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| trumpet feels so good: The Chuck Mangione Collection Chuck Mangione, 2003-07-01 (Artist Transcriptions). Our Artist Transcriptions book features note-for-note transcriptions for trumpet and flugelhorn for 10 hot Mangione tunes. Includes his beloved melodic jazz-pop anthem Feels So Good and: Bellavia * Chase the Clouds Away * Children of Sanchez * Doin' Everything with You * Fun and Games * Give It All You Got * Hill Where the Lord Hides * Land of Make Believe * and Peggy Hill, plus a biography. |
| trumpet feels so good: 25 Great Sax Solos Eric J. Morones, 2008-04-01 (Sax Instruction). From Chuck Rio and King Curtis to David Sanborn and Kenny G, take an inside look at the genesis of pop saxophone. This book/audio pack provides solo transcriptions in standard notation, lessons on how to play them, bios, equipment, photos, history, and much more. The audio features full-band demos of every sax solo in the book. Songs include: After the Love Has Gone * Deacon Blues * Just the Two of Us * Just the Way You Are * Mercy, Mercy Me * Money * Respect * Spooky * Take Five * Tequila * Yakety Sax * and more. |
| trumpet feels so good: The Billboard Book of Top 40 Hits, 9th Edition Joel Whitburn, 2010-10-05 The Essential Reference Guide to America’s Most Popular Songs and Artists Spanning More than Fifty Years of Music Beginning with Bill Haley & His Comets’ seminal “Rock Around the Clock” all the way up to Lady Gaga and her glammed-out “Poker face,” this updated and unparalleled resource contains the most complete chart information on every artist and song to hit Billboard’s Top 40 pop singles chart all the way back to 1955. Inside, you’ll find all of the biggest-selling, most-played hits for the past six decades. Each alphabetized artist entry includes biographical info, the date their single reached the Top 40, the song’s highest position, and the number of weeks on the charts, as well as the original record label and catalog number. Other sections—such as “Record Holders,” “Top Artists by Decade,” and “#1 Singles 1955-2009”—make The Billboard Book of Top 40 Hits the handiest and most indispensable music reference for record collectors, trivia enthusiasts, industry professionals and pop music fans alike. Did you know? • Beyoncé’s 2003 hit “Crazy in Love” spent 24 weeks in the Top 40 and eight of them in the #1 spot. • Billy Idol has had a total of nine Top 40 hits over his career, the last being “Cradle of Love” in 1990. • Of Madonna’s twelve #1 hits, her 1994 single “Take a Bow” held the spot the longest, for seven weeks—one week longer than her 1984 smash “Like a Virgin.” • Marvin Gaye’s song “Sexual Healing” spent 15 weeks at #3 in 1982, while the same song was #1 on the R&B chart for 10 weeks. • Male vocal group Boyz II Men had three of the biggest chart hits of all time during the 1990s. • The Grateful Dead finally enjoyed a Top 10 single in 1987 after 20 years of touring. • Janet Jackson has scored an impressive 39 Top 40 hits—one more than her megastar brother Michael! |
| trumpet feels so good: Steely Dan's Aja Don Breithaupt, 2007-05-15 Aja was the album that made Steely Dan a commercial force on the order of contemporaries like Fleetwood Mac, the Eagles and Chicago. A double-platinum, Grammy-winning bestseller, it lingered on the Billboard charts for more than a year and spawned three hit singles. Odd, then, that its creators saw it as an ambitious, extended work, the apotheosis of their anti-rock, anti-band, anti-glamour aesthetic. Populated by thirty-fi ve mostly jazz session players, Aja served up prewar song forms, mixed meters and extended solos to a generation whose idea of pop daring was Paul letting Linda sing lead once in a while. And, impossibly, it sold. Including an in-depth interview with Donald Fagen, this book paints a detailed picture of the making of a masterpiece. |
| trumpet feels so good: First 50 Songs You Should Play on Ocarina HAL LEONARD CORP., 2021-11 Other Folk and Traditional Instruments |
| trumpet feels so good: The Reading Room Barbara Probst Solomon, 2000-03 The Reading Room feature new stories, sections of novels, essays, and poetry for well-known writers with international reputations and new young writers just coming up. Contributors include Larry Rivers, Juan Goytisolo, Stanley Crouch, Madison Smartt Bell, Lionel Abel, Don Maggin, and Mark Minsky. |
| trumpet feels so good: I Feel So Good Bob Riesman, 2011-06-01 A major figure in American blues and folk music, Big Bill Broonzy (1903–1958) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman’s groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. I Feel So Good traces Big Bill’s career from his rise as a nationally prominent blues star, including his historic 1938 appearance at Carnegie Hall, to his influential role in the post-World War II folk revival, when he sang about racial injustice alongside Pete Seeger and Studs Terkel. Riesman’s account brings the reader into the jazz clubs and concert halls of Europe, as Big Bill's overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. Interviews with Eric Clapton, Pete Townshend, and Ray Davies reveal Broonzy’s profound impact on the British rockers who would follow him and change the course of popular music. Along the way, Riesman details Big Bill’s complicated and poignant personal saga: he was married three times and became a father at the very end of his life to a child half a world away. He also brings to light Big Bill’s final years, when he first lost his voice, then his life, to cancer, just as his international reputation was reaching its peak. Featuring many rarely seen photos, I Feel So Good will be the definitive account of Big Bill Broonzy’s life and music. |
| trumpet feels so good: Brass Playing is No Harder Than Deep Breathing Claude Gordon, 1987 |
| trumpet feels so good: The Trumpet-major Thomas Hardy, 1903 |
| trumpet feels so good: Hey Mom! Listen to This! Elaine Schmidt, 2010 A guide for parents to encourage their children to take up and pursue musical abilities from early childhood through high school, providing detailed descriptions of different instruments, and offering tips and advice on getting and maintaining an instrument, helping a child remain motivated to practice and play, choosing and paying for a private teacher, and helping children deal with anxieties about performances. |
| trumpet feels so good: Georgia on My Mind (Sheet Music) Ray Charles, 1997-11-01 (Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line. |
| trumpet feels so good: Arban's Complete Conservatory Method for Trumpet JB Arban, 2013-04-22 A complete pedagogical method for students of trumpet and cornet, this brass bible contains hundreds of exercises from basics to advanced. Includes the author's famous arrangement of Carnival in Venice. |
| trumpet feels so good: Touch Blue Cynthia Lord, 2012-11-01 An exquisite second novel from the Newbery Honor author of RULES! TOUCH BLUE, sure as certain, will touch your heart.The state of Maine plans to shut down her island's schoolhouse, which would force Tess's family to move to the mainland--and Tess to leave the only home she has ever known. Fortunately, the islanders have a plan too: increase the numbers of students by having several families take in foster children. So now Tess and her family are taking a chance on Aaron, a thirteen-year-old trumpet player who has been bounced from home to home. And Tess needs a plan of her own--and all the luck she can muster. Will Tess's wish come true or will her luck run out?Newbery Honor author Cynthia Lord offers a warm-hearted, humorous, and thoughtful look at what it means to belong--and how lucky we feel when we do. Touch Blue, sure as certain, will touch your heart. |
| trumpet feels so good: The New Face of Jazz Cicily Janus, 2010-07-13 Jazz is thriving in the twenty-first century, and The New Face of Jazz is an intimate, illustrated guide to the artists, venues, and festivals of today's jazz scene. This book celebrates the living legends, current stars, and faces of tomorrow as they continue to innovate and expand the boundaries of this great musical legacy. In their own words, artists such as McCoy Tyner, Arturo Sandoval, Diane Schuur, Terence Blanchard, Charlie Hunter, Nicholas Payton, George Benson, Maria Schneider, Christian McBride, Randy Brecker, Jean-Luc Ponty, Joe Lovano, Lee Ritenour, and more than 100 others share intimately about their beginnings, musical training, inspiration, and hard-earned lessons, creating a fascinating mosaic of the current jazz community. Photographer Ned Radinsky contributes 40 amazing black-and-white portraits of these musicians doing what they do best—playing. An appendix offers resources for jazz education; an exclusive reading list; and the lowdown on those organizations and societies doing their part to promote jazz as a living, breathing art form. With an introductory word from Wynton Marsalis, a foreword by Marcus Miller, and an afterword by Sonny Rollins, The New Face of Jazz is an unprecedented window onto today's world of jazz, for everyone from the devotee to the new listener. |
| trumpet feels so good: Sound the Trumpet Jonathan Harnum, 2006 |
| trumpet feels so good: Sittin' in with the Big Band, Vol 1 , 2007 Sittin In with the Big Band: Jazz Ensemble Play-Along is written at the easy to medium-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing 24/7. As you play along and listen to the outstanding players in the band, youll learn about blend, style, phrasing, tone, dynamics, technique, articulation, and playing in time, as well as a variety of Latin, swing, ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone, tenor saxophone, trumpet, trombone, piano, bass, guitar and drums.Titles include: Vehicle, Sax to the Max, Nutcracker Rock, Fiesta Latina, Now What, Goodbye My Heart, Two and a Half Men, Burritos to Go, Drummin Man, Swingin Shanty and Play That Funky Music.Features: Eleven big-band charts arranged by a variety of top writersPlay-along CD with demo trackSolo improvisation opportunities |
| trumpet feels so good: Warrior's Chaos Allie Burton, 2019-07-12 Her grandfather kidnapped. An ancient instrument of death in her hands. A warrior from the past determined to stop her. When sixteen-year-old Aria York loses her parents, she thinks nothing worse can happen. Then her grandfather is kidnapped by a mysterious cult and she is hunted by those willing to kill to get the infamous trumpet of war in her possession. When Aria plays the magical instrument, she forgets her grief as triumph, greed and anger flow through her veins. When her actions cause chaos to erupt in San Francisco, she must join forces with a tortured warrior who comes from the past. Warrior Falcon knows the legendary trumpet could engulf the world in war. His orders are to retrieve it at any cost. But the deal he makes with Aria to help rescue her grandfather endangers his quest to save the future and jeopardizes his heart. Aria wants to trust Falcon but knows something even bigger is at stake: A secret so powerful it could destroy everything. As each precious hour passes, she’s forced to ask: Is she playing the trumpet or is the trumpet playing her? “Warrior’s Chaos is spellbinding, dark and furious as the chaos is unleashed and felt throughout. Fascinating reading with touches of myth, history, legends and more. Did I mention the magic of romance?”—Dii, Top 500 reviewer (Originally published as Tut’s Trumpet) Other books in the series: Warrior’s Destiny, Warrior’s Prophecy, Warrior’s Curse |
| trumpet feels so good: Best of Chris Botti Songbook Chris Botti, 2008-03-01 (Artist Transcriptions). 15 pieces from this highly regarded popular jazz trumpeter and his best-selling albums When I Fall in Love , To Love Again: The Duets , Midnight Without You , Night Sessions , and more. Titles include: Back into My Heart * Embraceable You * Good Morning Heartache * Lisa * The Look of Love * Love Theme * Midnight Without You * My One and Only Love * The Nearness of You * No Ordinary Love * One for My Baby (And One More for the Road) * A Thousand Kisses Deep * What Are You Doing the Rest of Your Life? * What'll I Do? * When I Fall in Love. |
| trumpet feels so good: My Life in Jazz Max Kaminsky, 2018-03-12 This is the colourful account of swing trumpeter Max Kaminsky’s life on the road in the formative years of jazz. Originally published in 1963, Kaminsky reminisces about playing with many notables, including Bix Beiderbecke, Fats Waller, Louis Armstrong, Gene Krupa, Artie Shaw, James P. Johnson, Bud Freeman, Pee Wee Russell, Artie Shaw and Jack Teagarden. A wonderful autobiographical work. “Max Kaminsky has written so realistically about the music world that you feel you, personally, were around for the whole great wonderful whirl!”—Jackie Gleason “I found My Life in Jazz absorbing reading and a true representation of the music and the people of the period.”—Bing Crosby |
| trumpet feels so good: Clarinet and Trumpet Melanie Ellsworth, 2021-03 A vibrant and humorous story about a harmonious friendsip that falls flat. How will Clarinet and Trumpet piece together their broken notes to become one symphonic duo again? |
| trumpet feels so good: Metronome , 1958 |
| trumpet feels so good: Play the Way You Feel Kevin Whitehead, 2020-04-01 Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts. |
| trumpet feels so good: Have You Seen? David Thomson, 2008 Including masterpieces, oddities, guilty pleasures, and classics (with just a few disasters)--Cover. |
| trumpet feels so good: High Hat, Trumpet, and Ryhthm Mark Miller, 2007 Singer, trumpeter and dancer. Child star, jazz pioneer and world traveller. Legend and myth. If Valaida Snowés life wasnét already sensational enough, she sensationalized it further, freely evading and embellishing the truth of her triumphs, trials and tribulations. But even after her life has been measured against the historical record, it remains a grand and compelling tale, and Valaida herself a grand and compelling figure. |
| trumpet feels so good: Trumpet Technique Frank Gabriel Campos, 2004-12-16 In the last forty years, many elite performers in the arts have gleaned valuable lessons and techniques from research and advances in sport science, psychomotor research, learning theory, and psychology. Numerous peak performance books have made these tools and insights available to athletes. Now, professor and performer Frank Gabriel Campos has translated this concept for trumpet players and other brass and wind instrumentalists, creating an accessible and comprehensive guide to performance skill. Trumpet Technique combines the newest research on skill acquisition and peak performance with the time-honored and proven techniques of master teachers and performers. All aspects of brass technique are discussed in detail, including the breath, embouchure, oral cavity, tongue, jaw, and proper body use, as well as information on performance psychology, practice techniques, musicians' occupational injuries, and much more. Comprehensive and detailed, Trumpet Technique is an invaluable resource for performers, teachers, and students at all levels seeking to move to the highest level of skill with their instrument. |
| trumpet feels so good: The Many Faces of God Michael Sheridan, 2024-07-08 Have you wondered how God reveals His presence to you? Have you wondered how He can create and love so many millions of people without losing track of a single one? Have you ever worried that God may never appear to you in your life or that you might not recognize Him if He did? The Many Faces of God explores these questions and gives you hope that God's presence is there, in each of our lives. Through one man's difficult journey, you will see how God shaped his life, taught him valuable lessons, and made him feel loved. You will then come to recognize how God has been there for you in your life--shaping, teaching, and loving you. You will look back on the people you have met, even those you encountered for a few brief seconds, and discover that these people were not put into your life accidentally. They are the many faces of God. Each compelling story is an example of how God reveals Himself to us through the people in our lives to be a part of our spiritual journey together. Whether they are close friends or passing acquaintances, brilliant teachers who inspire us, or toxic people who frustrate us, these are the people whom God has used to help us learn and grow in Him. We share the earth with all kinds of people, and some of them leave a more lasting imprint on us than others. But will you know it when one of those people is actually God helping to shape your life? |
| trumpet feels so good: Journal of Horticulture, Cottage Gardener, and Country Gentleman (varies Slightly) , 1910 |
| trumpet feels so good: A Record of Psychic Experiences George F. Goerner, 1922 |
| trumpet feels so good: An Examen of the historical play of Edward the Black Prince ... With a critical review of Mr Barry, in the character of Ribemont. By a Gentleman of the Inner Temple William SHIRLEY (Dramatist.), 1750 |
| trumpet feels so good: Managing Your Head and Body so You Can Become a Good Musician Richard H. Cox, 2010-06-01 As a husband, parent, teacher, and performer I found many expressions of all the aspects of our musical art, as well as so many connections to the entire world of our musical art, as well as so many connections to the entire world of our existence, in Dr. Cox's book. I found these expressions to be very consistent with the approach that I myself, as well as so many of my world-class colleagues, have found to be our life stories. Thank you. --Adolf S. Herseth Principal Trumpet Emeritus Chicago Symphony Orchestra Managing Your Head and Body So You Can Become a Good Musician tackles one of the fundamental dimensions of successful musical performance. Aspiring musicians need to know that mastering their instrument is only one element of their preparation for musical success. This book will help them begin to address the physical and psychological issues of performance so they can get to the heart of the issue--how to truly communicate with an audience. --Jacqueline Helin Steinway and Sons Artist |
| trumpet feels so good: The Bible educator, ed. by E.H. Plumptre Edward Hayes Plumptre, 1874 |
| trumpet feels so good: Daily Drills and Technical Studies for Trumpet , 1965 |
| trumpet feels so good: The Jazz Masters Peter C. Zimmerman, 2021-11-01 The Jazz Masters: Setting the Record Straight is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” |
| trumpet feels so good: Motown Encyclopedia Graham Betts, 2014-06-02 Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever. |
| trumpet feels so good: The Instrumentalist , 1996 |
| trumpet feels so good: Adrian Rollini Ate van Delden, 2019-11-29 2020 Association for Recorded Sound Collections Awards for Excellence—Best History in the category of Best Historical Research in Recorded Jazz Adrian Rollini (1903–1956), an American jazz multi-instrumentalist, played the bass saxophone, piano, vibraphone, and an array of other instruments. He even introduced some, such as the harmonica-like cuesnophone, called Goofus, never before wielded in jazz. Adrian Rollini: The Life and Music of a Jazz Rambler draws on oral history, countless vintage articles, and family archives to trace Rollini’s life, from his family’s arrival in the US to his development and career as a musician and to his retirement and death. A child prodigy, Rollini was playing the piano in public at the age of five. At sixteen in New York he was recording pianola rolls when his peers recognized his talent and asked him to play xylophone and piano in a new band, the California Ramblers. When he decided to play a relatively new instrument, the bass saxophone, the Ramblers made their mark on jazz forever. Rollini became the man who gave this instrument its place. Yet he did not limit himself to playing bass parts—he became the California Ramblers’ major soloist and created the studio and public sound of the band. In 1927 Rollini led a new band that included such jazz greats as Bix Beiderbecke and Frank Trumbauer. During the Depression years, he was back in New York playing with several bands including his own New California Ramblers. In the 1940s, Rollini purchased a property on Key Largo. He rarely performed again for the public but hosted rollicking jam sessions at his fishing lodge with some of the best nationally known and local players. After a car wreck and an unfortunate hospitalization, Rollini passed away at age fifty-three. |
| trumpet feels so good: Strong on Music Vera Brodsky Lawrence, 1995-04 In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: A marvelous book. There is nothing like it in the literature of American music.—Harold C. Schonberg, New York Times Book Review On Volume 2: A monumental achievement.—Victor Fell Yellin, Opera Quarterly |
| trumpet feels so good: Lost Echoes Joe R. Lansdale, 2007-02-13 Since a mysterious childhood illness, Harry Wilkes has experienced horrific visions. Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present. |
| trumpet feels so good: The Garden , 1915 |
| trumpet feels so good: The Bible Educator Edward Hayes Plumptre, 1877 |
Recent Posts - Page 107,439 - JLA FORUMS
Mar 5, 2025 · Recent Posts at JLA FORUMS - Page 107,439. Thank You for 20 years! We want to thank everyone for their support over the past 20 years! JLA FORUMS went online Wedne
Recent Posts - Page 107,439 - JLA FORUMS
Mar 5, 2025 · Recent Posts at JLA FORUMS - Page 107,439. Thank You for 20 years! We want to thank everyone for their support over the past 20 years! JLA FORUMS went online Wedne
