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| university of redlands sweeney todd: Respect Dorothy Marcic, 2002 Marcic connects the lyrics and reminiscences of top-40 songs sung by women, together with the course of the women's movement, showing where the lyrics heralded changes in women's status and showing readers what hasn't changed at all. |
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| university of redlands sweeney todd: How the Grinch Stole Christmas Dr Seuss, Dr. Seuss, 2015-09-22 Generations of families have enjoyed this holiday classic. Now this beloved story is available in a deluxe edition tucked inside a cloth slipcase with gold-foil stamping. Illustrations. |
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| university of redlands sweeney todd: Foxlogic, Fireweed Jennifer K. Sweeney, 2020-09 Winner of the Backwaters Prize in Poetry, Jennifer K. Sweeney's Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains--floodplain, coast, desert, suburbia, and mesa--braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth's wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry's big questions of transcendence, revelation, awe, and deep presence in the ordinary. |
| university of redlands sweeney todd: How to Live on Bread and Music Jennifer Kochanek Sweeney, 2009 Beloved in classrooms, these poems broadly explore themes such as identity formation, nostalgia, and impermanence, passing through risk to find refuge in the sensory world. Life-affirming but without illusions, HOW TO LIVE ON BREAD AND MUSIC showcases poet Jennifer K. Sweeney's mature consciousness and circumspect intelligence. This collection takes us on a physical and spiritual trip, symbolized in recurring images of the train. Exploring broad themes such as identity formation, nostalgia, and impermanence, the poet passes through risk to find refuge in the sensory world. What is most remarkable is Sweeney's ability to confide without burdening, her talent for arranging enough silence between words for us to locate the pulse of meaning. Jennifer K. Sweeney's HOW TO LIVE ON BREAD AND MUSIC is a remarkable achievement from the hand of a poet with a subtle and compassionate mindfulness. These are poems that tell us we move forward in moments when motion seems all too risky and stillness all too intolerable. Adept at the delicate project of inventiveness in the line, she shows us time and again that language is the matter of the poet and that there is surprise in the gift, as this book is sure evidence of the gift. --Afaa Michael Weaver, James Laughlin Award judge Each of Jennifer K. Sweeney's poems is part of her quest to be fully alive to the beauty, terror, and wonder of living. Oh life with your falling open, / April is eating itself alive / and I can hear the splitting of the dahlias / when I sleep. Rich in sound patterns, imagery, and metaphor, and packed with surprise, these poems take special joy in wild and juicy words: for example, 'lyrate,' 'paldrons,' 'guillotine/ of wind' 'the sloop and slag of childhood,' 'deckled,' and 'lantern-hearted.' Enter Sweeney's world, and perhaps you too will become lantern-hearted. --Annie Boutelle In Jennifer K. Sweeney's HOW TO LIVE ON BREAD AND MUSIC we discover words that weigh the earth carefully and sing it into existence for this poet knows 'song is the yeast / when the body wants.' Her poetry is 'pained with sensation' and has the power to transform the reader, to resurrect dandelions from a field of armor. --Mark Irwin Jennifer K. Sweeney's second collection of poems is generous and sympathetic, melodic and transforming. Her playful yet incisive language, rich in imagery and metaphor, serves the larger purpose of helping us see our relationship to each other and the natural world with fresh eyes. --Apalachee Review HOW TO LIVE ON BREAD AND MUSIC is not only a volume of great range and depth, but is full of sonorous, deeply felt poems that evoke Marianne Moore's famous adage that our best verse strive to create 'a place for the genuine.' --Emprise Review Poetry. Women's Studies. |
| university of redlands sweeney todd: Geographic Information Systems in Business Pick, James, 2004-08-31 This book contains state-of-the-art research studies on the concepts, theory, processes, and real world applications of geographical information systems (GIS) in business. Its chapters are authored by many of the leading experts in applying GIS and geospatial science to business. The book utilizes a wide variety of approaches and methodologies including conceptual theory development, research frameworks, quantitative and qualitative methods, case studies, systems design, DSS theory, and geospatial analysis combined with point-of-sale. Since relatively little research has been published on GIS in business, this book is pioneering and should be the principal compendium of the latest research in this area. The book impacts not only the underlying definitions, concepts, and theories of GIS in business and industry, but its practice as well. |
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| university of redlands sweeney todd: Hollywood's Indian Peter C. Rollins, John E. O'Connor, 2011-01-23 Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals, the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life. |
| university of redlands sweeney todd: Patterson's American Education Wayne Moody, Rita Ostdick, James Thiessen, Gloria Busch, 2008-10 Reference book of public and private middle schools, junior high schools, high schools and their districts in the USA. Along with accredited career schools, community and junior colleges, colleges and universities. |
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| university of redlands sweeney todd: Man from Nebraska Tracy Letts, 2005 THE STORY: A luxury sedan, a church pew and visits to a nursing home form the comfortable round of Ken Carpenter's daily life. And then one night, he awakens to find that he no longer believes in God. This crisis of faith propels an ordinary middle |
| university of redlands sweeney todd: Little Spells Jennifer Kochanek Sweeney, 2015 Poetry. I am not normally moved by perfection, since I like a little mess in poetry, but when a book achieves the trifecta of truly beautiful balance precise observation, uncannily accurate words, wildness and depth of heart it must be as close to perfect as our weird and glorious art can get. Sweeney understands how the profound and the miniscule are interconstitutive qualities of souls and objects in a universe (Dwarf star with one eye on the moon) and this exploration is inner as well as visible, external. Throughout the book, the speaker is concerned with the continuum of life: from stones and plants and planets, to finches and fire, on to witches and princesses and she honors each form it takes. But at some point, this study of life gives way to the song of one who is heartbroken on the path to creating life. This voice sings and cries in such exquisite expression of anguish that art and life find themselves gazing at each other in shock. What good is perfection when the most precious and longed-for star the one that guided the years vanishes from the huge dark sky? Art remains and perhaps it comforts as it triumphs here. Sweeney is dazzling if that matters. I think it does. I am abnormally moved by the perfection of this art. I am crushed by it. Brenda Shaughnessy |
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| university of redlands sweeney todd: Transgressive Transcripts Bennett Yu-Hsiang Fu, 2012 Transgressive Transcripts examines the construction of women’s subjectivity and the textual production of Canadian female voices orchestrated in history, culture, ethnicity, and sexuality. The book, stressing the dissemination and re-inscription of femaleness and femininity in Chinese Canadian history, employs critical models that defy the sexual/textual imaginary of the Canadian literary scene. Four fields of study are conjoined: feminist theories of the body, gender and sexuality studies, women’s writing, and Asian North Amer¬ican studies. Analysing four writers, SKY Lee, Larissa Lai, Lydia Kwa, and Evelyn Lau, the book anchors its thematic and theoretical concern with female sexuality in the context of Chinese Canadian writing. Feminist narratives and gender politics in contemporary Asian North American literature are highlighted via the trope of ‘transgression’. |
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| university of redlands sweeney todd: Dr. Seuss How the Grinch Stole Christmas Dana Richter, 2000-01-01 The Grinch tries on several outfits for the Whobiliation party, but Max doesn't like any of them. Includes sound box with replaceable batteries. |
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| university of redlands sweeney todd: The Musical Theatre Alan Jay Lerner, 1986 This is the fascinating story of 150 years of the musical theatre by one of the great legends of Broadway. Filled with inside stories and backstage anecdotes, this book traces the fascinating development of the musical, which had its origins in Offenbach's Vienna, came to Gilbert and Sullivan's London, and finally landed in America, where it found its finest flowering. |
| university of redlands sweeney todd: A Geography of Digestion Nicholas Bauch, 2017 A Geography of Digestion explores the legacy of the Kellogg Company, one of America's most enduring and storied food enterprises. In the late nineteenth century, company founder John H. Kellogg was experimenting with state-of-the-art advances in nutritional and medical science at his Battle Creek Sanitarium. At the same time, he was involved in overhauling the form and function of the broader landscapes in which his health practice was situated. Innovations in food-manufacturing machinery, urban sewer infrastructure, and agricultural technology came together to forge an extensible geography of his patients' bodies, changing the way Americans consumed and digested food. In this novel approach to the study of the Kellogg enterprise, Nicholas Bauch asks his readers to think geographically about the process of digesting food. Beginning with the stomach, Bauch moves outward from the sanitarium through the landscapes and technologies that materialized Kellogg's particular version of digestion. Far from a set of organs confined to the epidermal bounds of the body, the digestive system existed in other places. Moving from food-processing machines, to urban sewerage, to agricultural fields, A Geography of Digestion paints a grounded portrait of one of the most basic human processes of survival--the incorporation of food into our bodies--leading us to question where exactly our bodies are located--Provided by publisher. |
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| university of redlands sweeney todd: The Last Synapsid Timothy Mason, 2009-02-10 Faith, Colorado, doesn't get many visitors. But this spring, a mysterious creature is lurking on the mountain. Fiercer than a mountain lion, it’s been hunting pets and leaving their remains scattered over the mountainside. But what is it, and what does it want? Only Rob and his best friend, Phoebe, are brave enough to investigate. What they find on the mountain is the Last Synapsid—a squat, drooly creature that looks like a dinosaur crossed with a wienerdog—that claims to need Rob and Phoebe’s help. Having wandered into a time snag from his own era, 30 million years before the dinosaurs, “Sid” is chasing a violent carnivore called a gorgonopsid. The Gorgon has become fascinated by humanity and refuses to return to his proper place in time. But if he doesn’t, history will re-align, humans will never evolve, and Rob and Phoebe will end up as nothing more than characters in an elderly synapsid’s dream. Timothy Mason is a playwright who wrote the book and lyrics for the Broadway musical version of How the Grinch Stole Christmas! He lives in New York. The Last Synapsid is his first novel. |
| university of redlands sweeney todd: The Fiery Furnace Timothy Mason, 1994 THE STORY: 1950, rural Wisconsin. Faith is about to leave for the University of Chicago when her mother, Eunice, suitcase in hand, announces that she's going too. Desperate to leave the confines of a stony marriage, she pleads for a last chance of |
| university of redlands sweeney todd: Directory of Members and Subscribers American Musicological Society, 1995 |
| university of redlands sweeney todd: The Who's Tommy Pete Townshend, 1993 Provides a history of Tommy from rock opera to its staging as a Broadway musical. |
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| university of redlands sweeney todd: Care of the Professional Voice D Garfield Davies, Anthony F Jahn, 2004-10-25 Singer and actors are a unique group of performers, relying almost entirely on their voice for the professional livelihood. Jet lag, amplification, allergens, stress, pollution, and vocal strain all affect vocal performance. Written for the performer, the teacher, and the vocal coach, Care of the Professional Voice offers clear explanations and medical advice on vocal problems and vocal health. Care of the Professional Voice is written by experts in laryngology in the United States and Great Britain. This second edition includes a singer's guide to self-diagnosis. |
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