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| unwomanly face of war: The Unwomanly Face of War Светлана Алексиевич, 2017 Originally published in Russian as U voiny--ne zhenskoe lietiso by Mastatskaya Litaratura, Minsk, in 1985. Originally published in English as War's unwomanly face by Progress Publishers, Moscow, in 1988--Title page verso. |
| unwomanly face of war: Last Witnesses Svetlana Aleksievich, 2019 This is Svetlana Alexievich's collection of the memories of those who were children during World War II. These men and women were both witnesses and sometimes soldiers as well, and their generation grew up with the trauma of the war deeply embedded in them--a trauma that would forever change the course of the Russian nation ... Alexievich gives voice to those whose stories are lost in the official narratives, creating [an] alternative history from the personal and private experiences of individuals. Collectively, these voices provide a kaleidoscopic portrait of the human consequences of the war-- |
| unwomanly face of war: War's Unwomanly Face Svetlana Aleksievich, 1988 This book is a confession, a document and a record of people's memory. More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fires a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Byelorussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The soviet press called the book 'a vivid reporting of events long past, which affected the destiny of the nation as a whole.' The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism...-- |
| unwomanly face of war: Boys in Zinc Svetlana Aleksievich, 2017 From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war. Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict- the killing and the beauty of small everyday moments, the shame of returning veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy because of its unflinching, harrowing insight into the realities of war. |
| unwomanly face of war: Wings, Women, and War Reina Pennington, 2002-01-22 The Soviet Union was the first nation to allow women pilots to fly combat missions. During World War II the Red Air Force formed three all-female units-grouped into separate fighter, dive bomber, and night bomber regiments-while also recruiting other women to fly with mostly male units. Their amazing story, fully recounted for the first time by Reina Pennington, honors a group of fearless and determined women whose exploits have not yet received the recognition they deserve. Pennington chronicles the creation, organization, and leadership of these regiments, as well as the experiences of the pilots, navigators, bomb loaders, mechanics, and others who made up their ranks, all within the context of the Soviet air war on the Eastern Front. These regiments flew a combined total of more than 30,000 combat sorties, produced at least thirty Heroes of the Soviet Union, and included at least two fighter aces. Among their ranks were women like Marina Raskova (the Soviet Amelia Earhart), a renowned aviator who persuaded Stalin in 1941 to establish the all-women regiments; the daredevil night witches who flew ramshackle biplanes on nocturnal bombing missions over German frontlines; and fighter aces like Liliia Litviak, whose twelve kills are largely unknown in the West. She also tells the story of Alexander Gridnev, a fighter pilot twice arrested by the Soviet secret police before he was chosen to command the women's fighter regiment. Pennington draws upon personal interviews and the Soviet archives to detail the recruitment, training, and combat lives of these women. Deftly mixing anecdote with analysis, her work should find a wide readership among scholars and buffs interested in the history of aviation, World War II, or the Russian military, as well as anyone concerned with the contentious debates surrounding military and combat service for women. |
| unwomanly face of war: State of Madness Rebecca Reich, 2018-03-13 What madness meant was a fiercely contested question in Soviet society. State of Madness examines the politically fraught collision between psychiatric and literary discourses in the years after Joseph Stalin's death. State psychiatrists deployed set narratives of mental illness to pathologize dissenting politics and art. Dissidents such as Aleksandr Vol'pin, Vladimir Bukovskii, and Semen Gluzman responded by highlighting a pernicious overlap between those narratives and their life stories. The state, they suggested in their own psychiatrically themed texts, had crafted an idealized view of reality that itself resembled a pathological work of art. In their unsanctioned poetry and prose, the writers Joseph Brodsky, Andrei Siniavskii, and Venedikt Erofeev similarly engaged with psychiatric discourse to probe where creativity ended and insanity began. Together, these dissenters cast themselves as psychiatrists to a sick society. By challenging psychiatry's right to declare them or what they wrote insane, dissenters exposed as a self-serving fiction the state's renewed claims to rationality and modernity in the post-Stalin years. They were, as they observed, like the child who breaks the spell of collective delusion in Hans Christian Andersen's story The Emperor's New Clothes. In a society where normality means insisting that the naked monarch is clothed, it is the truth-teller who is pathologized. Situating literature's encounter with psychiatry at the center of a wider struggle over authority and power, this bold interdisciplinary study will appeal to literary specialists; historians of culture, science, and medicine; and scholars and students of the Soviet Union and its legacy for Russia today. |
| unwomanly face of war: War: How Conflict Shaped Us Margaret MacMillan, 2021-10-05 Is peace an aberration? The New York Times bestselling author of Paris 1919 offers a provocative view of war as an essential component of humanity. NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW “Margaret MacMillan has produced another seminal work. . . . She is right that we must, more than ever, think about war. And she has shown us how in this brilliant, elegantly written book.”—H.R. McMaster, author of Dereliction of Duty and Battlegrounds: The Fight to Defend the Free World The instinct to fight may be innate in human nature, but war—organized violence—comes with organized society. War has shaped humanity’s history, its social and political institutions, its values and ideas. Our very language, our public spaces, our private memories, and some of our greatest cultural treasures reflect the glory and the misery of war. War is an uncomfortable and challenging subject not least because it brings out both the vilest and the noblest aspects of humanity. Margaret MacMillan looks at the ways in which war has influenced human society and how, in turn, changes in political organization, technology, or ideologies have affected how and why we fight. War: How Conflict Shaped Us explores such much-debated and controversial questions as: When did war first start? Does human nature doom us to fight one another? Why has war been described as the most organized of all human activities? Why are warriors almost always men? Is war ever within our control? Drawing on lessons from wars throughout the past, from classical history to the present day, MacMillan reveals the many faces of war—the way it has determined our past, our future, our views of the world, and our very conception of ourselves. |
| unwomanly face of war: Last Witnesses (Adapted for Young Adults) Svetlana Alexievich, 2021-08-31 A powerful portrait of the personal consequences of war as seen through the innocent eyes of children, from a Nobel Prize-winning writer. Nobel Prize-winning writer Svetlana Alexievich delves into the traumatic memories of children who were separated from their parents during World War II--most of them never to be reunited--in this this young adult adaptation of her acclaimed nonfiction masterpiece (The Guardian), Last Witnesses: An Oral History of the Children of WWII. The personal narratives told by those who were children during WWII and survived harrowing experiences, are astounding. So many children were separated from their loved ones in the midst of the terror and chaos. As a result, some grew up in orphanages or were raised by grandparents or extended family; others were taken in and cared for by strangers who risked punishment for such acts. Still others lived on their own or became underage soldiers. Forthright and riveting, these bravely told oral histories of survival reveal the heart-rending details of life during wartime while reminding us that resilience is possible, no matter the circumstances. |
| unwomanly face of war: Myth and the Greatest Generation Kenneth Rose, 2013-05-13 Myth and the Greatest Generation calls into question the glowing paradigm of the World War II generation set up by such books as The Greatest Generation by Tom Brokaw. Including analysis of news reports, memoirs, novels, films and other cultural artefacts Ken Rose shows the war was much more disruptive to the lives of Americans in the military and on the home front during World War II than is generally acknowledged. Issues of racial, labor unrest, juvenile delinquency, and marital infidelity were rampant, and the black market flourished. This book delves into both personal and national issues, calling into questions the dominant view of World War II as ‘The Good War’. |
| unwomanly face of war: Lady Death Lyudmila Mykhailvna Pavlichenko, 2018-09-05 Arguably the finest account of sniping during World War II. – Adrian Gilbert, author of Challenge of Battle. Undoubtedly literature’s most remarkable account of sniper action. – Charles W. Sasser, former US Army Special Forces soldier and author of One Shot–One Kill Lyudmila Pavlichenko was one of the most successful – and feared – female snipers of all time. When Hitler launched Operation Barbarossa in June 1941 she left her university studies to join the Red Army. Ignoring offers of positions as a nurse she became part of Soviet Russia’s elite group of female snipers. Within a year she had 309 confirmed kills, including 29 enemy sniper kills. Renowned as the scourge of German soldiers, she was regarded as a key heroic figure for the war effort and, in 1942, on Stalin’s personal orders, she travelled as part of a Soviet delegation to the West, fundraising in Canada, Great Britain and the USA. Dubbed ‘Lady Death’, she spoke out about gender equality in the Red Army and made the case for the USA to continue the fight against the Nazis in Europe. The folk singer Woody Guthrie wrote a song about her exploits – ‘Miss Pavlichenko’ – and she visited the White House, where she formed an unlikely but long-lasting friendship with Eleanor Roosevelt. In November 1942 she visited Coventry and accepted donations of £4,516 from Coventry workers to pay for three X-ray units for the Red Army. She also visited a Birmingham factory as part of her fundraising tour. |
| unwomanly face of war: The Women with Silver Wings Katherine Sharp Landdeck, 2021-03-30 “With the fate of the free world hanging in the balance, women pilots went aloft to serve their nation. . . . A soaring tale in which, at long last, these daring World War II pilots gain the credit they deserve.”—Liza Mundy, New York Times bestselling author of Code Girls “A powerful story of reinvention, community and ingenuity born out of global upheaval.”—Newsday When the Japanese attacked Pearl Harbor in December 1941, Cornelia Fort was already in the air. At twenty-two, Fort had escaped Nashville’s debutante scene for a fresh start as a flight instructor in Hawaii. She and her student were in the middle of their lesson when the bombs began to fall, and they barely made it back to ground that morning. Still, when the U.S. Army Air Forces put out a call for women pilots to aid the war effort, Fort was one of the first to respond. She became one of just over 1,100 women from across the nation to make it through the Army’s rigorous selection process and earn her silver wings. The brainchild of trailblazing pilots Nancy Love and Jacqueline Cochran, the Women Airforce Service Pilots (WASP) gave women like Fort a chance to serve their country—and to prove that women aviators were just as skilled as men. While not authorized to serve in combat, the WASP helped train male pilots for service abroad, and ferried bombers and pursuits across the country. Thirty-eight WASP would not survive the war. But even taking into account these tragic losses, Love and Cochran’s social experiment seemed to be a resounding success—until, with the tides of war turning, Congress clipped the women’s wings. The program was disbanded, the women sent home. But the bonds they’d forged never failed, and over the next few decades they came together to fight for recognition as the military veterans they were—and for their place in history. |
| unwomanly face of war: The Price of Victory Lev Lopukhovsky, Boris Kavalerchik, 2017-06-30 “A stark picture of war between the Germans and the Soviets, including some very interesting illustration . . . fascinating, if chilling, reading.”—Firetrench The Red Army’s casualties during the Second World War and the casualties sustained by the German army they fought are a key element in any assessment of the conflict on the Eastern Front. Since the war ended over seventy years ago, the statistics have been a source of bitter controversy, of claim and counterclaim, as each generation of historians has struggled to uncover the truth. This contentious issue is the subject of this absorbing book. The figures reveal much about the way the war was fought, and they demonstrate the enormous human price the Soviet Union paid for its victory. That is why the statistics have been so strongly contested. Distortion and falsification by official historians have obscured the facts because the issue has been so heavily politicized. Using recently declassified information from the Russian archives, the authors focus in forensic detail on the way the figures were recorded and compiled and seek to explain why, so many years after the war, the full truth about the subject is still far from our reach. |
| unwomanly face of war: Secondhand Time Svetlana Alexievich, 2016-05-16 From the 2015 winner of the Nobel Prize in Literature, Svetlana Alexievich, comes the first English translation of her latest work, an oral history of the disintegration of the Soviet Union and the emergence of a new Russia. Bringing together dozens of voices in her distinctive documentary style, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of Communism. As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals. Svetlana Alexievich was born in the Ukraine in 1948 and grew up in Belarus. As a newspaper journalist, she spent her early career in Minsk compiling first-hand accounts of World War II, the Soviet-Afghan War, the fall of the Berlin Wall and the Chernobyl meltdown. Her unflinching work—‘the whole of our history...is a huge common grave and a bloodbath’—earned her persecution from the Lukashenko regime and she was forced to emigrate. She lived in Paris, Gothenburg and Berlin before returning to Minsk in 2011. She has won a number of prizes, including the National Book Critics Circle Award, the Prix Médicis, and the Oxfam Novib/PEN Award. In 2015, she was awarded the Nobel Prize for Literature. Bela Shayevich is a writer, translator and illustrator. Her translations have appeared in journals such as Little Star, St. Petersburg Review, and Calque. She was the editor of n+1 magazine’s translations of the Pussy Riot closing statements. Of Alexievich’s writing, she says it is ‘resounding with nothing but the truth’. ‘The force of her work, the source of its power and plausibility, is the choice of a generation (her own) as a major subject and the close attention to its major inflection point, which was the end of the Soviet Union...Her method is the close interrogation of the past through the collection of individual voices; patient in overcoming cliché, attentive to the unexpected, and restrained in the exposition, her writing reaches those far beyond her own experiences and preoccupations, far beyond her generation, and far beyond the lands of the former Soviet Union.’ New York Review of Books ‘For the past thirty or forty years she’s been busy mapping the Soviet and post-Soviet individual. But it’s not really a history of events. It’s a history of emotions.’ Sara Danius, Permanent Secretary, Swedish Academy ‘Alexievich builds her narratives about Russian national traumas...by interviewing those who lived them, and immersing herself deeply in their testimonies. But her voice is much more than the sum of their voices.’ New Yorker ‘[A] masterpiece...a magnificent work of literary art. This vast panorama can justly be regarded I think as the War and Peace of our age.’ Age ‘It’s a meaty read and also incredibly significant and respectful to those whose stories appear in its pages.’ Readings ‘A mosaic of pain and loss, hope and betrayal, fear and anger. It is profoundly moving. At its heart though is a deep empathy for a people who have experienced some of the worst humanity, yet found a way to cope. It is both inspiring and devastating.’ Herald Sun ‘Secondhand Time is a majestic portrait of Soviet life.’ Australian ‘A rich and textured history.’ Best Books of 2016, New Zealand Listener ‘A deeply empathic oral history of the disintegration of the Soviet Union; open at any page and you will be moved.’ Best Non-Fiction Books of 2016, Readings ‘If I had to punt now on which book will be on the most best-of lists here and overseas, it would be Secondhand Time: The Last of the Soviets, the stunning oral history by the 2015 Nobel laureate Svetlana Alexievich.’ Australian ‘Harrowing...To describe the book as a vast collection of oral testimonies is to underestimate the achievement of this superbly crafted “history of human feelings.’ Louise Adler, Best Books of 2016, Australian ‘The goddess of ‘‘high journalism’’— that form without a name—is Svetlana Alexievich...Her masterpiece, Secondhand Time: The Last of the Soviets, [is] a panorama of the lives of ordinary people who lived through the collapse of the Soviet Union. I’ve never read anything to touch her work—the tremendous scale of her inquiry, and yet the intimacy of the experiences she records. Her powers of compression fill me with awe.’ Helen Garner, Best Books of 2016, Australian ‘The book of the year, if not the decade...Alexievich is not the author so much as the compiler of this collective self-portrait. The quality of focus, attention and empathy in her work of listening and interviewing is balanced by the depth of emotion—love, desire, longing for grace—that she records in her subjects...Both in formal terms, as a piece of literature, and in moral terms, as a tribute to the human spirit, this is an essential work.’ Nicolas Rothwell, Best Books of 2016, Australian ‘At once intimate and cosmic...The individual testimony is sometimes harrowing—enough to make me drop the book into my lap, tilt my head back and close my eyes — but upon reflection the voices come together to become a kind of untamed fugue about love: love of family, love of home, love of country, love of the natural world.’ Melinda Harvey, Best Books of 2016, Australian ‘Scenes from Svetlana Alexievich’s majestic Secondhand Time: The Last of the Soviets have lingered with me like fever dreams.’ Mireille Juchau, Best Books of 2016, Australian ‘An utterly authentic and often harrowing history of extraordinary times.’ Listener ‘One of the most compelling books that I’ve read in a while...Full of hope and disillusionment, humour and anger, it’s a moving testament to the lives history leaves in its wake.’ Diane Stubbings, Australian, Books of the Year 2017 |
| unwomanly face of war: Stalin's Defectors Mark Edele, 2017-06-16 Stalin's Defectors is the first systematic study of the phenomenon of frontline surrender to the Germans in the Soviet Union's 'Great Patriotic War' against the Nazis in 1941-1945. No other Allied army in the Second World War had such a large share of defectors among its prisoners of war. Based on a broad range of sources, this volume investigates the extent, the context, the scenarios, the reasons, the aftermath, and the historiography of frontline defection. It shows that the most widespread sentiments animating attempts to cross the frontline was a wish to survive this war. Disgruntlement with Stalin's 'socialism' was also prevalent among those who chose to give up and hand themselves over to the enemy. While politics thus played a prominent role in pushing people to commit treason, few desired to fight on the side of the enemy. Hence, while the phenomenon of frontline defection tells us much about the lack of popularity of Stalin's regime, it does not prove that the majority of the population was ready for resistance, let alone collaboration. Both sides of a long-standing debate between those who equate all Soviet captives with defectors, and those who attempt to downplay the phenomenon, then, over-stress their argument. Instead, more recent research on the moods of both the occupied and the unoccupied Soviet population shows that the majority understood its own interest in opposition to both Hitler's and Stalin's regime. The findings of Mark Edele in this study support such an interpretation. |
| unwomanly face of war: Code Girls Liza Mundy, 2017-10-10 The award-winning New York Times bestseller about the American women who secretly served as codebreakers during World War II--a prodigiously researched and engrossing (New York Times) book that shines a light on a hidden chapter of American history (Denver Post). Recruited by the U.S. Army and Navy from small towns and elite colleges, more than ten thousand women served as codebreakers during World War II. While their brothers and boyfriends took up arms, these women moved to Washington and learned the meticulous work of code-breaking. Their efforts shortened the war, saved countless lives, and gave them access to careers previously denied to them. A strict vow of secrecy nearly erased their efforts from history; now, through dazzling research and interviews with surviving code girls, bestselling author Liza Mundy brings to life this riveting and vital story of American courage, service, and scientific accomplishment. |
| unwomanly face of war: What Soldiers Do Mary Louise Roberts, 2013-05-17 How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways. That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it. |
| unwomanly face of war: Behind Enemy Lines Marthe Cohn, Wendy Holden, 2006-03-28 [T]he amazing story of a woman who lived through one of the worst times in human history, losing family members to the Nazis but surviving with her spirit and integrity intact.” —Publishers Weekly Marthe Cohn was a young Jewish woman living just across the German border in France when Hitler rose to power. Her family sheltered Jews fleeing the Nazis, including Jewish children sent away by their terrified parents. But soon her homeland was also under Nazi rule. As the Nazi occupation escalated, Marthe’s sister was arrested and sent to Auschwitz and the rest of her family was forced to flee to the south of France. Always a fighter, Marthe joined the French Army and became a member of the intelligence service of the French First Army. Marthe, using her perfect German accent and blond hair to pose as a young German nurse who was desperately trying to obtain word of a fictional fiancé, would slip behind enemy lines to retrieve inside information about Nazi troop movements. By traveling throughout the countryside and approaching troops sympathetic to her plight--risking death every time she did so--she learned where they were going next and was able to alert Allied commanders. When, at the age of eighty, Marthe Cohn was awarded France’s highest military honor, the Médaille Militaire, not even her children knew to what extent this modest woman had helped defeat the Nazi empire. At its heart, this remarkable memoir is the tale of an ordinary human being who, under extraordinary circumstances, became the hero her country needed her to be. |
| unwomanly face of war: The Last Million David Nasaw, 2021-09-14 From bestselling author David Nasaw, a sweeping new history of the one million refugees left behind in Germany after WWII In May 1945, after German forces surrendered to the Allied powers, millions of concentration camp survivors, POWs, slave laborers, political prisoners, and Nazi collaborators were left behind in Germany, a nation in ruins. British and American soldiers attempted to repatriate the refugees, but more than a million displaced persons remained in Germany: Jews, Poles, Estonians, Latvians, Lithuanians, Ukrainians, and other Eastern Europeans who refused to go home or had no homes to return to. Most would eventually be resettled in lands suffering from postwar labor shortages, but no nation, including the United States, was willing to accept more than a handful of the 200,000 to 250,000 Jewish men, women, and children who remained trapped in Germany. When in June, 1948, the United States Congress passed legislation permitting the immigration of displaced persons, visas were granted to sizable numbers of war criminals and Nazi collaborators, but denied to 90% of the Jewish displaced persons. A masterwork from acclaimed historian David Nasaw, The Last Million tells the gripping but until now hidden story of postwar displacement and statelessness and of the Last Million, as they crossed from a broken past into an unknowable future, carrying with them their wounds, their fears, their hope, and their secrets. Here for the first time, Nasaw illuminates their incredible history and shows us how it is our history as well. |
| unwomanly face of war: The Wehrmacht Retreats Robert M. Citino, 2016-09-16 Throughout 1943, the German army, heirs to a military tradition that demanded and perfected relentless offensive operations, succumbed to the realities of its own overreach and the demands of twentieth-century industrialized warfare. In his new study, prizewinning author Robert Citino chronicles this weakening Wehrmacht, now fighting desperately on the defensive but still remarkably dangerous and lethal. Drawing on his impeccable command of German-language sources, Citino offers fresh, vivid, and detailed treatments of key campaigns during this fateful year: the Allied landings in North Africa, General von Manstein's great counterstroke in front of Kharkov, the German attack at Kasserine Pass, the titanic engagement of tanks and men at Kursk, the Soviet counteroffensives at Orel and Belgorod, and the Allied landings in Sicily and Italy. Through these events, he reveals how a military establishment historically configured for violent aggression reacted when the tables were turned; how German commanders viewed their newest enemy, the U.S. Army, after brutal fighting against the British and Soviets; and why, despite their superiority in materiel and manpower, the Allies were unable to turn 1943 into a much more decisive year. Applying the keen operational analysis for which he is so highly regarded, Citino contends that virtually every flawed German decision-to defend Tunis, to attack at Kursk and then call off the offensive, to abandon Sicily, to defend Italy high up the boot and then down much closer to the toe-had strong supporters among the army's officer corps. He looks at all of these engagements from the perspective of each combatant nation and also establishes beyond a shadow of a doubt the synergistic interplay between the fronts. Ultimately, Citino produces a grim portrait of the German officer corps, dispelling the longstanding tendency to blame every bad decision on Hitler. Filled with telling vignettes and sharp portraits and copiously documented, The Wehrmacht Retreats is a dramatic and fast-paced narrative that will engage military historians and general readers alike. |
| unwomanly face of war: Stuff of Soldiers Brandon M Schechter, 2023-02-15 The Stuff of Soldiers uses everyday objects to tell the story of the Great Patriotic War as never before. Brandon Schechter attends to a diverse array of things--from spoons to tanks--to show how a wide array of citizens became soldiers, and how the provisioning of material goods separated soldiers from civilians.Through a fascinating examination... |
| unwomanly face of war: Dutch Girl Robert Matzen, 2019-04-15 Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, The war made my mother who she was. Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the Bridge Too Far battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time. |
| unwomanly face of war: Flesh and Bone and Water Luiza Sauma, 2017-02-23 Brazilian-born doctor André Cabral is living in London when one day he receives a letter from his home country, which he left nearly thirty years ago. A letter he keeps in his pocket for weeks, but tells no one about. The letter prompts André to remember the days of his youth - torrid afternoons on Ipanema beach with his listless teenage friends, parties in elegant Rio apartments, his after-school job at his father's plastic surgery practice - and, above all, his secret infatuation with the daughter of his family's maid, the intoxicating Luana. Unable to resist the pull of the letter, André embarks on a journey back to Brazil to rediscover his past. |
| unwomanly face of war: Les Parisiennes Anne Sebba, 2016-10-18 The New York Times–bestselling author explores WWII Paris history and tells the stories of how women survived—or didn’t—during the Nazi occupation. Paris in the 1940s was a place of fear, power, aggression, courage, deprivation, and secrets. During the occupation, the swastika flew from the Eiffel Tower and danger lurked on every corner. While Parisian men were either fighting at the front or captured and forced to work in German factories, the women of Paris were left behind where they would come face to face with the German conquerors on a daily basis, as waitresses, shop assistants, or wives and mothers, increasingly desperate to find food to feed their families as hunger became part of everyday life. When the Nazis and the puppet Vichy regime began rounding up Jews to ship east to concentration camps, the full horror of the war was brought home and the choice between collaboration and resistance became unavoidable. Sebba focuses on the role of women, many of whom faced life and death decisions every day. After the war ended, there would be a fierce settling of accounts between those who made peace with or, worse, helped the occupiers and those who fought the Nazis in any way they could. “Anne Sebba has the nearly miraculous gift of combining the vivid intimacy of the lives of women during The Occupation with the history of the time. This is a remarkable book.” —Edmund de Waal, New York Times–bestselling author “Wonderfully researched . . . puts women’s stories, and the complications of their lives under Occupation, centre stage.” —Kate Mosse, New York Times–bestselling author |
| unwomanly face of war: Voices from Chernobyl Светлана Алексиевич, 1999 Winner of the Nobel Prize in Literature Winner of the National Book Critics Circle Award A journalist by trade, who now suffers from an immune deficiency developed while researching this book, presents personal accounts of what happened to the people of Belarus after the nuclear reactor accident in 1986, and the fear, anger, and uncertainty that they still live with. The Nobel Prize in Literature 2015 was awarded to Svetlana Alexievich for her polyphonic writings, a monument to suffering and courage in our time. |
| unwomanly face of war: Avenging Angels Lyuba Vinogradova, 2017-04-06 Lyuba Vinogradova is a historian with a writer's dramatic eye. By personally interviewing many of the Russian women who as teenagers during WW2 took up arms to defend the motherland, her story becomes undeniably poignant and powerful MARTIN CRUZ SMITH, author of Gorky Park The girls came from every corner of the U.S.S.R. They were factory workers, domestic servants, teachers and clerks, and few were older than twenty. Though many had led hard lives before the war, nothing could have prepared them for the brutal facts of their new existence: with their country on its knees, and millions of its men already dead, grievously wounded or in captivity, from 1942 onwards thousands of Soviet women were trained as snipers. Thrown into the midst of some of the fiercest fighting of the Second World War they would soon learn what it was like to spend hour upon hour hunting German soldiers in the bleak expanses of no-man's-land; they would become familiar with the awful power that comes with taking another person's life; and in turn they would discover how it feels to see your closest friends torn away from you by an enemy shell or bullet. In a narrative that travels from the sinister catacombs beneath the Kerch Peninsula to Byelorussia's primeval forests and, finally, to the smoking ruins of the Third Reich, Lyuba Vinogradova recounts the untold stories of these brave young women. Drawing on diaries, letters and interviews with survivors, as well as previously unpublished material from the military archives, she offers a moving and unforgettable record of their experiences: the rigorous training, the squalid living quarters, the blood and chaos of the Eastern Front, and those moments of laughter and happiness that occasionally allowed the girls to forget, for a second or two, their horrifying circumstances. Avenging Angels is a masterful account of an all-too-often overlooked chapter of history, and an unparalleled account of these women's lives. Translated from the Russian by Arch Tait |
| unwomanly face of war: Words for War Oksana Maksymchuk, Max Rosochinsky, 2018 |
| unwomanly face of war: Voices from Chernobyl Svetlana Alexievich, 2015-10-16 Winner of the Nobel Prize in Literature and Winner of the National Book Critics Circle Award A journalist by trade, who now suffers from an immune deficiency developed while researching this book, presents personal accounts of what happened to the people of Belarus after the nuclear reactor accident in 1986, and the fear, anger, and uncertainty that they still live with. The Nobel Prize in Literature 2015 was awarded to Svetlana Alexievich for her polyphonic writings, a monument to suffering and courage in our time. |
| unwomanly face of war: Starring Madame Modjeska Beth Holmgren, 2011-11-10 The “important . . . meticulously researched” prize-winning biography of the pre-eminent Polish star of the nineteenth century global stage (CosmopolinReview.com). In reintroducing “a little-remembered actress to a new American audience” biographer Beth Holgram delivers a revelatory portrait of Helena Modjeska—from unparalleled European success to her reign as the most acclaimed, and most recognized female celebrity in the late nineteenth-century United States. In 1876, Poland’s leading actress, Helena Modrzejewska, accompanied by her husband, the self-stylized Count Bozente, emigrated to southern California to give up her career and establish a utopian commune. In light of its failings, it hardly fulfilled the real dreams of Madame Helena. Within a year, she changed her surname to Modjeska, and made her American debut at San Francisco’s California Theatre. Godmother to Ethel Barrymore, and sharing the Shakespearian stage with such luminaries as Otis Skinner, Edwin Booth, and Maurice Barrymore, Helena Modjeska became the leading star in the United States, where she reigned for the next thirty years. In this “Impressive . . . achievement,” Holmgren traces Modjeska’s fabulous life and career from her illegitimate birth in Krakow, to her successive reinventions of herself as a trans-continental diva, and finally to her enduring legacy (Women’s Review of Books). All in all, Starring Madame Modjeska “makes for great drama” (NewPages.com). |
| unwomanly face of war: The Ten Most Beautiful Experiments George Johnson, 2009-03-10 A dazzling, irresistible collection of the ten most groundbreaking and beautiful experiments in scientific history. With the attention to detail of a historian and the storytelling ability of a novelist, New York Times science writer George Johnson celebrates these groundbreaking experiments and re-creates a time when the world seemed filled with mysterious forces and scientists were in awe of light, electricity, and the human body. Here, we see Galileo staring down gravity, Newton breaking apart light, and Pavlov studying his now famous dogs. This is science in its most creative, hands-on form, when ingenuity of the mind is the most useful tool in the lab and the rewards of a well-considered experiment are on exquisite display. |
| unwomanly face of war: Rabbit, Soldier, Angel, Thief Katrina Nannestad, 2021-11-01 Award-winning writer Katrina Nannestad transports us to Russia and the Great Patriotic War and into the life of Sasha, a soldier at only six years old ... Wood splinters and Mama screams and the nearest soldier seizes her roughly by the arms. My sister pokes her bruised face out from beneath the table and shouts, 'Run, Sasha! Run!' So I run. I run like a rabbit. It's spring, 1942. The sky is blue, the air is warm and sweet. And then everything is gone. The flowers, the proud geese, the pretty wooden houses, the friendly neighbours. Only Sasha remains. But one small boy, alone in war-torn Russia, cannot survive. One small boy without a family cannot survive. One small boy without his home cannot survive. What that small boy needs is an army. From the award-winning author of We Are Wolves comes the story of Sasha, a soldier at six, fighting in the only way he can -- with love. But is love ever enough when the world is at war? AWARDS Honour Book - CBCA 2022 (Younger Reader's Book of the Year) Winner - The Indie Book Awards 2022 (Children's) Winner - ABA Bookseller's Choice 2022 Book of the Year Awards (Children's) Winner - ARA Historical Novel Award 2022 (Children and Young Adult) Shortlisted - ABIAs 2022 (Book of the Year for Younger Children) |
| unwomanly face of war: Tombstone Tom Clavin, 2020-04-21 THE INSTANT NATIONAL BESTSELLER Tombstone is written in a distinctly American voice. —T.J. Stiles, The New York Times “With a former newsman’s nose for the truth, Clavin has sifted the facts, myths, and lies to produce what might be as accurate an account as we will ever get of the old West’s most famous feud.” —Associated Press The true story of the Earp brothers, Doc Holliday, and the famous Battle at the OK Corral, by the New York Times bestselling author of Dodge City and Wild Bill. On the afternoon of October 26, 1881, eight men clashed in what would be known as the most famous shootout in American frontier history. Thirty bullets were exchanged in thirty seconds, killing three men and wounding three others. The fight sprang forth from a tense, hot summer. Cattle rustlers had been terrorizing the back country of Mexico and selling the livestock they stole to corrupt ranchers. The Mexican government built forts along the border to try to thwart American outlaws, while Arizona citizens became increasingly agitated. Rustlers, who became known as the cow-boys, began to kill each other as well as innocent citizens. That October, tensions boiled over with Ike and Billy Clanton, Tom and Frank McLaury, and Billy Claiborne confronting the Tombstone marshal, Virgil Earp, and the suddenly deputized Wyatt and Morgan Earp and shotgun-toting Doc Holliday. Bestselling author Tom Clavin peers behind decades of legend surrounding the story of Tombstone to reveal the true story of the drama and violence that made it famous. Tombstone also digs deep into the vendetta ride that followed the tragic gunfight, when Wyatt and Warren Earp and Holliday went vigilante to track down the likes of Johnny Ringo, Curly Bill Brocius, and other cowboys who had cowardly gunned down his brothers. That vendetta ride would make the myth of Wyatt Earp complete and punctuate the struggle for power in the American frontier's last boom town. |
| unwomanly face of war: War Eagles Carl Macek, 2008 Just prior to WWII, a publicly-humiliated Air Force test pilot, court-martialed for a stunt that endangered President Roosevelt, takes the only job he can get: flying an experimental plane from the South to North poles. When his plane is attacked and crashes in the Artic, he finds himself in an undiscovered land with an ancient people. |
| unwomanly face of war: Lightning Down Tom Clavin, 2021-11-02 An American fighter pilot doomed to die in Buchenwald but determined to survive. On August 13, 1944, Joe Moser set off on his forty-fourth combat mission over occupied France. Soon, he would join almost 170 other Allied airmen as prisoners in Buchenwald, one of the most notorious and deadly of Nazi concentration camps. Tom Clavin's Lightning Down tells this largely untold and riveting true story. Moser was just twenty-two years old, a farm boy from Washington State who fell in love with flying. During the War he realized his dream of piloting a P-38 Lightning, one of the most effective weapons the Army Air Corps had against the powerful German Luftwaffe. But on that hot August morning he had to bail out of his damaged, burning plane. Captured immediately, Moser’s journey into hell began. Moser and his courageous comrades from England, Canada, New Zealand, and elsewhere endured the most horrific conditions during their imprisonment... until the day the orders were issued by Hitler himself to execute them. Only a most desperate plan would save them. The page-turning momentum of Lightning Down is like that of a thriller, but the stories of imprisoned and brutalized airmen are true and told in unforgettable detail, led by the distinctly American voice of Joe Moser, who prays every day to be reunited with his family. Lightning Down is a can’t-put-it-down inspiring saga of brave men confronting great evil and great odds against survival. |
| unwomanly face of war: Dadland Keggie Carew, 2017-03-07 As her father’s memory fails, a daughter explores his military past: “Part family memoir, part history book . . . Compelling and moving from start to finish” (Financial Times). One of the San Francisco Chronicle’s Ten Best Books of the Year For most of Keggie Carew’s life, she was kept at arm’s length from her father’s personal history. But when she is invited to join him for the sixtieth anniversary of the Jedburghs—an elite special operations unit that was the first collaboration between the American and British Secret Services during World War II—a new door opens in their relationship. As dementia begins to stake a claim over Tom Carew’s memory, Keggie embarks on a quest to unravel his story, and soon finds herself in a far more consuming place than she bargained for. Tom Carew was a maverick, a left-handed stutterer, a law unto himself. As a Jedburgh he parachuted behind enemy lines to raise guerrilla resistance first against the Germans in France, then against the Japanese in Southeast Asia, where he won the nickname “Lawrence of Burma.” But his wartime exploits were only the beginning. A winner of the Costa Book Award, Dadland takes us on a journey through peace and war and shady corners of twentieth-century politics; though the author’s English childhood and the breakdown of her family, and into the mysterious realm of memory. “Brings to mind Helen MacDonald’s H is for Hawk in the way it soars off in surprising directions, teaches you things you didn’t know, and ambushes your emotions.” ―NPR “Astonishing . . . Mixes intimate memoir, biography, history and detective story: this is a shape-shifting hybrid that meditates on the nature of time and identity . . . Tom Carew was a razzle-dazzle character, larger than life and anarchically self-invented . . . For all its vigor and comic zest, Dadland is a careful and tender discovery that patiently circles around a man who spent his life mythologizing and running away from himself.” ―The Observer |
| unwomanly face of war: Life in Dark Ages Ernst Pawel, 1995 At the time of the writing, Pawel was dying of lung cancer. He faced his illness with the same mix of candor, humor and anger as he faced fleeing the Nazis from Berlin to Belgrade, where he, a boy of 14, and his Jewish family were tolerated, but hardly welcome. He became part of the Yugoslav underground movement and eventually emigrated to America, where he joined the Army to fight the fascist plague. |
| unwomanly face of war: The Tsarina's Daughter Ellen Alpsten, 2021-07-08 Discover the highly acclaimed historical fiction series set within the glittering and ruthless House of Romanov. 'Gripping ... Who would not want to spend more time in the mad, bad world of the Romanovs?' The Times 'A delicious hotbed of greed, lust and envy' Heat When they took everything from her, they didn't count on her fighting to get it back... Born into the House of Romanov to the all-powerful Peter the Great and Catherine I, beautiful Tsarevna Elizabeth is the world's loveliest Princess and the envy of the Russian empire. Insulated by luxury and as a woman free from the burden of statecraft, Elizabeth is seemingly born to pursue her passions. However, a dark prophecy predicts her fate as being inexorably twined with that of Russia. When her mother dies, Russia is torn, masks fall, and friends become foes. Elizabeth's idyllic world is upended. By her twenties she is penniless and powerless, living under constant threat. As times change like quicksand, an all-consuming passion emboldens Elizabeth: she must decide whether to take up her role as Russia's ruler, and what she's willing to do for her country - and for love. Praise for Tsarina 'It makes Game of Thrones look like a nursery rhyme' Daisy Goodwin 'A vivid page-turner of a debut' The Times 'Tsarina should come with a health warning - once you start reading, it's impossible to stop' Hannah Rothschild |
| unwomanly face of war: Letter to the Amazon Marina T︠S︡vetaeva, 2016 Literary Nonfiction. Translated from the Russian by A'Dora Phillips & Gaelle Cogan. Introduction by Catherine Ciepiela. Like many of Marina Tsvetaeva's essays and poems, LETTER TO THE AMAZON is addressed to another writer, in this case Natalie Clifford Barney, a wealthy American expatriate in Paris. Though written in 1932, Tsvetaeva's letter was in response to what Barney said about lesbian relationships and motherhood in her 1920 Pensees dune Amazone (Thoughts of an Amazon). Tsvetaeva uses her essay to emphasize what is to her mind a general truth of lesbian relationships (i.e. they cannot endure because of a woman's innate desire for a child) and to explore her seemingly agonized feelings about Sophia Parnok, the Russian poet with whom she fell in love in 1914, when Tsvetaeva was twenty-two and Parnok twenty-nine. |
| unwomanly face of war: Appeasing Hitler Tim Bouverie, 2019-04-18 ** SUNDAY TIMES BESTSELLER ** 'Astonishing' ANTONY BEEVOR 'One of the most promising young historians to enter our field for years' MAX HASTINGS A thrilling new history of the disastrous years of indecision, failed diplomacy and parliamentary infighting that enabled Hitler and the Nazis to dominate Europe. On a wet afternoon in September 1938, Neville Chamberlain stepped off an aeroplane and announced that his visit to Hitler had averted the greatest crisis in recent memory. It was, he later assured the crowd in Downing Street, 'peace for our time'. Less than a year later, Germany invaded Poland and the Second World War began. Drawing on previously unseen sources, Appeasing Hitler sweeps from the advent of Hitler in 1933 to the beaches of Dunkirk, and presents an unforgettable portrait of the ministers, aristocrats and amateur diplomats whose actions and inaction had devastating consequences. 'Brilliant and sparkling . . . Reads like a thriller. I couldn't put it down' Peter Frankopan 'Vivid, detailed and utterly fascinating . . . This is political drama at its most compelling' James Holland 'Bouverie skilfully traces each shameful step to war . . . in moving and dramatic detail' Sunday Telegraph |
| unwomanly face of war: Millions Like Us Virginia Nicholson, 2011-05-05 In 1942 Cora Johnston is grieving over the death of her young husband, torpedoed in the Atlantic; Aileen Morris is intercepting Luftwaffe communications during the siege of Malta – and Clara Milburn, whose son was captured after Dunkirk, is waiting, and waiting ... We tend to see the Second World War as a man’s war, featuring Spitfire crews and brave deeds on the Normandy beaches. But in conditions of “Total War” millions of women – in the Services and on the Home Front - demonstrated that they were cleverer, more broad-minded and altogether more complex than anyone had ever guessed. In Millions Like Us Virginia Nicholson tells the story of the women’s war, through a host of individual women’s experiences. She tells how they loved, suffered, laughed, grieved and dared; how they re-made their world in peacetime. And how they would never be the same again ... |
UNWOMANLY Definition & Meaning - Merriam-Webster
The meaning of UNWOMANLY is not womanly. How to use unwomanly in a sentence.
Unwomanly - definition of unwomanly by The Free Dictionary
unwomanly (ʌnˈwʊmənlɪ) adj 1. not possessing qualities, such as warmth, attractiveness, etc, generally regarded as typical of a woman, esp a mature woman 2. not characteristic of or …
UNWOMANLY | definition in the Cambridge English Dictionary
Apr 26, 2023 · unwomanly meaning: 1. not showing the qualities, ideas, or physical features that a woman is typically or…. Learn more.
14 Synonyms & Antonyms for UNWOMANLY | Thesaurus.com
Find 14 different ways to say UNWOMANLY, along with antonyms, related words, and example sentences at Thesaurus.com.
Unwomanly Definition & Meaning | YourDictionary
Unwomanly definition: Uncharacteristic of, unbecoming to, or degrading to a woman, especially in not conforming to stereotypical feminine traits such as modesty and reserve.
UNWOMANLY definition and meaning | Collins English Dictionary
If you describe a girl's or woman's behaviour as unwomanly, you are critical of the fact that they are behaving in a way that you think is inappropriate for a woman.
What does unwomanly mean? - Definitions.net
Unwomanly typically refers to behavior or characteristics not traditionally associated with or considered appropriate for women, especially in cultures where specific roles or traits are …
Unwomanly - Definition, Meaning & Synonyms | Vocabulary.com
Whether you’re a teacher or a learner, Vocabulary.com can put you or your class on the path to systematic vocabulary improvement.
unwomanly, adj. meanings, etymology and more | Oxford English …
Factsheet What does the adjective unwomanly mean? There are two meanings listed in OED's entry for the adjective unwomanly. See ‘Meaning & use’ for definitions, usage, and quotation …
UNWOMANLY Synonyms: 24 Similar and Opposite Words - Merriam-Webster
Synonyms for UNWOMANLY: masculine, unfeminine, unladylike, male, mannish, tomboyish, manly, hoydenish; Antonyms of UNWOMANLY: feminine, womanly, female, ladylike, unmanly, …
UNWOMANLY Definition & Meaning - Merriam-Webster
The meaning of UNWOMANLY is not womanly. How to use unwomanly in a sentence.
Unwomanly - definition of unwomanly by The Free Dictionary
unwomanly (ʌnˈwʊmənlɪ) adj 1. not possessing qualities, such as warmth, attractiveness, etc, generally regarded as typical of a woman, esp a mature woman 2. not characteristic of or …
UNWOMANLY | definition in the Cambridge English Dictionary
Apr 26, 2023 · unwomanly meaning: 1. not showing the qualities, ideas, or physical features that a woman is typically or…. Learn more.
14 Synonyms & Antonyms for UNWOMANLY | Thesaurus.com
Find 14 different ways to say UNWOMANLY, along with antonyms, related words, and example sentences at Thesaurus.com.
Unwomanly Definition & Meaning | YourDictionary
Unwomanly definition: Uncharacteristic of, unbecoming to, or degrading to a woman, especially in not conforming to stereotypical feminine traits such as modesty and reserve.
UNWOMANLY definition and meaning | Collins English Dictionary
If you describe a girl's or woman's behaviour as unwomanly, you are critical of the fact that they are behaving in a way that you think is inappropriate for a woman.
What does unwomanly mean? - Definitions.net
Unwomanly typically refers to behavior or characteristics not traditionally associated with or considered appropriate for women, especially in cultures where specific roles or traits are …
Unwomanly - Definition, Meaning & Synonyms | Vocabulary.com
Whether you’re a teacher or a learner, Vocabulary.com can put you or your class on the path to systematic vocabulary improvement.
unwomanly, adj. meanings, etymology and more | Oxford English …
Factsheet What does the adjective unwomanly mean? There are two meanings listed in OED's entry for the adjective unwomanly. See ‘Meaning & use’ for definitions, usage, and quotation …
UNWOMANLY Synonyms: 24 Similar and Opposite Words - Merriam-Webster
Synonyms for UNWOMANLY: masculine, unfeminine, unladylike, male, mannish, tomboyish, manly, hoydenish; Antonyms of UNWOMANLY: feminine, womanly, female, ladylike, unmanly, …
