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| true and false mamet: True and False David Mamet, 1998 Iconoclastic playwright, screenwriter, and director David Mamet shows actors how to undertake auditions and rehearsals, how to deal with agents and directors, and how to engage audiences. |
| true and false mamet: Three Uses of the Knife David Mamet, 2013-08-14 The purpose of theater, like magic, like religion . . . is to inspire cleansing awe. What makes good drama? And why does drama matter in an age that is awash in information and entertainment? David Mamet, one of our greatest living playwrights, tackles these questions with bracing directness and aphoristic authority. He believes that the tendency to dramatize is essential to human nature, that we create drama out of everything from today’s weather to next year’s elections. But the highest expression of this drive remains the theater. With a cultural range that encompasses Shakespeare, Bretcht, and Ibsen, Death of a Salesman and Bad Day at Black Rock, Mamet shows us how to distinguish true drama from its false variants. He considers the impossibly difficult progression between one act and the next and the mysterious function of the soliloquy. The result, in Three Uses of the Knife, is an electrifying treatise on the playwright’s art that is also a strikingly original work of moral and aesthetic philosophy. |
| true and false mamet: True and False David Mamet, 1999-02-22 One of our most brilliantly iconoclastic playwrights takes on the art of profession of acting with these words: invent nothing, deny nothing, speak up, stand up, stay out of school. Acting schools, “interpretation,” “sense memory,” “The Method”—David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring. |
| true and false mamet: American Buffalo David Mamet, 2014-07-22 American Buffalo, which won both the Drama Critics Circle Award for the best American play and the Obie Award, is considered a classic of the American theater. Newsweek acclaimed Mamet as the “hot young American playwright . . . someone to watch.” The New York Times exclaimed in admiration: “The man can write!” Other critics called the play “a sizzler,” “super,” and “dynamite.” Now from Gregory Mosher, the producer of the original stage production, comes a stunning screen adaptation, directed by Michael Corrente and starring Dustin Hoffman, Dennis Franz, and Sean Nelson. A classic tragedy, American Buffalo is the story of three men struggling in the pursuit of their distorted vision of the American Dream. By turns touching and cynical, poignant and violent, American Buffalo is a piercing story of how people can be corrupted into betraying their ideals and those they love. |
| true and false mamet: The Old Religion David Mamet, 1999 |
| true and false mamet: Oleanna David Mamet, 1993-05-04 In a terrifyingly short time, a male college instructor and his female student descend from a discussion of her grades into a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse. |
| true and false mamet: Bambi vs. Godzilla David Mamet, 2008-12-30 From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules. Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit. |
| true and false mamet: David Mamet in Conversation Leslie Kane, 2001 A master at dramatic dialogue, captured in real-life conversation about his work |
| true and false mamet: A Practical Handbook for the Actor , 2007 |
| true and false mamet: A Whore's Profession David Mamet, 1994 In his previous volumes of notes and essays, David Mamet has touched upon many aspects of his life as a writer. In 'Writing in Restaurants' he reflects modestly on his career, while 'Some Freaks' discourses loudly and entertainingly on aspects of contemporary culture - like the movies, Disneyland and on being a tourist. 'On Directing Film' shows his ebullient and practical approach to his own film-making. Central to these essays is Mamet's own work as a writer, and it is in 'The Cabin' that Mamet comes closest to defining himself. Included are autobiographical vignettes from childhood and youth describing the gamut of human emotion, from childhood fear to adult nostalgia in the re-creation of the past. |
| true and false mamet: The Anarchist David Mamet, 2013-02-05 A new drama by the Pulitzer Prize-winning author of Glengarry Glen Ross. |
| true and false mamet: How to Stop Acting Harold Guskin, 2003-06-25 Guskin is an acting doctor whose clients include Kevin Kline, Glenn Close, James Gandolfini, Bridget Fonda, and dozens more. Now Guskin reveals the insights and techniques that have worked wonders for beginners as well as stars. |
| true and false mamet: Speed-the-Plow David Mamet, 2014-09-30 Speed-the-Plow is an exhilaratingly sharp, comical, disturbing play about the power of money and sex in Hollywood, and how they corrupt two movie producers. Speed-the-Plow opened at Lincoln Center to sold-out seats, rave reviews and much fanfare in March 1988—staring Madonna, Joe Mantegna, and Ron Silver—and later moved to and had a long-standing run on Broadway. |
| true and false mamet: Chicago David Mamet, 2018-02-27 A big-shouldered, big-trouble thriller set in mobbed-up 1920s Chicago—a city where some people knew too much, and where everyone should have known better—by the Oscar-nominated screenwriter of The Untouchables and Pulitzer Prize–winning playwright of Glengarry Glen Ross. Mike Hodge—veteran of the Great War, big shot of the Chicago Tribune, medium fry—probably shouldn’t have fallen in love with Annie Walsh. Then, again, maybe the man who killed Annie Walsh have known better than to trifle with Mike Hodge. In Chicago, David Mamet has created a bracing, kaleidoscopic page-turner that roars through the Windy City’s underground on its way to a thunderclap of a conclusion. Here is not only his first novel in more than two decades, but the book he has been building to for his whole career. Mixing some of his most brilliant fictional creations with actual figures of the era, suffused with trademark Mamet Speak, richness of voice, pace, and brio, and exploring—as no other writer can—questions of honor, deceit, revenge, and devotion, Chicago is that rarest of literary creations: a book that combines spectacular elegance of craft with a kinetic wallop as fierce as the February wind gusting off Lake Michigan. |
| true and false mamet: The Old Neighborhood David Mamet, 2012-03-28 In The Old Neighborhood David Mamet confirms his stature as a master of the American stage, a writer who can turn the most innocuous phrase into a lit fuse and a family reunion into a perfectly orchestrated firestorm of sympathy, yearning, and blistering authentic rage. In these three short plays, a middle-aged Bobby Gould returns to the old-neighborhood in a series of encounters with his past that, however briefly, open windows on his present. In The Disappearance of the Jews, Bobby and an old buddy fantasize about finding themselves in a nostalgic shtetl paradise while revealing how lost they are in their own families. In the comfort of her kitchen, Bobby's sister Jolly unscrolls a list of childhood grievances that is at nice painful and hilarious. And the old girlfriend in Deeny, faced with a man she once loved, finds herself obsessively free-associating on gardening, sex, and subatomic particles. Swerving from comedy to terror, from tenderness to anguish—with a swiftness that unsettles even as it strikes home—The Old Neighborhood is classic Mamet. |
| true and false mamet: The Price Arthur Miller, 2011-10-06 Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ... |
| true and false mamet: Writing in Restaurants David Mamet, 1987-10-01 Essays in direct line from Stanislavsky, Chekhov, Shaw, and Brecht —Mike Nichols A collection of essays from Pulitzer Prize winning playwright David Mamet adressing many issues in contemporary American theater Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today's actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet's concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it. |
| true and false mamet: A Life in the Theatre David Mamet, 1977 Comedy. An experienced actor and a novice interact backstage and on stage. 1 act, 26 scenes, 2 men, 1 interior. |
| true and false mamet: Stanislavski and the Actor Jean Benedetti, 2013-12-04 In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere. |
| true and false mamet: Boston Marriage David Mamet, 2010-02-17 One of America's most provocative dramatists conquers new territory with this droll comedy of errors set in a Victorian drawing room. Anna and Claire are two bantering, scheming women of fashion who live together on the fringes of society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald. Claire, meanwhile, is infatuated with a young girl and wants to enlist the jealous Anna's help for an assignation. As the two women exchange barbs and taunt their hapless maid, Claire's inamorata arrives and sets off a crisis that puts both the valuable emerald and the women's future at risk. Mamet brings his trademark tart dialogue and impeccable plotting, spiced with Wildean wit, to this wickedly funny comedy. |
| true and false mamet: Wilson: A Consideration of the Sources David Mamet, 2001-10 And just who does Ginger think she is?--BOOK JACKET. |
| true and false mamet: Short Plays and Monologues David Mamet, 1981 These seven imaginative short theatre pieces by one of America's most inventive and highly regarded playwrights range widely in content, mood and style. The plays offer a stimulating challenge in terms of selecting, arranging, and mounting the diverse com |
| true and false mamet: The Actor and the Target Declan Donnellan, 2002 Declan Donnellan's fresh and radical approach to acting takes a scalpel to the heart of actor's persistent fears from . . . I don't know what I'm doing through I don't know who I am to I don't know what I'm playing. The Actor and the Target has already been hailed by the press in Russia where it is already published: Practically and modestly written, Declan Donnellan's book helps actors to release their talent to be free on stage. However Donnellan's path leads to wider perspectives, his book is rooted in modern theatre, modern psychology and, above all, modern reality. Written with grace and elegance, The Actor and the Target will be thoroughly enjoyed not only by the actors of the new millennium, but also by those of us who see the stage from the dark auditorium.-IzvestiaDonnellan's directing style is immediately recognizable in his book, drenched in its spirit of artistic and personal freedom. Unpretentious, straightforward, and pierced with acute insight.-KommersantClearly and systematically laid out and full of firm and unambiguous precepts, this book will become a bible for actors in the 21st century.Declan Donnellan is the first Director of the Royal Shakespeare Academy and is best known for his work with Check By Jowl, including As You Like It, and the recent production of Homebody/Kabul in New York. As Associate Director of the National Theatre his pro-ductions included Fuente Ovejuna, Sweeney Todd, and Angels in America. Abroad, his work abroad includes Le Cid for the Avignon Festival, The Winter's Tale for the Maly Theatre in St. Petersbourg and Puskin's Boris Godunuv for the Moscow Theatre confederation. He has received awards in London, Paris, New York, and Moscow. |
| true and false mamet: The Actor's Art and Craft William Esper, Damon Dimarco, 2008-04-08 William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper's, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor's Art and Craft vividly demonstrates that good training does not constrain actors' instincts—it frees them to create characters with truthful and compelling inner lives. |
| true and false mamet: Race David Mamet, 2011-01-11 “Intellectually salacious…Deep in its gut, Mamet’s gripping play argues everything in America is still about race.” –Chris Jones, Chicago Tribune “Tasty dialogue, spiky confrontations and more than occasionally biting observations…RACE riffs artfully on the subtleties of discrimination and guilt, resentment and shame, and its ambiguities appear designed to stir audiences into testy debates.” –David Rooney, Variety “Edgily compelling…Few writers can grip an audience like David Mamet. He tackles urgent themes head on, and often writes with the brutality of a sawn-off shotgun held at the spectator’s head.” –Telegraph (UK) “Fascinating and dramatically charged, Mamet’s provocative, hot-topic play is anything but simple. The questions and answers posed add up to an intriguing study of perception.” –Michael Kuchwara, Associated Press When a rich white man is accused of raping a younger African American woman, he looks to a multicultural law firm for his defense. But even as his lawyers—one of them white, another black— begin to strategize, they must confront their own biases and assumptions about race relations in America. |
| true and false mamet: Theatre David Mamet, 2011-05-05 If theatre were a religion, explains David Mamet in his opening chapter, 'many of the observations and suggestions in this book might be heretical'. As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow, calls for nothing less than the death of the director and the end of acting theory. For Mamet, actors are either good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teacher, and directors, who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself. From iconic and idiosyncratic director and playwright David Mamet, a mischievous manifesto designed to defrock the high priests and challenge the holy bibles of the theatre world. |
| true and false mamet: The New Business of Acting Brad Lemack, 2010-08-11 In an expanded and updated follow up to his popular first book, The Business of Acting: Learn the Skills You Need to Build the Career You Want, talent manager Brad Lemack offers both young, new-to-the-business and “working” actors a vital perspective on the changing landscape in which they seek to launch and grow (or to reinvent) their professional careers. The New Business of Acting: How to Build a Career in a Changing Landscape teaches actors how to be smart, proactive and strategic throughout their career journeys. Lemack teaches actors the critical, non-performance skills they need to build the careers they want – and how to apply those skills in positive, professional and productive ways. The New Business of Acting, with a foreword by Isabel Sanford, the Emmy Award-winning star of the long running television series The Jeffersons, explores the revolution taking place in how business is conducted and how those dramatic changes impact how actors must conduct the business of their careers. This empowering new book builds on the lessons taught in The Business of Acting, while addressing how to apply those lessons to the digital and economic landscape that is the “new” business of acting. Key chapters explore the changing roles of agents and managers, the new demands on casting directors in the new landscape, the importance of creating, protecting and honoring your “brand,” emotional, physical and fiscal fitness in a challenging economy, and guidelines for seeking out and getting a head shot that fits the frame of the new business. Readers will learn the art of managing expectations, a required skill in knowing how to act (and when not to) on the global Internet stage of self-submission opportunities, and, perhaps most important for the young actor, those about to or just entering the business will discover what they must know to make a healthy, happy and empowered transition from student of the performing arts to wanting-to-be-working, professional actor. Readers will also learn how to create and launch both their brand and an Action Plan for career success that teaches them how to effectively and strategically use the tools introduced in the book, and how to be a smart actor implementing their plan all along their journey. It’s not about talent and performance; it’s about perspective, planning and process. |
| true and false mamet: The Frog Prince David Mamet, 1983 |
| true and false mamet: On Directing Film David Mamet, 1992-01-01 A masterclass on the art of directing from the Pulitzer Prize-winning (and Oscar and Tony-nominated) writer of Glengarry Glen Ross, Speed the Plow, The Verdict, and Wag the Dog Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking. Passion, clarity, commitment, intelligence—just what one would expect from Mamet. —Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict |
| true and false mamet: The Intent to Live Larry Moss, 2005-12-27 “I call this book The Intent to Live because great actors don’t seem to be acting, they seem to be actually living.” –Larry Moss, from the Introduction When Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss’s guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone–professionals and amateurs alike–can discover Moss’s passionate, in-depth teaching. Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic. From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies. Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss’s respect for actors and love of the actor’s craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you. |
| true and false mamet: Acting in Film Michael Caine, 2000-02-01 A master actor who's appeared in an enormous number of films starring with everyone from Nicholson to Kermit the Frog Michael Caine is uniquely qualified to provide his view of making movies. This new revised and expanded edition features great photos t |
| true and false mamet: Wag the Dog Larry Beinhart, 2004-12-20 Considered the most brilliant political satire of the last decade, Wag the Dog was made into a film by Barry Levinson in 1998, starring Robert De Niro and Dustin Hoffman, and is fortunately back in print. |
| true and false mamet: The Shawl and Prairie Du Chien David Mamet, 1994-01-14 The Shawl is about a small-time mystic out to bilk a bereaved woman of her inheritance. In Prairie du Chien a railroad car is the setting for a violent story of obsessive jealousy, murder and suicide punctuated by the camaraderie of a friendly card game exploding into a moment of menace. |
| true and false mamet: Mr Peter's Connections Arthur Miller, 2000 The new play by Arthur Miller, which received its UK premiere at Almeida Theatre in July 2000 America's greatest twentieth-century playwright takes us on an unforgettable journey through one man's mind. Miller places Mr Peter in a twilight world of dreams and memory, in a space where the living and dead may meet. In addition to encounters with his loving wife, their daughter, Rose, and her boyfriend, Leonard, Peters also revisits his old lover, Cathy-May, and his resentful brother, Calvin, both of whom are long dead. But Miller's most original creation - and a creation of Peters' imagination - is Adele, a bag lady, who represents an incomprehensible black presence on the margins of the city's existence. Caught in this suspended state of consciousness, Peters' mind is free to roam from terror of death to glorying in one's being alive. The greatest American dramatist of our age (Evening Standard) |
| true and false mamet: Audition Michael Shurtleff, 2009-05-26 The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the auditions we face in life. This is the bible on the subject. |
| true and false mamet: The Book of Drugs Mike Doughty, 2012-01-10 Recounts the addiction and recovery of the world-renowned solo artist and former lead singer and songwriter of Soul Coughing. |
| true and false mamet: Bad Paper Jake Halpern, 2015-10-13 The book teems with eccentric characters and scenes that made my skin crawl.... Explained simply, read easily, Bad Paper defies expectations. It should also raise quite a few alarms.-Colin Dwyer, NPR The Federal Trade Commission receives more complaints about rogue debt collecting than it does about any activity besides identity theft. In Bad Paper, journalist Jake Halpern reveals why. He tells the story of Aaron Siegel, a former banking executive, and Brandon Wilson, a former armed robber, who become partners and go in quest of paper-the uncollected debts that are sold off by banks for pennies on the dollar. As Aaron and Brandon learn, the world of consumer debt collection is an unregulated shadowland, where operators often make unwarranted threats and even collect debts that are not theirs. Introducing an unforgettable cast of characters, Halpern chronicles Aaron and Brandon's lives as they manage high-pressure call centers, hunt for paper in Las Vegas casinos, and meet in parked cars to sell the social security numbers and account information of unsuspecting consumers. The result is a vital exposé on the cost of a system that compounds the troubles of hardworking Americans and an astonishing feat of storytelling. |
| true and false mamet: The Monologue Audition Karen Kohlhaas, 2000 This book takes the actor step-by-step through the crucial process of choosing and performing an audition piece. All the elements of preparing for an audition are here: choosing the right monologue, analysing the text, staging, voice, timing, gesture, movement and self presentation. |
| true and false mamet: Russian Optimism Ben Rosenfeld, 2015-01-01 Russian Optimism: Dark Nursery Rhymes To Cheer You Right Up is an illustrated coffee table book of thirty of Russia's most horrifically hysterical nursery rhymes translated for an English speaking audience. Each rhyme is 2-4 lines, with an innocent title and a horrible ending. Each rhyme is accompanied by a brightly colored yet twisted illustration of the scenario described to add humor. Each two-page layout has the illustration on one side, and the title of the rhyme, the English text, the Russian text and the Russian transliteration (using English letters) on the other. For example, The Woods: A little boy found a machine gun. Nothing lives in the woods anymore. The rhymes are grouped in seven ironically titled chapters: Moral Messages, Parenting Pointers, Classic Cooking, Aquatic Adventures, Close Calls, Cheery Children and Explosive Endings. |
| true and false mamet: Leo Frank Case Leonard Dinnerstein, 1999-03 A account of the trial and lynching of Leo Frank, the Jewish factory manager accused of the brutal murder of Mary Phagan. The author places Frank's trial and lynching in the context of a rapidly changing southern United States society. |
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แพ็กเกจรายเดือน แพ็กเกจหลักแนะนำสำหรับคุณ | True dtac
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แพ็กเกจ True X สินค้าและบริการ / ไซเบอร์ ซีเคียวลิตี้ ทรูไซเบอร์เซฟ
Support - คำถามที่พบบ่อย ฮาวทูต่างๆ | True-dtac
วิธีเปิดดูบิลรายเดือน (True e-Bill) ผ่านแอปทรู
True Corporation – Thailand’s leading telecom-tech company
True offers strong, fast connectivity throughout Thailand. As the only provider of full service in all eight 5G and 4G bands, we cover more than 99% of the population with tens of thousands of …
เปิดประสบการณ์พิเศษเหนือระดับเฉพาะคุณ ที่แอป True
แพ็กเกจ True X สินค้าและบริการ / ไซเบอร์ ซีเคียวลิตี้ ทรูไซเบอร์เซฟ
Company Information | True Corporation Public Company Limited …
As Thailand’s leading telecom-tech company, True Corporation empowers people and businesses with connected solutions that advance society sustainably. The True and dtac networks offer …
