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| visual impact liz mcquiston: Visual Impact Liz McQuiston, 2015-10-05 An accessible and richly illustrated exploration of how art and design have driven major social and political change in the 21st century. Visual Impact highlights the extraordinary power of art and graphic design to effect social and political change. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. Organised thematically by global issues and events, Visual Impact's generously illustrated spreads, clearly present and explain the most influential and highly politicised imagery of the twenty-first century. Themes and issues include popular uprisings (the Arab Spring, the London Riots), social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests. Showcasing over 200 artists and designers, ranging from internationally renowned names such as Ai Wei Wei and Shepard Fairey to anonymous internet users distributing work across Twitter and Facebook, Visual Impact features exciting graphics from emerging economies such as Brazil, Russia and China, and recent work created in response to the Arab Spring. Complements Phaidon titles Graphic Agitation and Graphic Agitation 2 by providing insight to the art and design shaping today's global political landscape. |
| visual impact liz mcquiston: Graphic Agitation Liz McQuiston, 1993 Contains primary source material. |
| visual impact liz mcquiston: Protest! Liz McQuiston, 2019-10-01 Discover the power and impact of protest art with this authoritative, richly illustrated history of social and political protest graphics from around the world. Expertly written and unique in its scope, this extraordinary book features hundreds of the best examples of posters, prints, murals, graffiti, political cartoons and other endlessly inventive graphic forms that have been used in political protest throughout history and to the present. Spanning continents and centuries, Protest! documents the vital role of the visual arts in calling for freedom and change. It examines how graphics have been used to highlight injustice, protest wars, satirize authority figures, demand equal rights and fight for an end to discrimination. An astounding emotional visual exploration which includes: Hogarth’s Gin Lane, Goya’s Disasters of War, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, satirical anti-fascist magazines, ‘Ban the Bomb’ demonstrations, clothing of the 1960s counterculture, Cuban revolutionary poster art, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, The Last Whole Earth Catalog, anti-corporate advertising campaigns, Stonewall posters and postcards, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, posters created for the Women’s March, the Trump Baby inflatable blimp, the magazine Charlie Hebdo, Black Lives Matter posters and flags. |
| visual impact liz mcquiston: The Art of Protest Jo Rippon, 2020-03-03 Presented in collaboration with Amnesty International, this stunning collection of more than a hundred posters charts a visual journey across more than a century of political and social activism. From the suffragettes of the early twentieth century to the upheavals of the 1960s and 1970s to contemporary, social-media-driven demonstrations of dissent and resistance, this illustrative history features iconic art from the archives of Amnesty International, work by world-renowned artists, and spontaneous posters from short-lived print collectives and activists on the ground. The Art of Protest covers key campaigns, global and local, including the refugee and climate crises, women's empowerment, nuclear disarmament, LGBTQ activism, Black Lives Matter, and issues around war and the misuse of the world's resources. These are images that have pushed boundaries as they give voice to the marginalized and confront those who would deny people their rights to peace and equality. |
| visual impact liz mcquiston: Design Literacy (continued) Steven Heller, 1999 This volume also investigates larger movements and phenomena, such as Norman Rockwell's lasting impression on Americana, issues of plagiarism and censorship, and the Big Idea in advertising, and includes profiles of designers whose bodies of work helped determine the look and content of design today.--BOOK JACKET. |
| visual impact liz mcquiston: Blek Le Rat King Adz, 2008 This is a showcase of the work of street artist Blek le Rat. Over 300 illustrations are included, along with an exploration of Blek's motives and inspirations. This luxury edition comes with an exclusively designed print. |
| visual impact liz mcquiston: Make It Bigger Paula Scher, 2002-08 Scher reveals her thoughts on design practice, drawing on her experiences as a leading designer in the USA. The book includes a survey of Scher's work, from her designs as art director at Columbia Records, to her identity for New York's Public Theater. |
| visual impact liz mcquiston: Alexey Brodovitch Kerry William Purcell, 2011-08-21 Alexey Brodovitch (1898-1971) is a legend among graphic designers. A Russian who fled the Bolshevik Revolution to settle eventually in Paris and then New York, Brodovitch was one of the pioneers of graphic design in the twentieth century. Brodovitch was Art Director of Harper's Bazaar for over two decades (1934-58); he designed and produced several exquisite and highly collectable books with collaborators such as Richard Avedon and André Kertész; he was a talented photographer himself; and, through an informal class called the Design Lab in New York, he trained a younger generation of photographers and designers who went on to become famous artists and art directors in their own right. This book is a comprehensive monograph on Brodovitch's life and work, drawing from interviews with a wide spectrum of colleagues and collaborators - and assimilating previously unpublished material from archives and private collections around the world - to offer an in-depth analysis and appreciation of Brodovitch's unique and lasting contribution to the visual arts. |
| visual impact liz mcquiston: The Future of Making Tom Wujec, 2017-04-25 Prepare yourself: How things are made is changing. The digital and physical are uniting, from innovative methods to sense and understand our world to machines that learn and design in ways no human ever could; from 3D printing to materials with properties that literally stretch possibility; from objects that evolve to systems that police themselves. The results will radically change our world--and ourselves. The Future of Making illustrates these transformations, showcasing stories and images of people and ideas at the forefront of this radical wave of innovation. Designers, architects, builders, thought leaders--creators of all kinds--have contributed to this look at the materials, connections, and inventions that will define tomorrow. But this book doesn't just catalog the future; it lays down guidelines to follow, new rules for how things are created, that make it the ultimate handbook for anyone who wants to embrace the true future of making. |
| visual impact liz mcquiston: Posters for Change Princeton Architectural Press, 2018-03-20 The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate. |
| visual impact liz mcquiston: Art and Politics Now Anthony Downey, 2014-10-28 A highly illustrated, accessible guide to political art in the twenty-first century, including some of the most daring and ambitious artworks of recent times Why have so many artists turned to political subject matter in the last decade? Can art not only question but also reinvigorate the social, civic, and political imagination? Art and Politics Now offers a brilliant survey of artists engaged with “the political,” whether in providing commentary, questioning social structures, or actively responding to the world around them. Eleven thematic chapters address and contextualize a range of highly topical subjects, including globalization, labor, technology, citizenship, war, activism, and information. Art and Politics Now also highlights the radical changes in the approaches and techniques used by artists to communicate their ideas, from the increase in collaborative, artist-led, and participatory projects to activism and intervention, documentary and archive work. Many high-profile artists are featured, including Chantal Ackerman, Ai Weiwei, Francis Alys, Harun Farocki, Omer Fast, Subodh Gupta, Teresa Margolles, Walid Raad, Raqs Media Collective, Doris Salcedo, BrunoSerralongue, and Santiago Sierra. |
| visual impact liz mcquiston: The Futurist Cookbook Filippo Tommaso Marinetti, 2014 Part manifesto, part artistic joke, Fillippo Marinetti's Futurist Cookbook is a provocative work about art disguised as an easy-to-read cookbook. Here are recipes for ice cream on the moon; candied atmospheric electricities; nocturnal love feasts; sculpted meats. Marinetti also sets out his argument for abolishing pasta as ill-suited to modernity, and advocates a style of cuisine that will increase creativity. Although at times betraying its author's nationalistic sympathies, The Futurist Cookbook is funny, provocative, whimsical, disdainful of sluggish traditions and delighted by the velocity and promise of modernity. Filippo Tommaso Marinetti was born in 1876 to Italian parents and grew up in Alexandria, Egypt. He studied in Paris and obtained a law degree in Italy before turning to literature. In 1909 he wrote the infamous Futurist Manifesto, which championed violence, speed and war, and proclaimed the unity of art and life. Marinetti's life was fraught with controversy: he fought a duel with a hostile critic, was subject to an obscenity trial, and was a staunch supporter of Italian Fascism. Alongside his literary activities, he was a war correspondent during the Italo-Turkish War and served on the Eastern Front in World War II, despite being in his sixties. He died in 1944. Lesley Chamberlain is a novelist and historian of ideas. Her thirteen books include Nietzsche in Turin, The Secret Artist: A Close Reading of Sigmund Freud and The Food and Cooking of Russia. Suzanne Brill is an art historian and writer. She has translated several books for Italian art historians including Caro Pedretti's Leonardo: Architect, which was nominated for the John Florio prize. 'A paean to sensual freedom, optimism and childlike, amoral innocence ... it has only once been answered, by Aldous Huxley's Brave New World' Lesley Chamberlain |
| visual impact liz mcquiston: Women in Design Liz McQuiston, 1988 This book highlights the work of 43 designers from Great Britain, the USA, Italy, Holland, Inidia and Japan, and spans a broad range of disciplines ... The design areas covered include graphic design, product design, furniture design, television and film, animation, interior design and architecture ... Each designer is represented by a visual display of work and a biographical statement--Back cover. |
| visual impact liz mcquiston: Seventy-nine Short Essays on Design Michael Bierut, 2012-03-20 Seventy-nine Short Essays on Design brings together the best of designer Michael Bierut's critical writing—serious or humorous, flattering or biting, but always on the mark. Bierut is widely considered the finest observer on design writing today. Covering topics as diverse as Twyla Tharp and ITC Garamond, Bierut's intelligent and accessible texts pull design culture into crisp focus. He touches on classics, like Massimo Vignelli and the cover of The Catcher in the Rye, as well as newcomers, like McSweeney's Quarterly Concern and color-coded terrorism alert levels. Along the way Nabakov's Pale Fire; Eero Saarinen; the paper clip; Celebration, Florida; the planet Saturn; the ClearRx pill bottle; and paper architecture all fall under his pen. His experience as a design practitioner informs his writing and gives it truth. In Seventy-nine Short Essays on Design, designers and nondesigners alike can share and revel in his insights. |
| visual impact liz mcquiston: Co-Art Ellen Mara De Wachter, 2017-04-24 Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively Art history is traditionally presented as the individual's struggle for self-expression, yet over the past fifty years, the number of artists working collaboratively has grown exponentially. Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek to work creatively and effectively with others. Artists featured: Allora & Calzadilla, Assemble, Auguste Orts, ayr, Biggs & Collings, Broomberg & Chanarin, ChimPom, Claire Fontaine, DAS INSTITUT, DIS, Elmgreen & Dragset, Eva & Franco Mattes, GCC, Gelitin, Guerrilla Girls, Iain Forsyth and Jane Pollard, Jane and Louise Wilson, John Wood and Paul Harrison, LaBeouf, Rönkkö & Turner, Lizzie Fitch/Ryan Trecartin, Los Carpinteros, Pauline Boudry/Renate Lorenz, Raqs Media Collective, SUPERFLEX |
| visual impact liz mcquiston: Creating Cultural Monsters Julie B. Wiest, 2011-06-06 Providing a comprehensive exploration, this volume explains connections between American culture and the incidence of serial murder, including reasons why most identified serial murderers are white, male Americans. Presenting empirically supported arguments that have the potential to revolutionize how serial murder is understood, this volume includes an illustrated model that explains how people utilize cultural values to construct lines of action according to their cultural competencies. It demonstrates how the American cultural milieu fosters serial murder and the creation of white male serial murderers and provides a critique of the American mass media‘s role in the notoriety of serial murder. |
| visual impact liz mcquiston: Decolonising the Camera Mark Sealy, 2019 This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839. Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs - included in an insert - by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence. |
| visual impact liz mcquiston: Modernism in Design Paul Greenhalgh, 1997-07-01 Ten new and important essays on design cover Modernism's fortunes in Germany, Italy, Sweden, Britain, Spain, Belgium and the USA; they range in subject matter from world fairs and everyday domestic objects to American West coast architecture and French and Italian furniture. With essays by Tim Benton, Gillian Naylor, Penny Sparke, Wendy Kaplan, Clive Wainwright, Martin Gaughan, Guy Julier, Mimi Wilms, Julian Holder and Paul Greenhalgh. The object of this book is to diffuse myths. If modernism has, in the past, been both absurdly praised and absurdly damned, Modernism in Design seeks to lift it out of this cycle, and to demonstrate that the modern movement could offer neither Jerusalem nor Babylon ... In this, the book succeeds admirably.—Designer's Journal While this collection of essays is aimed primarily at design historians and students of design history, hard-pressed practising designers and architects should make room for it on their bookshelves.—Design |
| visual impact liz mcquiston: Spaces for Children T.G. David, C.S. Weinstein, 2013-11-11 As a developmental psychologist with a strong interest in children's re sponse to the physical environment, I take particular pleasure in writing a foreword to the present volume. It provides impressive evidence of the con cern that workers in environmental psychology and environmental design are displaying for the child as a user of the designed environment and indi cates a recognition of the need to apply theory and findings from develop mental and environmental psychology to the design of environments for children. This seems to me to mark a shift in focus and concern from the earlier days of the interaction between environmental designers and psy chologists that occurred some two decades ago and provided the impetus for the establishment of environmental psychology as a subdiscipline. Whether because children-though they are consumers of designed environments are not the architect's clients or because it seemed easier to work with adults who could be asked to make ratings of environmental spaces and comment on them at length, a focus on the child in interaction with en vironments was comparatively slow in developing in the field of environ ment and behavior. As the chapters of the present volume indicate, that situation is no longer true today, and this is a change that all concerned with the well-being and optimal functioning of children will welcome. |
| visual impact liz mcquiston: Red Plenty Francis Spufford, 2012-02-14 Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous. —The Times (London) Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called the planned economy, which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne. |
| visual impact liz mcquiston: Art of Protest De Nichols, 2023 Discover the power of words, images and much more in this analytical and thought-provoking look at protest art. |
| visual impact liz mcquiston: Punk Rock: So What? Roger Sabin, 2002-09-11 It's now over twenty years since punk pogo-ed its way into our consciousness. Punk Rock So What?brings together a new generation of academics, writers and journalists to provide the first comprehensive assessment of punk and its place in popular music history, culture and myth. The contributors, who include Suzanne Moore, Lucy OBrien, Andy Medhurst, Mark Sinker and Paul Cobley, challenge standard views of punk prevalent since the 1970s. They: * re-situate punk in its historical context, analysing the possible origins of punk in the New York art scene and Manchester clubs as well as in Malcolm McClarens brain * question whether punk deserves its reputation as an anti-fascist, anti-sexist movement which opened up opportunities for women musicians and fans alike. * trace punks long-lasting influence on comics, literature, art and cinema as well as music and fashion, from films such as Sid and Nancy and The Great Rock n Roll Swindle to work by contemporary artists such as Gavin Turk and Sarah Lucas. * discuss the role played by such key figures as Johnny Rotten, Richard Hell, Malcolm McClaren, Mark E. Smith and Viv Albertine. Punk Rock Revisited kicks over the statues of many established beliefs about the meaning of punk, concluding that, if anything, punk was more culturally significant than anybody has yet suggested, but perhaps for different reasons. |
| visual impact liz mcquiston: Hammer and Sickle Andy Warhol, Ronnie Cutrone, 2004 These drawings were produced between 1976 and 1977, during the Cold War, when the hammer and sickle was the best known symbol for the enemy, the USSR. By using this symbol of communism as an object for sale in a capitalist economy, the drawings were seenas an ironic commentary on the war. |
| visual impact liz mcquiston: JR: Can Art Change the World? Nato Thompson, Joseph Remnant, Marc Azoulay, 2015-10-12 The first major and in-depth retrospective monograph on JR, the enigmatic and anonymous Parisian photographer/street artist/activist behind some of the world's most provocative large-scale public photography projects. Created in close collaboration with JR, this book includes all bodies of his work, his collaborations with other artists and institutions such as the New York Ballet and previously unpublished behind-the-scenes documentation of his studios in Paris and New York, where he and his creative collaborators live and work. Introducing JR 's story is a specially commissioned graphic novel by comic artist Joseph Remnant, which charts his rise from graffiti roots and his decision to become a full-time artist. Features a survey essay by Nato Thompson, Chief Curator of Creative Time, New York. |
| visual impact liz mcquiston: In the Shadow of Heroes Nicholas Bowling, 2019-05-02 The newest novel from the critically-acclaimed author of WITCHBORN ... Fourteen-year-old Cadmus has been scholar Tullus's slave since he was a baby - his master is the only family he knows. But when Tullus disappears and a taciturn slave called Tog - daughter of a British chieftain - arrives with a secret message, Cadmus's life is turned upside down. The pair follow a trail that leads to Emperor Nero himself, and his crazed determination to possess the Golden Fleece of Greek mythology. This quest will push Cadmus to the edge of the Roman Empire - and reveal unexpected truths about his past ... |
| visual impact liz mcquiston: Draft Eis United States Environmental Protection Agency (EPA), 2018-08-15 Draft Eis |
| visual impact liz mcquiston: The Art of Protest T. V. Reed, 2019-01-22 A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring. |
| visual impact liz mcquiston: Pretentiousness Dan Fox, 2016-04-05 Pretentiousness is the engine oil of culture; the essential lubricant in the development of all arts, high, low, or middle. |
| visual impact liz mcquiston: Between the Eyes David Levi Strauss, 2003 David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum and The Nation. In Between the Eyes: Essays on Photography and Politics, Strauss tackles subjects as diverse as Photography and Propaganda, the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay Photography and Belief, and in The Highest Degree of Illusion, Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media pandemonium in its root meaning of the place of all howling demons, we need a mind and voice like Levi Strauss' to bring clarity to our vision. |
| visual impact liz mcquiston: The Office of Special Investigations Judy Feigin, United States. Department of Justice, 2009 An internal history of the United States government's Nazi-hunting operation provides gripping new evidence about some of the most notorious Nazi cases of the last three decades. The Justice Department kept the 600-page report secret for the last four years, releasing a heavily redacted version in Nov. 2010 to a private research group that sued to force its release. A complete version was obtained by The New York Times. Background for the document can be found at http://www.gwu.edu/~nsarchiv/NSAEBB/NSAEBB331/index.htm and http://www.nytimes.com/2010/11/14/us/14nazis.html |
| visual impact liz mcquiston: Teaching for Change Linda Delp, 2002 These 28 essays recount popular education's history and its multiple uses in the labor movement today: to organize the unorganized, to develop new leaders and activists, and to strengthen labor and community alliances. They explore its other facets: theater and culture, economics education, workplace safety and health, and classroom use and address experiences from Canada and the United States (US)-Mexico border. The essays are Popular Education (Bernard); Popular Education, Labor, and Social Change (Hurst); Highlander and Labor (Williams, Sessions); Organizing Public Sector Workers in Puerto Rico (Delp, Outman-Kramer); Stamford, Connecticut, Case Study (McAlevey); Paolo Freire Hits L.A.'s Mean Streets (Bacon); Year 2000 Justice for Janitors Campaign (Arellano);Las Vegas Hotel Workers Find a Voice (Lee, Baker); Empowering the Members' Voice (Del Valle); Economic Justice in the Los Angeles Figueroa Corridor (Haas); Fighting for a Living Wage in Santa Monica (Rothstein); Just Transition Alliance (View); Power of Voices (Williams); Battle in Seattle (Brown); On Theater and the Labor Movement (Delp, Outman-Kramer); Forum Theater (Delp); Theater for Worker Health and Safety (Dooley); Experiences with Popular Economic Education (Teninty); Justice for Avondale Workers (Washington); Building a Worker Health and Safety Movement (Delp); Workplace Learning, Literacy, and English for Speakers of Other Languages (Chenven); English Classes at the Union Hall (Utech); Labor in the Schools (Tubach); Labor Deserves Credit (Schurman); Case Method in Labor Leadership Education (Bernard); Confronting Trade Policies from the Bottom Up (Delp, De Lara); and Worker-Educators and Union Transformation (Thomas, Martin). A resources list consists of 18 United States, 5 Canadian, 2 Latin American, and 1 Asian organizations and 2 international networks. (YLB). |
| visual impact liz mcquiston: A Little Book of Craftivism Sarah Corbett, 2013 An inspirational introduction to the ideas of the Craftivist Collective; a worldwide group of activists using craft as their medium. |
| visual impact liz mcquiston: Elijah Pierce's America Nancy Ireson, Zoé Whitley, 2020 Published in conjunction with an exhibition held at the Barnes Foundation, Philadelphia from September 27, 2020 - January 10, 2021. |
| visual impact liz mcquiston: The Phaidon Archive of Graphic Design Editors of Phaidon, 2012-09-17 The history of graphic design shown through 500 classic works. |
| visual impact liz mcquiston: Design and Political Dissent Jilly Traganou, 2020-10-27 This book examines, through an interdisciplinary lens, the relationship between political dissent and processes of designing. In the past twenty years, theorists of social movements have noted a diversity of visual and performative manifestations taking place in protest, while the fields of design, broadly defined, have been characterized by a growing interest in activism. The book’s premise stems from the recognition that material engagement and artifacts have the capacity to articulate political arguments or establish positions of disagreement. Its contributors look at a wide array of material practices generated by both professional and nonprofessional design actors around the globe, exploring case studies that vary from street protests and encampments to design pedagogy and community-empowerment projects. For students and scholars of design studies, urbanism, visual culture, politics, and social movements, this book opens up new perspectives on design and its place in contemporary politics. |
| visual impact liz mcquiston: American Anti-Nuclear Activism, 1975-1990 K. Harvey, 2014-01-01 Looking at national peace organizations alongside lesser-known protest collectives, this book argues that anti-nuclear activists encountered familiar challenges common to other social movements of the late twentieth century. |
| visual impact liz mcquiston: Marks of Excellence Per Mollerup, 1997 The core of the book is a full classification of all the trade marks covering pictures, names and abbreviations. The author analyses and describes the history of trademarks and shows how they have transcended barriers of language and time. |
| visual impact liz mcquiston: Design, Displacement, Migration Sarah A. Lichtman, Jilly Traganou, 2023-11-30 Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices—spanning design, art, and architectural history; design studies; curation; poetry; activism; and social sciences––to interrogate the intersections of design and displacement. The contributors foreground objects, spaces, visual, and material practices and consider design’s role in the empire, the state, and various colonizing regimes in controlling the mass movement of people, things, and ideas across borders, as well as in social acts that resist forced mobility and immobility, or enact new possibilities. By consciously surfacing echoes, rhymes, and dissonances among varied histories, this volume highlights local specificity while also accounting for the vectors of displacement and design across borders and histories. Design, Displacement, Migration: Spatial and Material Histories shows displacement to be a lens for understanding space and materiality and vice versa, particularly within the context of modernity and colonialism. This book will be of interest to scholars working in design history, design studies, architectural history, art history, urban studies, and migration studies. |
| visual impact liz mcquiston: The Waters of Our Time Giancarlo T. Roma, 2014-04-22 The second collaboration between father and son Thomas Roma and Giancarlo T. Roma, The Waters of Our Time is a book that could only be done in the latter part of this renowned photographer's career and with the unique contemplation of his watchful son. A retrospective of sorts, the book contains 142 of Roma's photographs spanning most of his career, beginning on the cover with a picture taken from his first roll of film shot in 1972, and a fictional text by Giancarlo T. Roma, written as a first-person narrative recollection in the voice of an older woman who has spent her life in Brooklyn. The written story begins on the book's cover and is interwoven with the photographs, lending a reflective quality to the interplay between them. In this way, the project is a true collaboration, resembling the making of a movie in reverse, where the pictures function as the script and the text acts as the moving images, coming in response. The title comes from the song Follow (written by Jerry Merrick and famously sung by Richie Havens, also a Brooklyn native), whose lyrics are reproduced throughout the book, and serves as kind of a sound track to the story, adding to the cinematic quality. The Waters of Our Time was conceived as an homage to Roy DeCarava and Langston Hughes' book The Sweet Flypaper of Life published in 1955, a cherished part of the elder Roma's library. The book remains true to Flypaper in terms of design (size, layout, font), but differs greatly in process. Whereas Hughes selected and sequenced DeCarava's photographs before writing the text for Flypaper, Roma selected and sequenced his own photographs first, leaving Giancarlo to write the text in the white space between pictures for The Waters. |
| visual impact liz mcquiston: Design Since 1945 Kathryn B. Hiesinger, George H. Marcus, Max Bill, Philadelphia Museum of Art, 1983-01-01 |
Similar term to "visual" for audio? - English Language & Usage …
Dec 17, 2014 · I'm looking for a term for audio in form of the word visual. Visual is defined as of or relating to the sense of sight What could you call the sense of hearing? Also, what do you call …
What is the difference, if any, between 'art', 'the arts', and 'Art'?
Jun 6, 2011 · I would say "the arts" are a set of disciplines (each of which is "an art"), "art" without the article refers to the end result of those disciplines, typically (but not strictly) to the end …
word choice - What is the difference between "graphic" and …
Graphic is also a noun, as in a visual graphic, whereas graphical is only an adjective. However, there are phrases where graphic is conventionally used, other phrases where graphical is the …
sense verbs - a word like "visual", "auditory", except for touch ...
Dec 6, 2014 · 11 Hah Google Sets was actually useful for something! Results for inputting visual, olfactory, and auditory were: visual olfactory auditory gustatory tactile kinesthetic vestibular …
What is the effect called when one looks at a bright light, and the ...
Jul 5, 2011 · No, visual burn does exist, but is something different. Sometimes called 'navigator's eyeball', it refers to a condition where constantly looking at a bright light, (such as the sun …
Word for a single picture which can be interpreted in two different ...
Jun 13, 2020 · What are pictures that have two visual interpretations called? See the following image: This image shows a skull from one perspective, and when you look at it a different way, …
Single name to cover "drawing", "painting", "sketching" etc
The fine or applied visual arts and associated techniques involving the application of lines and strokes to a two-dimensional surface. The fine or applied visual arts and associated …
Use of 'as per' vs 'per' - English Language & Usage Stack Exchange
I certainly don't prefer per or even as per @kris. The stated examples of use given by the OP are obscure and indistinct statements so weak of meaning that I suspect they are not used by a …
grammaticality - When is it correct to use the "-wise" suffix ...
TheFreeDictionary.com gives this usage note: Usage Note: The suffix -wise has a long history of use to mean "in the manner or direction of," as in clockwise, otherwise, and slantwise. Since …
Adjective for a person who enjoys taking care of their appearance
Jan 31, 2019 · After a brief search over StackExchange I've decided to ask my own question. I'm looking for a word to describe someone who enjoys grooming themselves or taking care of …
Similar term to "visual" for audio? - English Language & U…
Dec 17, 2014 · I'm looking for a term for audio in form of the word visual. Visual is defined as of or relating to the sense of sight What could you call the sense of hearing? Also, what do you call …
What is the difference, if any, between 'art', 'the arts', and '…
Jun 6, 2011 · I would say "the arts" are a set of disciplines (each of which is "an art"), "art" without the article refers to the end result of those disciplines, typically (but not strictly) to the end …
word choice - What is the difference between "graphic" …
Graphic is also a noun, as in a visual graphic, whereas graphical is only an adjective. However, there are phrases where graphic is conventionally used, other phrases where graphical is the …
sense verbs - a word like "visual", "auditory", except fo…
Dec 6, 2014 · 11 Hah Google Sets was actually useful for something! Results for inputting visual, olfactory, and auditory were: visual olfactory auditory gustatory tactile kinesthetic …
What is the effect called when one looks at a bright light, an…
Jul 5, 2011 · No, visual burn does exist, but is something different. Sometimes called 'navigator's eyeball', it refers to a condition where constantly looking at a bright light, (such as the sun …
