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| tv guide greenwood ms: TV Guide Almanac Craig T. Norback, Peter G. Norback, 1980 |
| tv guide greenwood ms: TV Guide , 1997 |
| tv guide greenwood ms: Circulation , 2009 |
| tv guide greenwood ms: The Working Press of the Nation , 2002 |
| tv guide greenwood ms: SRDS Circulation , 2008 |
| tv guide greenwood ms: Another Big Book of TV Guide Crossword Puzzles Sterling, TV Guide Editors, Editors TV Guide, 2003-09-15 Thirty million loyal TV Guide� readers know where to find the best TV crosswords ever created. Puzzles with television themes from the most widely read weekly magazine in the world make this collection a television lover’s dream book. It’s spiral bound, oversize, and filled with hundreds of crosswords that will challenge anyone’s television IQ. There are classic favorites from the 1960s, ‘70s, ‘80s, and ‘90s; take a walk down memory lane, and answer “___ Masters in Rin Tin Tin” (just 3 letters). Try the best contemporary crosswords from TV Guide� Crosswords Magazine. All that, plus brain teasers and fun trivia quizzes offer hours of fun. |
| tv guide greenwood ms: Press Radio and TV Guide Rachel Eddon, 2003 |
| tv guide greenwood ms: SRDS Tv & Cable Source , 2004 |
| tv guide greenwood ms: Tough Girls Sherrie A. Inness, 2018-01-09 Tough girls are everywhere these days. Whether it is Ripley battling a swarm of monsters in the Aliens trilogy or Captain Janeway piloting the starship Voyager through space in the continuing Star Trek saga, women strong in both body and mind have become increasingly popular in the films, television series, advertisements, and comic books of recent decades. In Tough Girls, Sherrie A. Inness explores the changing representations of women in all forms of popular media and what those representations suggest about shifting social mores. She begins her examination of tough women in American popular culture with three popular television shows of the 1960s and '70s—The Avengers, Charlie's Angels, and The Bionic Woman—and continues through such contemporary pieces as a recent ad for Calvin Klein jeans and current television series such as The X-files and Xena: Warrior Princess. Although all these portrayals show women who can take care of themselves in ways that have historically been seen as uniquely male, they also variously undercut women's toughness. She argues that even some of the strongest depictions of women have perpetuated women's subordinate status, using toughness in complicated ways to break or bend gender stereotypes while simultaneously affirming them. Also of interest— Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture Lori Landay |
| tv guide greenwood ms: Airman's Guide , 1960 |
| tv guide greenwood ms: Television & Cable Factbook , 2008 |
| tv guide greenwood ms: Calamity Jane James D. McLaird, 2012-11-27 Forget Doris Day singing on the stagecoach. Forget Robin Weigert’s gritty portrayal on HBO’s Deadwood. The real Calamity Jane was someone the likes of whom you’ve never encountered. That is, until now. This book is a definitive biography of Martha Canary, the woman popularly known as Calamity Jane. Written by one of today’s foremost authorities on this notorious character, it is a meticulously researched account of how an alcoholic prostitute was transformed into a Wild West heroine. Always on the move across the northern plains, Martha was more camp follower than the scout of legend. A mother of two, she often found employment as waitress, laundress, or dance hall girl and was more likely to be wearing a dress than buckskin. But she was hard to ignore when she’d had a few drinks, and she exploited the aura of fame that dime novels created around her, even selling her autobiography and photos to tourists. Gun toting, swearing, hard drinking—Calamity Jane was all of these, to be sure. But whatever her flaws or foibles, James D. McLaird paints a compelling portrait of an unconventional woman who more than once turned the tables on those who sought to condemn or patronize her. He also includes dozens of photos—many never before seen—depicting Jane in her many guises. His book is a long-awaited biography of Martha Canary and the last word on Calamity Jane. |
| tv guide greenwood ms: Press, Radio & TV Guide, Australia, New Zealand, and the Pacific Islands , |
| tv guide greenwood ms: Do-it-yourself Retailing , 1989 |
| tv guide greenwood ms: Communicating Unreality Gabriel Weimann, 2000 Reviewing the images and meanings of the mass-mediated world, Gabriel Weimann examines the symbolic environment, where reality and fiction are almost inseparable. Through discussion of mass-mediated images of people, cultures, war, love, sex, death, community, and identity, he demonstrates that there is often a large gap between reality and the reconstruction of realities as communicated by the mass media. |
| tv guide greenwood ms: Gale Directory of Publications and Broadcast Media , 2006 Identifies specific print and broadcast sources of news and advertising for trade, business, labor, and professionals. Arrangement is geographic with a thumbnail description of each local market. Indexes are classified (by format and subject matter) and alphabetical (by name and keyword). |
| tv guide greenwood ms: Mississippi Outdoors , 2003 |
| tv guide greenwood ms: Press, Radio and TV Guide: Australia, New Zealand and the Pacific Islands , 1992 |
| tv guide greenwood ms: The Official Guide of the Railways and Steam Navigation Lines of the United States, Porto Rico, Canada, Mexico and Cuba , 1881 |
| tv guide greenwood ms: Emmy Award Winning Nighttime Television Shows, 1948-2004 Wesley Hyatt, 2015-09-11 Since the early days of television, well before most households had a set, the Academy of Television Arts and Sciences has been handing out honors for the industry's best efforts. Now fans can read about their favorites--and perhaps rediscover some forgotten pleasures--in this reference to prime time and nighttime Emmy winners. Beginning with the heated charade contest known as Pantomime Quiz, which won Most Popular Program of 1948 in the first Emmy Awards ceremony (held in 1949), each of more than 100 winning shows gets star treatment with an entry that includes the year of award or awards, air times, hosts, guests, casts and a full discussion of the show's history and run. Many of the entries include original interviews with cast or crew members. With such rich information, each show's entry constitutes a chapter in the history of television through the story of the show and the people who made it happen. The best of variety, drama, game shows, comedies, adventures and many more categories are featured. An appendix offers interesting facts and figures and ranks shows according to such statistics as longest run, longest delay from debut to win, and most Emmys won. |
| tv guide greenwood ms: Electronic Media Criticism Peter B. Orlik, 2001 Given the prominence of the electronic media in the 21st century, it is crucial that both media professionals and consumers know how to decipher and evaluate media content, the assumptions on which that content is based, and the constraints to which it is subject. Electronic Media Criticismoffers a variety of critical approaches to audio and video discourse. Rather than restricting itself to one perspective, the book applies key aesthetic, sociological, philosophical, psychological, structural, and economic principles to arrive at a comprehensive evaluation of both programming and advertising content. Maintaining the approach of the original volume, this second edition includes: * updated chapters to reflect the current media world, including sample reviews and illustrations, * material pertaining to new media--because the book is process-oriented rather than medium-oriented, Internet referents are interspersed in discussion of the various critical perspectives, * two additional scripts for critical analysis--an episode of The Simpsonsand an installment of the dark Canadian comedy The Newsroom,and * new exercises for further practice in applying critical procedures. Orlik interweaves the insights of industry and academic authorities, recognizing that both orientations are essential in the development of a valid and viable critical outlook. Written for media students and practitioners, all readers of this volume will gain feasible and flexible tools for focused and rational analysis of electronic media products, as well as improved understanding of the role and essential ingredients of criticism itself. |
| tv guide greenwood ms: Prime-Time Feminism Bonnie J. Dow, 1996-06 The author offers surprising connections and comparisons in the book . . . and she provides a solid overview of the women's movement in America to the present. . . . Highly recommended for upper-division and graduate media, cultural, and feminist studies collections.—Choice |
| tv guide greenwood ms: Editor & Publisher International Year Book , 2000 The encyclopedia of the newspaper industry. |
| tv guide greenwood ms: Women and Media Cynthia M. Lont, 1995 This text examines women's roles and impact in newspapers, women's magazines, advertising, television entertainment, television news, film, rock music and music television. Each unit opens with a brief discussion of the history, portrayal, and employment of women in a specific medium, followed by three essays: a content analysis that quantifies the role(s) of women in that medium, a descriptive history of a specific woman or women's media group that has affected the medium and a critical essay that challenges readers to think about women and media in new and different ways. The text intertwines various perspectives throughout its chapters; women as news, women as newsmakers, and the portrayal of women to give an integrative approach to the study of women and media. |
| tv guide greenwood ms: 100 American Crime Writers S. Powell, 2012-08-07 100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime fiction for anyone who enjoys this fascinating genre. |
| tv guide greenwood ms: Gale Directory of Publications & Broadcast Media 142 V3 , 2007-07 |
| tv guide greenwood ms: Diana Rigg Kathleen Tracy, 2004-04-10 Recently voted the sexiest television star of all time by TV Guide readers, Diana Rigg is best known as the brilliant and seductive British agent, Emma Peel on The Avengers. The Tony and Emmy award-winning actress is famous not only for her acting talent, but for her keen intelligence and strong opinions as well. Diana Rigg biographer Kathleen Tracy reveals the fascinating professional and personal life of this rebellious, outspoken icon of feminism - from her childhood in India and early days with the Royal Academy of Dramatic Art in London to her tenure on The Avengers, her role in the Bond film On Her Maiesty's Secret Service and her distinguished stage career. |
| tv guide greenwood ms: The Interactive Multimedia Sourcebook 1997 R R Bowker Publishing, 1996 |
| tv guide greenwood ms: George Washington on Coins and Currency Heinz Tschachler, 2020-07-27 George Washington is the most popular subject on coins, medals, tokens, paper money and postage stamps in America. Attempts to eliminate one-dollar bills from circulation, replacing them with coins, have been unsuccessful. Americans' reluctance to part with their Georges are beyond rational considerations but tap into deep-felt emotions. To discard one-dollar bills means discarding the metaphorical Father of His Country. Alexander Hamilton, the nation's first Secretary of the Treasury, said that monetary tokens were vehicles of useful impressions. This numismatic history of George Washington traces the persistence of his image on American currency. These images are mostly from the late 18th-century. This book also offers a close look at the pictorial tradition in which these images are rooted. |
| tv guide greenwood ms: The Changing Face of Beauty Sharon Romm, 1992 |
| tv guide greenwood ms: AMA Members and Marketing Services Directory American Marketing Association, 2002 |
| tv guide greenwood ms: Invisible Stars Donna Halper, 2015-02-11 Invisible Stars was the first book to recognize that women have always played an important part in American electronic media. The emphasis is on social history, as the author skillfully explains how the changing role of women in different eras influenced their participation in broadcasting. This is not just the story of radio stars or broadcast journalists, but a social history of women both on and off the air. Beginning in the early 1920s with the emergence of radio, the book chronicles the ambivalence toward women in broadcasting during the 1930s and 1940s, the gradual change in status of women in the 1950s and 1960s, the increased presence of women in broadcasting in the 1970s, and the successes of women in broadcasting in the 1980s and 1990s. The second edition is expanded to include the social and political changes that occurred in the 2000s, such as the growing number of women talk show hosts; changing attitudes about women in leadership roles in business; more about minority women in media; and women in sports and women sports announcers. The author addresses the question of whether women are in fact no longer invisible in electronic media. She provides an assessment of where progress for women (in society as well as broadcasting) can be seen, and where progress appears totally stalled. |
| tv guide greenwood ms: Who's who in American Law , 2007 |
| tv guide greenwood ms: Superheroines and the Epic Journey Valerie Estelle Frankel, 2017-03-23 The heroine's journey echoes throughout ancient legend. Each young woman combats her dark side and emerges stronger. This quest is also a staple of American comic books. Wonder Woman with semi-divine powers gives us a new female-centered creation story. Batgirl, Batwoman and Black Widow discover their enemy is the dark mother or shadow twin, with the savagery they've rejected in themselves. Supergirl similarly struggles but keeps harmony with her sister. From Jessica Jones and Catwoman to the new superwomen of cutting-edge webcomics, each heroine must go into the dark, to become not a warrior but a savior. Women like Captain Marvel and Storm sacrifice all to join the ranks of superheroes, while their feminine powers and dazzling costumes reflect the most ancient tales. |
| tv guide greenwood ms: Critical Approaches to Television Leah R. Vande Berg, Bruce E. Gronbeck, Lawrence A. Wenner, 1998 |
| tv guide greenwood ms: Bowker's News Media Directory Bowker Staff, 2003 |
| tv guide greenwood ms: National E-mail and Fax Directory , 1998 |
| tv guide greenwood ms: Who's who Among Students in American Universities and Colleges Henry Pettus Randall, 1997 |
| tv guide greenwood ms: Acronyms, Initialisms & Abbreviations Dictionary Gale Research Company, 1997 |
| tv guide greenwood ms: Mass Media and the Shaping of American Feminism, 1963-1975 Patricia Bradley, 2009-09-18 Beginning in 1963 with the publication of Betty Friedan's The Feminine Mystique and reaching a high pitch ten years later with the televised mega-event of the “Battle of the Sexes”—the tennis match between Billie Jean King and Bobby Riggs—the mass media were intimately involved with both the distribution and the understanding of the feminist message. This mass media promotion of the feminist profile, however, proved to be a double-edged sword, according to Patricia Bradley, author of Mass Media and the Shaping of American Feminism, 1963-1975. Although millions of women learned about feminism by way of the mass media, detrimental stereotypes emerged overnight. Often the events mounted by feminists to catch the media eye crystalized the negative image. All feminists soon came to be portrayed in the popular culture as “bra burners” and “strident women.” Such depictions not only demeaned the achievements of their movement but also limited discussion of feminism to those subjects the media considered worthy, primarily equal pay for equal work. Bradley's book examines the media traditions that served to curtail understandings of feminism. Journalists, following the craft formulas of their trade, equated feminism with the bizarre and the unusual. Even women journalists could not overcome the rules of “What Makes News.” By the time Billie Jean King confronted Bobby Riggs on the tennis court, feminism had become a commodity to be shaped to attract audiences. Finally, in mass media's pursuit of the new, counter-feminist messages came to replace feminism on the news agenda and helped set in place the conservative revolution of the 1980s. Bradley offers insight into how mass media constructs images and why such images have the kind of ongoing strength that discourages young women of today from calling themselves “feminist.” The author also asks how public issues are to be raised when those who ask the questions are negatively defined before the issues can even be discussed. Mass Media and the Shaping of American Feminism, 1963-1975 examines the media's role in creating the images of feminism that continue today. And it poses the dilemma of a call for systematic change in a mass media industry that does not have a place for systematic change in its agenda. |
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