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visual impact for women: Visual Impact Susan B. Barnes, 2009 Analyse van de 'taal' van beelden met behulp van verschillende wetenschappelijke stromingen waaronder visuele retorica. De insteek is hoe beelden ons overtuigen zonder dat wij hier echt bewust van zijn. |
visual impact for women: The Change in Visual Impact that Occurred when Three Women's Dress Designs Were Graded from Standard Size Ten to Larger Sizes Yvonne Signe Karlsson, 1986 |
visual impact for women: Visual Impact Liz McQuiston, 2015-10-05 An accessible and richly illustrated exploration of how art and design have driven major social and political change in the 21st century. Visual Impact highlights the extraordinary power of art and graphic design to effect social and political change. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. Organised thematically by global issues and events, Visual Impact's generously illustrated spreads, clearly present and explain the most influential and highly politicised imagery of the twenty-first century. Themes and issues include popular uprisings (the Arab Spring, the London Riots), social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests. Showcasing over 200 artists and designers, ranging from internationally renowned names such as Ai Wei Wei and Shepard Fairey to anonymous internet users distributing work across Twitter and Facebook, Visual Impact features exciting graphics from emerging economies such as Brazil, Russia and China, and recent work created in response to the Arab Spring. Complements Phaidon titles Graphic Agitation and Graphic Agitation 2 by providing insight to the art and design shaping today's global political landscape. |
visual impact for women: Molas Diana Marks, 2016-10-01 Molas, the distinctive blouses made and worn by Kuna women in Panama, are collected by thousands of enthusiasts as well as by anthropological museums all over the world. They are recognized everywhere as an identifier of the Kuna people and also of Panama. This book, based on original research, explores the origin of the mola in the early twentieth century, how it became part of the everyday dress of Kuna women, and its role in creating Kuna identity. Images drawn from more than twenty museums as well as private collections show the development of designs and techniques and highlight changes in the garment as an item of indigenous fashion. Applying an interdisciplinary approach—fusing historical, ethnographic, and material culture studies—author Diana Marks contributes to ongoing debates on cultural authenticity, the invention of traditions, and issues of gender and politics. |
visual impact for women: Women and Aging Jo Alexander, 1986 First and best anthology to address ageism from a feminist perspective |
visual impact for women: Warning Contents Under Pressure Rusty Moore, 2017-07-26 The fact that you even picked up this book is interesting. What's going on inside you that drew you to this title? - Feeling stressed? - Life in a mess? - Or are you just curious? Are you yourself a walking warning label? Isn't it ironic that so many times we have seen the warning labels very distinctly marked on pressurized containers, and yet we fail to realize the same warning signs on ourselves? We live in the midst of a high-tech digital world where everything seems to happen at the press of a button or a mere voice command. And yet, for all our speed and connectedness, we are a society far less connected than ever. For the believer in Jesus, the born-again child of God, the struggle can run deep, trying to balance the pressures and stresses of life while keeping your relationship with the Lord intact. In this day of super-abundant options and super-fast-paced lifestyles, what do you do with Jesus? What do you do with God? Take this journey with Rusty Moore as he shares life-changing yet simple truths that lead you away from the pressures and overload into peace and joy. His Bible roots run deep, and his life experiences bear witness to the practical effectiveness of his message. Warning! Contents Under Pressure promises to lead you back to the basics of life in Christ where you will fi nd His love, His peace, and His ever-present guidance through all the hassles and craziness that life brings your way. Learn how small adjustments to your priorities and lifestyle bring massive relief. It's not too late to change your life! Join this journey of discovery and clarity on your path to beating stress and trauma that come when life happens. If you are tired of the status quo and are looking for the life of purpose God has planned for you, this book is a the place to start! |
visual impact for women: Faster Michael Hutchinson, 2014-03-27 A fascinating and funny investigation into cyclists' incessant pursuit of speed by one of the sport's top professionals. For professional cyclists, going faster and winning are, of course, closely related. Yet surprisingly, for many, a desire to go faster is much more important than a desire to win. Someone who wants to go faster will work at the details and take small steps rather than focusing on winning. Winning just happens when you do everything right – it's the doing everything right that's hard. And that's what fascinates and obsesses Michael Hutchinson. With his usual deadpan delivery and an awareness that it's all mildly preposterous, Hutchinson looks at the things that make you faster – training, nutrition, the right psychology – and explains how they work, and how what we know about them changes all the time. He looks at the things that make you slower, and why, and how attempts to avoid them can result in serious athletes gradually painting themselves into the most peculiar life-style corners. Faster is a book about why cyclists do what they do, about what the riders, their coaches and the boffins get up to behind the scenes, and about why the whole idea of going faster is such an appealing, universal instinct for all of us. |
visual impact for women: Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets Linda A. Kinnahan, 2017-03-16 Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets- Front Cover -- Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets -- Title Page -- Copyright Page -- Dedication -- Contents -- List of figures -- Acknowledgements -- Permissions -- Introduction -- Notes -- Chapter 1: Loy among the photographers: poetry, perception, and the camera -- Portraits and photographers -- Julien Levy and the modern photograph -- Islands in the Air and the figure of the photographer -- Vision and poetry -- Notes -- Chapter 2: Surrealism and the female body: economies of violence -- Surrealist contexts and contextualized Surrealism -- Surrealist cameras -- Loy and the female body of Surrealism -- The Surrealist mannequin -- Hans Bellmer, bodies, and war -- Notes -- Chapter 3: Portraits of the poor: the Bowery poems and the rise of documentary photography -- The 1930s and the rise of documentary -- Urban documentary and the visual rhetoric of poverty -- Portraits of the poor -- Hot Cross Bum and the tabloids: Sequence as portrait -- Notes -- Chapter 4: From patriotism to atrocity: the war poems and photojournalism -- Patriotism and the poetics of the mural photo-exhibit -- The rise of photojournalism -- The female gaze and the gendered body -- Atrocity and the female body -- Photographing the bomb -- Notes -- Chapter 5: Gendering the camera: Kathleen Fraser and Caroline Bergvall -- Kathleen Fraser and visual reassembly: [T]he screen was carried inside her--Caroline Bergvall's rearticulated bodies: Photography and the graphic page -- Coda: Looking back to Loy -- Notes -- Bibliography -- Index |
visual impact for women: Out in Culture Corey K. Creekmur, Alexander Doty, 1995 Out in Culture charts some of the ways in which lesbians, gays, and queers have understood and negotiated the pleasures and affirmations, as well as the disappointments, of mass culture. The essays collected here, combining critical and theoretical works from a cross-section of academics, journalists, and artists, demonstrate a rich variety of gay and lesbian approaches to film, television, popular music, and fashion. This wide-ranging anthology is the first to juxtapose pioneering work in gay and lesbian media criticism with recent essays in contemporary queer cultural studies. Uniquely accessible, Out in Culture presents such popular writers as B. Ruby Rich, Essex Hemphill, and Michael Musto as well as influential critics such as Richard Dyer, Chris Straayer, and Julia Lesage, on topics ranging from the queer careers of Agnes Moorehead and Pee Wee Herman to the cultural politics of gay drag, lesbian style, the visualization of AIDS, and the black snap! queen experience. Of particular interest are two dossiers, the first linking essays on the queer content of Alfred Hitchcock's films, and the second on the production and reception of popular music within gay and lesbian communities. The volume concludes with an extensive bibliography--the most comprehensive currently available--of sources in gay, lesbian, and queer media criticism. Out in Culture explores the distinctive and original ways in which gays, lesbians, and queers have experienced, appropriated, and resisted the images and artifacts of popular culture. This eclectic anthology will be of interest to a broad audience of general readers and scholars interested in gay and lesbian issues; students of film, media, gender, and cultural studies; and those interested in the emerging field of queer theory. Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood |
visual impact for women: Visual Communication Janis Teruggi Page, Margaret Duffy, 2021-07-07 Teaches visual literacy, theory, scholarly critique, and practical application of visuals in professional communication careers Visual Communication: Insights and Strategies explores visual imagery in advertising, news coverage, political discourse, popular culture, and digital and social media technologies. It is filled with insights into the role of visuals in our dynamic social environment and contains strategies on how to use them. The authors provide an overview of theoretically-informed literacy and critical analysis of visual communication and demonstrate the ways in which we can assess and apply this knowledge in the fields of advertising, public relations, journalism, organizational communication, and intercultural communication. This important book: Reveals how to analyze visual imagery Introduces a 3-step process, Research-Evaluate-Create, to apply the knowledge gained Combines research, theory, and professional practice of visual communication Designed for undergraduate and graduate courses in visual communication as well as visual rhetoric, visual literacy, and visual culture, Visual Communication: Insights and Strategies reveals how to apply rhetorical theories to visual imagery. |
visual impact for women: Women's Cinema Alison Butler, 2019-07-25 Women's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the codes and systems of the major cinematic traditions from within. Using canonical directors and less established names, ranging from Chantal Akerman to Moufida Tlatli, as examples, Butler argues that women's cinema is unified in spite of its diversity by the ways in which it reworks cinematic conventions. |
visual impact for women: Women's Bodies as Battlefield Susan Brooks Thistlethwaite, 2016-02-05 Christian theology has been complicit in justifying the war on women, but it also has resources to help finally declare peace in the war on women. War itself has come to resemble the war on women, and thus strategies to end the war on women, supported by new Christian theological interpretations, will also help end today's endless wars. |
visual impact for women: Women's Voices in Digital Media Jennifer O'Meara, 2022-04-26 2023 Publication Award Honorable Mention, British Association for Film, Television and Screen Studies An examination of the sound and silence of women in digital media. In today’s digital era, women’s voices are heard everywhere—from smart home devices to social media platforms, virtual reality, podcasts, and even memes—but these new forms of communication are often accompanied by dated gender politics. In Women’s Voices in Digital Media, Jennifer O’Meara dives into new and well-established media formats to show how contemporary screen media and cultural practices police and fetishize women’s voices, but also provide exciting new ways to amplify and empower them. As she travels through the digital world, O’Meara discovers newly acknowledged—or newly erased—female voice actors from classic films on YouTube, meets the AI and digital avatars in Her and The Congress, and hears women’s voices being disembodied in new ways via podcasts and VR voice-overs. She engages with dialogue that is spreading with only the memory of a voice, looking at how popular media like Clueless and The Simpsons have been mined for feminist memes, and encounters vocal ventriloquism on RuPaul’s Drag Race that queers and valorizes the female voice. Through these detailed case studies, O’Meara argues that the digital proliferation of screens alters the reception of sounds as much as that of images, with substantial implications for women’s voices. |
visual impact for women: Scars Across Humanity Elaine Storkey, 2018-02-20 Acts of violence against women produce more deaths, disability, and mutilation than cancer, malaria, and traffic accidents combined. How and why has this violence become so prevalent? Elaine Storkey offers a rigorously researched overview of this global pandemic, exploring how violence is structured into the very fabric of societies and cultures around the world. |
visual impact for women: Aesthetic Pleasure in Twentieth-Century Women's Food Writing Alice McLean, 2012-05-22 This book explores the aesthetic pleasures of eating and writing in the lives of M. F. K. Fisher (1908-1992), Alice B. Toklas (1877-1967), and Elizabeth David (1913-1992). Growing up during a time when women's food writing was largely limited to the domestic cookbook, which helped to codify the guidelines of middle class domesticity, Fisher, Toklas, and David claimed the pleasures of gastronomy previously reserved for men. Articulating a language through which female desire is artfully and publicly sated, Fisher, Toklas, and David expanded women’s food writing beyond the domestic realm by pioneering forms of self-expression that celebrate female appetite for pleasure and for culinary adventure. In so doing, they illuminate the power of genre-bending food writing to transgress and reconfigure conventional gender ideologies. For these women, food encouraged a sensory engagement with their environment and a physical receptivity toward pleasure that engendered their creative aesthetic. |
visual impact for women: Exploring Women's Suffrage Through 50 Historic Treasures Jessica D. Jenkins, 2020-04-20 Jenkins brings together a wide selection of cultural objects representing the milestones and legacy of the long fight for women’s voting rights. Color photos and essays detailing each object’s story placed readers in the action of a groundbreaking movement and transports them to the sites that are the keepers of our country’s past. |
visual impact for women: Dictionary of Women Artists: Introductory surveys ; Artists, A-I Delia Gaze, 1997 First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company. |
visual impact for women: Women’s Suffrage in Word, Image, Music, Stage and Screen Christopher Wiley, Lucy Ella Rose, 2021-07-13 This collection of essays explores the myriad ways in which the women’s suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema. Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women’s suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film. Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women’s history and the women’s suffrage movement, as well as across the arts disciplines. |
visual impact for women: War Imagery in Women's Textiles Deborah A. Deacon, Paula E. Calvin, 2014-06-04 Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings. |
visual impact for women: Women, Identities and Communities in Early Modern Europe Stephanie Tarbin, Susan Broomhall, 2016-12-05 Addressing a key challenge facing feminist scholars today, this volume explores the tensions between shared gender identity and the myriad social differences structuring women's lives. By examining historical experiences of early modern women, the authors of these essays consider the possibilities for commonalities and the forces dividing women. They analyse individual and collective identities of early modern women, tracing the web of power relations emerging from women's social interactions and contemporary understandings of femininity. Essays range from the late medieval period to the eighteenth century, study women in England, France, Germany, Ireland, Italy, and Sweden, and locate women in a variety of social environments, from household, neighbourhood and parish, to city, court and nation. Despite differing local contexts, the volume highlights continuities in women's experiences and the gendering of power relations across the early modern world. Recognizing the critical power of gender to structure identities and experiences, this collection responds to the challenge of the complexity of early modern women's lives. In paying attention to the contexts in which women identified with other women, or were seen by others to identify, contributors add new depth to our understanding of early modern women's senses of exclusion and belonging. |
visual impact for women: Women's Negotiations and Textual Agency in Latin America, 1500-1799 Mónica Díaz, Rocío Quispe-Agnoli, 2016-12 Fidelity discourse and the pacification of tyrants and Indians: Doña Mariana Osorio de Narváez |
visual impact for women: The Sacred Law of Andania Laura Gawlinski, 2011-12-23 The inscribed text referred to as the sacred law of Andania contains almost 200 lines of regulations about a mystery festival and the sanctuary in which it took place. Although it concerns one annual festival in Messenia, it imparts information relevant to the general nature of sanctuary activity and the issues that were important in the routine management of cult. This book contributes to the recent shift in scholarship that has sought to view sanctuaries as more than simply settings for temples, but as locations created and affected by people's various needs, activities, and agendas. This examination of the inscription includes a new and accurate edition of its text with full critical apparatus, an English translation, and copious images of the stone. The accompanying introduction and commentary incorporate literary and epigraphical comparanda and on-site topographical research to present a holistic view of the cultic regulations in their historical and geographical context. |
visual impact for women: Nineteenth-century women illustrators and cartoonists Joanna Devereux, 2023-05-16 Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture. |
visual impact for women: The Dusk of Design Jose Antonio Lara-Hernandez, Alessandro Melis, Paola Boarin, Priscila Besen, 2025-01-13 The Dusk of Design explores the intersection of evolutionary theories and architectural design. Drawing inspiration from the concept of exaptation in biology, the book argues that natural selection, as the most successful designer on our planet, thrives on the diversity, variability, and redundancy of creative structures. By transferring these mechanisms to architectural design, the book contends that we can cultivate more resilient and sustainable architecture and cities in the face of environmental crises. This book seeks to illuminate the profound potential of multidisciplinarity by examining case studies from architecture worldwide. By exploring how evolutionary theories can explain various architectural phenomena, it aims to inspire architects, designers, researchers, and students to adopt a holistic and transdisciplinary approach to their work. The book provides a clear and concise overview of evolutionary principles, demonstrating their relevance to architecture.It will showcase a range of case studies that highlight the application of evolutionary theories in solving architectural challenges, such as adaptive reuse, sustainable urban planning, and resilient design in the face of climate change. Ultimately, The Dusk of Design aims to bridge the gap between biology and architecture, presenting a fresh perspective on how we can create more innovative, sustainable, and resilient built environments. |
visual impact for women: Women's Suffrage Memorabilia Kenneth Florey, 2013-06-06 While historians have long recognized the importance of memorabilia to the Woman Suffrage movement, the subject has not been explored apart from a few restricted, albeit excellent, studies. Part of the problem is that such objects are scattered about in various collections and museums and can be difficult to access. Another is that most scholars do not have ready knowledge 1of the general nature and history of the type of objects (postcards, badges, sashes, toys, ceramics, sheet music, etc.) that suffragists produced. Then-new techniques in both printing and manufacturing created numerous possibilities for supporters to develop campaigns of visual rhetoric. This work analyzes 70 different categories of suffrage memorabilia, while providing numerous images of relevant objects along the way and discussing these innovative production methods. Most important, this study looks at period accounts, often fascinating, of how, why when, and where the memorabilia were used in both America and England. |
visual impact for women: ‘Guilty Women’, Foreign Policy, and Appeasement in Inter-War Britain Julie V. Gottlieb, 2016-02-07 British women were deeply invested in foreign policy between the wars. This study casts new light on the turn to international affairs in feminist politics, the gendered representation and experience of the Munich Crisis, and the profound impression made by female public opinion on PM Neville Chamberlain in his negotiations with the dictators. |
visual impact for women: Visions of Struggle in Women's Filmmaking in the Mediterranean F. Laviosa, 2010-02-01 This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors in countries in the Mediterranean rim, this book spurs a contemporary discussion of women s human, civil, and social rights while situating feminist arguments on women s identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women s problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women s collective experience of struggle. |
visual impact for women: The Cambridge Companion to Nineteenth-Century American Women's Writing Dale M. Bauer, Philip Gould, 2001-11-15 Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading. |
visual impact for women: Television Culture and Women's Lives Margaret J. Heide, 1995-02 Contemporary cultural theory, feminist criticism, and ethnography converge in this provocative study of the construction of meaning in mass culture. Television Culture and Women's Lives explores the complex relationship between the gender conflicts played out in the scripts of the popular television show thirtysomething and the real-life conflicts experienced by baby-boomer women viewers. Women viewers often reinterpreted the program's conservative view on gender roles, seeing it instead as a protest against real dilemmas women face as they try to integrate career and family priorities. Heide's study confirms women viewers' close identifications with thirtysomething characters and positions audience responses against the backdrop of changes in the lives of women in the 1980s and 1990s. Television Culture and Women's Lives accessibly treats fascinating issues related to cultural criticism, the relationship between mass media, and audiences, and the struggles faced by women in late twentieth-century America. |
visual impact for women: The Australian Women's Weekly Fashion Deborah Thomas, Kirstie Clements, 2014-04-01 From the elegant outfits of the 1930s to the Hollywood-inspired evening gowns of the 1950s, from the psychedelic patterns and micro-minis of the 1960s to the bold and bohemian styles of the 1970s, this book charts the evolution of Australian fashion through the pages of Australian icon The Australian Women’s Weekly. This trip through The Weekly’s first 50 years reveals how the evolution of fashion in Australia was also a reflection of changing times. Featuring beautiful illustrations from the magazine on every page, this book is for anyone who loves fashion. |
visual impact for women: The Film Cultures Reader Graeme Turner, 2002 This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. |
visual impact for women: Swedish Women's Writing 1850-1995 Helena Forsas-Scott, 2000-12-01 Provides a survey of women's writing in Sweden, from the beginnings of the struggle for emancipation in the 1850s to the present day. These writers are seen within the political, cultural and economic context of women's lives. Modern critical currents are also assessed and Swedish feminist criticism is considered alongside the French and American traditions. |
visual impact for women: Cosmopolitanism and Women’s Fashion in Ghana Christopher L. Richards, 2021-11-29 Drawing on extensive archival research and interviews, this book delves into the rich world of Ghanaian fashion, demonstrating how, over time, local dress styles and materials have been fused with global trends to create innovative, high fashion garments that reflect a distinctly Ghanaian cosmopolitanism. Ghana has a complex and diverse fashion culture which was in evidence before independence in 1957 and has continued to grow in reputation in the postcolonial period. In this book, Christopher Richards reflects on the contributions of the country’s female fashion designers, who have employed fashion to innovate existing, culturally relevant dress styles, challenge gendered forms of dress, and make bold statements regarding women’s sexuality. Treated as artworks, the book examines specific garments to illustrate the inherent complexity of their design and how fashion is often embedded with a blending of personal histories, cultural practices and global inspirations. Reflecting in particular on the works of Laura Quartey, Letitia Obeng, Juliana Kweifio-Okai, Beatrice Arthur and Aisha Ayensu, this book makes an important and timely contribution to art history, fashion studies, anthropology, history, women’s studies and African Studies. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. |
visual impact for women: Feminism, Violence, and Representation in Modern Italy Giovanna Parmigiani, 2019-09-12 Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word femminicidio (or femicide) as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word femminicidio as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond. |
visual impact for women: Imaginaries of Domesticity and Women's Work in Germany Around 1800 Karin A. Wurst, 2023 Examines a variety of texts from late Enlightenment Germany to provide a nuanced rethinking of women's roles as wives, mothers, and housekeepers, creators of the cultural spaces of the home. Domesticity, a set of practices, emotions, and values culminating in a nourishing emotional and physical ambience - the feel of being at home and belonging - connects one's subjective experience to the material environment. In late Enlightenment Germany, writers from Joachim Heinrich Campe and Theodor von Hippel to Sophie La Roche imagined the home as a space where true humanity would be realized. The high-stakes cultural formation of domesticity was part of a complex discourse on the pursuit of happiness as a life well lived. As domesticity became a surrogate for the lost religious certainties of the vanishing pre-modern world, an obsessive anxiety concerning its delineation in discourse suggested its importance but also its fragility and the consequences of its failure. Karin A. Wurst examines didactic novels by female authors, autobiographical texts, popular philosophy, advice literature, periodicals, pedagogical tracts, and household manuals in pursuit of a nuanced rethinking of the relationship between women's roles as wives, mothers, and housekeepers and as creators of the cultural spaces of the home. She finds that the high-value imaginary of domesticity encouraged women's agency insofar as they were tasked with turning theoretical ideals into everyday practice. At the same time, her book shows the under-illuminated contribution of women's work to social and political change from within the patriarchal structures of eighteenth-century Germany. |
visual impact for women: Women's Costume of the Near and Middle East Jennifer M. Scarce, 2014-04-08 The historical and cultural richness of the Near and Middle East is reflected visually in its costume. In this book, Jennifer Scarce makes brilliant use of years or research to provide a lucid acount of the development of women's dress from the fourteenth to the early twentieth centuries. Her study of costume is set in th ebroader context of the social and economic background of the Ottoman Empire, giving the subject a new an fascinating slant. A detailed discussion of cut and construction is accompanied by pattern layouts and numerous photographs which clearly illustrate the different styles of dress through the centuries. Women's costume of the Near and Middle East is a hitherto sadly neglected subject. After years of original research across the world, this gap has been admirably filled by Jennifer Scarce's scholarly readable study. |
visual impact for women: Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation Sarah Wootton, 2017-01-26 Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron's enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron's poetry, his 'heroic' protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades. |
visual impact for women: Pathways from Slavery Seymour Drescher, 2018-01-03 Seymour Drescher’s regular, deeply-thought and carefully nuanced arguments have periodically reshaped how we think of the subject of the history of slavery itself. He has discussed the impact of economic and cultural factors on human behaviour and has shown that historical evidence does not lead to easy answers. He has changed the way in which we now look at abolitionism and has destroyed the linear explanation of economic decline. This books gathers together some of Drescher’s key essays in the field. |
visual impact for women: Making Another World Possible Corina L. Apostol, Nato Thompson, 2019-10-11 Making Another World Possible offers a broad look at an array of socially engaged cultural practices that have become increasingly visible in the past decade, across diverse fields such as visual art, performance, theater, activism, architecture, urban planning, pedagogy, and ecology. Part I of the book introduces the reader to the field of socially engaged art and cultural practice, spanning the past ten years of dynamism and development. Part II presents a visually striking summary of key events from 1945 to the present, offering an expansive view of socially engaged art throughout history, and Part III offers an overview of the current state of the field, elucidating some of the key issues facing practitioners and communities. Finally, Part IV identifies ten global issues and, in turn, documents 100 key artistic projects from around the world to illustrate the various critical, aesthetic and political modes in which artists, cultural workers, and communities are responding to these issues from their specific local contexts. This is a much needed and timely archive that broadens and deepens the conversation on socially engaged art and culture. It includes commissioned essays from noted critics, practitioners, and theorists in the field, as well as key examples that allow insights into methodologies, contextualize the conditions of sites, and broaden the range of what constitutes an engaged culture. Of interest to a wide range of readers, from practitioners and scholars of performance to curators and historians, Making Another World Possible offers both breadth and depth, spanning history and individual works, to offer a unique insight into the field of socially engaged art. |
visual impact for women: Video Playtime Ann Gray, 2006-08-21 Audience studies - a key area in media/cultural studies |
Similar term to "visual" for audio? - English Language & U…
Dec 17, 2014 · I'm looking for a term for audio in form of the word visual. Visual is defined as of or relating to the sense of sight What could you call the sense of hearing? Also, what do you call …
What is the difference, if any, between 'art', 'the arts', and '…
Jun 6, 2011 · I would say "the arts" are a set of disciplines (each of which is "an art"), "art" without the article refers to the end result of those disciplines, typically (but not strictly) to the end …
word choice - What is the difference between "graphic" …
Graphic is also a noun, as in a visual graphic, whereas graphical is only an adjective. However, there are phrases where graphic is conventionally used, other phrases where graphical is the …
sense verbs - a word like "visual", "auditory", except fo…
Dec 6, 2014 · 11 Hah Google Sets was actually useful for something! Results for inputting visual, olfactory, and auditory were: visual olfactory auditory gustatory tactile kinesthetic …
What is the effect called when one looks at a bright light, an…
Jul 5, 2011 · No, visual burn does exist, but is something different. Sometimes called 'navigator's eyeball', it refers to a condition where constantly looking at a bright light, (such as the sun …
Similar term to "visual" for audio? - English Language & Usage Stack ...
Dec 17, 2014 · I'm looking for a term for audio in form of the word visual. Visual is defined as of or relating to the sense of sight What could you call the sense of hearing? Also, what do you call this form...
What is the difference, if any, between 'art', 'the arts', and 'Art'?
Jun 6, 2011 · I would say "the arts" are a set of disciplines (each of which is "an art"), "art" without the article refers to the end result of those disciplines, typically (but not strictly) to the end result of the visual arts.
word choice - What is the difference between "graphic" and "graphical ...
Graphic is also a noun, as in a visual graphic, whereas graphical is only an adjective. However, there are phrases where graphic is conventionally used, other phrases where graphical is the norm. Therefore, it's …
sense verbs - a word like "visual", "auditory", except for touch ...
Dec 6, 2014 · 11 Hah Google Sets was actually useful for something! Results for inputting visual, olfactory, and auditory were: visual olfactory auditory gustatory tactile kinesthetic vestibular proprioceptive pain …
What is the effect called when one looks at a bright light, and the ...
Jul 5, 2011 · No, visual burn does exist, but is something different. Sometimes called 'navigator's eyeball', it refers to a condition where constantly looking at a bright light, (such as the sun through a sextant) has …