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| uses of the erotic: Uses of the Erotic Audre Lorde, 1978 |
| uses of the erotic: Funk the Erotic L.H. Stallings, 2015-08-07 Funk. It is multisensory and multidimensional philosophy used in conjunction with the erotic, eroticism, and black erotica. It is the affect that shapes film, performance, sound, food, technology, drugs, energy, time, and the seeds of revolutionary ideas for black movements. But funk is also an experience to feel, to hear, to touch and taste, and in Funk the Erotic , L. H. Stallings uses funk in all its iterations as an innovation in black studies. Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking the truth of sex and its histories. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization. Revitalizing and wide-ranging, Funk the Erotic offers a needed examination of black sexual cultures, a discursive evolution of black ideas about eroticism, a critique of work society, a reexamination of love, and an articulation of the body in black movements. |
| uses of the erotic: Asexual Erotics Elzbieta Przybylo, 2019-08-19 Develops erotics as a way to rethink the role of sex and sexual desire and to envision new forms of asexual intimacy. |
| uses of the erotic: Creativity and the Erotic Dimensions of the Analytic Field Dianne Elise, 2019-06-11 Creativity and the Erotic Dimensions of the Analytic Field centers on the mutually reinforcing relationship between erotic and creative energies. Erotic embodiment is given context within a contemporary model of clinical process based in analytic field theory and highlighting Winnicott. Dianne Elise uses clinical material to bring theory alive, giving clinicians an explicit picture of how they might utilize the ideas presented. In a fascinating return to Freud’s emphasis on libido and Eros, a creative mind is seen as located within a libidinal connection to the erotic body. The erotic is underscored as an important ingredient of the clinical situation—a lively spontaneity that partakes of the analyst’s as well as the patient’s creative self, vitalizing the field of clinical engagement. A full formulation of the analytic field must include awareness of the centrality of the erotic in the maternal matrix, in ongoing development, and in the clinical setting. The erotic-aesthetic dimension of the mind potentiates the creative interplay of the analytic process. Written in an engaging and accessible style, this original contribution makes complex theory available to psychoanalytic clinicians at all levels, and to a wide range of readers, while offering sophisticated theoretical and clinical innovations. Elise addresses the need to engage multiple aspects of erotic life while maintaining a reliable professional boundary. |
| uses of the erotic: A Burst of Light Audre Lorde, 2017-07-24 Moving, incisive, and enduringly relevant writings by the African-American poet and feminist include her thoughts on the radical implications of self-care and living with cancer as well as essays on racism, lesbian culture, and political activism. |
| uses of the erotic: Warrior Poet Alexis De Veaux, 2004 The long-awaited first biography of the author of The Cancer Journals, an American icon of womanhood, poetry, African American arts, and survival. |
| uses of the erotic: Perversion Robert J. Stoller, M.D., 2012-09-19 This new study, part of Professor Robert Stoller’s well-known, continuing work on sex and gender identity, is especially concerned with the psychological forces that contribute to sexual excitement in men and women. The author looks at sexual aberrations in order to learn what they can tell us about the dynamics of “normal” sexual development. He shows that perversions are different from other aberrations in that the dominant force in perversion is hostility directed in reality or in fantasy toward one’s sex objects. And he shows through fascinating examples and case material how childhood frustrations, traumas, and conflicts are gradually transformed into sexual excitement by means of fantasies. In a daydream, pornography, or a ritualized pattern of sex practice, a scenario is created in which are hidden remnants of the earlier painful experiences, now redone to make a triumph out of the trauma: the victim becomes the victor. It has been noted that men practice a wider variety of perversions than women. Professor Stoller suggests that men’s greater propensity to perversion in our society is related to the mother-daughter infant symbiosis—an intimate merging in which the infant does not distinguish its own boundaries as separate from its mother’s. If that intimacy is too intense or too prolonged, the infant boy’s sense of oneness with femaleness and femininity persists into the later months when masculinity begins to develop. A flawed sense of maleness can then result, thereafter threatening the development and expression of a stable masculinity. In contrast, should a comparable intense symbiosis develop between a mother and her infant daughter, the sense of merging with mother will only augment the girl’s future femininity, although it may result in other kinds of complications. |
| uses of the erotic: Erotic Revelations Andrea Celenza, 2014-06-05 Erotic Revelations: Clinical Applications and Perverse Scenarios delves into erotic desires and fantasies ... above all, how our sexuality expresses our inner being and defines the ways in which we engage in the psychoanalytic situation. Andrea Celenza addresses the 'desexualization' of the psychoanalytic field by reclaiming sexuality as one of the many nexes that are of central concern to the patient. She illustrates a wide range of erotic manifestations (for both therapist and patient) and offers recommendations to practitioners for dealing with erotic material when it arises. Andrea Celenza has divided this book into two parts, with clinical, theoretical, and technical discussions in each chapter: Part I: Varieties and Meanings of Erotic Transferences and Countertransferences Presents the varieties and meanings of erotic transferences and countertransferences common in clinical situations; Includes case studies of erotic material used as examples of phases in treatment as well as moments of defensive impasse; Includes discussions of the management of aggression, underlying merger fantasies, uses of countertransferences (in multiple forms), and dilemmas surrounding self-disclosure. Part II: Perverse Scenarios Revisited Reconceptualizes and restores the term perversion into the clinical lexicon; Views perversion as a quality of relating rather than a specific action or behavior; Presents a wide range of clinical illustrations that demonstrates the usefulness of this reformulation. Erotic Revelations puts sexuality back into psychoanalytic theorizing and makes a place for erotic transferences of whatever shape, in every analysis or therapy. With a strong clinical focus, this book will redefine how to work with many aspects of sex and gender in clinical psychoanalytic practice and will be an essential resource for psychoanalysts, psychotherapists, psychologists, educators, trainers, students and those with an interest in the mental health field. |
| uses of the erotic: Erotic Faculties Joanna Frueh, 2022-03-25 The erotic and the intellectual come together to create a new kind of criticism in the lushly written work of Joanna Frueh. Addressing sexuality in ways that are usually hidden or left unsaid, Frueh—a noted performance artist and art historian—explores subjects such as aging, beauty, love, sex, pleasure, contemporary art, and the body as a site and vehicle of knowledge. Frueh's language is explicit, graphic, fragmented. She assumes multiple voices: those of lover, prophet, daughter, mythmaker, art critic, activist, and bleeding heart. What results is an utterly original narrative that frees us from the false objectivity of traditional critical discourse and affirms the erotic as a way to ease human suffering. Through personal reflection, parody, autobiography, and poetry, Frueh shows us what it means to perform criticism, to personalize critical thinking. Rejecting postmodern, deconstructed prose, she recuperates the sentimental, proudly asserts a romantic viewpoint, and disrupts academic and feminist conventions. Erotic Faculties seeks to free the power of our unutilized erotic faculties and to expand the possibilities of criticism; it is a wild ride and a consummate pleasure. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. |
| uses of the erotic: Taking Positions Bette Talvacchia, 1999 The book is generously illustrated and includes full translations of the infamous sonnets that Pietro Aretino wrote to accompany I modi. Exploring such issues as censorship, religious teachings about sex, and the influence of antique culture, Taking Positions is a major contribution to our understanding of the erotic in Renaissance culture.--BOOK JACKET. |
| uses of the erotic: Sister Outsider Audre Lorde, 2012-01-04 Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature. “[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”—The New York Times In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is . . . ” |
| uses of the erotic: "Uses of the Erotic" Caroline A. Brown, 1999 |
| uses of the erotic: The Art of the Erotic Phaidon Editors, 2017-10-02 Carefully curated and beautifully packaged erotic art through the ages – 200 works from the world's most important artists. This carefully curated and beautifully packaged book spotlights nearly 200 works from the world's most important artists, including Titian, Paul Cézanne, Picasso, Andy Warhol, Michelangelo, Rembrandt, Edgar Degas, Edvard Munch, Georgia O'Keeffe, Jackson Pollock, Lucian Freud, Louise Bourgeois, Francis Bacon, David Hockney, Gerhard Richter, Cecily Brown, Anselm Kiefer, George Condo, and Anish Kapoor. With its chronological organization, The Art of the Erotic provides insights into human sexuality throughout the ages. |
| uses of the erotic: Erotic Innocence James Russell Kincaid, 1998 Explores the current preoccupation with child molesting and children's sexuality and the ways that this degree of fascination is itself suspect. |
| uses of the erotic: Exquisite Desire Carey Ellen Walsh, 2000-11-01 An examination of the erotic ideal in ancient IsraelThis provocative work investigates the character of the erotic in writings from ancient Israel and how the erotic is connected to the experience of the divine. |
| uses of the erotic: The Erotic Cloth Alice Kettle, Lesley Millar, 2018-02-08 Through their metaphorical and material qualities, textiles can be seductive, exciting, intimate and, at times, shocking and disquieting. This book is the first critical examination of the erotically charged relationship between the surface of the skin and the touch of cloth, exploring the ways in which textiles can seduce, conceal and reveal through their interactions with the body. From the beautiful cloth which is quietly suggestive, to bold expressions of deviant sexuality, cloth is a message carrier for both desiring and being desired. The drape, fold, touch and feel, the sound and look of cloth in motion, allow for the exploration of identity as a sensual, gendered or political experience. The book features contributions on the sensory rustle and drape of silk taffeta and the secret pleasures of embroidery, on fetishistic punk street-style and homoerotic intimacy in men's shirts on screen, and a new perspective on the role of cloth and skin in the classic film Blade Runner. In doing so, it interrogates experiences of cloth within social, historical, psychological and cultural contexts. Divided into four sections on representation, design, otherness and performance, The Erotic Cloth showcases a variety of debates that are at the heart of contemporary textile research, drawing on the fields of art, design, film, performance, culture and politics. Playful, provocative and beautifully illustrated with over 50 color images, it will appeal to students and scholars of textiles, fashion, gender, art and anthropology. |
| uses of the erotic: Pleasure Activism Adrienne Maree Brown, 2019 No more self-denial. Politics should be a resounding, erotic yes, not another deadening no. |
| uses of the erotic: Shakespeare's Erotic Mythology and Ovidian Renaissance Culture Ms Agnès Lafont, 2013-09-28 Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself. |
| uses of the erotic: Sex Ecologies Stefanie Hessler, 2021-11-23 The first compendium of writing and art to present the case for the role of sex in environmental and social justice. Sex Ecologies explores pleasure, affect, and the powers of the erotic in the human and more-than-human worlds. Arguing for the positive and constructive role of sex in ecology and art practice, these texts and artistic research projects attempt nothing short of reclaiming the sexual from Western erotophobia and heteronormative narratives of nature and reproduction. The artists and writers set out to examine queer ecology through the lens of environmental humanities, investigating the fluid boundaries between bodies (both human and nonhuman), between binary conceptions of nature as separate from culture, and between disciplines. In newly commissioned texts from such writers as Mel Y. Chen and Jack Halberstam and a selection of influential essays—including an annotated version of Audre Lorde’s “The Uses of the Erotic: The Erotic as Power”—as well as images and sketches from works in progress by a diverse group of artists, Sex Ecologies combines insights from the fields of art, environmental humanities, ecofeminism, gender studies, science, technology, political science, and indigenous studies. Sex Ecologies, which accompanies an exhibition of the same name at Kunsthall Trondheim, emerges from an arts-driven research project collaboratively developed between the art center and the Seed Box environmental humanities collaboratory. Conceived not as a result but as a seed arising from this transdisciplinary fertilization, the volume presents a case for the role of sex in environmental and social justice. Copublished with Kunsthall Trondheim (Norway) and the Seed Box (Sweden) |
| uses of the erotic: The Cambridge Companion to Erotic Literature Bradford K. Mudge, 2017-09-07 This Companion offers an introduction to key topics in the study of erotic literature from antiquity to the present. |
| uses of the erotic: Amatory Pleasures Julie Peakman, 2016-10-06 Encompassing the long 18th century, Amatory Pleasures examines a broad and enticing variety of topics in the history of sexuality in Georgian times. It includes discussion of sexual perversion, criminal conversation, erotic gardens, gentlemen's homosocial societies, flagellation, pornography, writings of courtesans and the world of female friendship, revealing the secret or hidden meanings circulating between mainstream and covert activities of the 18th century. Julie Peakman draws connections between these pieces and situates them within current debates and examines how Georgian sexual activity was integrated from low life and high places, from brothels to palaces. Aimed at anyone interested in gender, history of sexuality, sex, literature and 18th-century history, Amatory Pleasures is an invaluable collection of the work of a key scholar in the field. |
| uses of the erotic: Abuses of the Erotic Josh Cerretti, 2019-07 Events ranging from sexual abuse at Abu Ghraib to the end of Don't Ask, Don't Tell hint that important issues surrounding gender and sexuality remain at the core of political and cultural problems. Nonetheless, intersectional analyses of militarism that account for questions of race, class, and gender remain exceedingly rare. Abuses of the Erotic fills this gap by offering a comprehensive picture of how military values have permeated the civilian cultural sphere and by investigating connections between sexuality and militarism in the United States since the late 1980s. Josh Cerretti takes up the urgent task of applying an interdisciplinary, transnational framework to the role of sexuality in promoting, expanding, and sustaining the war on terror to understand the links between what Cerretti calls domestic militarism and later projects of state-backed violence and intervention. This work brings together scholarship on domestic and international militarization in relation to both homosexuality and heterosexuality to demonstrate how sexual and gender politics have been deployed to bolster U.S. military policies and, by tracking over a decade of militarized sexuality, how these instances have foundationally changed how we think of sexual and gender politics today. |
| uses of the erotic: The Passionate Statesman Jeffrey Beneker, 2012-05-17 The Passionate Statesman explores the intersection of passion and politics in Plutarch's Parallel Lives, with special emphasis on how he represents the influence of erõs, or erotic desire, on the careers of some of the most prominent statesmen from Greco-Roman antiquity. Using Aristotle's notion of friendship and Plato's conception of the soul to describe the ideal marriage as based on a mutual love of character (philia), supported by an enduring erotic attraction, Beneker examines how Plutarch applied his system of ethics both to his reading of history and to his writing of biography. With close readings focusing on the three pairs of biographies from Parallel Lives, namely the Greek kings (Alexander the Great, Demetrius 'the besieger', and Agesilaus) and Roman statesmen (Julius Caesar, Pompey, and Marc Antony), the book draws a general conclusion about how Plutarch uses the narration of his subjects' private erotic affairs to interpret their historical deeds. |
| uses of the erotic: The Erotic Life of Racism Sharon Patricia Holland, 2012-04-13 In this critique of the fields of feminist theory, queer theory, and critical race theory, Sharon Holland describes how, despite decades of theoretical and political work focused on race, we are continually affected by everyday experiences of racism and attached to old patterns of racist thought. |
| uses of the erotic: Gender, Countertransference, and the Erotic Transference Joy Schaverien, 2006 How do gender and sexual difference influence the erotic transference? Gender, Countertransference and the Erotic Transferenceoffers new insights into working with complex transference and countertransference phenomena. Including views from a wide spectrum of theoretical backgrounds, it makes a unique contribution to discourse on the themes of gender, sexuality and the erotic transference. The contributors are highly experienced clinicians with international reputations as theorists in the fields of analytical psychology, psychoanalysis and psychoanalytic psychotherapy. Illustrated with closely observed clinical examples and detailed theoretical discussion, innovations in technique are introduced on themes including developmental mourning, female perversion, the meaning and purpose of the erotic transference, the dying patient, lesbian homoerotic transference and supervision of the erotic transference. Countertransference is vividly explored in chapters on sexual difference, the therapist's body and the challenging topic of perversion in the analyst. The book is divided into four sections: gender and the erotic transference the erotic transference and the symbolic function women working with women historical perspectives on women working with men. Gender, Countertransference and the Erotic Transferenceextends existing theory, highlighting the symbolic nature of the transference/countertransference dynamic. It will be compelling reading for experienced clinicians, students and trainees in the fields of psychoanalysis, analytical psychology and psychoanalytic psychotherapy, as well as counselling, the arts therapies and social work. ored in chapters on sexual difference, the therapist's body and the challenging topic of perversion in the analyst. The book is divided into four sections: gender and the erotic transference the erotic transference and the symbolic function women working with women historical perspectives on women working with men. Gender, Countertransference and the Erotic Transferenceextends existing theory, highlighting the symbolic nature of the transference/countertransference dynamic. It will be compelling reading for experienced clinicians, students and trainees in the fields of psychoanalysis, analytical psychology and psychoanalytic psychotherapy, as well as counselling, the arts therapies and social work. |
| uses of the erotic: Sex Before Sexuality Kim M. Phillips, Barry Reay, 2013-04-24 Sexuality in modern western culture is central to identity but the tendency to define by sexuality does not apply to the premodern past. Before the 'invention' of sexuality, erotic acts and desires were comprehended as species of sin, expressions of idealised love, courtship, and marriage, or components of intimacies between men or women, not as outworkings of an innermost self. With a focus on c. 1100–c. 1800, this book explores the shifting meanings, languages, and practices of western sex. It is the first study to combine the medieval and early modern to rethink this time of sex before sexuality, where same-sex and opposite-sex desire and eroticism bore but faint traces of what moderns came to call heterosexuality, homosexuality, lesbianism, and pornography. This volume aims to contribute to contemporary historical theory through paying attention to the particularity of premodern sexual cultures. Phillips and Reay argue that students of premodern sex will be blocked in their understanding if they use terms and concepts applicable to sexuality since the late nineteenth century, and modern commentators will never know their subject without a deeper comprehension of sex's history. |
| uses of the erotic: The Master's Tools Will Never Dismantle the Master's House Audre Lorde, 2018 Essays on the power of women, poetry and anger from the self-described 'black, lesbian, mother, warrior, poet' |
| uses of the erotic: Mating in Captivity Esther Perel, 2012-02-16 When you love someone, how does it feel? And when you desire someone, how is it different? In Mating in Captivity, Esther Perel looks at the story of sex in committed couples. Modern romance promises it all - a lifetime of togetherness, intimacy and erotic desire. In reality, it's hard to want what you already have. Our quest for secure love conflicts with our pursuit of passion. And often, the very thing that got us to into our relationships - lust - is the one thing that goes missing from them. Determined to reconcile the erotic and the domestic, Perel explains why democracy is a passion killer in the bedroom. Argues for playfulness, distance, and uncertainty. And shows what it takes to bring lust home. Smart, sexy and explosively original, Mating in Captivity is the monogamist's essential bedside read. |
| uses of the erotic: The Erotic Silence of the American Wife Dalma Heyn, 1997 Study of wives' adultery and of women's sexual nature, a picture here to fore clouded by years of silence, punishment, and myth. |
| uses of the erotic: Erotic Islands Lyndon K. Gill, 2018-06-01 In Erotic Islands, Lyndon K. Gill maps a long queer presence at a crossroads of the Caribbean. This transdisciplinary book foregrounds the queer histories of Carnival, calypso, and HIV/AIDS in the Republic of Trinidad and Tobago. At its heart is an extension of Audre Lorde's use of the erotic as theory and methodology. Gill turns to lesbian/gay artistry and activism to insist on eros as an intertwined political-sensual-spiritual lens through which to see self and society more clearly. This analysis juxtaposes revered musician Calypso Rose, renowned mas man Peter Minshall, and resilient HIV/AIDS organization Friends For Life. Erotic Islands traverses black studies, queer studies, and anthropology toward an emergent black queer diaspora studies. |
| uses of the erotic: Sexualities and Communication in Everyday Life Karen E. Lovaas, Mercilee M. Jenkins, 2007 Excerpts from foundational work, recent journal articles and pieces written for this text about the role of communication in the construction and performance of sexualities in interpersonal contexts and public discourses. |
| uses of the erotic: Art and Pornography Hans Maes, Jerrold Levinson, 2015-07-02 Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? Can there be aesthetic experience of pornography? What are some of the psychological, social, and political consequences of the creation and appreciation of erotic art or artistic pornography? Leading scholars from around the world address these questions, and more, and bring together different aesthetic perspectives and approaches to this widely consumed, increasingly visible, yet aesthetically underexplored cultural domain. The book, the first of its kind in philosophical aesthetics, will contribute to a more accurate and subtle understanding of the many representations that incorporate explicit sexual imagery and themes, in both high art and demotic culture, in Western and non-Western contexts. It is sure to stir debate, and healthy controversy. |
| uses of the erotic: Circus Dante Micheaux, 2018-08-15 Dante Micheaux's superb poetic aptitude is wedded to an eually superb poetic amplitude. Intimate soliloquy, lyric address, and linguistic allegory merge with resonating voices and personae. This poem is masterful, paradoxical and spiritual. The holiness in all its unholy rejoicing is variously scored in Dante Micheaux's commanding Circus. --TERRANCE HAYES I still stand by words I wrote almost twenty years ago, when I read Dante Micheaux's poems for the first time: I am impressed by the serious depth and masterful technique of Micheaux's poems. He is a true man of the world, mature beyond his years, one whose voracious intelligence and richly diverse background uniquely equip him for the literary vocation. Circus promises to be received as a masterpiece reminiscent of the best of Melvin Tolson's work, and some of Micheaux's poems bear an a nity to the delicate music and wisdom of Robert Hayden. But Micheaux's in uences are not limited to the stars of African American poetry; his experience and reading ranges wide. Dante Micheaux is a code-switcher fluent in many languages. Some of his lines bring this reader close to heartbreak. --MARILYN NELSON Dante Micheaux's Circus commands the reader's attention. In this long poem, each line is tuned by breath and image, serious play and heartfelt critiue, but also by the modern urban motifs of grief and love. At times, signifying can get us to a desperate truth. The reader or listener has to possess a sense of history in order to be transported to the here and now. In Circus, the borders between the imaginary and the real dissolve as the poem delivers us into verisimilitude. --YUSEF KOMUNYAKAA |
| uses of the erotic: The Lesbian and Gay Studies Reader Henry Abelove, 2012-10-02 Bringing together forty-two groundbreaking essays--many of them already classics--The Lesbian and Gay Studies Reader provides a much-needed introduction to the contemporary state of lesbian/gay studies, extensively illustrating the range, scope, diversity, appeal, and power of the work currently being done in the field. Featuring essays by such prominent scholars as Judith Butler, John D'Emilio, Kobena Mercer, Adrienne Rich, Gayle Rubin, and Eve Kosofsky Sedgwick, The Lesbian and Gay Studies Reader explores a multitude of sexual, ethnic, racial, and socio-economic experiences. Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Representing the best and most significant English language work in the field, The Lesbian and Gay Studies Reader addresses topics such as butch-fem roles, the cultural construction of gender, lesbian separatism, feminist theory, AIDS, safe-sex education, colonialism, S/M, Oscar Wilde, Gertrude Stein, children's books, black nationalism, popular films, Susan Sontag, the closet, homophobia, Freud, Sappho, the media, the hijras of India, Robert Mapplethorpe, and the politics of representation. It also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading. Contributors: Henry Abelove, Tomas Almaguer, Ana Maria Alonso, Michele Barale, Judith Butler, Sue-Ellen Case, Danae Clark, Douglas Crimp, Teresa de Lauretis, John D'Emilio, Jonathan Dollimore, Lee Edelman, Marilyn Frye, Charlotte Furth, Marjorie Garber, Stuart Hall, David Halperin, Phillip Brian Harper, Gloria T. Hull, Maria Teresa Koreck, Audre Lorde, Biddy Martin, Deborah E. McDowell, Kobena Mercer, Richard Meyer, D. A. Miller, Serena Nanda, Esther Newton, Cindy Patton, Adrienne Rich, Gayle Rubin, Joan W. Scott, Daniel L. Selden, Eve Kosofsky Sedgwick, Barbara Smith, Catharine R. Stimpson, Sasha Torres, Martha Vicinus, Simon Watney, Harriet Whitehead, John J. Winkler, Monique Wittig, and Yvonne Yarbro-Bejarano |
| uses of the erotic: The History of Sexuality Michel Foucault, 1990-04-14 Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century. Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is. |
| uses of the erotic: Erotic Haiku George Swede, Terry Ann Carter, 2017-04 |
| uses of the erotic: Making Sense of Women's Lives Michelle Plott, Lauri Umansky, 2000 Making Sense of Women's Lives presents a wide range of writings about women's lives in the United States. Michele Plott and Lauri Umansky have drawn on their experiences as both students and professors to assemble the collection. Seeking to provide as full a sampling from a diverse and intellectually vibrant field as one volume permits, the editors have also chosen writing that makes an enjoyable read. A few of the selections here represent the undisputed 'classics' of the field. More of them constitute simply the works, drawn from academic and nonacademic sources alike, that could make a difference in understanding what it means to be female in America. Making Sense of Women's Lives is intended as the primary text in Women's Studies courses. With that usage in mind, Plott and Umansky have provided brief introductions to each article to help students understand the author's perspectives. Thought and discussion questions follow each selection. The book contains, as well, numerous Flash Exercises suggestions for class exercises and activities. The editors have used these activities in their courses over the past decade, in conjunction with readings in this volume, and have found that the full complement of materials coalesces into an intellectually powerful introduction to Women's Studies. A Collegiate Press book |
| uses of the erotic: The Heart and its Attitudes Stephen Darwall, 2024-05-15 Philosophers don't often write about the heart. At least, analytical philosophers don't. Why is this? Philosophers are said to live life ?in their heads? rather than ?from their hearts.? But even if that is so, why don't they think and write about the heart? Moreover, it can hardly have escaped philosophers' attention that matters of the heart are central to what we human beings value most about our lives, including our lives with animals. Philosophers write a lot about friendship and love, but they tend to do so in terms that leave out heartfelt connection. They speak rather of commitment to one another and each other's well-being, or taking each other as ends, or sharing deliberative standpoints or living life together, or a whole host of other topics, and much less about mutual emotional vulnerability and sharing and being in one another's hearts. Surely one explanation of philosophers' reticence is that talk of ?the heart? seems unavoidably metaphorical. It turns out to be easy enough, however, to cash the metaphor in if we simply take ?heart? refers to a cluster of emotional susceptibilities that have an essentially reciprocating structure. The heart aims at heartfelt connection-at shared experience of joys and sorrows, hopes and fears, and other personal emotions. We seek naturally to share these feelings with others and must suppress our natural tendencies if we wish to avoid doing so. Our heart's wish is to be open to other hearts in the hope that they will be open to ours, and thereby us, in return. This book is a systematic treatment-perhaps the first-of ?attitudes of the heart?-remorse (versus guilt), love, trust, gratitude, personal anger (versus righteous anger), jealousy, and others-and their role in mediating personal relationship, attachment, and connection. This is obviously interesting in its own right, but it also shows how heartfelt attitudes mirror more extensively studied ?reactive attitudes? of guilt, resentment, and blame (?attitudes of the will?). Whereas the latter mediate moral relations of mutual respect and accountability, attitudes of the heart are the currency of heartfelt connection and personal relationship. |
| uses of the erotic: Earthly Encounters Stephanie D. Clare, 2019-09-01 A feminist approach to the Anthropocene that recovers the relevance of sensation and phenomenology. Earthly Encounters develops a fuller account of the lived experience of racialized gender formation as it exists on this planet, earth. It analyzes sensations: the chill of winter, the warm embrace of the wind, the feeling of being immersed in water, and a stifling sense of containment. Through this analysis in settler colonial and colonial contexts, in twentieth-century North America and Africa, Stephanie D. Clare shows how sensation is unevenly distributed within social worlds and productive of racial, national, and gendered subjectivities. From revealing the relevance of phenomenology, especially in the writings of Maurice Merleau-Ponty and Frantz Fanon, to debates concerning new materialism and affect theory, Clare shows how the phenomenology of race and gender must consider both the production of the body-subject and the environment. She concludes by making a case for the continued significance of sensation in the context of the Anthropocene. “This book charts a course that is simultaneously materialist and attentive to the politics of representation. It aims to hold on to the legacy of feminist theory and to develop a queer political strategy that on the one hand gives an account of the earth as an active, living organism and, on the other hand, holds on to the critique of the politics of representation.”— Astrid Deuber-Mankowsky, Ruhr-Universität Bochum |
| uses of the erotic: Black Male Outsider Gary L. Lemons, 2008-01-10 One man’s account of becoming a feminist professor. |
Semicolons, colons, and dashes - The Writing Center
This handout explains the most common uses of three kinds of punctuation: semicolons (;), colons (:), and dashes (—). After reading the handout, you will be better able to decide when to use …
USES Synonyms: 110 Similar and Opposite Words - Merriam-Webster
Synonyms for USES: utilizes, applies, employs, exploits, operates, harnesses, exercises, draws upon; Antonyms of USES: ignores, neglects, misuses, misapplies, disuses, nonuses, dislikes, …
USE Definition & Meaning | Dictionary.com
The instrument has different uses. the power, right, or privilege of employing or using something. to lose the use of the right eye; to be denied the use of a library card.
Uses vs. Use — What’s the Difference?
Nov 6, 2023 · Understanding the distinction between "uses" and "use" is crucial in both written and spoken English. "Uses" is often associated with lists or discussions of multiple functions, and …
113 Synonyms & Antonyms for USES - Thesaurus.com
Find 113 different ways to say USES, along with antonyms, related words, and example sentences at Thesaurus.com.
Uses - definition of uses by The Free Dictionary
A purpose for which something is used: a tool with several uses; a pretty bowl, but of what use is it?
USES - WordReference.com Dictionary of English
The instrument has different uses. the power, right, or privilege of employing or using something: to lose the use of the right eye; to be denied the use of a library card. service or advantage in or for …
USE | English meaning - Cambridge Dictionary
A food processor has a variety of uses in the kitchen. use for Don't throw that cloth away - you'll find a use for it one day . No, I don't want to buy a boat - I don't have any use for one!
What is another word for uses - WordHippo
Find 638 synonyms for uses and other similar words that you can use instead based on 16 separate contexts from our thesaurus.
USE definition and meaning | Collins English Dictionary
If you use something, you do something with it in order to do a job or to achieve a particular result or effect. Trim off the excess pastry using a sharp knife. [VERB noun] He had simply used a little …
Semicolons, colons, and dashes - The Writing Center
This handout explains the most common uses of three kinds of punctuation: semicolons (;), colons (:), and dashes (—). After reading the handout, you will be better able to decide when to use …
USES Synonyms: 110 Similar and Opposite Words - Merriam-Webster
Synonyms for USES: utilizes, applies, employs, exploits, operates, harnesses, exercises, draws upon; Antonyms of USES: ignores, neglects, misuses, misapplies, disuses, nonuses, dislikes, …
USE Definition & Meaning | Dictionary.com
The instrument has different uses. the power, right, or privilege of employing or using something. to lose the use of the right eye; to be denied the use of a library card.
Uses vs. Use — What’s the Difference?
Nov 6, 2023 · Understanding the distinction between "uses" and "use" is crucial in both written and spoken English. "Uses" is often associated with lists or discussions of multiple functions, …
113 Synonyms & Antonyms for USES - Thesaurus.com
Find 113 different ways to say USES, along with antonyms, related words, and example sentences at Thesaurus.com.
Uses - definition of uses by The Free Dictionary
A purpose for which something is used: a tool with several uses; a pretty bowl, but of what use is it?
USES - WordReference.com Dictionary of English
The instrument has different uses. the power, right, or privilege of employing or using something: to lose the use of the right eye; to be denied the use of a library card. service or advantage in …
USE | English meaning - Cambridge Dictionary
A food processor has a variety of uses in the kitchen. use for Don't throw that cloth away - you'll find a use for it one day . No, I don't want to buy a boat - I don't have any use for one!
What is another word for uses - WordHippo
Find 638 synonyms for uses and other similar words that you can use instead based on 16 separate contexts from our thesaurus.
USE definition and meaning | Collins English Dictionary
If you use something, you do something with it in order to do a job or to achieve a particular result or effect. Trim off the excess pastry using a sharp knife. [VERB noun] He had simply used a …
