Advertisement
| vocal sight reading worksheets: Progressive Sight Singing Carol J. Krueger, 2007 Designed for beginning Aural Skills courses required of freshmen music majors. This text introduces basic concepts. It provides examples for practice in rhythmic and melodic reading, dictation, audation, musical memory, and error detection. It trains the ear first, teaching students to hear and perform before they read and write. |
| vocal sight reading worksheets: Vocal Warm-ups Klaus Heizmann, 2019-02-08 What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are 200 suggestions all at once! And these creative exercises do more than just warm up the voice: they help to relax the body, train the ear and develop an awareness of dynamics and rhythm. Klaus Heizmann's collection is a wonderful new resource of ideas and techniques: practical, varied, challenging, relaxing and stimulating. I am always looking for new ideas, as I like to use a different set of warm-ups at every rehearsal with my choirs, and I tend to choose specific exercises to suit the repertoire for the day. This collection gives us 200 excellent tools-of-the-trade; they are clearly labeled, intelligently set out, well-designed and extremely useful. (Simon Carrington, Director of Choral Activities, New England Conservatory since 2001; Director of Choral Activities, The University of Kansas 1994-2001; Founder and co-director of the King's Singers 1968-1993) |
| vocal sight reading worksheets: A New Approach to Sight Singing Sol Berkowitz, Gabriel Fontrier, Leo Kraft, 1986 Now in its Fourth Edition, A New Approach to Sight Singing continues to lead the pack with its innovative and class-tested method of teaching the four-semester sight singing sequence. The authors new approach places the act of singing melodies at sight within the context of musicianship as a whole. |
| vocal sight reading worksheets: Piano Sight-Reading 1 John Kember, 2020-05-18 This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored while keeping the movement limited to steps, skips and repeated notes in a 5-note range. In Part 2 students are encouraged to identify the key for themselves. Accidentals, dotted notes, simple ties and syncopations occur in the exercises. Intervals of 4ths and 5ths are also included. |
| vocal sight reading worksheets: Lines Bruce E. Arnold, 2001-04-01 Arnold's workbook contains sight reading and sight singing exercises for one to four voices. Learn part singing or use for multiple voice sight reading. Audio files of all exercises can be downloaded for free on the Internet. |
| vocal sight reading worksheets: 333 Elementary Exercises in Sight Singing Zoltan 1882-1967 Kodaly, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| vocal sight reading worksheets: Bassoon Sight-Reading John Kember, Danielle Hartley, 2020-09-03 Sight-reading is an important aspect of making music and should in some form become a regular part of a student's routine each time they play their instrument. Regular sight-reading helps the pupil to gain greater confidence when approaching any new piece of music for the first time. Schott's Sight-Reading books aims to establish the habit early in every student's learning process and the emphasis is on providing idiomatic tunes and structures for the specific instruments rather than sterile sight-reading exercises. Starting from very easy pieces with familiar shapes and rhythms, the range of notes, keys and rhythms gradually develops. In addition to this, each section of the books concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing. Accompaniment exercises can be found at the end of the piano books. |
| vocal sight reading worksheets: The Novello Guide to Sight-singing Ralph Allwood, Timothy Teague, 2017-11 (Music Sales America). This is the indispensable guide to learning how to sight-read choral music. Using special interactive technology, renowned choral educators Ralph Allwood and Timothy Teague take the user from the very basics of sight-reading to a level at which they can sing confidently in a choir. This guide provides clear explanations, exercises, tips and tricks on: basic music theory; scales and stepwise motion; larger intervals and awkward leaps; fast and effective reading of choral scores; examples from popular choral repertoire; general good practice for choral singing. Whether you are 7 or 70, a beginner or an experienced singer, this book will improve your ability to read music and help you to enjoy singing to the full. This book is supported by SoundWise. It includes a range of interactive digital features: SoundCheck (powered by Match My Sound) This unique assessment and feedback software lets you use your phone, tablet or computer to help you practice. SoundCheck listens to you sing, then gives you instant feedback on how to improve!; eBook A digital edition of your book to read on any device; Video Tips and demonstrations from the authors. |
| vocal sight reading worksheets: 300 Progressive Sight Reading Exercises for Piano Robert Anthony, 2015-01-29 First and foremost: THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises! Volume One is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. The first 32 exercises isolate the hands while the remaining exercises combine them. For most of the exercises, the de-emphasized hand stays within a single five-finger position. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). This entire first volume is in C Major or its relative modes. Key signatures, accidentals, dynamics, tempo, and expressive markings will be covered in future volumes. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical ''period'' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use 32 Bar Form (A A B A), Binary Form (A B), and Ternary Form (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies, in my opinion. Various strategies to using this book may be implemented. With my students, I start toward the beginning and zig-zag through the book, skipping the appropriate number of pages to make it into the more challenging sections. The further they are in the book, the more we skip. This approach prevents the student from memorizing the exercises, allowing for them to remain useful. Note: Although Amazon has classified this book as large print, there is also a LARGE PRINT version (much larger print) that for printing purposes had to be divided into two books, and is clearly marked on the cover and in the title. If you have poor vision or want this book to be easier to SEE on an electronic device, you might prefer the LARGE PRINT Version. These books differ from conventional ''methods'' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student. - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok''s sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music''s composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a ''music-first'' perspective, as opposed to an ''instrument-first'' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well. |
| vocal sight reading worksheets: Sing at First Sight, Level 1 Andy Beck, Karen Farnum Surmani, Brian Lewis, 2005-05-03 A sequential sight-singing curriculum for all choirs. Each of the six units (containing four lessons each) clearly introduces new music reading concepts, reinforces those concepts with several rhythm and pitch exercises, motivates students with helpful hints and challenge exercises, and concludes with fun-filled review games and Evaluating Your Performance questions. The helpful Getting Ready pages (which precede each unit) are filled with music fundamentals, and for choirs who have never read music before, an optional Before We Begin chapter opens the book. And it's all a neatly laid out publication and a perfect fit for your students. From whole notes to sixteenth-note patterns, seconds to sevenths, key signatures, dynamics, articulations, and tempo markings; it's all here, and it's all logically ordered to insure student success! Spend just a few minutes a day with this book and your choir, too, will learn to Sing at First Sight! |
| vocal sight reading worksheets: Making Sight Reading Fun! , 2016-04 (Methodology Chorals). Making Sight Reading Fun - is that even possible? This creative resource book by veteran middle school choral director Mary Jane Phillips provides many different games to motivate upper elementary and secondary students to not only work harder on perfecting their sight reading skills, but to have fun while they do it! Along with motivational games like Eliminator, Sight Reading Football and Trashketball, Mary Jane offers tips and tricks from 27 years spent motivating students to learn to sight read in the most painless way possible. There are short Daily Activities and longer Friday Game Day activities - 20 in all - to keep students on their toes and engaged while learning to sight read. Also included are many sample music examples and a list of resources to use if you need to find more sight reading material. Suggested for grades 4-12. |
| vocal sight reading worksheets: Flute Sight-Reading 1 John Kember, Catherine Ramsden, 2020-08-07 Flute Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. Sight-reading in some form should become a regular part of a student's routine each time they get out the flute, and this book aims to establish the habit early in a student's learning process. There are 8 sections, which in a logical sequence gradually introduce new notes, rhythms, articulations, dynamics and Italian terms - much as you would find in a beginner's flute method. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section contains several solo examples, beginning with only three notes, and concludes with duets and accompanied pieces, allowing the student to gain experience of sight-reading within the context of ensemble playing. |
| vocal sight reading worksheets: Daily Technical Studies for Piano Oscar Beringer, 1999-02-12 This new Kalmus Edition offers pianists a complete set of technical exercises, from simple warm-ups through more advanced studies. Titles: * Section I, Five Finger Studies * Section II, Finger Studies with progressive movement of the hand * Section III, Scale Passages * Section IV, Chord Passages * Section V, Studies for changing fingers on one key * Section VI, Studies in Thirds, Sixths and Chord Combinations * Section VII, Octave and Chord Studies * Section VIII, Extension Studies * Section IX, Studies for crossing and changing hands * Section X, Playing different rhythms with both hands together * Section XI, A complete manual of Scales and Arpeggios * Section XII, Modulatory Examples * Glossary of Musical Terms Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers. |
| vocal sight reading worksheets: Advanced Ear - Training and Sight - Singing George a Wedge, 2018-10-28 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| vocal sight reading worksheets: Double bass sight-reading John Kember, David Stark, 2016-04 (String). 195 carefully graded sight-reading pieces and exercises in a range of musical styles. Includes solos, duets and pieces with piano accompaniment. Suitable for beginning to advanced level students. Both tenor and treble clefs are introduced in later chapters. Many tunes throughout the book have simple accompaniments, either for bass or piano. This is helpful, especially early on, to assure good rhythm and pitch, without playing the exact same tune as the sight reader. American String Teacher |
| vocal sight reading worksheets: Essential Musicianship Emily Crocker, John Leavitt, Janice Killian, Linda Rann, 1995-08-01 Essential Musicianship, Book 1, recommended for Grades 6-8 or other beginning groups, is a sequential choral method that helps the beginning singer develop a strong foundation of musical skills. In each of the twenty chapters a concept is p |
| vocal sight reading worksheets: 333 Reading Exercises Zoltan Kodaly, 2004-06 (BH Kodaly). The Kodaly Choral Method is a comprehensive series of progressive songs and sight-singing exercises designed to promote a thorough understanding of interval and tonality. By incorporating a wide range of Hungarian folk music and poetry, Kodaly has produced a stimulating addition to the repertoire of school and amateur choirs. This collection of 333 reading exercises is the revised English Edition, taken from the 1966 Hungarian Edition. |
| vocal sight reading worksheets: Ear Training and Sight Singing Maurice Lieberman, 1959 Ear Training and Sight Singing is the result of years of experimentation in this field; it is a tool to help the development of the skills a student must have. |
| vocal sight reading worksheets: Super Sight-reading Secrets Howard Richman, 1986 Written for all keyboardists (classical, jazz, rock), this book is a goldmine for students, teachers, and professionals alike. The book reduces the process of sight-reading into individual components. Through a series of progressive drills, your mastery of each component is comfortably and scientifically paced. As you improve, the parts merge as one and your reading reaches the highest level. |
| vocal sight reading worksheets: Expressive Singing J. Timothy Caldwell, 1995 This book is the first addressed to the reader/singer who has no experience with eurhythmics. Eurhythmics refers to the methodology developed by Emile Jaques-Dalcroze that employs various movement applications to musical performances. |
| vocal sight reading worksheets: Elementary Training for Musicians Paul Hindemith, 2020-10-29 Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. |
| vocal sight reading worksheets: Piano Adventures - Level 1 , 2000-01-01 (Faber Piano Adventures ). Contents: The Boogie Woogie March * Fiddler on the Roof * I Taut I Taw a Puddy-Tat * Matchmaker (from Fiddler on the Roof ) * Once Upon a December (from Anastasia ) * Over the Rainbow (from The Wizard of Oz ) * Superman (Theme) * This Is It! (Theme from the Bugs Bunny Show) * We're Off to See the Wizard (from The Wizard of Oz ). |
| vocal sight reading worksheets: The Folk Song Sight Singing Series Edgar Crowe, Annie Lawton, William Gillies Whittaker, 1933 |
| vocal sight reading worksheets: The Adult Speech Therapy Workbook Chung Hwa Brewer, 2021-04 THE ADULT SPEECH THERAPY WORKBOOK is your go-to resource for handouts and worksheets. It was designed for speech therapists new to adult speech therapy and covers the most common diagnoses and disorders across all adult speech therapy settings, from hospitals, to skilled nursing facilities, to home health. This workbook is packed with over 580 pages of practical, evidenced-based treatment material. |
| vocal sight reading worksheets: Aural Skills in Context Matthew R. Shaftel, Evan Jones, Juan Chattah, 2013-11 Aural Skills in Context by Matthew Shaftel, Evan Jones, and Juan Chattah is the first complete text covering sight singing, ear training, and rhythm practice that features real musical examples (from classical to folk and jazz) as the composer wrote them. |
| vocal sight reading worksheets: Specimen Sight-Singing Tests ABRSM, 2008-07 This volume contains valuable practice material for candidates preparing for the Grades 15 ABRSM Singing exams. Contains specimen tests for the new sight-singing requirements from 2009, representative of the technical level expected in the exam. |
| vocal sight reading worksheets: 150 Rounds for Singing and Teaching Edward Bolkovac, 1996 Round singing for singing and teaching. |
| vocal sight reading worksheets: The Choral Approach to Sight-Singing Emily Eilers-Crocker, 1990-07 Here is an exciting easy-to-use sight-singing method for middle school/jr. high choirs that starts from square one, assuming no previous training. It is presented in a logical, sequenced order, with harmonically combinable exercises to develop rhythmic and melodic independence. The collection offers a variety of a cappella and accompanied songs for 3-Part Mixed voices in two sequenced volumes. Volumes I and II are available in Teacher's Edition and Singer's Edition 5-Pak, and contain complete vocal and piano parts. The Teacher's Edition additionally includes complete instruction for use of the method! Available: Teacher's Edition and Singer's Edition 5-Pak. For Gr. 6-9. |
| vocal sight reading worksheets: ABCs of Vocal Harmony Elisabeth Howard, 2005 An absolute must for singers, church choirs, barbershop quartets, school chorus and back-up vocals! Includes additional sight-reading exercises and tear-out worksheets for writing music and exams. Also includes four CDs that focus on scales, intervals, chords, and rhythm. |
| vocal sight reading worksheets: Remedial Reading Drills Thorleif G. Hegge, Samuel Alexander Kirk, Winifred D. Kirk, 1976 |
| vocal sight reading worksheets: 500 Polyphonic Sight-Reading Exercises Michael Kravchuk, 2020-03-06 500 Sight-reading exercises for piano. The exercises stay within the CDEFG range in both hands in attempt to limit the difficulty of reading multiple lines and range in style from simple diatonic melodies to unusual atonal counterpoints. |
| vocal sight reading worksheets: How to Read Music in 30 Days Matthew Ellul, 2017-10-24 ” New, up-to-date release “ Do you want to learn how to read music notation quickly and easily? Do you want to understand music theory fundamentals in a simple, step-by-step system? Then this book is for you! With over 150 music examples, over 100 written exercises, 10 listening challenges, expert tips, lesson summaries, a final test, online access to the audio examples and a 20-page bonus of music reading training, you'll learn: The essentials of music theory, How rhythm REALLY works, The complete system behind musical notes, The crucial details of music notation (with 150+ examples), How to express your musical ideas with expression marks. You can finally stop searching the web endlessly in hopes of finding the right information. With this in-depth, easy-to-follow method, your music theory questions are answered in full. While learning at your own pace, this book will help you to: Compose your own music or write your own songs, Learn your instrument faster than ever before, Build a strong foundation for more advanced music studies. Hundreds of beginner students have successfully gone through this practical system to master musical notation and fundamental music theory. Now, it's your turn! |
| vocal sight reading worksheets: Essential Musicianship Emily Crocker, Hal Leonard Publishing Corporation, John Leavitt, 1995 Essential Musicianship, Book 1, recommended for Grades 6-8 or other beginning groups, is a sequential choral method that helps the beginning singer develop a strong foundation of musical skills. In each of the twenty chapters a concept is p |
| vocal sight reading worksheets: Building Choral Excellence Steven M. Demorest, 2003-04-10 Designed for both the practicing choral director and the choral methods student, this is a compact and comprehensive overview of the many teaching methods, strategies, materials, and assessments available for choral sight-singing instruction. Sight-singing is an important, if sometimes neglected, facet of choral music education that often inspires fear and uncertainty in student and teacher alike. Written in an accessible style, this book takes the mystery out of teaching music reading. Topics covered include the history of sight-singing pedagogy and research, prominent methods and materials, and practical strategies for teaching and assessment. This is the only book to provide such a wealth of information under one cover and will become an essential part of every choral conductor's library. |
| vocal sight reading worksheets: A First Book in Vocal Music Eleanor Smith, 1901 |
| vocal sight reading worksheets: Sight Singing Superhero MIM Adams, Nikki Loney, 2018-09-11 Sight Singing is Fun... Okay, learning to read music takes time and effort - but when you break it down into small, simple activities, include visual play-based music games and cheer your young singers to victory - It can be a fun part of a voice lesson. And your students will become sight singing superheroes in no time!Sight Singing Superhero Activities: * tonic Sol-fa (moveable DO)* note naming drills* rhythm reading (clapping & counting)* interval identification* 2-bar sight singing drills* note name and moveable DO flashcards (for fun games and activities)We started the sight singing last week. Lots of kids had success immediately! And....they had fun! P. Parker Schafer |
| vocal sight reading worksheets: Lines Bruce E. Arnold, 1999 There are many methods of ear training available to the serious music student. The relative pitch ear training presented in this text is based on a two-part approach involving singing and listening to an ear training tape. Many of the exercises found in the book are on-line. |
| vocal sight reading worksheets: A primer [-alternate third book] of vocal music Eleanor Smith, 1901 |
| vocal sight reading worksheets: Elocutionary Studies and New Recitations Anna Randall Diehl, 1889 |
| vocal sight reading worksheets: Practice Like a Pro Max French, Music is a universal language, a source of joy, and a powerful force for expression. But for musicians of all levels, there is a fundamental truth that often stands in the way of realizing our full potential: the art of practice. This book, Practice Like a Pro, is a culmination of years of experience as a music instructor and performer. It is a distilled guide to the methods and strategies that have helped countless musicians maximize their practice time and achieve remarkable results. While the journey of music is inherently personal, the principles of effective practice are universal. Whether you are a beginner eager to build a solid foundation or a seasoned professional seeking to refine your craft, the techniques presented in this book are designed to empower you to unlock your full musical potential. Prepare to embark on a transformative journey, where you will discover the secrets of smart practice, develop a structured routine, and embrace a mindset that fuels growth and achievement. This is more than just a book about practice; it is an invitation to elevate your musical journey. |
VOCAL Definition & Meaning - Merriam-Webster
The meaning of VOCAL is uttered by the voice : oral. How to use vocal in a sentence.
VOCAL | English meaning - Cambridge Dictionary
VOCAL definition: 1. relating to or produced by the voice, either in singing or speaking: 2. often expressing…. Learn more.
Vocal - Definition, Meaning & Synonyms - Vocabulary.com
Anything vocal is related to speaking or singing, like your math class's vocal objections to a pop quiz or the vocal warm-ups that a jazz singer does before a big performance. The word vocal …
vocal - Wiktionary, the free dictionary
Apr 10, 2025 · vocal (comparative more vocal, superlative most vocal) Of, pertaining to, or resembling the human voice or speech. (anatomy) Used in the production of speech sounds. …
VOCAL Definition & Meaning | Dictionary.com
Vocal definition: of, relating to, or uttered with the voice.. See examples of VOCAL used in a sentence.
vocal - definition and meaning - Wordnik
A vocal sound; specifically, a purely vocal element of speech, unmodified except by resonance; a vowel or a diphthong; a tonic element; a tonic; -- distinguished from a subvocal, and a …
What does vocal mean? - Definitions.net
Vocal refers to anything related to the human voice or speech. It can pertain to singing, speaking, or expressing opinions loudly and openly. In music, it often refers to the part of a song that is …
VOCAL - Meaning & Translations | Collins English Dictionary
Master the word "VOCAL" in English: definitions, translations, synonyms, pronunciations, examples, and grammar insights - all in one complete resource.
Vocal Definition & Meaning - YourDictionary
Having a voice; capable of speaking or making oral sounds. Of, used in, connected with, or belonging to the voice. Vocal organs. Full of voice or voices; sounding. Uttered or produced by …
Human voice - Wikipedia
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice …
VOCAL Definition & Meaning - Merriam-Webster
The meaning of VOCAL is uttered by the voice : oral. How to use vocal in a sentence.
VOCAL | English meaning - Cambridge Dictionary
VOCAL definition: 1. relating to or produced by the voice, either in singing or speaking: 2. often expressing…. Learn more.
Vocal - Definition, Meaning & Synonyms - Vocabulary.com
Anything vocal is related to speaking or singing, like your math class's vocal objections to a pop quiz or the vocal warm-ups that a jazz singer does before a big performance. The word vocal …
vocal - Wiktionary, the free dictionary
Apr 10, 2025 · vocal (comparative more vocal, superlative most vocal) Of, pertaining to, or resembling the human voice or speech. (anatomy) Used in the production of speech sounds. …
VOCAL Definition & Meaning | Dictionary.com
Vocal definition: of, relating to, or uttered with the voice.. See examples of VOCAL used in a sentence.
vocal - definition and meaning - Wordnik
A vocal sound; specifically, a purely vocal element of speech, unmodified except by resonance; a vowel or a diphthong; a tonic element; a tonic; -- distinguished from a subvocal, and a …
What does vocal mean? - Definitions.net
Vocal refers to anything related to the human voice or speech. It can pertain to singing, speaking, or expressing opinions loudly and openly. In music, it often refers to the part of a song that is …
VOCAL - Meaning & Translations | Collins English Dictionary
Master the word "VOCAL" in English: definitions, translations, synonyms, pronunciations, examples, and grammar insights - all in one complete resource.
Vocal Definition & Meaning - YourDictionary
Having a voice; capable of speaking or making oral sounds. Of, used in, connected with, or belonging to the voice. Vocal organs. Full of voice or voices; sounding. Uttered or produced by …
Human voice - Wikipedia
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice …
