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| vaudeville 1910: From Traveling Show to Vaudeville Robert M. Lewis, 2007-10 Before phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes—all visited rural fairgrounds, small-town opera houses, and big-city palaces around the country, giving millions of people an escape from their everyday lives for a dime or a quarter. In From Traveling Show to Vaudeville, Robert M. Lewis has assembled a remarkable collection of nineteenth- and early twentieth-century primary sources that document America's age of theatrical spectacle. In eight parts, Lewis explores, in turn, dime museums, minstrelsy, circuses, melodramas, burlesque shows, Wild West shows, amusement parks, and vaudeville. Included in this compendium are biographies, programs, ephemera produced by theatrical entrepreneurs to lure audiences to their shows, photographs, scripts, and song lyrics as well as newspaper accounts, reviews, and interviews with such figures as P. T. Barnum and Buffalo Bill Cody. Lewis also gives us reminiscences about and reactions to various shows by members of audiences, including such prominent writers as Mark Twain, William Dean Howells, Nathaniel Hawthorne, Carl Sandburg, Walt Whitman, Louisa May Alcott, Charles Dickens, O. Henry, and Maxim Gorky. Each section also includes a concise introduction that places the genre of spectacle into its historical and cultural context and suggests major interpretive themes. The book closes with a bibliographic essay that identifies relevant scholarly works. Many of the pieces collected here have not been published since their first appearance, making From Traveling Show to Vaudeville an indispensable resource for historians of popular culture, theater, and nineteenth-century American society. |
| vaudeville 1910: American Culture in the 1910s Mark Whalan, 2010-03-31 This book provides a fresh account of the major cultural and intellectual trends of the United State in the 1910s, a decade characterised by war, the flowering of modernism, the birth of Hollywood, and Progressive interpretations of culture and society. Chapters on fiction and poetry, art and photography, film and vaudeville, and music, theatre, and dance explore these developments, linking detailed commentary with focused case studies of influential texts and events. These range from Tarzan of the Apes to The Birth of a Nation, from the radical modernism of Gertrude Stein and the Provincetown Players to the earliest jazz recordings. A final chapter explores the huge impact of the First World War on cultural understandings of nationalism, citizenship, and propaganda.Key Features*three case studies per chapter featuring key texts, genres, writers and artists*Detailed chronology of 1910s American Culture*Bibliographies for each chapter*Fifteen black and white illustrations |
| vaudeville 1910: No Applause--Just Throw Money Trav S.D., 2006-10-31 From 1881 to 1932, vaudeville was at the heart of show business in the UnitedStates. This volume explores the many ways in which vaudeville's story is thestory of show business in America. |
| vaudeville 1910: Americanizing the Movies and Movie-Mad Audiences, 1910-1914 Richard Abel, 2006-08-28 This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema—both movies and movie-going—in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures—all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns—the latter of which highlight the importance of the emerging star system—Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community. |
| vaudeville 1910: American Vaudeville as Ritual Albert F. McLeanJr., 2021-10-21 This study affords an entirely new view of the nature of modern popular entertainment. American vaudeville is here regarded as the carefully elaborated ritual serving the different and paradoxical myth of the new urban folk. It demonstrates that the compulsive myth-making faculty in man is not limited to primitive ethnic groups or to serious art, that vaudeville cannot be dismissed as meaningless and irrelevant simply because it fits neither the criteria of formal criticsm or the familiar patterns of anthropological study. Using the methods for criticism developed by Susanne K. Langer and others, the author evaluates American vaudeville as a symbolic manifestation of basic values shared by the American people during the period 1885-1930. By examining vaudeville as folk ritual, the book reveals the unconscious symbolism basic to vaudeville-in its humor, magic, animal acts, music, and playlets, and also in the performers and the managers—which gave form to the dominant American myth of success. This striking view of the new mass man as a folk and of his mythology rooted in the very empirical science devoted to dispelling myth has implications for the serious study of all forms of mass entertainment in America. The book is illustrated with a number of striking photographs. |
| vaudeville 1910: Queen of Vaudeville Andrew L. Erdman, 2012-09-15 In her day, Eva Tanguay (1879–1947) was one of the most famous women in America. Widely known as the I Don't Care Girl—named after a song she popularized and her independent, even brazen persona—Tanguay established herself as a vaudeville and musical comedy star in 1901 with the New York City premiere of the show My Lady—and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930s, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like It's All Been Done Before But Not the Way I Do It and Go As Far As You Like or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality. In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star. |
| vaudeville 1910: America in the Teens Andrew J. Dunar, 2016-09-01 In the latest addition to the America in the Twentieth Century series, Dunar provides a sweeping account of the twentieth century’s second decade. Beginning with the social, political, and economic circumstances in the United States in 1910, America in the Teens presents the themes and pivotal events that shaped America during this tumultuous period. The election of 1912, World War I, social change in the late Progressive Era, the influence of war on women and minorities, and changes in the motion picture industry are among the many is-sues covered in this eminently readable, concise text. Dunar traces the development of a vibrant society during a time of enormous change and explores the ways in which Americans reacted. World War I brought our nation to the forefront of the world’s great powers but also provoked divisions that Americans would confront through the twentieth century and beyond: racial tensions, immigration issues, and labor-management disputes. At the same time, there were progressive triumphs: women earned the right to vote; American industry made great strides, symbolized by the mass production of Henry Ford’s automobiles; and American cinema and jazz enjoyed international acclaim. Combining an engrossing narrative with intelligent analysis, America in the Teens enriches our understanding of that critical era. |
| vaudeville 1910: The Garland Encyclopedia of World Music Ellen Koskoff, 2017-09-25 This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology. |
| vaudeville 1910: German Operetta on Broadway and in the West End, 1900–1940 Derek B. Scott, 2019-07-11 Uncovers a world of forgotten triumphs of musical theatre that shine a light on major social topics. This book is also available as Open Access on Cambridge Core. |
| vaudeville 1910: African American Music Mellonee V. Burnim, Portia K. Maultsby, 2014-11-13 American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life. |
| vaudeville 1910: Ramblin' on My Mind David Evans, 2010-10-01 This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff. |
| vaudeville 1910: The Indian Territory Journals of Colonel Richard Irving Dodge Richard Irving Dodge, Will Rogers, 1996 These journals also provide insight into Dodge's character, with reports of his official duties as a military man and of several landmark events in his family life. Extensive commentaries and notes by Wayne R. Kime provide further detail, including a history of Cantonment North Fork Canadian River, a six-company post Dodge established and commanded in the region.--BOOK JACKET. |
| vaudeville 1910: American Cinema of the 1910s Charlie Keil, Ben Singer, 2009 It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. |
| vaudeville 1910: American Decades: 1910-1919 Vincent Tompkins, Judith Baughman, Victor Bondi, Richard Layman, Eric L. Bargeron, James F. Tidd, 1994 Intended as a reference source for American social history, this volume discusses the people, events and ideas of the period 1910-1919. After an introductory overview and chronology, subject chapters follow with subject-specific timelines and alphabetically arranged entries. |
| vaudeville 1910: Motion Picture Exhibition in Washington, D.C. Robert K. Headley, 2015-08-13 From inauspicious beginnings in the kinetoscope parlors and nickelodeons to the movie palaces of the golden era, and finally to the pared down multiplexes of today, this is the history of motion picture viewing in the nation's capital and vicinity. The research is supported by numerous interviews. The book includes a 200-page listing of all the movie theaters in the area past and present, with data such as location, dates of operation, architect, and seating capacity, as well as a summary of each theater's history and current status. Maps, drawings and photographs (most of which have never before been published) round out this comprehensive study. |
| vaudeville 1910: The Complete Book of 1910s Broadway Musicals Dan Dietz, 2021-05-26 This book examines in detail every Broadway musical which opened during the 1910s. It includes cast and credits, plot, critical reviews, London productions, recordings, published scripts, and film versions. The book also features extensive commentary for 300 musicals which opened during the decade. |
| vaudeville 1910: The Invention and Reinvention of Big Bill Broonzy Kevin D. Greene, 2018-09-28 Over the course of his long career, legendary bluesman William Big Bill Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century. Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity. |
| vaudeville 1910: Now Playing Paul S. Moore, 2008-04-17 Locates the origins of the mass audience and the emergence of everyday moviegoing in the culture of cities. |
| vaudeville 1910: The African American Theatre Directory, 1816-1960 Lena McPhatter Gore, 1997-05-28 A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find. |
| vaudeville 1910: Catalog of Copyright Entries Library of Congress. Copyright Office, 1911 |
| vaudeville 1910: Lunch-Bucket Lives Craig Heron, 2015-06-03 Lunch-Bucket Lives takes the reader on a bumpy ride through the history of Hamilton’s working people from the 1890s to the 1930s. It ambles along city streets, peers through kitchen doors and factory windows, marches up the steps of churches and fraternal halls, slips into saloons and dance halls, pauses to hear political speeches, and, above all, listens for the stories of men, women, youths, and children from families where people relied mainly on wages to survive. Heron takes wage-earning as a central element in working-class life, but also looks beyond the workplace into the households and neighbourhoods—settlement patterns and housing, marriage, child care, domestic labour, public health, schooling, charity and social work, popular culture, gender identities, ethnicity and ethnic conflict, and politics in various forms—presenting a comprehensive view of working-class life in the first half of the twentieth century. This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. |
| vaudeville 1910: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office Library of Congress. Copyright Office, 1911 |
| vaudeville 1910: Film Before Griffith John L. Fell, 1983 |
| vaudeville 1910: Popular Amusements Richard Henry Edwards, 1915 |
| vaudeville 1910: Studies in American Social Conditions , 1915 |
| vaudeville 1910: Beautiful Andrew L. Erdman, 2024 Beautiful is a biography of Julian Eltinge, a female impersonator and major cultural figure who has been appropriated as, variously, a gay icon, a highly-closeted turncoat, and a emblem of an era when many of our contemporary ideas about sex and gender were just beginning to take shape. |
| vaudeville 1910: Unity in Variety Anna Harwell Celenza, Katharina Uhde, 2024-11-06 This Festschrift celebrates the great Mendelssohn scholar R. Larry Todd, Arts & Sciences Professor at Duke University, whose dedication to, study of, and mentorship in 19th-century music has shaped two generations of musicological study. Encompassing former/current students and colleagues, the contributing authors to this book investigate the life and work of the Mendelssohns, their circle, and issues of reception history; Beethoven and piano-related studies; and special musical relationships. The book's title references a famous quote by Felix Mendelssohn: The essence of the beautiful is unity in variety. It also acknowledges the thematic diversity of this volume and the unifying effect that Todd's outstanding monographs on Felix and Fanny have had on a variety of musicians and scholars. |
| vaudeville 1910: General Series National Bureau of Economic Research, 1924 |
| vaudeville 1910: The Growth of American Trade Unions, 1880-1923 Leo Wolman, 1924 |
| vaudeville 1910: Early Jazz Fumi Tomita, 2024-02-01 Early Jazz is an overview of the beginnings of jazz from its nineteenth-century roots through 1929, when elements of the Swing Era began to emerge. It is the first book on early jazz history in over fifty years and fills a compelling need for an update that reflects recent research. With a broad definition of jazz that encompasses the artistic and the commercial, the book's inclusive tone allows for a wide spectrum of musicians, including not only pioneering African American and white musicians but also those who are commonly skipped or skimmed over in jazz history textbooks—lesser-known sidemen, prominent instrumentalists, entertainers or novelty performers, women, vocalists, and American jazz musicians who introduced jazz on their travels around the world. Nineteen songs are analyzed in depth, but no musical knowledge is required to understand or to read Early Jazz. The book is written as an introduction for fans, students, musicians, historians, scholars, and anyone who is interested in this fascinating era of jazz history. |
| vaudeville 1910: America in the 1910s Marlee Richards, 2009-01-09 Outlines the important social, political, economic, cultural, and technological events that happened in the United States from 1910 to 1919. |
| vaudeville 1910: Highbrows, Hillbillies, and Hellfire Steve Goodson, 2007-05-01 From the end of Reconstruction to the eve of the Great Depression, Atlanta was the New South's Gate City. Steve Goodson's social and cultural history looks at the variety of public amusements available to Atlantans of the day, including theater, vaudeville, dime museums, movies, radio, and classical, blues, and country music. Revealed in the ways its people embraced or condemned everything from burlesque to opera is an Atlanta unsure of its identity and acutely sensitive of its image in the eyes of the nation. While the general populace hungered for novelty and diversion, middle-class Atlantans, white and black, saw entertainment as a source of--or threat to--status and respectability. Goodson traces the roots of this tension to the city's rapid and problematic growth, its uncomfortably diverse population, and its multiplying ties to national markets. At the same time he portrays some lively individuals who shaped Atlanta's entertainment scene. Among them are impresario Laurent DeGive, tightrope walker Professor Leon, patent-medicine salesman Yellowstone Kit, country music great Fiddlin' John Carson, and blues legends Bessie Smith and Blind Willie McTell. Goodson also brings alive the atmosphere of such venues as DeGive's resplendent Grand Opera House, George Johnson's tacky Museum of Living Wonders, the pioneering Trocadero vaudeville house, and the notorious 81 Theater on Decatur Street, an avenue whose decadent promise rivaled that of Beale in Memphis and Bourbon in New Orleans. Milestone trends and events are also showcased: performances of the play Uncle Tom's Cabin and showings of the film Birth of a Nation, visits by the Metropolitan Opera Company, the debate over Sunday entertainment, the beginning of broadcasts by The Voice of the South--radio station WSB--and the rise of Atlanta as the earliest capital of country and blues recording. Accepted historical views of public entertainment in America suggest that ethnicity and class would be the most pronounced forces shaping this aspect of Atlanta's popular culture. Goodson finds, however, that race and evangelical Christianity also heavily influenced the circumstances in which Atlantans went about their fun. With implications for the entire urban South, this is an engaging look at how and why its major city once grasped at sophistication and progress with one hand while pushing it away with the other. |
| vaudeville 1910: Blacks in Blackface Henry T. Sampson, 2013-10-30 Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-Black musical comedies performed on the stage between 1910 and 1940. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of Black performers and producers to overcome the racial prejudice of white show owners, music publishers, and theatre managers and booking agents to achieve adequate financial compensation for their talents and managerial expertise. A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. |
| vaudeville 1910: Show Town Holly George, 2016-10-26 Like many western boomtowns at the turn of the twentieth century, Spokane, Washington, enjoyed a lively theatrical scene, ranging from plays, concerts, and operas to salacious variety and vaudeville shows. Yet even as Spokanites took pride in their city’s reputation as a “good show town,” the more genteel among them worried about its “Wild West” atmosphere. In Show Town, historian Holly George correlates the clash of tastes and sensibilities among Spokane’s theater patrons with a larger shift in values occurring throughout the Inland West—and the nation—during a period of rapid social change. George begins this multifaceted story in 1890, when two Spokane developers built the lavish Auditorium Theater as a kind of advertisement for the young city. The new venue catered to a class of people made wealthy by speculation, railroads, and mining. Yet the refined entertainment the Auditorium offered conflicted with the rollicking shows that played in the town’s variety theaters, designed to draw in the migratory workers—primarily single men—who provided labor for the same industries that made the fortunes of Spokane’s elite. As well-to-do Spokanites attempted to clamp down on the variety theaters, performances at even the city’s more respectable, “legitimate” playhouses began to reflect a movement away from Victorian sensibilities to a more modern desire for self-fulfillment—particularly among women. Theaters joined the debate over modern femininity by presenting plays on issues ranging from woman’s suffrage to shifting marital expectations. At the same time, national theater monopolies transmitted to the people of Spokane new styles and tastes that mirrored larger cultural trends. Lucidly written and meticulously researched, Show Town is a groundbreaking work of cultural history. By examining one city’s theatrical scene in all its complex dimensions, this book expands our understanding of the forces that shaped the urban American West. |
| vaudeville 1910: Vitaphone Films Roy Liebman, 2015-05-20 The headline of the Variety extra on October 27, 1926, proclaimed Vitaphone1 Thrills L.A.! Vitaphone, a subsidiary of Warner Bros. formed in association with Western Electric, was one of the major producers of talkies, even though its sound-on-disc technology barely lasted four years. The Vitaphone features and shorts that have survived intact, or that have been so carefully restored, preserve much of the show business history that might otherwise have been lost with the industry's fast-paced advances in movie making. This book is a catalogue of Vitaphone features and shorts. The first section lists the features and shorts by release number. The New York productions (1926-1940) are listed first, followed by the West Coast productions (1927-1970). For shorts, the following particulars, if known and if applicable, are given: title, alternate title(s), instrumental and vocal selections performed on screen, composer(s) and performers of instrumental and vocal selections, release date and synopsis of the film, names of major cast members and directors, set information if two or fewer sets were used, and the amount paid to early performers. For features, entries list release dates, genre, and major cast members. The section on performers includes only those who appeared in shorts, listing dates and places of birth when known. |
| vaudeville 1910: Movie History: A Survey Douglas Gomery, Clara Pafort-Overduin, 2011-02-28 Covering everything from Edison to Avatar, Gomery and Pafort-Overduin have written the clearest, best organized, and most user-friendly film history textbook on the market. It masterfully distills the major trends and movements of film history, so that the subject can be taught in one semester. And each chapter includes a compelling case study that highlights an important moment in movie history and, at the same time, subtly introduces a methodological approach. This book is a pleasure to read and to teach. Peter Decherney, University of Pennsylvania, USA In addition to providing a comprehensive overview of the development of film around the world, the book gives us examples of how to do film history, including organizing the details and discussing their implications.Hugh McCarney, Western Connecticut State University, USA Douglas Gomery and Clara Pafort-Overduin have created an outstanding textbook with an impressive breadth of content, covering over 100 years in the evolution of cinema. Movie History: A Survey is an engaging book that will reward readers with a contemporary perspective of the history of motion pictures and provide a solid foundation for the study of film. Matthew Hanson, Eastern Michigan University, USA How can we understand the history of film? Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the twenty-first century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes: Section One looks at the era of silent movies from 1895 to 1927; Section Two starts with the coming of sound and covers 1928 until 1950; Section Three runs from 1951 to 1975 and deals with the coming and development of television; and Section Four focuses on the coming of home video and the transition to digital, from 1975 to 2010. Key pedagogical features include: timelines in each section help students to situate the films within a broader historical context case study boxes with close-up analysis of specific film histories and a particular emphasis on film reception lavishly illustrated with over 450 color images to put faces to names, and to connect pictures to film titles margin notes add background information and clarity glossary for clear understanding of the key terms described references and further reading at the end of each chapter to enhance further study. A supporting website is available at www.routledge.com/textbooks/moviehistory, with lots of extra materials, useful for the classroom or independent study, including: additional case studies – new, in-depth and unique to the website international case studies – for the Netherlands in Dutch and English timeline - A movie history timeline charting key dates in the history of cinema from 1890 to the present day revision flash cards – ideal for getting to grips with key terms in film studies related resources – on the website you will find every link from the book for ease of use, plus access to additional online material students are also invited to submit their own movie history case studies - see website for details Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history. |
| vaudeville 1910: Cassell's Dictionary of Slang Jonathon Green, 2005 With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results |
| vaudeville 1910: Marquee , 1928 |
| vaudeville 1910: Smith College Studies in Modern Languages , 1924 |
| vaudeville 1910: Gower Champion David Payne-Carter, 1999-03-30 Gower Champion's career spanned the years during which American musical theatre was transformed from a crude popular entertainment into a sophisticated art form. As the director and choreographer of Hello, Dolly!, 42nd Street, and other Broadway musicals, he was central to that transformation. He came of age during the zenith of American musical theatre production and made his mark on both sides of the curtain. As a dancer, he gained notoriety through his work with Jeanne Tyler and Marjorie Belcher, and his experience as a performer gave him a solid foundation for his later success as an organizer of memorable productions. As a choreographer and director, he became known for spectacular numbers that blended dance, staging, and elaborate scenography. More than anyone else, he seemed to realize that the achievement of a musical depended on those spots where music, dance, lighting, costumes, and staging created a sustained narrative and emotional flow through sound and motion rather than words. This book provides the first extensive treatment of Champion's life and legendary career. The book falls neatly into two main sections. The first discusses Champion's career as a performer, with chapters on his early Broadway appearances and his work for MGM Special attention is given to how his experiences as a dancer prepared him for the later half of his career. The second examines his work as a choreographer and director and is organized around the musicals with which he was involved. Each chapter consists of a history of one or more of those productions, from original concept to opening night and sometimes beyond, as Champion, ever the perfectionist, sought to improve on what everyone else thought was already perfect. The volume is fully documented, with basic historical research conducted at several special collections. In addition, the book is based on a careful analysis of Champion's scripts, which include numerous revisions and thus illuminate how he crafted his productions. Finally, the study depends on interviews conducted with various individuals who knew and worked with Champion throughout his impressive career. |
Vaudeville - Wikipedia
Vaudeville developed from many sources, including the concert saloon, minstrelsy, freak shows, dime museums, and literary American burlesque. Called "the heart of American show …
Vaudeville Documentary PBS - YouTube
I do not own the rights to this video PBS Documentary on history of VaudevilleVHS tape recorded off tv
Vaudeville | Definition, History, & Facts | Britannica
Jun 5, 2025 · The term vaudeville, adopted in the United States from the Parisian boulevard theatre, is probably a corruption of vaux-de-vire, satirical songs in couplets, sung to popular …
About Vaudeville | American Masters - PBS
Oct 8, 1999 · Vaudeville was a fusion of centuries-old cultural traditions, including the English Music Hall, minstrel shows of antebellum America, and Yiddish theater. Though certainly not …
What Was Vaudeville- A Brief History - Broadway World
Mar 31, 2024 · Vaudeville was a form of variety entertainment that was popular in the United States and Canada from the late 19th century into the early 20th century. It was characterized …
Vaudeville: What was Vaudeville, History, Impact, Stars
Nov 13, 2013 · Vaudeville has a lifespan in the U.S. and Canada of about 50 years, starting in the 1880s and ending in the 1930s. It became the place where entertainers from around the world …
What is Vaudeville? – The American Vaudeville Museum & UA …
What is Vaudeville? Vaudeville was America’s first big-time show business, a coast to coast enterprise that at its height reached as many as 5000 theatres and employed as many as …
Vaudeville - Encyclopedia.com
May 17, 2018 · Vaudeville, a collection of disparate acts (comedians, jugglers, and dancers) marketed mainly to a family audience, emerged in the 1880s and quickly became a national …
Home - American Vaudeville Museum
AMERICAN MUSEUM OF VAUDEVILLE, INC celebrates forty years of preserving vaudeville! We collected vast amounts of memorabilia and in 2008, secured a permanent home for most of …
Vaudeville | Definition, Acts & History - Study.com
Nov 21, 2023 · Learn the vaudeville definition along with the history, how the vaudeville worked, acts, music, and era. Updated: 11/21/2023. What is Vaudeville? In the late 19th and early 20th …
Vaudeville - Wikipedia
Vaudeville developed from many sources, including the concert saloon, minstrelsy, freak shows, dime museums, and literary American …
Vaudeville Documentary PBS - YouTube
I do not own the rights to this video PBS Documentary on history of VaudevilleVHS tape recorded off tv
Vaudeville | Definition, History, & Facts | Britannica
Jun 5, 2025 · The term vaudeville, adopted in the United States from the Parisian boulevard theatre, is probably a corruption of vaux-de-vire, satirical …
About Vaudeville | American Masters - PBS
Oct 8, 1999 · Vaudeville was a fusion of centuries-old cultural traditions, including the English Music Hall, minstrel shows of antebellum …
What Was Vaudeville- A Brief History - Broadway World
Mar 31, 2024 · Vaudeville was a form of variety entertainment that was popular in the United States and Canada from the late 19th century into the early …
