Advertisement
| usura pound: The Cantos of Ezra Pound Ezra Pound, 1970 The Cantos of Ezra Pound is the most important epic poem of the twentieth century. |
| usura pound: The Celestial Tradition Demetres P. Tryphonopoulos, 2010-10-30 Despite the painstaking work of Pound scholars, the mythos of The Cantos has yet to be properly understood — primarily because until now its occult sources have not been examined sufficiently. Drawing upon archival as well as recently published material, this study traces Pound’s intimate engagement with specific occultists (W.B. Yeats, Allen Upward, Alfred Orage, and G.R.S. Mead) and their ideas. The author argues that speculative occultism was a major factor in the evolution of Pound’s extraordinary aesthetic and religious sensibility, much noticed in Pound criticism. The discussion falls into two sections. The first section details Pound’s interest in particular occult movements. It describes the tradition of Hellenistic occultism from Eleusis to the present, and establishes that Pound’s contact with the occult began at least as early as his undergraduate years and that he came to London already primed on the occult. Many of his London acquaintances were unquestionably occultists. The second section outlines a tripartite schema for The Cantos (katabasis/dromena/epopteia) which, in turn, is applied to the poem. It is argued here that The Cantos is structured on the model of a initiation rather than a journey, and that the poem does not so much describe an initiation rite as enact one for the reader. In exploring and attempting to understand Pounds’ occultism and its implications to his [Pounds’] oeuvre, Tryphonopoulos sheds new light upon one of the great works of modern Western literature. |
| usura pound: Approaches to Teaching Pound's Poetry and Prose Demetres P. Tryphonopoulos, Ira B. Nadel, 2021-04-05 Known for his maxim Make it new, Ezra Pound played a principal role in shaping the modernist movement as a poet, translator, and literary critic. His works, with their complex structures and layered allusions, remain widely taught. Yet his known fascism, anti-Semitism, and misogyny raise issues about dangerous ideologies that influenced his work and that must be addressed in the classroom. The first section, Materials, catalogs the print and digital editions of Pound's works, evaluates numerous secondary sources, and provides a history of Pound's critical contexts. The essays in the second section, Approaches, offer strategies for guiding students toward a clearer understanding of Pound's difficult works and the context in which they were written. |
| usura pound: The Bughouse Daniel Swift, 2017-11-07 In 1945, the American poet Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. Before the trial could take place, however, he was pronounced insane. Escaping a possible death sentence, he was sent to St. Elizabeths Hospital near Washington, D.C., where he was held for more than a decade. At the hospital, Pound was at his most infamous, and most contradictory. He was a genius and a traitor, a great poet and a madman. He was also an irresistible figure and, in his cell on Chestnut Ward and on the elegant hospital grounds, he was visited by the major poets and writers of his time. T. S. Eliot, Elizabeth Bishop, Robert Lowell, John Berryman, Charles Olson, and Frederick Seidel all went to sit with him. They listened to him speak and wrote of what they had seen. This was perhaps the world’s most unorthodox literary salon: convened by a fascist, held in a lunatic asylum, with chocolate brownies and mayonnaise sandwiches served for tea. Pound continues to divide all who read and think of him. At the hospital, the doctors who studied him and the poets who learned from him each had a different understanding of this wild and most difficult man. Tracing Pound through the eyes of his visitors, Daniel Swift’s The Bughouse tells a story of politics, madness, and modern art in the twentieth century. |
| usura pound: Pound's Cantos Declassified Philip Furia, 1990-12-13 By using his Cantos for storing, making new, and transmitting historical documents, Pound was returning the epic to its ancient function as a tribal archive for the luminous details of history that define a culture's past and shape its future. So argues this book, which does not overlook the poem's brilliant lyrical passages but for the first time focuses on those vast stretches of Pound's epic composed not of literary touchstones but of that most unpoetic of literary forms, historical documents. Pound's task as epic poet was complicated by the fact that the documents he wished to renew and transmit to his culture were largely unknown, often because in his mind they had been suppressed by a widespread conspiracy throughout the ages which he termed the historical black-out. His Cantos therefore, he believed, must be a counter-conspiracy to rescue vital documents from that black-out, renew them, and then recirculate them to combat the economic and political forces behind the black-out. Drawing on recent research by numerous scholars, Furia traces the arcane documents Pound unearthed from libraries around the world and shows how he transmuted this documentary mass into poetry, first by framing passages of prose to highlight their poetic texture and then by weaving these shards and fragments into a collage of intricate structure. Among the documents Furia declassifies are Chinese edicts, Italian bank charters, British factory commission reports, Byzantine guild regulations, American Presidential papers, municipal records, judicial writs, parliamentary statutes, legislative codes, contracts, deeds, mandates, treaties, diary entries, and correspondence by such diverse figures as Lorenzo de' Medici, Martin Van Buren, Napoleon, Eleanor of Aquitaine, Mustapha Kemal, and Kubla Khan. Pound's Cantos Declassified traces the poet's struggle to shape the content of the epic poem that absorbed most of his creative life. |
| usura pound: Philosophical and Political Consequences of the Critique of Political Economy Patrick Murray, Jeanne Schuler, 2023-08-29 This book extends the approach that Murray and Schuler develop in their companion volume, False Moves in Philosophy and Social Theory: Losing Public Purpose. The chapters form a connected inquiry into consequences of capital, a far-reaching social form, through a critique of political economy and the mindset it shares with much modern philosophy and social theory. The authors call this bifurcating mentality factoring philosophy. Factoring philosophy mistakes the distinguishable for the separable. It splits the subjective and objective, form and content, and it takes the object of social theory to be an impossible economy-in-general, stripped of constitutive social forms. The critique of factoring philosophy structures the collection, which makes a wide-ranging contribution to the research field of the critique of political economy as critical social theory. Ultimately, this book solidifies Murray and Schuler’s impact on the study of political economy, political philosophy, modern philosophy, Hegel, Marx, and critical theory. |
| usura pound: How Poems Think Reginald Gibbons, 2015-09-23 To write or read a poem is often to think in distinctively poetic ways—guided by metaphors, sound, rhythms, associative movement, and more. Poetry’s stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry’s ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets—Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking. |
| usura pound: Sobbing Superpower Tadeusz Różewicz, Edward Hirsch, 2011 An anti-poet relentlessly, even ruthlessly determined to tell the truth, however painful it may be.--Edward Hirsch |
| usura pound: Ezra Pound's Cantos Peter Makin, 2006 Publisher description |
| usura pound: Ezra Pound's Washington Cantos and the Struggle for Light Alec Marsh, 2021-05-06 The instalments of Ezra Pound's life-project, The Cantos, composed during his incarceration in Washington after the Second World War were to have served as a Paradiso for his epic. Beautiful and tormented, enigmatic and irascible by turns, they express the poet's struggle to reconcile his striving for justice with his extreme Right politics. In heavily coded language, Pound was writing activist political poetry. Through an in-depth reading of the Washington Cantos this book reveals the ways in which Pound integrated into his verse themes and ideas that remain central to American far-right ideology to this day: States' Rights, White-supremacy and racial segregation, the usurpation of the Constitution by the Supreme Court, and history as racial struggle. Pound's struggle was also personal. These poems also celebrate his passion for his muse and lover, Sheri Martinelli, as he tries to teach her his politics and, in the final poems, mount his legal defence against the unresolved treason charges hanging over his head. Reading the poetry alongside correspondence and unpublished archival writings, Ezra Pound's Washington Cantos and the Struggle for Light is an important new work on a poet who stands at the heart of 20th-century Modernism. Building on his previous book John Kasper and Ezra Pound: Saving the Republic (Bloomsbury, 2015), Alec Marsh explores the way the political ideas revealed in Pound's correspondence manifested themselves in his later poetry. |
| usura pound: Eliot, Joyce and Company Stanley Sultan, 1987-12-31 Informed by a writer's view of how a writer works, this perceptive study illuminates the careers of two major figures of twentieth-century literature, T.S. Eliot and James Joyce. Sultan engages in a unique form of historical criticism, blending a literary history of Modernism with a richly intimate knowledge of three key works--The Love Song of J. Alfred Prufrock, The Waste Land, and Ulysses--and confronting questions of literary theory implicit in the modernist period. In doing so, he examines the antecedents of Modernism, focusing on three major influences--Flaubert, Baudelaire, and Dostoyevsky--and then traces the relations of Eliot and Joyce with their contemporaries, including Virginia Woolf and Wallace Stevens. Concluding with an appraisal of Eliot's and Joyce's impact on readers, writers, and literary theory today, Eliot, Joyce and Company sheds considerable light on the careers of these writers, on their works, and on the history of Modernism. |
| usura pound: The Cambridge Companion to American Modernism Walter Kalaidjian, 2005-04-28 The Cambridge Companion to American Modernism provides a comprehensive and authoritative overview of American literary modernism from 1890 to 1939. These original essays by twelve distinguished scholars of international reputation offer critical overviews of the major genres, literary culture, and social contexts that define the current state of Modern American literature and cultural studies. Among the diverse topics covered are nationalism, race, gender and the impact of music and visual arts on literary modernism, as well as overviews of the achievements of American modernism in fiction, poetry and drama. The book concludes with a chapter on modern American criticism. An essential reference guide to the field, the Companion offers readers a chronology of key events and publication dates covering the first half of the twentieth century in the United States, and a bibliography of further reading organized by chapter topics. |
| usura pound: The 20th Century in Poetry Michael Hulse, Simon Rae, 2013-08-06 A historical timeline of more than four hundred 20th-century poems. “[A] prodigious harvest . . . an entire universe of poetry lives here” (Booklist, starred review). This groundbreaking anthology presents in chronological order over four hundred poems written during the twentieth century. The authors, both published poets themselves, give an overview of each period of history, while notes to the poems place each one in its historical context and trace the century’s poetic development. Concise biographies for each poet complete the anthology. By organizing the poems in chronological order, readers will see poets in a new light. Here A. E. Houseman, for example, rubs shoulders with T. S. Eliot, showing that traditional forms can hold their own against the modernist orthodoxy. All the major events of the twentieth century are reflected in the choice of poems within these pages. Including poems by Noël Coward, Rudyard Kipling, James Joyce, D. H. Lawrence, Robert Frost, G. K. Chesterton, Ezra Pound, Philip Larkin, T. S. Eliot, Wallace Stevens, Langston Hughes, William Carlos Williams, W. H. Auden, e. e. cummings, Dylan Thomas, Kingsley Amis, Allen Ginsberg, Lawrence Ferlinghetti, Frank O’Hara, Ted Hughes, Sylvia Plath, John Updike, Robert Penn Warren, among a host of others, this richly rewarding collection captures the history of the twentieth century within one monumental volume. |
| usura pound: Modernism and Copyright Paul K. Saint-Amour, 2011 How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes?Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin films, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works such as these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law. |
| usura pound: Urban Verbs Kevin R. McNamara, 1996 Very Good,No Highlights or Markup,all pages are intact. |
| usura pound: Who Wants to Be a Jewish Writer? Adam Kirsch, 2019-01-01 From one of today's keenest critics comes a collection of essays on poetry, religion, and the connection between the two Adam Kirsch is one of today's finest literary critics. This collection brings together his essays on poetry, religion, and the intersections between them, with a particular focus on Jewish literature. He explores the definition of Jewish literature, the relationship between poetry and politics, and the future of literary reputation in the age of the internet. Several essays look at the way Jewish writers such as Stefan Zweig and Isaac Deutscher, who coined the phrase the non-Jewish Jew, have dealt with politics. Kirsch also examines questions of spirituality and morality in the writings of contemporary poets, including Christian Wiman, Kay Ryan, and Seamus Heaney. He closes by asking why so many American Jewish writers have resisted that category, inviting us to consider Is there such a thing as Jewish literature? |
| usura pound: Medici Money Tim Parks, 2013-08-22 The Medici are famous as the rulers of Florence at the high point of the Renaissance. Their power derived from the family bank, and this book tells the fascinating, frequently bloody story of the family and the dramatic development and collapse of their bank (from Cosimo who took it over in 1419 to his grandson Lorenzo the Magnificent who presided over its precipitous decline). The Medici faced two apparently insuperable problems: how did a banker deal with the fact that the Church regarded interest as a sin and had made it illegal? How in a small republic like Florence could he avoid having his wealth taken away by taxation? But the bank became indispensable to the Church. And the family completely subverted Florence's claims to being democratic. They ran the city. Medici Money explores a crucial moment in the passage from the Middle Ages to the Modern world, a moment when our own attitudes to money and morals were being formed. To read this book is to understand how much the Renaissance has to tell us about our own world. Medici Money is one of the launch titles in a new series, Atlas Books, edited by James Atlas. Atlas Books pairs fine writers with stories of the economic forces that have shaped the world, in a new genre - the business book as literature. |
| usura pound: LIFE , 1964-03-27 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
| usura pound: Readings in the Cantos Richard Parker, 2022-07-01 The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text. |
| usura pound: Global Literary Criticism Hongxin Jiang, 2022-09-30 This timely book offers uplifting examples of major figures in Chinese and Western civilization from ancient to modern times who learned from and influenced each other. Rather than emphasizing cultural differences, this inspiring text highlights successful dialogue, commonalities, and mutual influences in this regard. Readers familiar with the Western canon will discover surprising influences of China on well-known Anglosphere writers and critics. Drawing on an expansive range of periods in the East and West from classical to contemporary times, it is a tour-de-force of theoretical range and practical impact. Starting with Confucius and Socrates, the chapters move chronologically on to address such major figures in Eastern writing as Zhuangzi, Qian Zhongshu, and Zhang Longxi, and Western figures including T.S. Eliot, Ezra Pound, William Empson, Nietzsche, and Fredric Jameson. The book will appeal to scholars and students at all educational levels, as well as the general public interested in understanding past and current East-West cultural relations. |
| usura pound: A Guide to Ezra Pound's Selected Poems Christine Froula, 1983 |
| usura pound: Poems of the American Empire Jen Hedler Phillis, 2019-11-01 Poems of the American Empire argues that careful attention to a particular strain of twentieth-century lyric poetry yields a counter-history of American global power. The period that Phillis covers—from Ezra Pound’s A Draft of XXX Cantos in 1930 to Cathy Park Hong’s Engine Empire in 2012—roughly matches what some consider the ascent and decline of the American empire. The diverse poems that appear in this book are united by their use of epic forms in the lyric poem, a combination that violates a fundamental framework of both genres’ relationship to time. This book makes a groundbreaking intervention by insisting that lyric time is key to understanding the genre. These poems demonstrate the lyric form’s ability to represent the totality of history, making American imperial power visible in its fullness. Neither strictly an empty celebration of American exceptionalism nor a catalog of atrocities, Poems of the American Empire allows us to see both. |
| usura pound: The Routledge Companion to Literature and Economics Matt Seybold, Michelle Chihara, 2018-09-17 The study of literature and economics is by no means a new one, but since the financial crash of 2008, the field has grown considerably with a broad range of both fiction and criticism. The Routledge Companion to Literature and Economics is the first authoritative guide tying together the seemingly disparate areas of literature and economics. Drawing together 38 critics, the Companion offers both an introduction and a springboard to this sometimes complex but highly relevant field. With sections on Critical traditions, Histories, Principles, and Contemporary culture, the book looks at examples from Medieval and Renaissance literature through to poetry of the Great Depression and novels depicting the 2008 financial crisis. Covering topics from Austen to austerity, Marxism to modernism, the collated essays offer indispensable analysis of the relationship between literary studies and the economy. Representing a wide spectrum of approaches, this book introduces the basics of economics, while engaging with essential theory and debate. As the reality of economic hardship and disparity is widely acknowledged and spreads across disciplines, this Companion offers students and scholars a chance to enter this crucially important interdisciplinary area. |
| usura pound: Modernist Writing and Reactionary Politics Charles Ferrall, 2001-02 Ferrall offers insights into the relation between modernist aesthetics, technology and politics. |
| usura pound: Sweet Thunder Vivienne Suvini-Hand, 2017-12-02 Italian music of the 1960s is one of the most unjustly neglected areas in the arena of twentieth-century classical music. This volume pays tribute to the astounding complexity of the music and libretti of five vocal compositions by leading experimental composers of the decade: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni, and Armando Gentilucci. It highlights how the 'difficult' and unconventional methods of composition employed by these artists - dodecaphony, total serialism, Webernian minimalist techniques, aleatory and electronic music - displayed a refusal to compete with the market-place values of Italy's new capitalist society. At the same time, the libretti's collage arrangement of a plethora of European and Oriental literary sources dating from the sixteenth century BC onwards, reflected the contemporary Neo-avant-garde rejection of conventional literary practice, and their preference for 'organised disorder', in Umberto Eco's phrase. |
| usura pound: De Foenore Et Usuris Libri Tres Gerard Noodt, 2009 |
| usura pound: Omnicompetent Modernists Matthew Hofer, 2022-10-25 A study of modernist poets who, finding both support and stimulation in popular political theory, were committed to transforming their art in and through attempts to engage the evolving concept of the public sphere-- |
| usura pound: Modernism and Christianity E. Tonning, 2014-01-29 By theorising the idea of 'formative tensions' between cultural Modernism and Christianity, and by in-depth case studies of James Joyce, David Jones, T. S. Eliot, Ezra Pound, W. H. Auden, Samuel Beckett, the book argues that no coherent account of Modernism can ignore the continuing impact of Christianity. |
| usura pound: The Bloomsbury Companion to Modernist Literature Ulrika Maude, Mark Nixon, 2018-11-01 In this book, leading international scholars explore the major ideas and debates that have made the study of modernist literature one of the most vibrant areas of literary studies today. The Bloomsbury Companion to Modernist Literature offers a comprehensive guide to current research in the field, covering topics including: · The modernist everyday: emotion, myth, geographies and language scepticism · Modernist literature and the arts: music, the visual arts, cinema and popular culture · Textual and archival approaches: manuscripts, genetic criticism and modernist magazines · Modernist literature and science: sexology, neurology, psychology, technology and the theory of relativity · The geopolitics of modernism: globalization, politics and economics · Resources: keywords and an annotated bibliography |
| usura pound: The Venice Myth David Barnes, 2015-10-06 Venice holds a unique place in literary and cultural history. Barnes looks at the themes of war, occupation, resistance and fascism to see how the political background has affected the literary works that have come out of this great city. He focuses on key British and American writers, including Byron, Ruskin, Pound and Eliot. |
| usura pound: The Black Squares Club Joseph Cairo, 2014-09-05 The Black Squares Club is a gripping psycho-sexual detective novel written for the mature reader. It is the second novel of the Sam Sonn series, built on the personna of a hi-tech sleuth who undertakes high profile cases. This time, a serial killer taunts both the police and his victims by mailing in crosswords that give clues to the time and place of his next murder. Sonn attempts to unmask the killer by applying his knowledge of crosswords, his background in computer science as well as his uncanny ability to decipher the criminal mind. In order to solve this case, however, he must sacrifice what he deems most precious--the only woman he ever truly loved. The author spins a chilling narrative that traps the readers psyche in unsuspecting twists, intellectual challenges, passionate sexual encounters and chilling violence. This is escapism in its purest form, transporting the reader to a place from which he may never return. Reader discretion is advised. |
| usura pound: Ideogram Laszlo K. Géfin, 2014-07-03 The ideogram changed the course of modern American poetry, and Ideogram is the first history of this important poetic tradition. In modern poetry the ideogram is an idea presented to the reader by means of the juxtaposition of concrete particulars, usually without connective words or phrases. The poem is therefore presented in precise images, usually very tersely, and free from conventional form and meter. The idea of presenting a concept in this manner derives in part from Ernest Fenollosa's essay The Chinese Character as a Medium for Poetry, the Chinese written character itself being a juxtaposition of pictographs to form a new meaning. Ezra Pound's search for an alternative to traditional forms of verse composition resulted in his use of the ideogrammic method which, Laszlo K. Géfin asserts, became the major mode of presentation in twentieth-century American poetry. Two generations of avant-garde, experimental poets since Pound have turned to it for inspiration, evolving their own methods from its principles. Géfin begins by tracing the development of Pound's poetics from the pre-Imagist stage through Imagism and Vorticism to the formulation of the ideogrammic method. He then examines the Objectivist poetics of Louis Zukofsky, Charles Reznikoff, and George Oppen; the contributions to the ideogrammic tradition of William Carlos Williams; and the Projectivist theories of Charles Olson, Robert Duncan, and Robert Creeley. He concludes with an exploration of Allen Ginsberg's theory of the ellipse and Gary Snyder's riprap method. Throughout, Géfin maintains that the ideogrammic mode is the literary representation of the twentieth-century post-logical—even post-humanist—world view. |
| usura pound: LIFE , 1964-03-27 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
| usura pound: Language, Sexuality, and Ideology in Ezra Pound's Cantos Jean-Michel Rabaté, 1986-02-01 Ezra Pound's Cantos remains among the most influential and difficult of twentieth century poetic writings. But now, for the first time, Rabaté's powerful and original study presents a theory of reading adequate to the challenge of Pound's writing. Using elements from Lacanian psycho-analysis and Heidegger's powerful meditation of poetry and language, this book constructs a theory of reading which both gives full force to the strategies of writing deployed in the Cantos and to the historical and political situations to which those strategies are a response. This study provides a fresh reading of the familiar Pound canon: Homer, Dante, Ovid but also of the less well-known: Ruskin, Browning, Frobenius. Pound's practice of quotation is understood in the context of a new poetic discourse characterized by parapraxis, ellipsis, condensation and autonomous voices which refer the division of the speaking subject back to an omniform intellect capable of taking on any new personality at will. Crucial to an understanding of Pound's situation is the relationship between Chinese and Greek culture, an analysis of which allows Rabaté to elaborate the tragic dimension in Pound's life and works. This book also parallels and contrasts Pound with his major contemporaries such as Eliot and Joyce and with his immediate heirs, like William Carlos Williams, H.D., Zukofsky, and Olson. |
| usura pound: Transcultural Poetics Gurbhagat Singh, 1988 |
| usura pound: Northrop Frye's Writings on the Eighteenth and Nineteenth Centuries Northrop Frye, 2005-01-01 Highlighting aspects of his scholarship seldom given sufficient emphasis, this new volume of the Collected Works of Northrop Frye documents Frye's writings on the literature of the eighteenth and nineteenth centuries (apart from those on William Blake, which are featured in other volumes). The volume includes Frye's seminal 1956 essay Towards Defining an Age of Sensibility and the highly influential 1968 book A Study of English Romanticism. With these pieces and the other published and unpublished works contained in the volume, Frye changed the way the transition from the major Augustan figures to the Romantics was viewed. These works are a central part of Frye's long and radical rethinking of the relation of romance and Romanticism and, through them, he emerges as a meticulous textual critic, teasing out the fine brushstroke effects in writers as varied as Boswell and Beddoes, Dickens and Dickinson. Imre Salusinszky's introduction and annotation illuminates Frye's writing and guides the reader along the path of Frye's five-decade development of thought on Romanticism. This volume is an invaluable contribution to studies on Frye, as well as to Romantic and Victorian literature. |
| usura pound: Post-Structuralism and the Question of History Derek Attridge, Geoff Bennington, Robert Young, 1987 Recent developments in literary theory, such as structuralism and deconstruction, have come under attack for neglecting history, while historically-based approaches have been criticized for failing to take account of the problems inherent in their methodological foundations. This collection of essays is unique in that it focuses on the relation between post-structuralism and historical (especially Marxist) literary theory and criticism. The volume includes a deconstructive reading of Marx, essays that relate history to the philosophical and institutional context, and a number of studies of particular texts, literary and non-literary, which pose the question of history and literary theory with particular force. |
| usura pound: Ezra Pound's Fascist Propaganda, 1935-45 M. Feldman, 2013-09-04 Ezra Pound was an influential propagandist for British, Italian and ultimately German fascist movements. Using long-neglected manuscripts and cutting-edge approaches to fascism as a 'political religion', Feldman argues that Pound's case offers a revealing case study of a modernist author turned propagator of the 'fascist faith'. |
| usura pound: The New Anthology of American Poetry Steven Gould Axelrod, Camille Roman, Thomas Travisano, 2003 The book includes over 600 poems by 65 american poets writing in the period between 1900 and 1950. |
| usura pound: The Music of Time John Burnside, 2021-04-06 First published in a slight different form in Great Britain in 2019 by Profile Books Ltd.--Title page verso. |
Usury - Wikipedia
Usury (in the original sense of any interest) was denounced by religious leaders and philosophers in the ancient world, including Moses, [7] Plato, Aristotle, Cato, Cicero, Seneca, [8] Aquinas, [9] …
USURA: ¿qué es y cómo Reclamar? (GUÍA 2025) - Conceptos …
La usura es una práctica ilegal que consiste en cobrar intereses excesivamente elevados en los préstamos y que supone, por lo tanto, una ganancia injusta para la entidad financiera que ha …
Usura en México: ¿qué es y cómo Reclamar? (GUÍA 2025)
Explicamos qué es la usura, la usura en el Código Penal, cuándo se puede hablar de usura en México, cómo denunciar la usura, y más.
U.S.U.R.A. - Open Your Mind [Official Video] - YouTube
U.S.U.R.A. - Open Your Mind [Official Video]iTunes: https://itunes.apple.com/it/album/open-your-mind/1293101609?i=1293102810Spotify: https://open.spotify.com...
usura - Wiktionary, the free dictionary
Jan 2, 2025 · usura f (plural usure) (obsolete, finance) interest (price of credit) Synonym: interesse (obsolete, finance) usury (practice of lending money at interest) usury (exorbitant rate of …
Usura - definition of Usura by The Free Dictionary
Usura synonyms, Usura pronunciation, Usura translation, English dictionary definition of Usura. vb to charge interest at a high or illegal rate Collins English Dictionary – Complete and …
USURA | translate Spanish to English - Cambridge Dictionary
USURA translate: usury, profiteering, moneylending. Learn more in the Cambridge Spanish-English Dictionary.
Usura - Dicio, Dicionário Online de Português
Significado de Usura. substantivo feminino Sovinice; apego exagerado ao dinheiro; característica da pessoa avarenta; qualidade de quem é mesquinho. [Por Extensão] Ambição; desejo …
Usura | Spanish to English Translation - SpanishDictionary.com
Translate Usura. See 2 authoritative translations of Usura in English with example sentences and audio pronunciations.
O que é: Usura - Entenda o conceito e suas implicações
Dec 13, 2024 · A usura é um conceito financeiro que se refere à prática de cobrar juros excessivos sobre empréstimos. Historicamente, a usura tem sido vista como uma prática …
Usury - Wikipedia
Usury (in the original sense of any interest) was denounced by religious leaders and philosophers in the ancient world, including Moses, [7] Plato, Aristotle, Cato, Cicero, Seneca, [8] Aquinas, …
USURA: ¿qué es y cómo Reclamar? (GUÍA 2025) - Conceptos …
La usura es una práctica ilegal que consiste en cobrar intereses excesivamente elevados en los préstamos y que supone, por lo tanto, una ganancia injusta para la entidad financiera que ha …
Usura en México: ¿qué es y cómo Reclamar? (GUÍA 2025)
Explicamos qué es la usura, la usura en el Código Penal, cuándo se puede hablar de usura en México, cómo denunciar la usura, y más.
U.S.U.R.A. - Open Your Mind [Official Video] - YouTube
U.S.U.R.A. - Open Your Mind [Official Video]iTunes: https://itunes.apple.com/it/album/open-your-mind/1293101609?i=1293102810Spotify: https://open.spotify.com...
usura - Wiktionary, the free dictionary
Jan 2, 2025 · usura f (plural usure) (obsolete, finance) interest (price of credit) Synonym: interesse (obsolete, finance) usury (practice of lending money at interest) usury (exorbitant …
Usura - definition of Usura by The Free Dictionary
Usura synonyms, Usura pronunciation, Usura translation, English dictionary definition of Usura. vb to charge interest at a high or illegal rate Collins English Dictionary – Complete and …
USURA | translate Spanish to English - Cambridge Dictionary
USURA translate: usury, profiteering, moneylending. Learn more in the Cambridge Spanish-English Dictionary.
Usura - Dicio, Dicionário Online de Português
Significado de Usura. substantivo feminino Sovinice; apego exagerado ao dinheiro; característica da pessoa avarenta; qualidade de quem é mesquinho. [Por Extensão] Ambição; desejo …
Usura | Spanish to English Translation - SpanishDictionary.com
Translate Usura. See 2 authoritative translations of Usura in English with example sentences and audio pronunciations.
O que é: Usura - Entenda o conceito e suas implicações
Dec 13, 2024 · A usura é um conceito financeiro que se refere à prática de cobrar juros excessivos sobre empréstimos. Historicamente, a usura tem sido vista como uma prática …
