Ts Sullivant

  ts sullivant: A Cockeyed Menagerie T.S. Sullivant, 2021-01-12 The long-overdue, definitive career retrospective of an early-20th-century gag cartoonist. From the 1880s to the Roaring 1920s, Sullivant took to the drawing board and dreamed up all manner of hilarious gag cartoons featuring animals of all stripes, perennial American types like hayseeds and hobos, and classic characters from myths and biblical tales. These comics haven’t seen the light of day since their initial appearance in pioneering humor magazines like Puck and Judge over a century ago. Includes essays by John Cuneo, Peter de Seve, Barry Blitt, Steve Brodner, Rick Marshall, Nancy Beiman, and R.C. Harvey, with a foreword by cartoonist Jim Woodring.
  ts sullivant: The Art of Cartooning Roy Paul Nelson, 2013-01-18 With a little outside help, says veteran cartoonist Roy Paul Nelson, anyone with an interest in art can learn to draw humorous sketches. He proves it in this accessible guide to cartooning, offering beginners and professionals a complete manual for working in one of the world's liveliest art forms. Briefly tracing the origins of cartooning, Nelson goes on to furnish tips for using proper tools and techniques; drawing the human figure, animals, and backgrounds; composing; doing gag cartoons, comic strips, and panels; creating editorial and advertising cartoons; and much more. Accompanying the easy-to-follow directions are seventy-five illustrations, including many of the author's own. Designed especially for novices, this concise, readable guide will also serve as a refresher course for seasoned artists.
  ts sullivant: Cover Not Final: Crime Funnies Max Huffman, 2021-06-15 In this collection of intertwined stories, paranoid conspiracy and soft-boiled noir bubbles under every aspect of daily life-- and at the center of it all is Career Criminal, the tuxedo'd conduit between our square world and its cosmic underbelly. Max Huffman is from the school of Gary Panter. His work has been featured on the Journal's Best of 2020.
  ts sullivant: Crumb's World Robert Crumb, 2021-02-23 R. Crumb’s obsessions—from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life—are chronicled in this comprehensive book of work by the illustrious American comic artist. Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb’s unique universe, this book features a wide array of printed matter culled from the artist’s five-decade career—tear sheets of drawings and comics taken directly from the publications where the works first appeared, comic book covers, broadsides from the 1960s and 1970s, and tabloids from Haight-Ashbury, Oakland, the Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb’s singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb’s work and the importance of artists who take on the status quo.
  ts sullivant: Society Is Nix Peter Maresca, 2025-07-15 A revised and expanded edition of the Eisner-nominated book on the earliest American comics, with over 200 classic strips, by over 75 cartoonists: the Founders of the Funnies.
  ts sullivant: Art & Beauty Magazine: Drawings by R. Crumb Robert Crumb, 2016-06-14 One of America’s most celebrated cartoonists, Robert Crumb helped define cartoon and punk subcultures of the 1960s and 1970s with comic strips like Fritz the Cat, Mr. Natural, and Keep on Truckin’. The open sexuality of his work, paired with frequent self-deprecation and a free, almost stream-of-consciousness style, have made Crumb into a global voice and a renowned contemporary artist. Originally published by Kitchen Sink Press in 1996, Art & Beauty Magazine, Number 1 is at once a satirical take on aesthetics and a continued exploration of Crumb’s subversion of sexuality and mainstream values. Drawings of women in positions ranging from lascivious to modest or mid-sport are accompanied by quotations, many of which are from artists like Leonardo da Vinci and Harvey Kurtzman. Mining his own obsessions and fantasies, Crumb reimagines the history of art, challenging notions of beauty, along with society’s mores and expectations of propriety around the female form. The second volume of Art & Beauty, published in 2003, expanded on the first, adding all new drawings (also of women) and quotations, likewise taken from the history of art and aesthetics. The effect of both volumes is undeniably destabilizing. The images appeal to a purely erotic sensibility, which in turn is undercut by the inclusion of highfalutin and frequently philosophical prose. The images drag philosophy back down to earth, while the writing challenges the pure eroticism of Crumb’s drawings. The eagerly awaited Art & Beauty, Number 3 is released for the first time as part of Art & Beauty Magazine: Drawings by R. Crumb. It is published on the occasion of Crumb's exhibition at David Zwirner, London, which debuts the new work he created for the magazine’s third issue. Presenting all three volumes in one book, Art & Beauty Magazine is arranged chronologically and guides the reader through the twenty-year history of Crumb’s magazine, from the earliest images in the 1990s to the most recent drawings completed in 2016. Paul Morris, longtime gallerist and supporter of Crumb’s practice, writes an introduction that contextualizes this body of work and the artist’s career as a whole. This beautiful edition, with a cover specially designed by Crumb for its release, makes the initial two issues available for the first time in over ten years, and presents the new and previously unpublished material from the third. For seasoned supporters and novices alike, Art & Beauty Magazine: Drawings by R. Crumb is a wonderful window into Crumb’s world of bodies and ideas, art and beauty. A limited edition of 400 signed copies is published as well.
  ts sullivant: R. Crumb: Bible of Filth Robert Crumb, 2017-12-12 Featuring R. Crumb’s most outrageous sexual comics, Bible of Filth is possibly the dirtiest book around. One of America’s most celebrated cartoonists, Crumb helped define cartoon and punk subcultures of the 1960s and 1970s with comic strips like Fritz the Cat, Mr. Natural, and Keep on Truckin’. The open sexuality of his work, paired with frequent self-deprecation and a free, almost stream-of-consciousness style, has made Crumb into a global voice and a renowned contemporary artist. Originally published in France in 1986 by Futuropolis, the first edition of Bible of Filth was never distributed in the United States because of its graphic sexual content, which included some of Crumb’s most explicit comics from underground magazines such as Snatch, Jiz, Zap, XYZ, Big Ass, and Uneeda. This revised and expanded English edition, published by David Zwirner Books, contains all the original pieces from the 1986 volume, with over one hundred pages of additional material. Organized chronologically, there are comics from 1968 to 1986 that were omitted from the first edition and an entirely new selection of work from after 1986. Printed on bible paper and bound in leather, with gold debossing and edging, this volume looks and feels like a traditional bible, with no outward suggestion of what it contains. This revised and expanded Bible of Filth is the perfect introduction for newcomers, while retaining its status as an important collector’s item for Crumb enthusiasts around the world.
  ts sullivant: Dream Worlds: Production Design for Animation Hans Bacher, 2012-11-12 A truly unique visual delight offering insight into the development of animation classics like Bambi, Beauty and the Beast, The Lion King, Lilo and Stitch as well as a tantalizing examination of unfinished Disney projects.
  ts sullivant: The Cisco Kid Rod Reed, José Luis Salinas, 1983
  ts sullivant: The Art of Richard Thompson Bill Watterson, Nick Galifianakis, David Apatoff, 2014-11-25 Richard Thompson is renowned among cartoonists as an artist's cartoonist. Little known to all but those close to him is the extent of his art talent. This is the book that will enlighten the rest of us and delight us with the sheer beauty of his work. Divided into six sections, each beginning with an introductory conversation between Thompson and six well-known peers, including Bill Watterson, the book will present Thompson's illustration work, caricatures, and his creation, Richard's Poor Almanack. Each section is highly illustrated, many works in color, most of them large and printed one-to-a-page. The diversity of work will help cast a wider net, well beyond Cul de Sac fans.
  ts sullivant: Elements of Causal Inference Jonas Peters, Dominik Janzing, Bernhard Scholkopf, 2017-11-29 A concise and self-contained introduction to causal inference, increasingly important in data science and machine learning. The mathematization of causality is a relatively recent development, and has become increasingly important in data science and machine learning. This book offers a self-contained and concise introduction to causal models and how to learn them from data. After explaining the need for causal models and discussing some of the principles underlying causal inference, the book teaches readers how to use causal models: how to compute intervention distributions, how to infer causal models from observational and interventional data, and how causal ideas could be exploited for classical machine learning problems. All of these topics are discussed first in terms of two variables and then in the more general multivariate case. The bivariate case turns out to be a particularly hard problem for causal learning because there are no conditional independences as used by classical methods for solving multivariate cases. The authors consider analyzing statistical asymmetries between cause and effect to be highly instructive, and they report on their decade of intensive research into this problem. The book is accessible to readers with a background in machine learning or statistics, and can be used in graduate courses or as a reference for researchers. The text includes code snippets that can be copied and pasted, exercises, and an appendix with a summary of the most important technical concepts.
  ts sullivant: Animation Shamus Culhane, 1990-08-15 The animator of Popeye and Donald Duck discusses all aspects of film animation and includes over 130 illustrations.
  ts sullivant: The Bookman , 1900
  ts sullivant: Bully! Rick Marschall, 2011-10-31 One of America’s most beloved presidents comes to life in this comprehensive, unique biography illustrated by more than 250 period cartoons. Theodore Roosevelt, adored for everything from his much-caricatured teeth and glasses to his almost childlike exuberance and boundless energy, as well as his astounding achievements, captivated Americans of his day—and the cartoonists who immortalized him in their drawings. In Bully! The Life and Times of Theodore Roosevelt, author and cartoonist Rick Marschall tells Roosevelt’s story, using words and colorful images alike. Incorporating hundreds of vintage illustrations, Bully! captures Roosevelt’s remarkable life and incredible accomplishments as no other biography has.
  ts sullivant: The Judge , 1922
  ts sullivant: American Political Humor Jody C. Baumgartner, 2019-10-07 This two-volume set surveys the profound impact of political humor and satire on American culture and politics over the years, paying special attention to the explosion of political humor in today's wide-ranging and turbulent media environment. Historically, there has been a tendency to regard political satire and humor as a sideshow to the wider world of American politics—entertaining and sometimes insightful, but ultimately only of modest interest to students and others surveying the trajectory of American politics and culture. This set documents just how mistaken that assumption is. By examining political humor and satire throughout US history, these volumes not only illustrate how expressions of political satire and humor reflect changes in American attitudes about presidents, parties, and issues but also how satirists, comedians, cartoonists, and filmmakers have helped to shape popular attitudes about landmark historical events, major American institutions and movements, and the nation's political leaders and cultural giants. Finally, this work examines how today's brand of political humor may be more influential than ever before in shaping American attitudes about the nation in which we live.
  ts sullivant: How to Draw Leon Barritt, 1904
  ts sullivant: Prepare to Board! Creating Story and Characters for Animated Features and Shorts Nancy Beiman, 2017-04-07 Successful storyboards and poignant characters have the power to make elusive thoughts and emotions tangible for audiences. Packed with illustrations that illuminate and a text that entertains and informs, Prepare to Board, 3rd edition presents the methods and techniques of animation master, Nancy Beiman, with a focus on pre-production, story development and character design. As one of the only storyboard titles on the market that explores the intersection of creative character design and storyboard development, the third edition is an invaluable resource for both beginner and intermediate artists. Key Features Adapt key techniques, tips and tricks of experienced character designers and storyboard artists with 30 years of experience to your film, television and animation projects. Save time and money with workflow solutions and avoid common mistakes and problems with troubleshooting tips. Implement creative solutions for your own projects with this invaluable resource for beginner and intermediate artists with examples of what a good storyboard and character design should look like and example of poorly designed storyboards. and tricks. Further your artistic skill development with an interactive, companion website which will includes video tutorials, examples of animatics and good and bad pitching techniques.
  ts sullivant: Funnybooks Michael Barrier, 2015 Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, “Dell Comics Are Good Comics” was more than a slogan—it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.
  ts sullivant: Prepare to Board! Nancy Beiman, 2013 Packed with illustrations, this book explains the methods and techniques of animation preproduction, with a focus on story development and character design.
  ts sullivant: Graphic Opinions Jack Colldeweih, Kalman Goldstein, 1998 Through profiles and essays, Graphic Opinions examines current work and opinions of two dozen prominent cartoonists.
  ts sullivant: Animal Comics , 2017-12-14 Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others.
  ts sullivant: Barbaric Intercourse Martha Banta, 2003-01-15 Barbaric Intercourse tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original Life magazine. For Banta, Life embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. Barbaric Intercourse shows how Life's take on these trends and events resulted in satires both cruel and enlightened. Banta also deals extensively with London's Punch, a sharp critic of American nationalism, and draws from images and writings in magazines as diverse as Puck,The Crisis,Harper's Weekly, and The International Socialist Review. Orchestrating a wealth of material, including reproductions of rarely seen political cartoons, she offers a richly layered account of the cultural struggles of the age, from contests over immigration and the role of the New Negro in American society, to debates over Wall Street greed, women's suffrage, and the moral consequences of Western expansionism.
  ts sullivant: The Art of the Funnies Robert C. Harvey, 1994 Exploration of the comic strip for elements that make the funnies one of the most appealing of the popular arts
  ts sullivant: Puck , 1916
  ts sullivant: Life , 1882
  ts sullivant: Blacklung Chris Wright, 2012-11-22 Chris Wright’s Blacklung is unquestionably one of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah. Blacklung is a story that lives up to the term graphic novel, that could only exist in sequential pictures ― densely textured, highly stylized, delicately and boldly rendered drawings that is, taken together, wholly original. In a night of piratical treachery when an arrogant school teacher is accidentally shanghaied aboard the frigate Hand, his fate becomes inextricably fettered to that of a sardonic gangster. Dependent on one another for survival in their strange and dangerous new home, the two form an unlikely alliance as they alternately elude or confront the thieves and cutthroats that bad luck has made their companions and captors. After an act of terrible violence, the teacher is brought before the ship’s captain and instructed to use his literary skills to aid him in writing his memoirs. He is to serve as scribe for a man who, in his remaining years, has made it his mission to commit as many acts of evil as possible in order to ensure that he meet his dead wife in hell. As the captain’s protected confidant, finding his only comfort in the few books afforded him, the teacher bears witness to monstrous brutality, relentless cruelty, strange wisdom, and a journey of redemption through loss of faith.
  ts sullivant: The Golden Book Magazine , 1926
  ts sullivant: Judge's Library , 1907
  ts sullivant: Caricature , 1910
  ts sullivant: Caricature. (11th Ed.) Wit and Humor of a Nation in Picture, Song and Story ... , 1910
  ts sullivant: Life John Ames Mitchell, 1898
  ts sullivant: Comic Art in Museums Kim A. Munson, 2020-07-23 Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.
  ts sullivant: Coping Skills John Cuneo, 2021-04-27 When John Cuneo isn't gracing the cover of The New Yorker, being featured in Esquire, or winning every illustration award known to humankind, he fills a plastic container with drawings labeled Loose Sketches. He explains that these pieces are not categorized by anything else than it simply means they are untethered. And, boy, are they! Coping Skills collects these scenes of domesticated manatees, climate change, sex — lots and lots of sex — and many more of these helpful drawings by one of the best illustrators in the world.
  ts sullivant: American Cult: A Graphic History of Religious Cults in America from the Colonial Era to Today Robyn Chapman, 2021-05-18 From its earliest days, America was a home for spiritual seekers. In 1694, the religious tolerance of the Pennsylvania Colony enticed a Transylvanian monk and his forty followers to cross the Atlantic. Almost two hundred years later, a charismatic preacher founded a utopian community in Oneida, New York, that practiced socialism and free love. In the 1960s and '70s, a new generation of seekers gathered in vegetarian restaurants in Los Angeles, Satanic coffee shops in New Orleans, and fortified communes in Philadelphia. And in the twenty-first century, gurus find their flocks through self-help seminars and get-rich-quick schemes. Across the decades, Americans in search of divine truths have turned to unconventional prophets for the answers. Some of these prophets have demanded their faith, fortunes, and even their very lives. In American Cult, over twenty cartoonists explore the history of these groups with clarity and empathy--digging deep to find the human stories within.
  ts sullivant: Life , 1922
  ts sullivant: Drawing from the Archives Benoît Crucifix, 2023-07-20 This book proposes a new history of the graphic novel by examining how it recirculates older comics in the present.
  ts sullivant: COMIX - A History of Comic Books in America Les Daniels, Comix – A History of Comic Books in America (1988) : Covers the whole history of comic books in America to 1970–the major creations, the major creators, the major comic book lines, the major comic book enemies. Co-authors Les Daniels and The Mad Peck tell the story of how comic books captured the imagination of millions and became an American institution, and whether or not they deserved to. Adjoining the text, providing an illustrated history of their own, is a large selection of complete comic book stories. No selected snippets. Full stories. “It seems safe to say,” the authors write, “that no book to date has contained such a wide range of comic book tales Where else can one find in the same volume such divergent personalities as the Old Witch and Donald Duck, or Captain America and Those Fabulous Furry Freak Brothers?
  ts sullivant: The Origins of Comics Thierry Smolderen, 2014-03-25 In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted sequential art definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images—satirical images in particular—were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.
  ts sullivant: The Oxford Handbook of Comic Book Studies Frederick Luis Aldama, 2020-04-01 Comic book studies has developed as a solid academic discipline, becoming an increasingly vibrant field in the United States and globally. A growing number of dissertations, monographs, and edited books publish every year on the subject, while world comics represent the fastest-growing sector of publishing. The Oxford Handbook of Comic Book Studies looks at the field systematically, examining the history and evolution of the genre from a global perspective. This includes a discussion of how comic books are built out of shared aesthetic systems such as literature, painting, drawing, photography, and film. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds. In particular, it explores how the term global comics has been defined, as well the major movements and trends that will drive the field in the years to come. Each essay will help readers understand comic books as a storytelling form grown within specific communities, and will also show how these forms exist within what can be considered a world system of comics.
2025年 6月 显卡天梯图（更新RTX 5060） - 知乎
May 30, 2025 · 显卡天梯图主要是根据传统光栅性能排名的. 购买之前可以先领知乎官方京东红包~ ...

选择JavaScript还是typescript，他们的优点和缺点是什么？为什么 …
第二语言，go 和 rust。只要你学明白 TS，你会觉得 go 可能要比 TS 简单一些。go 的并发能力的代码要比 ts 写并发程序简单很多。rust 相当于比 TS 的类型标注又多了生命周期标注，所以如果有一天你感觉 TS 的范型都明 …

我抓到了ts加密文件，和m3u8，播放不了也和并不了怎么办？
Jul 25, 2020 · 正如你所说，ts文件加密了，所以一般的播放器都不能播放。 如果需要解密，那么，你需要根据m3u8文件进一步 下载key文件 。 这是一个二进制文件，如果用记事本打开，则显示16个字符（数字+字母）

如何将 .ts 转换成MP4格式？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业、友善的社区氛围、独特的产品 …

撼讯、XFX、瀚铠，三款7800XT显卡实测，谁才是AMD 9800x3D的 …
Nov 26, 2024 · 瀚铠 7800xt合金的显卡分数为20376，cpu分数为12805，ts得分为18716分。 撼讯 7800XT暗黑犬分数是最高的，达到了20523。 在FireStrike的测试之中，撼讯 7800XT暗黑犬得分为50300分， …

2025年 6月 显卡天梯图（更新RTX 5060） - 知乎
May 30, 2025 · 显卡天梯图主要是根据传统光栅性能排名的. 购买之前可以先领知乎官方京东红包~ ...

选择JavaScript还是typescript，他们的优点和缺点是什么？为什么 …
第二语言，go 和 rust。只要你学明白 TS，你会觉得 go 可能要比 TS 简单一些。go 的并发能力的代码要比 ts 写并发程序简单很多。rust 相当于比 TS 的类型标注又多了生命周期标注，所以如 …

我抓到了ts加密文件，和m3u8，播放不了也和并不了怎么办？
Jul 25, 2020 · 正如你所说，ts文件加密了，所以一般的播放器都不能播放。 如果需要解密，那么，你需要根据m3u8文件进一步 下载key文件 。 这是一个二进制文件，如果用记事本打开，则 …

如何将 .ts 转换成MP4格式？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …

撼讯、XFX、瀚铠，三款7800XT显卡实测，谁才是AMD 9800x3D的 …
Nov 26, 2024 · 瀚铠 7800xt合金的显卡分数为20376，cpu分数为12805，ts得分为18716分。 撼讯 7800XT暗黑犬分数是最高的，达到了20523。 在FireStrike的测试之中，撼讯 7800XT暗黑犬 …

2025年618家用NAS咋选？ 大促+国补（实时更新）丨群晖、威联 …
May 23, 2025 · 2、想考虑服务器级别的体验：威联通ts-664、威联通ts-673a、群晖ds1621+ 其它款都不推荐了，性价比与性能肯定有一样不太行！ 绿联DXP6800Plus & 6800Pro，硬件更胜 …

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玩过几十台NAS，从入坑到发烧再到退烧，一篇讲透家用NAS选购 …
Nov 23, 2023 · ts-462c是ts-451d的升级款，白蓝配色看起来有一种活力与年轻的感觉，放在客厅不会有突兀的感觉。 在机身的正面有一键备份按键，以及一个USB3.2 GEN2接口，的背部有 …

英伟达 RTX 5060 Ti 正式开售，国行售价 3199 元起，这代 60Ti 值 …
Apr 17, 2025 · 知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎 …

5070显卡能配4k屏么？ - 知乎
Mar 10, 2025 · tse就是ts的4k版本——这说明5070在4k分辨率下的性能，差不多就是4060在2k分辨率下的性能。 4060能玩2K吗？ 当然可以——今天市售主流价位的游戏笔记本，最常见的配 …