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| translations from drawing to building: Translations from Drawing to Building and Other Essays Robin Evans, 1997 The late Robin Evans was a historian whose writings covered a wide range of architectural concerns: society's involvement in building types; spatial relations; aspects of geometry; and modes of projection. This text brings together eight of Robin Evans's essays, including Mies van der Rohe's Paradoxical Symmetries and others that were first published in the AA Files series. Written over a period of 20 years from 1970 to 1990, the essays are representative of his diverse body of work. The essays are supported by an introduction by Mohsen Mostafavi, a survey of Evans's writings by Robin Middleton, and an annotated bibliography by Richard Difford. |
| translations from drawing to building: Translations from Drawing to Building Robin Evans, 1997 Introduction by Mohsen Mostafavi The late Robin Evans (1944-1993) was a highly original historian of architecture whose writings covered a wide range of concerns: society's role in the evolution and development of building types, aspects of geometry, modes of projection, military architecture, representation of all kinds. No matter what the topic, however, he always drew on firsthand experience, arriving at his insights from direct observation. This book brings together eight of Evans's most significant essays. Written over a period of twenty years, from 1970, when he graduated from the Architectural Association, to 1990, they represent the diverse interests of an agile and skeptical mind. The book includes an introduction by Mohsen Mostafavi, a chronological account of the development of Evans's writing by Robin Middleton, and a bibliography by Richard Difford. CONTENTS Towards Anarchitecture The Rights of Retreat and Rites of Exclusion: Notes Towards the Definition of Wall Figures, Doors and Passages Rookeries and Model Dwellings: English Housing Reform and the Moralities of Private Space Not to Be Used for Wrapping Purposes Translations from Drawing to Building The Developed Surface: An Enquiry into the Brief Life of an Eighteenth-Century Drawing Technique Mies van der Rohes Paradoxical Symmetries |
| translations from drawing to building: Drawing Imagining Building Paul Emmons, 2019-04-01 Drawing Imagining Building focuses on the history of hand-drawing practices to capture some of the most crucial and overlooked parts of the process. Using 80 black and white images to illustrate the examples, it examines architectural drawing practices to elucidate the ways drawing advances the architect’s imagination. Emmons considers drawing practices in the Renaissance and up to the first half of the twentieth century. Combining systematic analysis across time with historical explication presents the development of hand-drawing, while also grounding early modern practices in their historical milieu. Each of the illustrated chapters considers formative aspects of architectural drawing practice, such as upright elevations, flowing lines and occult lines, and drawing scales to identify their roots in an embodied approach to show how hand-drawing contributes to the architect’s productive imagination. By documenting some of the ways of thinking through practices of architectural handdrawing, it describes how practices can enrich the ethical imagination of the architect. This book would be beneficial for academics, practitioners, and students of architecture, particularly those who are interested in the history and significance of hand-drawing and technical drawing. |
| translations from drawing to building: A Companion to Contemporary Drawing Kelly Chorpening, Rebecca Fortnum, 2020-11-10 The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice. |
| translations from drawing to building: Architecture in Translation Esra Akcan, 2012-07-12 Esra Akcan describes the introduction of modern architecture into Turkey after the Kemalist political elite took power in 1923 and invited German architects to redesign the new capital of Ankara. |
| translations from drawing to building: Chinese Architecture and Metaphor Jiren Feng, 2012-05-31 Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi’s unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati’s greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and “unlearned” cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts. Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture. |
| translations from drawing to building: Without and Within Mark Pimlott, 2007 |
| translations from drawing to building: Twenty Buildings Every Architect Should Understand Simon Unwin, 2010-02-25 Have you ever wondered how the ideas behind the world’s greatest architectural designs came about? What process does an architect go through to design buildings which become world-renowned for their excellence? This book reveals the secrets behind these buildings. He asks you to ‘read’ the building and understand its starting point by analyzing its final form. Through the gradual revelations made by an understanding of the thinking behind the form, you learn a unique methodology which can be used every time you look at any building. |
| translations from drawing to building: Fugitive Democracy Sheldon S. Wolin, 2018-11-13 An authoritative collection of the most important writings of an influential political thinker Sheldon Wolin was one of the most influential and original political thinkers of the past fifty years. In Fugitive Democracy, the breathtaking range of Wolin’s scholarship, political commitment, and critical acumen are on full display in this authoritative and accessible collection of essays. This book brings together his most important writings, from classic essays to his late radical essays on American democracy such as Fugitive Democracy, in which he offers a controversial reinterpretation of democracy as an episodic phenomenon distinct from the routinized political management that passes for democracy today. Wolin critically engages a diverse range of political theorists, and grapples with topics such as power, modernization, the sixties, revolutionary politics, and inequality, all the while showcasing enduring commitment to writing civic-minded theoretical commentary on the most pressing political issues of the day. Fugitive Democracy offers enduring insights into many of today’s most pressing political predicaments, and introduces a whole new generation of readers to this provocative figure in contemporary political thought. |
| translations from drawing to building: The Venice Variations Sophia Psarra, 2018-04-30 From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future. |
| translations from drawing to building: Drawing for Architects Julia McMorrough, 2014-11-01 Immediate and constructive, the physicality of hand drawing, upon which representation formats are based, is a necessary skill needed to communicate ideas in the field of architectural design. Drawing for Architects provides what practicing architects and architectural students need - a technique-based, progression of drawing types and instructions teaching core drawing principles needed to connect drawing with architectural design. Respected architect and author Julia McMorrough outlines issues around each of the types of drawing, showing that the conversations of plan, section, elevation, axonometric, and perspective each have a relation to the kind of design information that drawing makes possible to express. Drawing for Architects explains both the technical and disciplinary importance of drawing and how to enable design creativity and application through its practiced use. |
| translations from drawing to building: Book from the Ground Bing Xu, 2018-11-06 A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it. |
| translations from drawing to building: Why Architects Still Draw Paolo Belardi, 2014-02-14 An architect's defense of drawing as a way of thinking, even in an age of electronic media. Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors and a measuring tape. Rather, he makes a case for drawing as the interface between the idea and the work itself. A drawing, Belardi argues, holds within it the entire final design. It is the paradox of the acorn: a project emerges from a drawing—even from a sketch, rough and inchoate—just as an oak tree emerges from an acorn. Citing examples not just from architecture but also from literature, chemistry, music, archaeology, and art, Belardi shows how drawing is not a passive recording but a moment of invention pregnant with creative possibilities. Moving from the sketch to the survey, Belardi explores the meaning of measurement in a digital era. A survey of a site should go beyond width, height, and depth; it must include two more dimensions: history and culture. Belardi shows the sterility of techniques that value metric exactitude over cultural appropriateness, arguing for an “informed drawing” that takes into consideration more than meters or feet, stone or steel. Even in the age of electronic media, Belardi writes, drawing can maintain its role as a cornerstone of architecture. |
| translations from drawing to building: Drawing Futures Bob Sheil, Frédéric Migayrou, Luke Pearson, Laura Allen, 2016-11-11 Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas. |
| translations from drawing to building: Architects' Data Ernst Neufert, Peter Neufert, 1991-01-15 This is an essential aid in the initial design and planning of a project. The relevant building type is located by a comprehensive index and cross reference system, a condensed commentary covers user requireements, planning criteria, basic dimensions and other considerations of function, siting aspect etc. A system of references based on an extensive bibliography supports the text. In every section plans, sections, site layouts, design details and graphs illustrated key aspects of a building type's design. Most illustrations are dimensioned or scaled - the metric system of measurement is used throughout, and the equivalent in feet/inches can easily be read either off a graphic scale on the page or from the built-in conversion table. The illustrations are international in origin and include both well know and less famous designers. Architects Data is primarily a handbook of building types rather than of construction techniques and details. However its treatment of components (such as doors and windows) and of spaces for building services is extremely thorough, since consideration of this data is an essential element of the planning process. The opening pages of basic data on man and his buildings cover critical subjects such as scale, drawing practice, noise, light and space for the same reason. Particular attention has also been paid to the implications of energy conservation, means of escape from fire and the needs of the elderly and the disabled. |
| translations from drawing to building: Key Urban Housing of the Twentieth Century Hilary French, 2008 This book features around ninety of the most influential modern housing designs of the last 100 years by some of the best-known architects in the field. Each project is explained with a concise text and photographs and specially created scale drawings, including floor plans and site plans, sections and elevations where appropriate. The CD-ROM contains digital files of all the drawings featured in the book. |
| translations from drawing to building: Prose Architectures , 2017 A book of pen-and-ink drawings by artist, poet, and fiction writer, Renee Gladman-- |
| translations from drawing to building: Building in the Garden Stephen White, 1998 A fully-illustrated record of the architectural and environmental concerns of the leading architect Joseph Allen Stein. One of the most influential architects to work in India, he was awarded the Padma Shri by the Indian Government. |
| translations from drawing to building: The Fabrication of Virtue Robin Evans, 2011-08-18 First published in 1982, this book describes a new kind of prison architecture that developed in the late eighteenth and early nineteenth centuries. The book concentrates on architecture, but places it in the context of contemporary penal practice and contemporary thought. Beginning with an exploration on the eighteenth-century prisons before reform, the book goes on to consider two earlier kinds of imprisonment that were modified by eighteenth-century reformers. The theory and practice of prison design is covered in detail. The later parts of the book deals with alliance between architecture and reform, and with the connection between the utilitarian architecture of the reformed prisons and academic neo-classicism. The overall aim of the book is to show the profound change that was being wrought in the nature of architecture, which was exemplified in the reformed prisons. Architecture, one emblem of the social order, was now one of its fundamental instruments. |
| translations from drawing to building: Corridors Roger Luckhurst, 2019-05-13 We spend our lives moving through passages, hallways, corridors, and gangways, yet these channeling spaces do not feature in architectural histories, monographs, or guidebooks. They are overlooked, undervalued, and unregarded, seen as unlovely parts of a building’s infrastructure rather than architecture. This book is the first definitive history of the corridor, from its origins in country houses and utopian communities in the seventeenth and eighteenth centuries, through reformist Victorian prisons, hospitals, and asylums, to the “corridors of power,” bureaucratic labyrinths, and housing estates of the twentieth century. Taking in a wide range of sources, from architectural history to fiction, film, and TV, Corridors explores how the corridor went from a utopian ideal to a place of unease: the archetypal stuff of nightmares. |
| translations from drawing to building: The Five Orders of Architecture Vignola, 1889 |
| translations from drawing to building: Building Blocs Cedric de Leon, Manali Desai, Cihan Tuğal, 2015-05-27 Do political parties merely represent divisions in society? Until now, scholars and other observers have generally agreed that they do. But Building Blocs argues the reverse: that some political parties in fact shape divisions as they struggle to remake the social order. Drawing on the contributors' expertise in Indonesia, India, the United States, Canada, Egypt, and Turkey, this volume demonstrates further that the success and failure of parties to politicize social differences has dramatic consequences for democratic change, economic development, and other large-scale transformations. This politicization of divisions, or political articulation, is neither the product of a single charismatic leader nor the machinations of state power, but is instead a constant call and response between parties and would-be constituents. When articulation becomes inconsistent, as it has in Indonesia, partisan calls grow faint and the resulting vacuum creates the possibility for other forms of political expression. However, when political parties exercise their power of interpellation efficiently, they are able to silence certain interests such as those of secular constituents in Turkey. Building Blocs exposes political parties as the most influential agencies that structure social cleavages and invites further critical investigation of the related consequences. |
| translations from drawing to building: Carlo Mollino Napoleone Ferrari, Michelangelo Sabatino, 2022 First-ever monograph on Carlo Mollino as an architect. Demonstrates Mollino's prowess in architectural design. Based on extensive new research and drawing on rich archival material. Lavishly illustrated with previously unpublished images, plans, drawings, and documents. Today, Italian architect and designer Carlo Mollino (1905-73) is known chiefly for his furniture designs. He is famous also for his erotic polaroid photography of the 1960s, which has been subject of many exhibitions and has lost nothing of its great appeal to the fashion world today. Much less attention has so far been given to Mollino's architecture, and a comprehensive critical study of his work in this field has been lacking. Yet his built work, although relatively small, constitutes a seminal contribution to modernism that is uniquely marked by a strong relationship with Surrealism. Based on years of research and drawing on rich archival material as well as on Mollino's own writings, this new book is the overdue tribute to an extraordinary personality in 20th-century architecture. It features an exemplary selection of his key designs, both built and unrealised, lavishly illustrated with images and reproductions of previously unpublished plans, drawings, and documents. Rounded out with scholarly essays by expert authors, this is a long-awaited addition to the library of architecture lovers, professionals, and scholars. |
| translations from drawing to building: The Metamorphosis Franz Kafka, 2020-01-14 New translation of The Metamorphosis by Franz Kafka. Poor Gregor Samsa! This guy wakes up one morning to discover that he's become a monstrous vermin. The first pages of The Metamorphosis where Gregor tries to communicate through the bedroom door with his family, who think he’s merely being lazy, is vintage screwball comedy. Indeed, scholars and readers alike have delighted in Kafka’s gallows humor and matter-of-fact handling of the absurd and the terrifying. But it is one of the most enigmatic stories of all time, with an opening sentence that’s unparalleled in all of literature. |
| translations from drawing to building: Précis of the Lectures on Architecture Jean-Nicolas-Louis Durand, 2000-01-01 Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education. |
| translations from drawing to building: Home Witold Rybczynski, 1987-07-07 This immensely popular, witty, and highly provocative book is changing people's attitudes about convenience, decor, and technology in home design and furnishing. 10 black-and-white illustrations. |
| translations from drawing to building: The Popol Vuh Lewis Spence, 1908 |
| translations from drawing to building: Journey to the West (2018 Edition - PDF) Wu Cheng'en, 2018-08-14 The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless! |
| translations from drawing to building: AA Files Thomas Weaver, 2014-01 This title features essays by Lilly Dubowitz on Stefan Sebok, the art historian Karin Gimmi on Max Frisch, the architectural historian Irene Sunwoo on AATV, the oral historian Linda Sandino on the oral archive, the design historian Eric Kindel on stencils and a conversation between John Morgan and Sally Potter about her father. |
| translations from drawing to building: The Architecture of Full-Scale Mock-Ups Nick Gelpi, 2019-11 The Architecture of Full-Scale Mock-Ups looks at the theory and contemporary practice of creating full-scale architectural mock-ups. This book serves as an introduction to the various forms of full-scale mock-ups which occur today. To broaden the definition of mock-ups, Nick Gelpi dives deep into the use of mock-ups in seven high-profile and global contemporary case studies. Instead of the presentation drawings and final building photos, the documentation of case studies relies on process photos, interviews, and moments of tension in the execution of each building. With never-before-published content, case studies include buildings from all over the world, including the Quincho Tia Coral and Teleton Building, Copper House II, the Pérez Art Museum Miami, the Cité de l'Océan et du Surf Museum, and more. Investigating unique case studies to answer how and when full-scale mock-ups occur today, this book is ideal for professionals and students of architecture studying materials and representation, design-build, and professional practice. |
| translations from drawing to building: Sigfried Giedion Sokratis Georgiadis, 1993 After studying art history with Heinrich Wolfflin, Giedion followed a polemical career that went far beyond the conventional bounds of academia. He defined the historical context and significance of the modern movement, proclaiming its goals and chronicling its progress. As General Secretary of the CIAM (International Congress for Modern Architecture) he was the organisational and theoretical focus of the modernist debate for over forty years. |
| translations from drawing to building: Possible Mediums Kelly Bair, Kristy Balliet, Adam Fure, Kyle Miller, 2018-11 ING_08 Review quote |
| translations from drawing to building: Rules for Drawing the Several Parts of Architecture, in a More Exact and Easy Manner Than Has Been Heretofore Practised, by Which All Fractions, in Dividing the Principal Members and Their Parts, Are Avoided James 1682-1754 Gibbs, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| translations from drawing to building: Play Among Books Miro Roman, Alice _Ch3n81, 2021-09 How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his alter ego Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an infinite flow of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science. |
| translations from drawing to building: The Good Soldier Schweik Jaroslav Hasek, 1963 |
| translations from drawing to building: The Wim Hof Method Wim Hof, 2022-04-14 THE SUNDAY TIMES BESTSELLING PHENOMENOM 'I've never felt so alive' JOE WICKS 'The book will change your life' BEN FOGLE My hope is to inspire you to retake control of your body and life by unleashing the immense power of the mind. 'The Iceman' Wim Hof shares his remarkable life story and powerful method for supercharging your strength, health and happiness. Refined over forty years and championed by scientists across the globe, you'll learn how to harness three key elements of Cold, Breathing and Mindset to master mind over matter and achieve the impossible. 'Wim is a legend of the power ice has to heal and empower' BEAR GRYLLS 'Thor-like and potent...Wim has radioactive charisma' RUSSELL BRAND |
| translations from drawing to building: Practice Stan Allen, 2012-12-06 Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen’s seminal piece on Field Conditions is included in this reworked, revised and redesigned volume. A compelling read for student and practitioner alike. |
| translations from drawing to building: Sustainable Building Design for Tropical Climates Federico Butera, 2014 |
| translations from drawing to building: Architecture Depends Jeremy Till, 2013-02-08 Polemics and reflections on how to bridge the gap between what architecture actually is and what architects want it to be. Architecture depends—on what? On people, time, politics, ethics, mess: the real world. Architecture, Jeremy Till argues with conviction in this engaging, sometimes pugnacious book, cannot help itself; it is dependent for its very existence on things outside itself. Despite the claims of autonomy, purity, and control that architects like to make about their practice, architecture is buffeted by uncertainty and contingency. Circumstances invariably intervene to upset the architect's best-laid plans—at every stage in the process, from design through construction to occupancy. Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection. With Architecture Depends, architect and critic Jeremy Till offers a proposal for rescuing architects from themselves: a way to bridge the gap between what architecture actually is and what architects want it to be. Mixing anecdote, design, social theory, and personal experience, Till's writing is always accessible, moving freely between high and low registers, much like his suggestions for architecture itself. |
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