Yasunari Kawabata, 2013-02-20 The successful writer Oki has reached middle age and is filled with regrets. He returns to Kyoto to find Otoko, a young woman with whom he had a terrible affair many years before, and discovers that she is now a painter, living with a younger woman as her lover. Otoko has continued to love Oki and has never forgotten him, but his return unsettles not only her but also her young lover. This is a work of strange beauty, with a tender touch of nostalgia and a heartbreaking sensitivity to those things lost forever. |
| white and red plum blossoms: Come on, the Transmigrated Beauty Mi Hudenanxiaojie, 2019-12-30 Love and hate were entangled within a relationship. One was the crown prince and the other was a prince. Warm a cold and proud man, or take good care of that natural fool? Where the balance was tilted was the right choice. |
| white and red plum blossoms: Complete Guide to Chinese Brush Painting Caroline Self, Susan Self, 2022-03-01 Paint the classic subjects that inspired ancient Chinese masters. This book introduces the venerable art of painting with ink on rice paper using traditional techniques developed over a thousand years ago. It is ideal for a beginner hoping to practice a large variety of techniques and subjects. With this practical guide, you will learn to paint: Towering landscapes The elegant Four Gentlemen Plants like bamboo, orchids, plum blossoms, and chrysanthemums Five animals from the Chinese Zodiac The basic strokes used in calligraphy And more! Known as a soft martial art, brush painting is as meditative as it is artistic. As you move through the lessons and exercises, you'll gain insight into and appreciation for the symbolism, historical context, techniques, and mindfulness associated with this ancient art form. |
| white and red plum blossoms: Of Gardens Paula Deitz, 2011-11-29 Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation. During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing A Bouquet of British Parks: Liverpool, Edinburgh, and London; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites. Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled A Winter Garden of Yellow. |
| white and red plum blossoms: Come to The Peak Shi YueLiuNian, 2019-12-27 He had excellent martial arts qualifications, but his tendon and vein were destroyed by a power struggle, such a person couldn't cultivate. This not only discouraged him and his parents but also made them accept ridicule and satire from others.However, this was not an insurmountable difficulty for the gifted man. After six years of painstaking study. He finally repaired his body and began his training journey.He did not care about the ridicule and sarcasm of those people, he just wanted to reach the peak, to be a top man that no one can match. But the difficulties and obstacles along the way, how can he overcome it?☆About the Author☆Shi Yue Liu Nian, an excellent author of online novels. He has rich experience in novel writing. His novel is fluent in writing and rich in imagination. |
| white and red plum blossoms: Guide to Modern Japanese Woodblock Prints Helen Merritt, Nanako Yamada, 1992 |
| white and red plum blossoms: The Fortune-teller Next to the Beauty Qianlong Wuyong, 2020-01-23 The fortune-teller went down the hill. All sorts of beautiful ladies came forward together to change their fate, borrowing heaven-defying luck to come rolling over. Beautiful women, please wait a moment, I see that you don't look too good, there's a big barrier of evil, I'll help you find a bone to help you, there's definitely a way to save you. |
| white and red plum blossoms: Race, Ethnicity and Migration in Modern Japan: Race, ethnicity and culture in modern Japan Michael Weiner, 2004 |
| white and red plum blossoms: Picture Bride Stories Barbara F. Kawakami, 2016-06-30 During the 1885 to 1924 immigration period of plantation laborers from Japan to Hawaii, more than 200,000 Japanese, mostly single men, made the long journey by ship to the Hawaiian Islands. As it became apparent that they would never return to Japan, many of the men sent for brides to join them in their adopted home. More than 20,000 of these picture brides immigrated from Japan and Okinawa to Hawaii to marry husbands whom they knew only through photographs exchanged between them or their families. Based on Barbara Kawakami's first-hand interviews with sixteen of these women, Picture Bride Stories is a poignant collection that recounts the diverse circumstances that led them to marry strangers, their voyages to Hawaii, the surprises and trials that they encountered upon arriving, and the lives they led upon settling in a strange new land. Many found hardship, yet persevered and endured the difficult conditions of the sugarcane and pineapple plantations for the sake of their children. As they acclimated to a foreign place and forged new relationships, they overcame challenges and eventually prospered in a better life. The stories of the issei women exemplify the importance of friendships and familial networks in coping with poverty and economic security. Although these remarkable women are gone, their legacy lives on in their children, grandchildren, and succeeding generations. In addition to the oral histories—the result of forty years of interviews—the author provides substantial background on marriage customs and labor practices on the plantations. |
| white and red plum blossoms: Accelerated immortality after failing to build a foundation Jessica Ortiz, 2024-05-28 Night, beside the cliff. The moon hangs high in the sky and the cold wind howls. The cliff was bottomless and filled with blood. The cold wind was like a sharp blade brushing the girl's back, and her clothes were torn inch by inch. Blood stained her back red, and blood drops fell to the bottom of the cliff. She has no way out! |
| white and red plum blossoms: Japan and the Culture of the Four Seasons Haruo Shirane, 2012-03-20 Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media—from poetry and screen painting to tea ceremonies, flower arrangements, and annual observances. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations. Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of secondary nature, which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world. |
| white and red plum blossoms: Empress has to Scheme Shi Tianxue, 2020-03-02 In the 21st century, because Lin Nan was betrayed by her boyfriend and transported to the Tian Ji Country, she became the daughter of the prime minister. She didn't want to fight, but she had drawn killing intent everywhere ... He was the crown prince of the Eastern Palace, the only person who couldn't forget about him despite his heartless nature. He, the unparalleled musician, was unfathomable. Only the melancholy and despair of his back made him feel as if he had met a scum from his past life. Was it an unforgettable relationship, or was it a forsake that was too old for him? Where would she go from here? Where would he return to? |
| white and red plum blossoms: Ten Again to Fight against Her Fate Liu Yuan, 2020-05-12 In my previous life, I was bullied and trampled by others, and in the end, I unknowingly took the little life in my womb with me and left. God pity, I have the luck to return back to being ten years old, I must live clearly, what my parents' lives are, what my fate is, I only believe in people surpassing the heavens. Life was rough, a beautiful woman was weak, whose life was not turbulent? He did not seek for the peace and quiet of the years, but was willing to have a clear conscience. Join Collection |
| white and red plum blossoms: Powerful Family’s Sweet Wife Gan Tian, 2019-11-28 One dark and windy night, she mistakenly entered the forbidden area and forcefully ordered.The next morning, when she woke up, she wanted to slip away, but who knew that the weak victim would hand her a document. The contract said that she was not allowed to leave! If he didn't agree, he would report her and put her in jail ... |
| white and red plum blossoms: This Compost Jed Rasula, 2012-09-01 Poetry, for Jed Rasula, bears traces of our entanglement with our surroundings, and these traces define a collective voice in modern poetry independent of the more specific influences and backgrounds of the poets themselves. In This Compost Rasula surveys both the convictions asserted by American poets and the poetics they develop in their craft, all with an eye toward an emerging ecological worldview. Rasula begins by examining poets associated with Black Mountain College in the 1950s—Charles Olson, Robert Creeley, and Robert Duncan—and their successors. But This Compost extends to include earlier poets like Robinson Jeffers, Ezra Pound, Louis Zukofsky, Kenneth Rexroth, and Muriel Rukeyser, as well as Clayton Eshleman, Gary Snyder, Michael McClure, and other contemporary poets. Walt Whitman and Emily Dickinson also make appearances. Rasula draws this diverse group of poets together, uncovering how the past is a compost fertilizing the present. He looks at the heritage of ancient lore and the legacy of modern history and colonial violence as factors contributing to ecological imperatives in modern poetry. This Compost restores the dialogue between poetic language and the geophysical, biological realm of nature that so much postmodern discourse has sought to silence. It is a fully developed, carefully argued book that deals with an underrepresented element in modern American culture, where the natural world and those who write about it have been greatly neglected in contemporary literary history and theory. |
| white and red plum blossoms: Lichens Vincent Zonca, 2022-11-14 Covering almost 8 percent of the earth's terrain, lichens are living beings which are familiar to everyone, known to no one. They are one of those organisms that seem to offer nothing to hold our gaze. But the more time we spend with lichens, the more they reveal their beauty, their mysteries and their strange power of attraction. Part-algae and part-fungus, lichens call into question our customary ways of classifying forms of life, and allow us to conceive of an ecology that is no longer based on distinctions between nature and culture, urban and rural, competition and cooperation. The result of several years of investigation carried out on several different continents, this remarkable book offers an original, radical, and, like its subject matter, symbiotic reflection on this common but mostly invisible form of life, blending cultures and disciplines, drawing on biology, ecology, philosophy, literature, poetry, even graphic art. What if lichens were at the heart of some of the most pressing and topical questions of our day? Does the fact that they can live everywhere, even in very harsh environments, that they persist when almost all other traces of life have disappeared, mean that, despite their fragility, lichens are a force of resistance? After reading this book you will never see lichens, or the world, in the same way again. |
| white and red plum blossoms: Flowering Plums and Curio Cabinets Sunglim Kim, 2018-12-04 The social and economic rise of the chungin class (“middle people” who ranked between the yangban aristocracy and commoners) during the late Chosŏn period (1700–1910) ushered in a world of materialism and commodification of painting and other art objects. Generally overlooked in art history, the chungin contributed to a flourishing art market, especially for ch’aekkori, a new form of still life painting that experimented with Western perspective and illusionism, and a reimagined style of the traditional plum blossom painting genre. Sunglim Kim examines chungin artists and patronage of the visual arts, and their commercial transactions, artistic exchange with China and Japan, and historical writings on art. She also explores the key role of men of chungin background in preserving Korean art heritage in the tumultuous twentieth century, including the work of the modern Korean collector and historian O Se-ch’ang, who memorialized many chungin painters and calligraphers. Revealing a vivid picture of a complex art world,Flowering Plums and Curio Cabinets presents a major reconsideration of late Chosŏn society and its material culture. Lushly illustrated, it will appeal to scholars of Korea and East Asia, art history, visual culture, and social history. A William Sangki and Nanhee Min Hahn Book Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/flowering-plums-and-curio-cabinets |
| white and red plum blossoms: The Flowers and Gardens of Japan Florence Du Cane, 2013-05-24 IT is safe to assert that no other country has such a distinctive form of landscape gardening as Japan. In English, French, Italian, and Dutch gardens, however original in their way, there are certain things they seem all to possess in common: terraces, which originally belonged to Italian gardens, were soon introduced into France; clipped trees, which were a distinctive feature of Dutch gardens, were copied by the English; the fashion of decorating gardens with flights of stone steps, balustrades, fountains, and statues at one time spread from Italy throughout Europe; and possibly the over-decoration of gardens led to a change in taste in England and a return to a more natural style. |
| white and red plum blossoms: Sculpture of the Exposition Palaces and Courts; Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco Juliet Helena Lumbard James, 1915 Volume includes the author's summary of sculptures exhibited at the Panama-Pacific International Exposition. |
| white and red plum blossoms: Rebirth: My Dear, Take It Bai Yu, 2020-06-10 In the capital city in November, the sky had already darkened early. Marquis Ning Yuan's residence, which was the military headquarters of the Jia Heng Empire, was already bustling with activity. In an hour, Marquis Ning Yuan would return home, and lanterns would be hanging high in the sky, illuminating the thick snow red. |
| white and red plum blossoms: Mad in Translation Robin D. Gill, 2009 Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com. |
| white and red plum blossoms: The Floral Art of Japan Josiah Conder, 1899 Additional outline plates and figures in the text have been introduced as well as new coloured prints from designs expressly made by Ogata Gekko, one of the best living artists of the Popular school -- Preface Josiah Conder Tokio May, 1899. |
White - Wikipedia
White is the lightest color [2] and is achromatic (having no chroma). It is the color of objects such as snow, chalk, and milk, and is the opposite of black. White objects fully (or almost fully) reflect …
WHITE Definition & Meaning - Merriam-Webster
The meaning of WHITE is having the color of new snow or milk; specifically : of the color white. How to use white in a sentence.
White | Color Description, Etymology, & Facts | Britannica
White, in physics, is light seen by the human eye when all wavelengths of the visible spectrum combine. Unlike the colors of the spectrum, white lacks hue, so it is considered an achromatic …
WHITE Definition & Meaning | Dictionary.com
quality or state of being white. lightness of skin pigment. a person with light-colored skin, often of European descent. a white material or substance. the white part of something. Biology. a pellucid …
Shades of white - Wikipedia
This article is also about off-white colors that vary from pure white in hue, and in chroma (also called saturation, or intensity). Colors often considered "shades of white" include cream, …
Flag Day and National Flag Week, 2025 – The White House
3 days ago · On June 14, 1777, a banner of red, white, and blue was woven into history when the Second Continental Congress passed the First Flag Resolution, making our beloved Stars and …
WHITE | definition in the Cambridge English Dictionary
WHITE meaning: 1. of a colour like that of snow, milk, or bone: 2. having a pale face because you are not well…. Learn more.
White / #ffffff hex color - ColorHexa
In a RGB color space, hex #ffffff (also known as White) is composed of 100% red, 100% green and 100% blue. Whereas in a CMYK color space, it is composed of 0% cyan, 0% magenta, 0% yellow …
What Does the Color White Symbolize? - Verywell Mind
Sep 18, 2024 · The color white can have many meanings, including purity, starkness, and cleanliness. Learn the psychology, meanings, associations, and symbolism of white color.
White: Definition, Meaning, and Examples - usdictionary.com
Jan 14, 2025 · White is the lightest color, symbolizing purity, brightness, and clarity. Its usage spans a wide array of contexts, from art to socio-political discussions. Delving into its meanings and …
White - Wikipedia
White is the lightest color [2] and is achromatic (having no chroma). It is the color of objects such as snow, chalk, and milk, and is the opposite of black. White objects fully (or almost fully) …
WHITE Definition & Meaning - Merriam-Webster
The meaning of WHITE is having the color of new snow or milk; specifically : of the color white. How to use white in a sentence.
White | Color Description, Etymology, & Facts | Britannica
White, in physics, is light seen by the human eye when all wavelengths of the visible spectrum combine. Unlike the colors of the spectrum, white lacks hue, so it is considered an achromatic …
WHITE Definition & Meaning | Dictionary.com
quality or state of being white. lightness of skin pigment. a person with light-colored skin, often of European descent. a white material or substance. the white part of something. Biology. a …
Shades of white - Wikipedia
This article is also about off-white colors that vary from pure white in hue, and in chroma (also called saturation, or intensity). Colors often considered "shades of white" include cream, …
Flag Day and National Flag Week, 2025 – The White House
3 days ago · On June 14, 1777, a banner of red, white, and blue was woven into history when the Second Continental Congress passed the First Flag Resolution, making our beloved Stars and …
WHITE | definition in the Cambridge English Dictionary
WHITE meaning: 1. of a colour like that of snow, milk, or bone: 2. having a pale face because you are not well…. Learn more.
White / #ffffff hex color - ColorHexa
In a RGB color space, hex #ffffff (also known as White) is composed of 100% red, 100% green and 100% blue. Whereas in a CMYK color space, it is composed of 0% cyan, 0% magenta, …
What Does the Color White Symbolize? - Verywell Mind
Sep 18, 2024 · The color white can have many meanings, including purity, starkness, and cleanliness. Learn the psychology, meanings, associations, and symbolism of white color.
White: Definition, Meaning, and Examples - usdictionary.com
Jan 14, 2025 · White is the lightest color, symbolizing purity, brightness, and clarity. Its usage spans a wide array of contexts, from art to socio-political discussions. Delving into its …
