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| une parisienne a new york: The New Parisienne Lindsey Tramuta, 2020 Lifting the veil on the mythologized Parisian woman--white, lithe, ever fashionable--Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases Parisianness in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city |
| une parisienne a new york: A Parisienne in Chicago Madame Léon Grandin, 2010 This fascinating account of a French woman's impressions of America in the late nineteenth century reveals an unusual cross-cultural journey through fin de siècle Paris, Chicago, and New York. Madame Leon Grandin's travels and extended stay in Chicago in 1893 were the result of her husband's collaboration on the fountain sculpture for the World's Columbian Exposition. Initially impressed with the city's fast pace and architectural grandeur, Grandin's attentions were soon drawn to its social and cultural customs, reflected as observations in her writing. During a ten-month interval as a resident, she was intrigued by the interactions between men and women, mothers and their children, teachers and students, and other human relationships, especially noting the comparative social freedoms of American women. After this interval of acclimatization, the young Parisian socialite had begun to view her own culture and its less liberated mores with considerable doubt. I had tasted the fruit of independence, of intelligent activity, and was revolted at the idea of assuming once again the passive and inferior role that awaited me! she wrote. Grandin's curiosity and interior access to Chicago's social and domestic spaces produced an unusual travel narrative that goes beyond the usual tourist reactions and provides a valuable resource for readers interested in late nineteenth-century America, Chicago, and social commentary. Significantly, her feminine views on American life are in marked contrast to parallel reflections on the culture by male visitors from abroad. It is precisely the dual narrative of this text--the simultaneous recounting of a foreigner's impressions, and the consequent questioning of her own cultural certainties--that make her book unique. This translation includes an introductory essay by Arnold Lewis that situates Grandin's account in the larger context of European visitors to Chicago in the 1890s. |
| une parisienne a new york: Une Parisienne à New York Ginette Clément, 1977 |
| une parisienne a new york: Operetta Robert Ignatius Letellier, 2015-10-05 Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a little opera. Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. |
| une parisienne a new york: The Nation , 1881 |
| une parisienne a new york: A Slave's Place, A Master's World Nancy Priscilla Naro, 2016-10-06 A Slave's Place, A Master's World, based on original field research, evaluates the transition from slave to free labour in rural Brazil, highlighting the ways in which slaves, free farmers, freedmen and planters shaped the labour markets of an agrarian economy. Documentation from two areas in the Rio de Janeiro hinterland provides the foundation for comparisons between slavery in Vassouras, a highland town where coffee was produced for the export market, and Rio Bonito, a lowland town where coffee and foodstuffs were marketed regionally. The book examines the settlement processes in both towns, the marginalization of indigenous tribes, the onset of slave labour, and the de facto and de jure claims to land, as planters, small producers and slaves forged the bases of rural society. A feature of the book is the detailed study of the link with the African past during the transition process, when African languages, customs and religion, and social and work-related networks were increasingly juxtaposed with 'master class' practices on the fazendas. |
| une parisienne a new york: L'Aérophile Georges Besançon, 1924 Includes Bulletin officiel de l'Aéro-club de France, 1899-1947 and Bulletin officiel de l'Association des anciens élèves de l'École supérieure d'aéronautique et de construction mécanique, 1921-36. |
| une parisienne a new york: Catalogue of Copyright Entries , 1920 |
| une parisienne a new york: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office Library of Congress. Copyright Office, 1928 |
| une parisienne a new york: As Told By Herself Lorna Martens, 2022-10-25 Introduction -- Beginnings: women's childhood autobiography prior to World War I -- The interwar years: memoirs and semi-memoirs -- The interwar years: the golden age of psychological self-portraiture -- Women's childhood autobiography during World War II -- Women's childhood autobiography from the end of the Second World War through the 1960s -- Conclusion. |
| une parisienne a new york: Paris Fashion Valerie Steele, 2017-09-21 Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle “Coco” Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele's Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture – created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion's multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele's masterwork explores with brilliance and flair why Paris remains the capital of fashion. |
| une parisienne a new york: Catalog of Copyright Entries , 1913 |
| une parisienne a new york: Catalog of Copyright Entries. Fourth Series Library of Congress. Copyright Office, 1927 |
| une parisienne a new york: Catalog of Copyright Entries Library of Congress. Copyright Office, 1913 |
| une parisienne a new york: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1973 |
| une parisienne a new york: The Travel Narratives of Ella Maillart Sara Steinert Borella, 2006 Ella Maillart traveled throughout Asia in the 1930s and 1940s and wrote fascinating travel books about her experiences. Her books, once best sellers in French and English, have since fallen into the margins of literary studies. The Travel Narratives of Ella Maillart: (En)Gendering the Quest offers an in-depth analysis of Maillart s travel narratives in the context of colonial and postcolonial theory and gender studies. Sara Steinert Borella s comparative study focuses on competing modes of discourse, modes of transport, and the dual nature of the journey. Her critical analysis explores questions of gender, genre, and nationality as she inscribes Ella Maillart onto the map of twentieth-century travel writers. |
| une parisienne a new york: Perfume on the Page in Nineteenth-Century France Cheryl Krueger, 2023-06-26 Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways. |
| une parisienne a new york: Scenes of Parisian Modernity H. Hahn, 2009-11-23 Integrating the history of Paris with the history of consumption, the press, publicity, advertising and spectacle, this book traces the evolution of the urban core districts of consumption and explores elements of consumer culture such as the print media, publishing, retail techniques, tourism, city marketing, fashion, illustrated posters and Montmartre culture in the nineteenth century. Hahn emphasizes the tension between art and industry and between culture and commerce, a dynamic that significantly marked urban commercial modernity that spread new imaginary about consumption. She argues that Parisian consumer culture arose earlier than generally thought, and explores the intense commercialization Paris underwent. |
| une parisienne a new york: The Publishers Weekly , 1881 |
| une parisienne a new york: Bulletin of the Public Library of the City of Boston Boston Public Library, 1875 |
| une parisienne a new york: Body Parts Christopher E. Forth, Ivan Crozier, 2005-01-01 In many forms of discourse, specific parts of the human anatomy may signify, or act as a substitute for, the whole body/person: the presence of a large gut may render a man effeminate or represent someone who has lost control of his appetites; visible muscles indicate strength of body, but also constitution or will; a hard penis indicates a male body in a state of perfection. In this volume, scholars from a variety of historical and cultural studies disciplines examine scientific, medical, popular, and literary texts, paying special attention to the different strategies employed in order to establish authority over the body through the management of a single part. By considering body parts that are usually ignored by scholars - the skin, blood, the pelvis, the hair - the essays in this volume render the idea of a single, coherent body untenable by demonstrating that the body is not a transhistorical entity, but rather, deeply fragmented and fundamentally situated in a number of different contexts. |
| une parisienne a new york: Catalogue of the Library of Congress Library of Congress, 1869 |
| une parisienne a new york: Catalogue of Books Added to the Library of Congress, from December 1, 1867, to December 1, 1868 Library of Congress, 1869 |
| une parisienne a new york: Catalogue of Books Added to the Library of Congress , 1861 |
| une parisienne a new york: Catalogue of Books Added to the Library of Congress, from December 1, 1866, to December 1, 1867 Library of Congress. Catalog Division, Library of Congress. Catalog, 1868, 1869 |
| une parisienne a new york: Fashioning the City Agnès Rocamora, 2009-04-30 While much attention has been paid to the making of Paris in the work of writers and artists, little is known about the city as defined and created by the fashion media. Filling this gap in studies of the French capital, this original and illuminating book focuses on how the French fashion press - with its rich conjunction of words and images - has been able to construct Paris as a leading world fashion city.Based in an original analysis of fashion writing and images in contemporary French fashion magazines and newspapers, the book shows how the fashion media have been central to the consecration of the city of Paris on the fashion map, as well as its celebration in the collective imaginary. Agnes Rocamora explores, for example, the figures of 'la Parisienne' and 'la passante' (the female passer by), and the presence of the Eiffel tower in fashion visuals. She gives attention to the continuum between the French journalistic discourse and that of cultural forms such as films, paintings and literature, thus revealing the persistence across texts and time of visions of Paris and shedding light on the production and reproduction of the Paris myth. |
| une parisienne a new york: Dance of the Furies Michael S. Neiberg, 2011-08-01 Looking beyond diplomats and generals, Neiberg shows that neither nationalist passions nor desires for revenge took Europe to war in 1914. Dance of the Furies gives voice to a generation who suddenly found themselves compelled to participate in a ghastly, protracted orgy of violence they never imagined would come to pass. |
| une parisienne a new york: Photographing Central Asia Svetlana Gorshenina, Sergei Abashin, Bruno De Cordier, Tatiana Saburova, 2022-09-06 This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public. |
| une parisienne a new york: Parisian Chic City Guide Ines de la Fressange, Sophie Gachet, 2016-02-02 This pocket-sized book—with maps, expandable pocket, ribbon page marker, and elastic closure—includes Ines de la Fressange’s favorite addresses for fashion and home goods with Parisian flair. Ines de la Fressange embodies the iconic Parisienne, combining elegance and chic, effortlessly. With her fashion savvy and her inspired home interiors, Ines demonstrates an eye for the details that characterize the best in Gallic style, from wardrobe accessories to home furnishings. In this exquisite new pocket volume―the perfect accompaniment to her best-selling book Parisian Chic―Ines divulges her new favorite locations for shopping, dining, and hanging out in Paris with style. To create her impeccably stylish look, Ines combines purchases from chic high-end stores like the legendary Colette along with high-quality basics at low prices from high-street chains. In this city guide, she reveals her fashion haunts for everything from leatherwear to lingerie, and from authentic Norwegian sailor tops to hip and original jewelry. For the home, she shows readers the best interiors sources in the city for sophisticated furnishings, adorable vintage items, colorful Indian print fabrics, and simple, pristine tableware, to create an eclectic and unique home. From her top spots for unearthing whimsical gifts and decorative baubles to her favorite restaurants, and from her preferred stationery supplier to the best Parisian patisseries, Ines shares more than 100 addresses in this new volume—the global resource for all things Parisienne. |
| une parisienne a new york: Lessons from Madame Chic Jennifer L. Scott, 2012-11-06 Inspired by Paris, this lighthearted and deceptively wise contemporary memoir serves as a guidebook for women on the path to adulthood, sophistication, and style, perfect for any woman looking to lead a more fulfilling, passionate, and artful life. Paris may be the City of Light, but for many it is also the City of Transformation. When Jennifer Scott arrived in Paris as an exchange student from California, she had little idea she would become an avid fan of French fashion, lifestyle, and sophistication. Used to a casual life back home, in Paris she was hosted by a woman she calls “Madame Chic,” mistress of a grand apartment in the Sixteenth Arrondissement. Madame Chic mentors Jennifer in the art of living, with elegance and an impeccably French less-is-more philosophy. Three-course meals prepared by the well-dressed Madame Chic (her neat clothes covered by an apron, of course) lure Jennifer from her usual habit of frequent snacks, junk food, sweatpants, and TV. Additional time spent with “Madame Bohemienne,” a charming single mother who passionately embraces Parisian joie de vivre, introduces readers to another facet of behind-closed-doors Parisian life. While Francophiles will appreciate this memoir of a young woman’s adventure abroad, others who may not know much about France will thrill to the surprisingly do-able (yet chic!) hair and makeup lessons, plus tips on how to create a capsule wardrobe with just ten useful core pieces. Each chapter of Lessons from Madame Chic reveals the valuable secrets Jennifer learned while under Madame Chic’s tutelage—tips you can master no matter where you live or the size of your budget. Embracing the classically French aesthetic of quality over quantity, aspiring Parisiennes will learn the art of eating (deprive yourself not; snacking is not chic), fashion (buy the best you can afford), grooming (le no-makeup look), among other tips. From entertaining to decor, you will gain insights on how to cultivate old-fashioned sophistication while living an active, modern life. Lessons from Madame Chic is the essential handbook for a woman that wants to look good, live well, and enjoy that Parisian je ne sais quoi in her own arrondissement. |
| une parisienne a new york: The Mistress of Paris Catherine Hewitt, 2017-01-24 First published in the United Kingdom by Icon Books Ltd--Title page verso. |
| une parisienne a new york: Bulletin [1908-23] Boston Public Library, 1921 |
| une parisienne a new york: Supplement to the Catalogue of Books in the Mercantile Library of the City of New York Mercantile Library Association of the City of New-York, 1869 |
| une parisienne a new york: Muslim Youth Colette Harris, 2018-04-27 This book presents a compelling ethnography of the changes Tajikistan faces at the turn of the twenty-first century as seen through the eyes of its youth. It discusses the ethnographic gaze on the tremendous cultural changes being played out in post-Soviet Tajikistan. |
| une parisienne a new york: Wartime Sites in Paris Steven Lehrer, 2013-09-13 Paris, the City of Light, is the most popular tourist destination in Europe. Celebrated in painting, literature, film, and song, Paris never ceases to delight its millions of visitors. This book is a guide to historical sites in Paris associated with the Second World War, which official French histories call La Guerre 39-45. Understandably, the dark years of the German Occupation are a time the French prefer not to remember at all. Why should they? Would anyone expect them to put a plaque on the former Gestapo headquarters at 74, avenue Foch or 9, rue des Saussaies? As the Resistance developed, screams from the interrogation rooms kept neighbors awake at night. But these places, all described here, are harrowing reminders, often unmarked, of a time of humiliation and privation, unspeakable cruelties and brutal murders, but also of heroism and hope. |
| une parisienne a new york: Special Exhibition Catalogue , 1911 |
| une parisienne a new york: Independent Woman , 1921 |
| une parisienne a new york: Dressing Modern Frenchwomen Mary Lynn Stewart, 2020-03-03 At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the new silhouette, Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated. |
| une parisienne a new york: Manifest Destinations J. Philip Gruen, 2014-09-02 Tourists started visiting the American West in sizable numbers after the Union Pacific and Central Pacific Railroads were completed in 1869. Contemporary travel brochures and guidebooks of the 1870s sold tourists on the spectacular scenery of the West, and depicted its cities as extensions of the natural landscape—as well as places where efficient business operations and architectural grandeur prevailed—all now easily accessible thanks to the relative comfort of transcontinental rail travel. Yet as people flocked to western cities, it was the everyday life that captured their interest—the new technologies, incessant clatter, and all the upheaval of modern metropolises. In Manifest Destinations, J. Philip Gruen examines the ways in which tourists experienced Chicago, Denver, Salt Lake City, and San Francisco between 1869 and 1893, a period of rapid urbanization and accelerated modernity. Gruen pays particular attention to the contrast between the way these cities were promoted and the way visitors actually experienced them. Guidebooks made Chicago, Denver, Salt Lake City, and San Francisco seem like picturesque environments sprinkled with civilized buildings and refined people. But Gruen’s research in diaries, letters, and traveler narratives shows that tourists were interested—as tourists usually are—in the unexpected encounters that characterize city life. Visitors relished the cities’ unfamiliar storefronts and advertising, public transit systems, ethnic diversity, and multiple dwellings in all their urban messiness. They thrust themselves into the noise, danger, and cacophony. Western cities did not always live up to the marketing strategies of guidebooks, but the western cities’ fast pace and many novelties held extraordinary appeal to visitors from the East Coast and abroad. In recounting lively anecdotes, and by focusing on tourist perceptions of everyday life in western cities, Gruen shows how these cities developed the economy of tourism to eventually encompass both the urban and the natural West. |
| une parisienne a new york: A Woman’s Empire Katya Hokanson, 2022-10-03 A Woman’s Empire explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia’s civilizing and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science. Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general’s wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of civilized colonial Russian society with its attendant performances and social events. Although the bulk of the women’s writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman’s Empire demonstrates how the works also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia’s imperial Other during this period. |
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Building upon the traditions of St. Francis College and Westbrook College, the University of New England has been growing and evolving for more than 150 years. Now encompassing five …
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