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| van gogh exhibit nj: The Arts , 1920 |
| van gogh exhibit nj: Art and Archaeology , 1920 |
| van gogh exhibit nj: Pictures on Exhibit , 1954 |
| van gogh exhibit nj: Jersey Shore Impressionists Roy Pedersen, 2013 Water and light have seduced artists through the years and the quality of these elements at the New Jersey Shore continues to attract artists to this day. Between the late 1800s and 1940, an inspired group of painters were drawn to the New Jersey coastline, forming communities of artists. Jersey Shore Impressionists breaks new ground in the history of American art by recognizing the distinct influence of New Jersey and its Shore on impressionist era American painters. This book establishes ¿ for the first time ¿ a category of impressionist American painters who focused on, or were profoundly influenced by, the landscapes and seascapes of this Shore ¿ from Sandy Hook and Highlands to the Barnegat Bay region to Cape May. ¿Not since 1964, nearly 50 years ago, and only once before that in 1938 has there been published a book on painters in New Jersey,¿ says the book¿s author, Roy Pedersen. ¿Never until now has there appeared a survey of the regional impressionist painters of New Jersey.¿ Jersey Shore Impressionists is produced in conjunction with an exhibition at the Morven Museum & Garden in Princeton, NJ., which seeks to examine how the New Jersey shore was home to artist colonies whose output rivaled that of the better-known colonies of Old Lyme and Cos Cob, Connecticut, and Bucks County, Pennsylvania. In a Foreword, Richard J. Boyle, former director of the Pennsylvania Academy of the Fine Arts, describes the foundation of art colonies, and how they traveled from origins in mid-nineteenth century France to the plein-air attraction of the Jersey Shore's ¿special light.¿ The first art colony ¿ at Manasquan ¿ forms around 1880 as young artists fresh from European training in Germany, France and Italy begin to arrive, and the book includes work from these artists ¿ Will Hicok Low, Theodore Robinson, Albert Grantley Reinhart, Charles Freeman and Caroline Coventry Haynes. The next generation ¿ Edward Boulton, Ida Wells Stroud, Julius Golz ¿ trained in America, join and form new colonies to paint the unique light as well as the activities of the Shore. The passionate work created by these artists stands as an important, but unsung, chapter of American Impressionism and is celebrated in this book, establishing the important contribution to American art in general, and New Jersey¿s cultural heritage in particular. |
| van gogh exhibit nj: Dance and American Art Sharyn R. Udall, 2012-06-19 From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture. |
| van gogh exhibit nj: Arts Digest , 1937 |
| van gogh exhibit nj: Nano-scale Materials S. N. Sahu, R. K. Choudhury, P. Jena, 2006 Nano-Scale Materials - From Science to Technology |
| van gogh exhibit nj: Knickerbocker Weekly , 1945 |
| van gogh exhibit nj: Cézanne and the Modern Jane Friedman, Sharon Herson, Audrey Walen, 2014 A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections Cézanne and the Modern showcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. Among the iconic images represented are Paul Cézanne's Mont Sainte-Victoire, Vincent van Gogh's Tarascon Stagecoach, and Amedeo Modigliani's portrait of Jean Cocteau, as well as an outstanding suite of sixteen watercolors by Cézanne. The volume opens with Henry Pearlman's Reminiscences of a Collector, a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael Z. DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman's collecting practices in relation to noteworthy events in the art world. A series of sixteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous color plates, select details, and numerous comparative images. A comprehensive checklist documenting each of the works--including detailed provenance, exhibition history, bibliographic references, and commentary by a conservator--rounds out this handsome volume, which is published to accompany the first international tour of this important collection. |
| van gogh exhibit nj: Soldiers , 1999 |
| van gogh exhibit nj: Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games Kelly I. Aliano, 2025-02-07 Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games is the first volume to explore immersion as it is experienced in all three of these storytelling forms: the theatre, museums and historic sites, and video games. It theorizes what it means for a work to be called immersive and how immersion impacts audience experience in each of these modes. The presentation of story is deepened when it involves the spectator in an immersive way. Author Kelly I. Aliano concentrates on the central idea that the use of immersion in each medium allows the story being told to feel present for the spectator. It puts them at the center of the experience, making its events for and about them. Throughout, the book discusses how immersion is employed to make narrative feel more resonant and relevant for the audience. Analyzing the impact of offering a first-hand experience of story events, this book looks at how immersive storytelling can highlight the ways in which we can interact with and shape our understandings of ourselves and our society as well as our histories and identities. Ideal for students, scholars, and researchers of immersive theatre, spectatorship, museum studies, and video game studies, this is an innovative study into the power of immersive storytelling across three interactive mediums. |
| van gogh exhibit nj: Arts , 1960 |
| van gogh exhibit nj: The New York Times Index , 1921 |
| van gogh exhibit nj: Art of the 20th Century Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Christiane Fricke, 2000 The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13). This edition combines the two volumes into one; it's paperbound (flexi-cover--the paper has a plastic coating), smaller (8x10, and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc. |
| van gogh exhibit nj: Art Digest , 1926 Includes section The great calender of American exhibitions. |
| van gogh exhibit nj: Library Lines East Brunswick Public Library (N.J.), 1995 |
| van gogh exhibit nj: Netherlands News , 1945 |
| van gogh exhibit nj: Michiko Kon Michiko Kon, Ryū Murakami, Toshiharu Itō, 1997 Michiko Kon takes the classic tradition of the still-life photograph and gives it new life through the reanimation of object parts and body parts in new forms. |
| van gogh exhibit nj: Bibliography of the History of Medicine , 1984 |
| van gogh exhibit nj: International Sculpture , 1986 |
| van gogh exhibit nj: Arts Digest , 1961 |
| van gogh exhibit nj: ARTnews , 1953 |
| van gogh exhibit nj: New Jersey Music and Arts , 1959 |
| van gogh exhibit nj: Design-keramic Studio , 1948 |
| van gogh exhibit nj: Magazine of Art , 1946 |
| van gogh exhibit nj: Special Libraries , 1936 Also includes 1st-5th SLA triennial salary surveys. |
| van gogh exhibit nj: Student Handbook Southwestern, 2005 The Student Handbook is designed to provide students with ready access to information, with problem-solving techniques and study skill guides that enable them to utilize the information in the most efficient manner.--Amazon.com |
| van gogh exhibit nj: Through the Eyes of Vincent Van Gogh Barrington Barber, 2005 |
| van gogh exhibit nj: But Is It Art? Cynthia Freeland, 2002-02-07 In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. |
| van gogh exhibit nj: Princeton Alumni Weekly , 1972 |
| van gogh exhibit nj: Hobbies , 1949 |
| van gogh exhibit nj: The Taft Museum Edward J. Sullivan, Taft Museum, 1995 The Civil War has ended when Yankee Captain Dennis Wainwright and Confederate Sergeant Gage Kennon cross paths. Forming an unlikely alliance, their travels become very interesting when they stumble across a band of Gypsies. Gage saves an older Gypsy woman from a terrible accident, earning the respect, but not the friendship, of her granddaughter Nadyha. Later Gage finds himself in the unlikely position of saving an innocent young woman from being arrested and possibly hanged. These unlikely people seem bound together mysteriously by unaccountable forces; but always Gage Kennon, a humble and devout Christian man, is at the center of the turns and twists their lives take. The road soon leads them to a grand showboat, the Queen of Bohemia, and exciting journeys on the Mississippi River. The River Palace is based on a very old story, that of the Good Samaritan, but it is also a new story of faith, romance, and classic adventure from beloved Christian author Gilbert Morris. |
| van gogh exhibit nj: Who's who in American Art 1995 - 96 21st Ed Reed Reference Publishing, 1995 Biografisch woordenboek waarin een overzicht wordt gegeven van kunstenaars uit de Verenigde Staten van Amerika, Canada en Mexico. |
| van gogh exhibit nj: Who's who in American Art , 1993-12 |
| van gogh exhibit nj: US-206 Improvement, CR-518 to Somerville Circle, Somerset County , 1988 |
| van gogh exhibit nj: Asian American Art Gordon H. Chang, 2008 Asian American Art: A History, 1850-1970 is a first-ever survey exploring the lives and artistic production of artists of Asian Ancestry active in the United States before 1970, and features ten essays by leading scholars, biographies of more than 150 artists, and more than 400 reproductions of artwork and photographs of artists, together creating compelling narratives of this heretofore forgotten American art history. |
| van gogh exhibit nj: Who's Who in American Art, 1982 Jaques Cattell Press, 1982-07 |
| van gogh exhibit nj: Billboard , 2001-03-10 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| van gogh exhibit nj: Catalog of the Library of the Museum of Modern Art: Vam Museum of Modern Art (New York, N.Y.). Library, 1976 |
| van gogh exhibit nj: Children's Museums Joann Norris, 2009-03-20 In this guidebook to childrens museums in the United States, more than 200 contemporary museums, science centers, and discovery centers are listed along with brief descriptions and important contact information. All of the museums listed offer educational programs or activities tailored specifically to children, including permanent childrens displays and interactive, hands-on exhibits. |
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