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| verbum panis partitura: Church Music , 1907 |
| verbum panis partitura: Gregorian Chant for Church and School Mary Antonine Goodchild, 2013-10 This is a new release of the original 1944 edition. |
| verbum panis partitura: Western Plainchant David Hiley, 1995 Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the wake of the Carolingian renaissance of the 8th and 9th centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced studies. It begins with an explanation of the liturgies which plainchant was designed to serve. All the chief genres of chant, different types of liturgical book, and plainchant notations are described. The later chapters are complemented by plates, with commentary and transcriptions. After an exposition of early medieval theoretical writing on plainchant, a historical survey follows the constantly changing nature of the repertory through from the earliest times to the restoration of medieval chant a century ago. The historical relations between Gregorian, Old-Roman, Milanese, Spanish, and other repertories is considered. Important musicians and centre of composition are discussed, together with the establishment of Gregorian chant in all the lands of medieval Europe, and the reformations and revisions carried out by the religious orders and the humanists. Copiously illustrated with over 200 musical examples transcribed from original sources, the book highlights the diversity of practice and richness of the chant repertory characteristic of the Middle Ages. As both a self-contained summary and also, with its many pointers to further reading, a handbook for research, it will become an indispensable reference book on this vast subject. |
| verbum panis partitura: Bibliografía española , 2005 |
| verbum panis partitura: Catholic Church Music Richard Runciman Terry, 2023-07-18 Terry's survey of Catholic Church music, exploring its history, development, and key composers. A comprehensive guide to the music of the Church. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| verbum panis partitura: Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston Allen A. Brown Collection (Boston Public Library), 1916 |
| verbum panis partitura: The Chants of the Vatican Gradual Dominic Johner, 2011-10-01 |
| verbum panis partitura: Dictionary Catalog of the Music Collection New York Public Library. Reference Department, 1964 |
| verbum panis partitura: Grace and Fury Tracy Banghart, 2018-07-31 Bold, brutal, and beautiful, this must-read fantasy is full of fierce sisterhood, action, and political intrigue for fans of The Selection series, Caraval, and The Handmaid's Tale. Serina Tessaro has been groomed her whole life to become a Grace—someone to stand by the heir to the throne as a shining, subjugated example of the perfect woman. It's her chance to secure a better life for her family, and to keep her headstrong and rebellious younger sister, Nomi, out of trouble. But when Nomi catches the Heir's eye instead, Serina is the one who takes the fall for the dangerous secret her sister has been hiding. Trapped in a life she never wanted, Nomi has only one option: surrender to her role as a Grace until she can use her position to save Serina. But this is easier said than done...a traitor walks the halls of the palazzo, and deception lurks in every corner. Meanwhile, Serina is running out of time. Imprisoned on an island where she must fight to the death to survive, surrounded by women stronger than she is, one wrong move could cost her everything. There is no room for weakness on Mount Ruin, especially weaknesses of the heart. Thrilling and captivating, Grace and Fury is a story of fierce sisterhood, and survival in a world that's determined to break you. |
| verbum panis partitura: Ave Maria D.839 - For Violin and Piano (1825) Franz Schubert, 2016-05-20 This is the complete score for Franz Schubert 1825 composition for piano and violin “Ave Maria D.839”. This modern reprint of the original scores features clear, large margins, making it ideal for students and musicians alike. Franz Peter Schubert (1797 – 1828) was a seminal Austrian composer. Even though he died before he was 32, he was extremely prolific during his lifetime, writing more than six hundred vocal works, seven symphonies, numerous operas, and much more besides. Schubert is now widely considered to be amongst the most important composers of the late Classical and early Romantic eras. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over. |
| verbum panis partitura: Catálogo del archivo de música de la Catedral de Granada José López-Calo, 1991 |
| verbum panis partitura: Cyrill , 1912 Časopis pro katolickou hudbu posvátnou v Čechách, na Moravě a v Slezsleu. |
| verbum panis partitura: Choral Music in the Nineteenth Century Nick Strimple, 2008 From the author of the critically acclaimed Choral Music in the Twentieth Century comes an indispensable resource for choral conductors, choral singers, and other music lovers, and an essential text for educators and their students. Strimple covers repertory by Beethoven, Brahms, Mendelssohn, and lesser figures. |
| verbum panis partitura: The Hymns of the Breviary and Missal Matthew Britt, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| verbum panis partitura: Audible Geographies in Latin America Dylon Lamar Robbins, 2019-09-28 Audible Geographies in Latin America examines the audibility of place as a racialized phenomenon. It argues that place is not just a geographical or political notion, but also a sensorial one, shaped by the specific profile of the senses engaged through different media. Through a series of cases, the book examines racialized listening criteria and practices in the formation of ideas about place at exemplary moments between the 1890s and the 1960s. Through a discussion of Louis Moreau Gottschalk’s last concerts in Rio de Janeiro, and a contemporary sound installation involving telegraphs by Otávio Schipper and Sérgio Krakowski, Chapter 1 proposes a link between a sensorial economy and a political economy for which the racialized and commodified body serves as an essential feature of its operation. Chapter 2 analyzes resonance as a racialized concept through an examination of phonograph demonstrations in Rio de Janeiro and research on dancing manias and hypnosis in Salvador da Bahia in the 1890s. Chapter 3 studies voice and speech as racialized movements, informed by criminology and the proscriptive norms defining “white” Spanish in Cuba. Chapter 4 unpacks conflicting listening criteria for an optics of blackness in “national” sounds, developed according to a gendered set of premises that moved freely between diaspora and empire, national territory and the fraught politics of recorded versus performed music in the early 1930s. Chapter 5, in the context of Cuban Revolutionary cinema of the 1960s, explores the different facets of noise—both as a racialized and socially relevant sense of sound and as a feature and consequence of different reproduction and transmission technologies. Overall, the book argues that these and related instances reveal how sound and listening have played more prominent roles than previously acknowledged in place-making in the specific multi-ethnic, colonial contexts characterized by diasporic populations in Latin America and the Caribbean. |
| verbum panis partitura: Choral Repertoire Dennis Shrock, 2009-04-07 Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for practicing conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts, it is an account of the complete choral output of the most significant composers of this genre throughout history. Organized by era (Medieval, Renaissance, Baroque, Classical, Romantic, and Modern), Choral Repertoire covers general characteristics of each historical era; trends and styles unique to various countries; biographical sketches of over 500 composers; and performance annotations of more than 5,000 individual works. This book will be an essential guide to programming, a reference tool for program notes and other research, and, most importantly, a key resource for conductors, instructors, scholars, and students of choral music. |
| verbum panis partitura: Catálogo del Fondo de Música de la Catedral de Santiago de Chile Alejandro Vera, 2024-03-08 El presente catálogo describe en detalle el contenido del fondo de música de la Catedral de Santiago de Chile, que preserva más de 1700 partituras manuscritas e impresas de 1770 a 1940, aproximadamente. Se trata de la colección musical más antigua del país y el repertorio que contiene pertenece tanto a compositores que trabajaron en la propia catedral –entre ellos, el catalán José de Campderrós y el peruano José Bernardo Alzedo— como a otros que nunca visitaron Chile. Entre estos últimos, destacan los españoles José de Nebra, Antonio Ripa e Hilarión Eslava, así como figuras que hoy forman parte del canon de la música clásica, como Joseph Haydn y Wolfgang Amadeus Mozart. El catálogo está dividido en dos volúmenes. En el primero, se estudian las características más relevantes del fondo de música catedralicio y se presentan los criterios de catalogación, para luego describir en detalle las casi mil obras sueltas que hay en la colección. En el segundo, se describen más de cuatrocientas colecciones y otros tipos de fuente (tratados o métodos, fragmentos y volúmenes facticios), para concluir con siete índices detallados que permiten localizar muy fácilmente el contenido y las eventuales correspondencias con otros archivos y fuentes. Este trabajo será de suma utilidad para cualquier persona interesada no solo en el propio fondo de música, sino en la vida musical de España e Hispanoamérica entre los siglos XVIII y XX. |
| verbum panis partitura: Justinian's Institutes Justinian I (Emperor of the East), 1987 |
| verbum panis partitura: American Catholic hymnal Marist Brothers, American Catholic hymnal |
| verbum panis partitura: Caecilia , 1947 |
| verbum panis partitura: The National Union Catalog, Pre-1956 Imprints , 1975 |
| verbum panis partitura: Passion According to St John (12.10) J S Bach, 1982-01 |
| verbum panis partitura: Fondos musicales de la regíon valenciana: Real Colegio de Corpus Christi patriarca José Climent Barber, 1984 |
| verbum panis partitura: Catalogo della Biblioteca del Liceo Musicale di Bologna Gaetano Gaspari, 1892 |
| verbum panis partitura: Catalogo della biblioteca del Liceo musicale di Bologna Biblioteca musicale "G.B. Martini" di Bologna, Gaetano Gaspari, 1892 |
| verbum panis partitura: Hymns Ancient and Modern for Use in the Services of the Church with Accompanying Tunes , 1869 |
| verbum panis partitura: L'Archivio musicale della Basilica di San Giovanni in Laterano Giancarlo Rostirolla, 2002 |
| verbum panis partitura: Expressionism Ashley Bassie, 2008-01-01 Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.-L. Kirchner, Paul Klee and Franz Marc, as well as |
| verbum panis partitura: Sis quintets per a instruments d'arc i orgue o clave obligat , |
| verbum panis partitura: First Set of Madrigals and Motets Orlando Gibbons, 1914 |
| verbum panis partitura: The Music of James MacMillan Phillip A. Cooke, 2019 Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making. James MacMillan appeals across the spectrum of contemporary music making and is particularly celebrated for his orchestral, operatic and choral pieces. This book, published in time to mark the composer's sixtieth birthday, is thefirst in-depth look at his life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie, the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul and his choral pieces, to his current position as one of the most prominent British composers of his generation, the book explores MacMillan's compositional influences over time. It looks closely at his most significant works and sets them in a wider context defined by contemporary composition, culture and the arts in general. The book also considers MacMillan's strong Catholic faith and how this has influenced his work, along with his politics and his on-going relationship with Scottish nationalism. With the support of the composer and his publisher and unprecedented access to interviews and previously unpublished materials, the book not only provides an appraisal of MacMillan's work but also insights into what it means to be a prominent composer and artist in the twenty-first century. PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell. |
| verbum panis partitura: La música en la Catedral de Calahorra: Catálogo del archivo de música José López-Calo, 1991 |
| verbum panis partitura: Sis Quintets Per a Instruments D'arc i Orgue O Clave Obligate , |
| verbum panis partitura: Thou art the star , 1866 |
| verbum panis partitura: Studien Und Plaudereien (Classic Reprint) Sigmon Martin Stern, 2016-07-11 Excerpt from Studien Und Plaudereien I ask: Ist dieses Buch grun? (is this book green?) The pupil will. Perhaps answer (having heard the word J a before): J a, and awaiting a further answer, I make him understand that he must repeat the whole sentence, J a, dieses Buch ist grim. Then, taking a brown book again, I ask: Ist dieses Buch grim? And a bright pupil will surely answer, N ein, dieses Buch ist nicht grim. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. |
| verbum panis partitura: The vocal concertos Gregor Aichinger, 1986-01-01 |
| verbum panis partitura: The Order of the Mass Catholic Church, 2015 |
| verbum panis partitura: Brinkman's cumulatieve catalogus van boeken , 1997 Voorts een alphabetische lijst van Nederlandsche boeken in België uitgegeven. |
| verbum panis partitura: English Pastoral Partsongs Paul Spicer, 1994 These settings, breathtaking in their simplicity and beauty, reflect and confirm the wide view of English music in the first half of this century: the selections, by Delius, Holst, Howells, Ireland, Vaughan Williams, and Warlock--and others--uniquely give the choral sound and the imagery of nature. English Pastoral Partsongs nicely compliments other Oxford secular choral anthologies: English Romantic Partsongs, The English Glee, and English Madrigals. |
| verbum panis partitura: Fair Ines Thomas Hood, 1886 |
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Verbum offers a digital platform where both can be at the student’s or scholar’s fingertips, with a library full of biblical texts and translations and of searchable commentaries, dictionaries, …
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Verbum es la plataforma de estudio católico líder en el mundo. Sus bibliotecas masivas en red, búsquedas rápidas, herramientas de lenguas originales y funciones útiles de conocimiento …
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