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| tunesmith porter: Cole Porter William McBrien, 2011-05-04 In his life and in his music, Cole Porter was the top—the pinnacle of wit and sophistication. From the 1910s through the ‘50s, from Yale pep rallies through the Broadway triumphs of Anything Goes and Kiss Me, Kate, he delighted audiences with a glittering torrent of song: “I Get a Kick Out of You.” “Night and Day,” “Love for Sale,” and “Just One of Those Things.” The bright surface of these gems—their catchy melodies and ingenious lyrics—made them instant pop hits. Their more subtle qualities and their musical and emotional depth have made them lasting standards, among the greatest glories of the American songbook. In Cole Porter, William McBrien has thoroughly captured the creator of these songs, whose life was one not only of wealth and privilege but also of tragedy, secrecy, and courage. A prodigal young man, Porter found his aesthetic and emotional anchor in a long, loving, if sexless marriage, while continuing to maintain many discreet affairs with men. In 1937, at the height of his success, he suffered a near-fatal riding accident; his last eighteen years were marked by pain, drugs, and repeated operations on his legs, years of physical agony but unstinting artistic achievement. Here is the book that Porter’s fans have long hoped for—a life that informs the great music and lyrics though illuminating glimpses of the hidden, complicated, private man. |
| tunesmith porter: After the Ball Ian Whitcomb, 2013-01-17 First published in 1972, Ian Whitcomb's After the Ball is an exuberant account of the origins and explosion of popular music, informed by the author's store of experience in the field as a pop sensation of The Sixties. 'Brash, learned, funny and perspicacious.... The author of this free-wheeling, diverting history was a student at Trinity College, Dublin, when he created a rock hit 'You Turn Me On,' and experienced a brief, bewildering season as a touring rock celebrity. This book... is his effort to explain that experience to himself, and, well-educated man that he is, he goes all the way back to the first pop bestseller (in sheet music, of course), 'After The Ball,' and all the way forward to the 1960s.' New Yorker 'One of the best books on popular music to come along in the last few years.... Whitcomb's own involvement with music constantly surfaces to make the book both revealing and highly enjoyable.' Seattle Times |
| tunesmith porter: Evolve Nancy Kilpatrick, 2010 Vampires have Evolved and They are Here! Kelley Armstrong, Tanya Huff and twenty-two other Canadian dark fantasy and horror writers re-imagine the future of vampires in this new collection of all-original short fiction. One of the most unusual and original vampire anthologies ever compiled. “The intriguing Vampires appearing in Evolve all share a common link to the iconic character Dracula” - Dacre Stoker EVOLVE includes works by: Kelley Armstrong, Tanya Huff, Claude Lalumière. Mary E. Choo, Sandra Kasturi, Bradley Somer, Kevin Cockle, Rebecca Bradley, Heather Clitheroe, Colleen Anderson, Sandra Wickham, Rhea Rose, Ronald Hore, Bev Vincent, Jennifer Greylyn, Steve Vernon, Michael Skeet, Kevin Nunn, Victoria Fisher, Rio Youers, Gemma Files, Natasha Beaulieu, Claude Bolduc, and Jerome Stueart. About the Editor: Award-winning author Nancy Kilpatrick has published eighteen novels, over one hundred and ninety short stories, five collections of stories, and has edited nine other anthologies. Much of her body of work involves vampires. Nancy writes dark fantasy, horror, mysteries and erotic horror, under her own name, her nom de plume Amarantha Knight, and her newest pen name Desirée Knight (Amarantha’s younger sister!) Besides writing novels and short stories, and editing anthologies, she has scripted four issues of VampErotic comics. As well, she’s penned radio scripts, a stage-play, and the non-fiction book The Goth Bible: A Compendium for the Darkly Inclined (St. Martin’s Press — October 2004). Nancy won the Arthur Ellis Award for best mystery story, is a three times Bram Stoker finalist and a five times finalist for the Aurora Award. About the Cover Artist: Ex-gravedigger John Kaiine, self trained professional artist/photographer, is also the author of the critically acclaimed metaphysical thriller Fossil Circus and various short stories, including the short film feature Dolly Sodom. He lives in a house by the sea with his wife, Tanith Lee, and two black and white cats. Praise: “The intriguing Vampires appearing in Evolve all share a common link to the iconic character Dracula” -- Dacre Stoker Vampire fans-this is a must read -- Parajunkie, Blog with Bite “With stories from genre veterans Kelley Armstrong and Tanya Huff, as well as a slew of newcomers, EVOLVE: VAMPIRE STORIES OF THE NEW UNDEAD is a worthy anthology for vampire lovers.” — Quill and Quire Books in this series: Evolve: Vampire Stories of the New Undead Evolve Two: Vampire Stories of the Future Undead |
| tunesmith porter: Time Briton Hadden, Henry Robinson Luce, 1960 |
| tunesmith porter: American Popular Song Alec Wilder, 2022 Wonderful--The New York Times. Provocative, opinionated, and never dull--Down Beat. A singular book.--Studs Terkel. When it was first published, Alec Wilder's American Popular Song quickly became a classic and today it remains essential reading for countless musicians, lovers of American Song, and fans of Alec Wilder. Now, in a 50th anniversary edition, popular music scholar Robert Rawlins brings the book fully up-to-date for the 21st century. Whereas previous editions featured only piano scores, the format has been changed to lead sheet notation with lyrics, making it accessible to a wider readership. Rawlins has also added more than sixty music examples to help complete the chapter on Irving Berlin. One of the most fascinating features of the original edition was Wilder's inventive use of language, often revealing his strong and sometimes irreverent opinions. Wilder's prose remains relatively unaltered, but footnotes have been provided that clarify, elucidate, and even correct. Moreover, a new chapter has been added, discussing fifty-three songs by numerous composers that Wilder might have well included but was not able to. Songs by Ann Ronnell, Fats Waller, Jule Styne and many others are capped off with an examination of ten of Wilder's own songs. |
| tunesmith porter: Stardust Melodies Will Friedwald, 2009-07-01 In Stardust Melodies, Will Friedwald takes each of these legendary songs apart and puts it together again, with a staggering wealth of detail and unprecedented understanding. Each chapter gives us an extended history of one song—the circumstances under which it was written and first performed—and then explores its musical and lyric content. Drawing on his vast knowledge of records and the careers of performing artists, Friedwald tells us who was responsible for making these songs famous and discusses in depth the performers who have left their unique marks on them. He writes about variations in performance style, about both classic and obscure versions of the songs, about brilliantly original interpretations and ghastly travesties. And then there’s the completely unexpected, like Stan Freberg’s politically correct “Elderly Man River.” This is a book for all lovers of American song to explore, argue with, and savor. |
| tunesmith porter: How Sondheim Found His Sound Steve Swayne, 2010-02-09 The research is voluminous, as is the artistry and perceptiveness. Swayne has lived richly within the world of Sondheim's music. ---Richard Crawford, author of America's Musical Life: A History Sondheim's career and music have never been so skillfully dissected, examined, and put in context. With its focus on his work as composer, this book is surprising and welcome. ---Theodore S. Chapin, President and Executive Director, The Rodgers & Hammerstein Organization What a fascinating book, full of insights large and small. An impressive analysis and summary of Sondheim's many sources of inspiration. All fans of the composer and lovers of Broadway in general will treasure and frequently refer to Swayne's work. ---Tom Riis, Joseph Negler Professor of Musicology and Director of the American Music Research Center, University of Colorado Stephen Sondheim has made it clear that he considers himself a playwright in song. How he arrived at this unique appellation is the subject of How Sondheim Found His Sound---an absorbing study of the multitudinous influences on Sondheim's work. Taking Sondheim's own comments and music as a starting point, author Steve Swayne offers a biography of the artist's style, pulling aside the curtain on Sondheim's creative universe to reveal the many influences---from classical music to theater to film---that have established Sondheim as one of the greatest dramatic composers of the twentieth century. Sondheim has spoken often and freely about the music, theater, and films he likes, and on occasion has made explicit references to how past works crop up in his own work. He has also freely acknowledged his eclecticism, seeing in it neither a curse nor a blessing but a fact of his creative life. Among the many forces influencing his work, Sondheim has readily pointed to a wide field: classical music from 1850 to 1950; the songs of Tin Pan Alley, Broadway, and Hollywood; the theatrical innovations of Oscar Hammerstein II and his collaborators; the cinematic elements found in certain film schools; and the melodramatic style of particular plays and films. Ultimately, Sondheim found his sound by amalgamating these seemingly disparate components into his unique patois. How Sondheim Found His Sound is the first book to provide an overview of his style and one of only a few to account for these various components, how they appear in Sondheim's work, and how they affect his musical and dramatic choices. |
| tunesmith porter: When Do I Clap? Valerie Cruice, 1997 |
| tunesmith porter: Twentieth Century American Nicknames Laurence Urdang, 1979 Contains the nicknames of well-known people, miscellaneous items, roads, restaurants, government agencies, companies, other organizations, and equipment and weapons. |
| tunesmith porter: LIFE , 1941-09-29 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
| tunesmith porter: The Company's Man Thomas M. Battista, 2011 Tony Manfredi loses his job the same day his wife finds out she is pregnant. Tony begins working the night shift at the loading docks. With some help from his Uncle Joe, Tony begins working in show business, and slowly moves up the ladder to become the head of the Mafia's North American operations. At the same time he becomes the CEO of a legitimate entertainment conglomerate. |
| tunesmith porter: Pseudonyms and Nicknames Dictionary , 1982 |
| tunesmith porter: Songwriters of the American Musical Theatre Nathan Hurwitz, 2016-09-01 From the favorites of Tin Pan Alley to today’s international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the mega musicals of the late Twentieth Century, giving today’s students and performers an indispensable survey of their craft. |
| tunesmith porter: Billboard , 1944-12-16 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| tunesmith porter: Pseudonyms and Nicknames Dictionary: L-Z Jennifer Mossman, 1987 |
| tunesmith porter: Tune-dex Digest ... , 1948 |
| tunesmith porter: The Oxford Handbook of the Hollywood Musical Dominic McHugh, 2022 In The Oxford Handbook of the Hollywood Musical, leading scholars examine the history of a defining film genre from its very roots to the present, analyzing its tropes and problems over the past 8 decades of film history. |
| tunesmith porter: The Encyclopedia of War, 5 Volume Set Gordon Martel, 2012-01-17 This ground-breaking 5-volume reference is a comprehensive print and electronic resource covering the history of warfare from ancient times to the present day, across the entire globe. Arranged in A-Z format, the Encyclopedia provides an overview of the most important events, people, and terms associated with warfare - from the Punic Wars to the Mongol conquest of China, and the War on Terror; from the Ottoman Sultan, Suleiman ‘the Magnificent’, to the Soviet Military Commander, Georgi Konstantinovich Zhukov; and from the crossbow to chemical warfare. Individual entries range from 1,000 to 6,000 words with the longer, essay-style contributions giving a detailed analysis of key developments and ideas. Drawing on an experienced and internationally diverse editorial board, the Encyclopedia is the first to offer readers at all levels an extensive reference work based on the best and most recent scholarly research. The online platform further provides interactive cross-referencing links and powerful searching and browsing capabilities within the work and across Wiley-Blackwell’s comprehensive online reference collection. Learn more at www.encyclopediaofwar.com. Selected by Choice as a 2013 Outstanding Academic Title Recipient of a 2012 PROSE Award honorable mention |
| tunesmith porter: Bookseller , 1972 Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series. |
| tunesmith porter: The Bookseller , 1972 |
| tunesmith porter: Architectural Digest , 1991-07 |
| tunesmith porter: Wodehouse Robert McCrum, 2004 He had an extraordinary Broadway career, wrote 90 novels and story collections, and among his immortal characters are Jeeves and the Empress of Blandings. McCrum's magisterial biography chronicles the achievements and shadows of a gilded life. |
| tunesmith porter: That's Entertainment Tighe E. Zimmers, 2021-05-19 Arthur Schwartz (1900-1984), a premier composer of American Popular Song during the mid-20th century, has been overlooked by historians. This first full-length biography covers his work on Broadway and in Hollywood, where he was known as the master of the intimate revue for his songs in the 1930s with Howard Dietz. Schwartz wrote music for films in the 1940s--with Academy Award nominations for They're Either Too Young or Too Old and A Gal in Calico--produced two popular movie musicals--Cover Girl and Night and Day--and was among the first songwriters to work in the new medium of television. The author describes his creative process and includes behind-the-scenes stories of each of his major musicals. |
| tunesmith porter: Sheet Music of the Confederacy Robert I. Curtis, 2024-03-28 The creation of the Confederate States of America and the subsequent Civil War inspired composers, lyricists, and music publishers in Southern and border states, and even in foreign countries, to support the new nation. Confederate-imprint sheet music articulated and encouraged Confederate nationalism, honored soldiers and military leaders, comforted family and friends, and provided diversion from the hardships of war. This is the first comprehensive history of the sheet music of the Confederacy. It covers works published before the war in Southern states that seceded from the Union, and those published during the war in Union occupied capitals, border and Northern states, and foreign countries. It is also the first work to examine the contribution of postwar Confederate-themed sheet music to the South's response to its defeat, to the creation and fostering of Lost Cause themes, and to the promotion of national reunion and reconciliation. |
| tunesmith porter: The Richard Rodgers Reader Geoffrey Block, 2006 Richard Rodgers was one of America's most prolific and best-loved composers. A world without My Funny Valentine, The Lady is a Tramp, Blue Moon, and Bewitched, to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hammerstein (1960-1979), and The Composer Speaks (1939-1971), The Richard Rodgers Reader offers a cornucopia of informative, perceptive, and stylish biographical and critical overviews. It also contains a selection of Rodgers's letters to his wife Dorothy in the 1920s, the 1938 Time magazine cover story and New Yorker profiles in 1938 and 1961, and essays and reviews by such noted critics as Brooks Atkinson, Eric Bentley, Leonard Bernstein, Lehman Engel, Walter Kerr, Ken Mandelbaum, Ethan Mordden, George Jean Nathan, and Alec Wilder. The volume features personal accounts by Richard Adler, Agnes de Mille, Joshua Logan, Mary Martin, and Diahann Carroll. The collection concludes with complete selections from more than thirty years of Rodgers's own writings on topics ranging from the creative process, the state of the Broadway theater, even Rodgers's bout with cancer, and a generous sample from the candid and previously unpublished Columbia University interviews. For anyone wishing to explore more fully the life and work of a composer whose songs and musicals have assumed a permanent--and prominent--place in American popular culture, The Richard Rodgers Reader will offer endless delights. |
| tunesmith porter: Billboard , 1943 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| tunesmith porter: The Billboard , 1950 |
| tunesmith porter: The Symphonic Repertoire, Volume V Brian Hart, A. Peter Brown, 2024-01-30 Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges. In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony in Europe from its origins into the 20th century. In Volume V, Brown's former students and colleagues continue his vision by turning to the symphony in the Western Hemisphere. It examines the work of numerous symphonists active from the early 1800s to the present day and the unique challenges they faced in contributing to the European symphonic tradition. The research adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This much-anticipated fifth volume of The Symphonic Repertoire: The Symphony in the Americas offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America. |
| tunesmith porter: Charles Walters Brent Phillips, 2014-12-02 A “lively biography” of the director who choreographed Fred Astaire, Debbie Reynolds and more: “a real backstager” on the making of Hollywood musicals (Wall Street Journal). From the trolley scene in Meet Me in St. Louis to Fred Astaire and Ginger Rogers's last dance on the silver screen to Judy Garland's tuxedo-clad performance of Get Happy, Charles Walters staged the iconic musical sequences of Hollywood's golden age. The Academy Award-nominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, and Frank Sinatra—yet Walters's name often goes unrecognized today. In the first full-length biography of Walters, Brent Phillips chronicles the artist's career from his days as a Broadway performer to his successes at Metro-Goldwyn-Mayer. Phillips takes readers behind the scenes of beloved musicals including Easter Parade, Lili, and High Society. He also examines the director's uncredited work on films like Gigi, and discusses his contributions to musical theater and American popular culture. This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography offers an entertaining and important new look at an exciting era in Hollywood history. |
| tunesmith porter: The American Theatre Reader Staff of American Theatre Magazine, 2009-05-01 In celebration of American Theatre’s twenty-fifth anniversary, the editors of the nation’s leading theater magazine have chosen their best essays and interviews to provide an intimate look at the people, plays, and events that have shaped the American theater over the past quarter-century. Over two hundred artists, critics, and theater professionals are gathered in this one-of-a-kind collection, from the visionaries who conceived of a diverse and thriving national theater community, to the practitioners who have made that dream a reality. The American Theatre Reader captures their wide-ranging stories in a single compelling volume, essential reading for theater professionals and theatergoers alike. Partial contents include: Interviews with Edward Albee, Anne Bogart, Peter Brook, Lorraine Hansbury, Lillian Hellman, Jonathan Larson, David Mamet, Arthur Miller, Joseph Papp, Will Power, Bartlett Scher, Sam Shepard, Tom Stoppard, Luis Valdez, Paula Vogel, August Wilson, and others. Essays by Eric Bentley, Eric Bogosian, Robert Brustein, Christopher Durang, Oskar Eustis, Zelda Fichandler, Eva La Gallienne, Vaclav Havel, Danny Hoch, Tina Howe, David Henry Hwang, Naomi Iizuki, Adrienne Kennedy, Tony Kushner, Kristin Linklater, Todd London, Robert MacNeil, Des McAnuff, Conor McPherson, Marsha Norman, Suzan-Lori Parks, Hal Prince, Phylicia Rashad, Frank Rich, José Rivera, Alan Schneider, Marian Seldes, Wallace Shawn, Anna Deavere Smith, Molly Smith, Diana Son, Wole Soyinka, and many others. |
| tunesmith porter: The Gramophone , 2007 |
| tunesmith porter: The Songsmith Magazine , 1956 |
| tunesmith porter: The Guest List Ethan Mordden, 2010-09-28 From the 1920s to the early 1960s, Manhattan was America's beacon of sophistication. From the theatres of Broadway to the lobby of the Algonquin Hotel to tables at the Stork Club, intelligence and wit were the twinned coins of the realm. Alexander Woolcott, Irving Berlin, Edna Ferber, Arturo Toscanini, Leonard Bernstein, Cole Porter, Dorothy Parker, Truman Capote, the Lunts and Helen Hayes presided over the town. Their books, plays, performances, speeches, dinner parties, masked balls, loves, hates, likes and dislikes became the aspirations of a nation. If you wanted to be sophisticated, you played by Manhattan's rules. If you didn't, you simply weren't on the guest list. The Heartland rebelled against Manhattan's dictum, but never prevailed. In this lively cultural history, Mordden chronicles the city's most powerful and influential era. |
| tunesmith porter: Pathfinder , 1947 |
| tunesmith porter: Life Henry Robinson Luce, 1941 |
| tunesmith porter: Daily Variety , 1957 |
| tunesmith porter: The Jazz Standards Ted Gioia, 2021-08-18 An updated new edition of Ted Gioia's acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page. Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive guide to some of the most important jazz compositions, telling the story of more than 250 key jazz songs and providing a listening guide to more than 2,000 recordings. The fan who wants to know more about a tune heard at the club or on the radio will find this book indispensable. Musicians who play these songs night after night will find it to be a handy guide, as it outlines the standards' history and significance and tells how they have been performed by different generations of jazz artists. Students learning about jazz standards will find it to be a go-to reference work for these cornerstones of the repertoire. This book is a unique resource, a browser's companion, and an invaluable introduction to the art form. |
| tunesmith porter: Gramophone , 2007 |
| tunesmith porter: The Uses of Music Joseph A. Mussulman, 1974 |
| tunesmith porter: Catalog of Copyright Entries, Third Series Library of Congress. Copyright Office, 1969 The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.). |
Tunesmith 7 Little Words Bonus 4 - 7LittleWordsAnswers.com
Home November 30 2020 Tunesmith Below you will find the solution for: Tunesmith 7 Little Words which contains 8 Letters. Tunesmith 7 Little Words Possible Solution: COMPOSER Since you …
Tunesmith 7 Little Words Bonus 4 - 7LittleWordsAnswers.com
Home November 30 2020 Tunesmith Below you will find the solution for: Tunesmith 7 Little Words which contains 8 Letters. Tunesmith 7 Little Words Possible Solution: COMPOSER Since you …
