Advertisement
| toril moi quotes: Revolution of the Ordinary Toril Moi, 2017-05-22 This radically original book argues for the power of ordinary language philosophy—a tradition inaugurated by Ludwig Wittgenstein and J. L. Austin, and extended by Stanley Cavell—to transform literary studies. In engaging and lucid prose, Toril Moi demonstrates this philosophy’s unique ability to lay bare the connections between words and the world, dispel the notion of literature as a monolithic concept, and teach readers how to learn from a literary text. Moi first introduces Wittgenstein’s vision of language and theory, which refuses to reduce language to a matter of naming or representation, considers theory’s desire for generality doomed to failure, and brings out the philosophical power of the particular case. Contrasting ordinary language philosophy with dominant strands of Saussurean and post-Saussurean thought, she highlights the former’s originality, critical power, and potential for creative use. Finally, she challenges the belief that good critics always read below the surface, proposing instead an innovative view of texts as expression and action, and of reading as an act of acknowledgment. Intervening in cutting-edge debates while bringing Wittgenstein, Austin, and Cavell to new readers, Revolution of the Ordinary will appeal beyond literary studies to anyone looking for a philosophically serious account of why words matter. |
| toril moi quotes: What is a Woman? Toril Moi, 1999 Is the sex/gender distinction really always fundamental to feminist thought? Arguing for a feminism of freedom inspired by Simone de Beauvoir's The Second Sex, Toril Moi challenges dominant trends in feminist and cultural theory. |
| toril moi quotes: Henrik Ibsen and the Birth of Modernism Toril Moi, 2008-02-14 Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism. |
| toril moi quotes: Simone de Beauvoir Toril Moi, 2009-08-27 For the second edition of her landmark study of Simone de Beauvoir, Toril Moi provides a major new introduction discussing current developments in Beauvoir studies as well as the recent publication of papers and letters by Beauvoir, including her letters to her lovers Jacques-Laurent Bost and Nelson Agren, and her student diaries from 1926-7. |
| toril moi quotes: A Literature of Their Own Elaine Showalter, 2020-12-08 When first published in 1977, A Literature of Their Own quickly set the stage for the creative explosion of feminist literary studies that transformed the field in the 1980s. Launching a major new area for literary investigation, the book uncovered the long but neglected tradition of women writers in England. A classic of feminist criticism, its impact continues to be felt today. This revised and expanded edition contains a new introductory chapter surveying the book's reception and a new postscript chapter celebrating the legacy of feminism and feminist criticism in the efflorescence of contemporary British fiction by women. |
| toril moi quotes: Sexual Toril Moi, 1995 |
| toril moi quotes: Character Amanda Anderson, Rita Felski, Toril Moi, 2019-10-23 Over the last few decades, character-based criticism has been seen as either naive or obsolete. But now questions of character are attracting renewed interest. Making the case for a broad-based revision of our understanding of character, Character rethinks these questions from the ground up. Is it really necessary to remind literary critics that characters are made up of words? Must we forbid identification with characters? Does character-discussion force critics to embrace humanism and outmoded theories of the subject? Across three chapters, leading scholars Amanda Anderson, Rita Felski, and Toril Moi reimagine and renew literary studies by engaging in a conversation about character. Moi returns to the fundamental theoretical assumptions that convinced literary scholars to stop doing character-criticism, and shows that they cannot hold. Felski turns to the question of identification and draws out its diverse strands, as well as its persistence in academic criticism. Anderson shows that character-criticism illuminates both the moral life of characters, and our understanding of literary form. In offering new perspectives on the question of fictional character, this thought-provoking book makes an important intervention in literary studies. |
| toril moi quotes: Freedom and Recognition in the Work of Simone de Beauvoir Susanne Moser, 2008 This book offers a detailed analysis of Beauvoir's concepts of freedom and recognition concerning their impact on a philosophy of gender. It demonstrates that Beauvoir is much more than a simple equality feminist and that she posed questions that are at the center of contemporary feminist research. It shows that Beauvoir's existentialist approach must be taken seriously in that it provides a fundamental instrument for the interpretation of gender relations. On the basis of her work the conflicts are revealed that arise when modern emancipation theories and post-modern deconstructivism clash. By investigating these conflicting tendencies the thesis is elaborated that Beauvoirs's work can be seen as a pivot between modern and post-modern discourse. |
| toril moi quotes: A Room of One's Own Virginia Woolf, 2022-11-13 In 'A Room of One's Own,' Virginia Woolf constructs a sharply detailed and profoundly influential critique of the patriarchal limitations imposed on female writers and intellectuals. First published in 1929, this extended essay transcends its original lecture format, utilizing a fictional veil to delve into the intersection of women with literary creation and representation. Woolf's prose is fluid and exacting, a rally for recognition orchestrated in the cadence of narrative fiction, yet grounded in the stark realities of the feminist struggle for intellectual autonomy and recognition. This resourceful mingling of fact and fiction situates Woolf among the vanguard of feminist literary critique, providing context and commentary to the historical suppression of women's voices within the established literary canon. Virginia Woolf, with her exceptional literary prowess, embarks on this essay from a position of lived experience and recognition of the broader socio-historical currents of her time. Her own encounters with gender-based barriers and the psychological insights she developed in her broader oeuvre fuel the essay's core argument. The provenance of her writing in 'A Room of One's Own'—stemming from the dynamics of her personal journey and societal observations—elucidates the necessity of financial independence and intellectual freedom for the creative output of female authors. Woolf's narrative competence and critical acumen position her not only as a luminary of modernist literature but also as a vital provocateur in the discourse of gender equality. 'A Room of One's Own' remains a fundamental recommendation for readers seeking not only to understand the historical plight and literary silencing of women but also to appreciate the enduring relevance of Woolf's argument. Scholars, feminists, and bibliophiles alike will find in Woolf's essay an enduring testament to the necessity of giving voice to the voiceless and space to the confined. It is a rallying cry for the creation of a literary world that acknowledges and celebrates the contributions of all of its constituents, one where the measure of talent is not distorted by the filter of gender bias. |
| toril moi quotes: Conflicts in Feminism Marianne Hirsch, Evelyn Fox Keller, 2015-10-15 Conflicts in Feminism proposes new strategies for negotiating and practicing conflict in feminism. Noted scholars and writers examine the most critically divisive issues within feminism today with sensitivity to all sides of the debates. By analyzing how the debates have worked for and against feminism, and by promoting dialogue across a variety of contexts, these provocative essays explore the roots of divisiveness while articulating new models for a productive discourse of difference. |
| toril moi quotes: Frankenstein Harold Bloom, 2009 Presents a collection of writings exploring the characters from Mary Shelley's Frankenstein. |
| toril moi quotes: Mapping the World of Anglo-American Studies at the Turn of the Century Marija Knežević, 2015-10-05 This volume revisits the most important issues that Anglo-American studies are facing at the beginning of the twenty-first century, with regards to both research and teaching. Given the English language’s status as a lingua franca, the culture that produced it, and that has been changing it, the literature written in English, and relevant linguistic and literary discourse have come to largely dominate critical theory globally. Therefore, the subjects of Anglo-American studies, and their traditional and modern concepts, must be approached from a multidisciplinary perspective, and must also be problematized in, and determined by, other spheres of the world, especially at the universities at which they are studied. This book, consequently, approaches both mainstream cultural, literary, linguistic and academic achievements and, often by way of comparison, those smaller, more distant, and marginalized fields, traditionally subordinate studies, as well as instances of cultural hybridization. Given its concern with a broad field of culture, literature, linguistics, and methodology of teaching English as a foreign language, this book consists of two main parts comprising the closest research and teaching fields; one attending to culture and literature, and the other approaching linguistics and methodology. |
| toril moi quotes: Knockin' on Heaven's Door Roland Boer, 2012-10-12 Knockin' On Heaven's Door offers a critically sophisticated and truly interdisciplinary analysis of the relationship between biblical studies and contemporary culture. Specific biblical texts are examined in the light of cultural criticism and areas of popular culture including pornography, heavy metal music and McDonald's hamburgers in the light of biblical criticism. |
| toril moi quotes: Respectability and Deviance Ruth-Ellen B. Joeres, 1998 The first major study in English of nineteenth-century German women writers, this book examines their social and cultural milieu along with the layers of interpretation and representation that inform their writing. Studying a period of German literary history that has been largely ignored by modern readers, Ruth-Ellen Boetcher Joeres demonstrates that these writings offer intriguing opportunities to examine such critical topics as canon formation; the relationship between gender, class, and popular culture; and women, professionalism, and technology. The writers she explores range from Annette von Droste-Hülshoff, who managed to work her way into the German canon, to the popular serial novelist E. Marlitt, from liberal writers such as Louise Otto and Fanny Lewald, to the virtually unknown novelist and journalist Claire von Glümer. Through this investigation, Boetcher Joeres finds ambiguities, compromises, and subversions in these texts that offer an extensive and informative look at the exciting and transformative epoch that so much shaped our own. |
| toril moi quotes: Tete-a-Tete Hazel Rowley, 2009-10-13 “Enthralling . . . Here we find an ugly, walleyed existentialist philosopher, the elegantly beautiful author of The Second Sex and the Gallic equivalent of a bevy of young starlets who share the bed of one or the other--or sometimes both. Readers will turn these pages alternately mesmerized and appalled.” — Michael Dirda, Washington Post Book World Passionate, freethinking existentialist philosopher-writers Simone de Beauvoir and Jean-Paul Sartre are one of the world's legendary couples. Their committed but notoriously open union generated no end of controversy in their day. Biographer Hazel Rowley offers the first dual portrait of these two colossal figures and their intense, often embattled relationship. Through original interviews and access to new primary sources, Rowley portrays Sartre and Beauvoir up close. Tête-à-Tête magnificently details the passion, daring, humor, and contradictions of a remarkably unorthodox relationship. |
| toril moi quotes: Le Deuxième Sexe Simone de Beauvoir, 1953 The classic manifesto of the liberated woman, this book explores every facet of a woman's life. |
| toril moi quotes: Black Aliveness, or A Poetics of Being Kevin Quashie, 2021-02-05 In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world. |
| toril moi quotes: Marginal Modernity:The Aesthetics of Dependency from Kierkegaard to Joyce Leonard Lisi, 2013 Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modern experience. Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Kierkegaard and Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced James, Hofmannsthal, Rilke, and Joyce. Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive our relation to the modern world. |
| toril moi quotes: Garner's Modern American Usage Bryan Garner, 2009-08-27 Since first appearing in 1998, Garner's Modern American Usage has established itself as the preeminent guide to the effective use of the English language. Brimming with witty, erudite essays on troublesome words and phrases, this book authoritatively shows how to avoid the countless pitfalls that await unwary writers and speakers whether the issues relate to grammar, punctuation, word choice, or pronunciation. Now in the third edition, readers will find the Garner's Language-Change Index, which registers where each disputed usage in modern English falls on a five-stage continuum from nonacceptability (to the language community as a whole) to acceptability, giving the book a consistent standard throughout. Garner's Modern American Usage, 3e is the first usage guide ever to incorporate such a language-change index, and the judgments are based both on Garner's own original research in linguistic corpora and on his analysis of hundreds of earlier studies. Another first in this edition is the panel of critical readers: 120-plus commentators who have helped Garner reassess and update the text, so that every page has been improved. |
| toril moi quotes: Trick Mirror Jia Tolentino, 2019-08-06 NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY AND HARVARD CRIMSON AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Chicago Tribune • The Washington Post • NPR • Variety • Esquire • Vox • Elle • Glamour • GQ • Good Housekeeping • The Paris Review • Paste • Town & Country • BookPage • Kirkus Reviews • BookRiot • Shelf Awareness Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity. Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY |
| toril moi quotes: A Companion to Celestina , 2017-07-10 In A Companion to Celestina, Enrique Fernandez brings together twenty-three hitherto unpublished contributions on the Tragicomedia de Calisto y Melibea, popularly known as Celestina (c. 1499) written by leading experts who summarize, evaluate and expand on previous studies. The resulting chapters offer the non-specialist an overview of Celestina studies. Those who already know the field will find state of the art studies filled with new insights that elaborate on or depart from the well-established currents of criticism. Celestina's creation and sources, the parody of religious and erudite traditions, the treatment of magic, prostitution, the celestinesca and picaresque genre, the translations into other languages as well as the adaptations into the visual arts (engravings, paintings, films) are some of the topics included in this companion. Contributors are: Beatriz de Alba-Koch, Raúl Álvarez Moreno, Consolación Baranda, Ted L. Bergman, Patrizia Botta, José Luis Canet, Fernando Cantalapiedra, Ricardo Castells, Ivy Corfis, Manuel da Costa Fontes, Enrique Fernandez, José Luis Gastañaga Ponce de León, Ryan D. Giles, Yolanda Iglesias, Gustavo Illades Aguiar, Kathleen V. Kish, Bienvenido Morros Mestres, Devid Paolini, Antonio Pérez Romero, Amaranta Saguar García, Connie Scarborough, Joseph T. Snow, and Enriqueta Zafra. |
| toril moi quotes: Feminist Communication Theory Lana F. Rakow, Laura A. Wackwitz, 2004-09-07 This is a remarkable book that embraces the challenge of rethinking communication theory. Much more inclusive than most communication volumes, this guidebook offers a rich diversity of voices, along with a conceptual framework for remaking communication theory. Illuminating, innovative, eloquent-and transforming. -Cheris Kramarae, University of Oregon This is a book not only of and for feminist communication theory, but of and for feminists. After a preface that marks and remarks in creative ways how the personal is political, Rakow and Wackwitz offer a compelling account of the need and potential of feminist theorizing for social and structural transformation. The collection represents a range of experiences, problems, voices, and thus will be useful to scholars, students, and activists. -Linda Steiner, Rutgers University Feminist Communication Theory is a book of and for feminist communication theorists, providing the potential to help individuals understand the human condition, name personal experiences and engage these experiences through storytelling, and give useful strategies for achieving justice. Lana F. Rakow and Laura A. Wackwitz examine the work of feminist theorists over the past two decades who have challenged traditional communication theory, contributing to the development of feminist communication theory by identifying its important contours, shortcomings, and promise. Arguing that feminist communication theory must address theories of gender, communication, and social change, Rakow and Wackwitz describe feminist communication theory as explanatory, political, polyvocal, and transformative. The book is constructed around the three keyconcepts of difference, voice, and representation to reflect on how feminist theory reshapes our thinking about gender and communication. Feminist Communication Theory represents a variety of voices from different theoretical, cultural, and geographic perspectives to illustrate the complex challenge of constructing new theoretical positions.Key Features Explores key works and issues of feminist theory relevant to gender and communication Examines a broad range, well beyond conventional wisdom, of women 's perspectives and experiences Provides tools to develop the theoretical potential of both feminist and communication theory Feminist Communication Theory is designed for undergraduate and graduate courses on feminist communication, gender and communication, communication theory, speech, rhetoric, and mass communication. The book will also be of interest to feminist scholars in a variety of disciplines, as well as students and scholars in Women 's Studies and Cultural Studies. |
| toril moi quotes: South African Feminisms M.J. Daymond, 2013-05-13 This is the first collection of feminist critical essays by and about women in South Africa to appear outside of that country. Many of the pieces were written after February 1990, when President de Klerk lifted the ban on black political organizations. The recognition that a just society cannot be achieved without freedom from gender oppression as well as racial oppression informs these essays and has a direct bearing on the creation of a new society in South Africa. |
| toril moi quotes: How to Make It as a Woman Alison Booth, 2004-11-25 Publisher Description |
| toril moi quotes: Subalternity and Difference Gyanendra Pandey, 2013-03-01 Focusing on concepts that have been central to investigation of the history and politics of marginalized and disenfranchised populations, this book asks how discourses of ‘subalternity’ and ‘difference’ simultaneously constitute and interrupt each other. The authors explore the historical production of conditions of marginality and minority, and challenge simplistic notions of difference as emanating from culture rather than politics. They return, thereby, to a question that feminist and other oppositional movements have raised, of how modern societies and states take account of, and manage, social, economic and cultural difference. The different contributions investigate this question in a variety of historical and political contexts, from India and Ecuador, to Britain and the USA. The resulting study is of invaluable interest to students and scholars in a wide range of disciplines, including History, Anthropology, Gender and Queer and Colonial and Postcolonial Studies. |
| toril moi quotes: Beauvoir in Time Meryl Altman, 2020 Beauvoir in Time situates Simone de Beauvoir's The Second Sex in the historical context of its writing and in later contexts of its international reception, from then till now. The book takes up three aspects of Beauvoir's work more recent feminists find embarrassing: bad sex, dated views about lesbians, and intersections with race and class. Through close reading of her writing in many genres, alongside contemporaneous discourses (good and bad novels in French and English, outmoded psychoanalytic and sexological authorities, ethnographic surrealism, the writing of Richard Wright and Franz Fanon), and in light of her travels to the U.S. and China, the author uncovers insights more recent feminist methodologies obscure, showing Beauvoir is still good to think with today-- |
| toril moi quotes: Critical Legal Theory and the Challenge of Feminism Matthew H. Kramer, 1995 |
| toril moi quotes: The Life and Social Vision of Oliver Mtukudzi Munyaradzi Mawere, Benjamin Mudzanire, Kizito Muchemwa, 2025-05-27 This compelling book offers a biographical and critical analysis of Oliver “Tuku” Mtukudzi (1953–2019), a towering music icon of Zimbabwe and Africa. Uniquely, Tuku achieved global recognition from his homeland, his music a powerful reflection on both local and universal human issues. Divided into four sections, the book traces the socio-cultural roots of his distinctive sound, exploring the influence of rural Dande and Highfield Township – often overlooked colonial-era spaces – on his artistic vision. It further examines his socio- cultural impact, revealing how his music preserved cultural memory, addressed socio- political injustices, and amplified marginalized voices. Finally, the book delves into Tuku’s artistic virtuosity, demonstrating his fusion of Korekore sounds into a cosmopolitan style that engaged with transnational themes. Drawing on diverse scholarly perspectives, this accessible anthology is ideal for students and scholars across musicology, theatre arts, literature, history, social anthropology, media, cultural studies, and African studies. |
| toril moi quotes: The Order of Forms Anna Kornbluh, 2019-11-20 In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies. |
| toril moi quotes: gender writing/writing gender Nadje Sadig Al-Ali, 1994 In this critical study, Nadje Sadig Al-Ali analyzes the representations of women in the works of six Egyptian writers. |
| toril moi quotes: Race in Psychoanalysis Celia Brickman, 2017-12-06 Race in Psychoanalysis analyzes the often-unrecognized racism in psychoanalysis by examining how the colonialist discourse of late nineteenth-century anthropology made its way into Freud’s foundational texts, where it has remained and continues to exert a hidden influence. Recent racial violence, particularly in the US, has made many realize that academic and professional disciplines, as well as social and political institutions, need to be re-examined for the racial biases they may contain. Psychoanalysis is no exception. When Freud applied his insights to the history of the psyche and of civilization, he made liberal use of the anthropology of his time, which was steeped in colonial, racist thought. Although it has often been assumed that this usage was confined to his non-clinical works, this book argues that through the pivotal concept of primitivity, it fed back into his theories of the psyche and of clinical technique as well. Celia Brickman examines how the discourse concerning the presumed primitivity of colonized and enslaved peoples contributed to psychoanalytic understandings of self and raced other. She shows how psychoanalytic constructions of race and gender are related, and how Freud’s attitudes towards primitivity were related to the anti-Semitism of his time. All of this is demonstrated to be part of the modernist aim of psychoanalysis, which seeks to create a modern subjectivity through a renegotiation of the past. Finally, the book shows how all of this can affect both clinician and patient within the contemporary clinical encounter. Race in Psychoanalysis is a pivotal work of significance for scholars, practitioners and students of psychoanalysis, psychologists, clinical social workers, and other clinicians whose work is informed by psychoanalytic insights, as well as those engaged in critical race and postcolonial studies. |
| toril moi quotes: Emancipatory Thinking Elaine Stavro, 2018-05-11 Most scholars have focused on The Second Sex and Simone de Beauvoir’s fiction, concentrating on gender issues but ignoring her broader emancipatory vision. Though Beauvoir’s political thinking is not as closely studied as her feminist works, it underpinned her activism and helped her navigate the dilemmas raised by revolutionary thought in the postwar period. In Emancipatory Thinking Elaine Stavro brings together Beauvoir’s philosophy and her political interventions to produce complex ideas on emancipation. Drawing from a range of work, including novels, essays, autobiographical writings, and philosophic texts, Stavro explains that for Beauvoir freedom is a movement that requires both personal and collective transformation. Freedom is not guaranteed by world historical systems, material structures, wilful action, or discursive practices, but requires engaged subjects who are able to take creative risks as well as synchronize with existing forces to work towards collective change. Beauvoir, Stavro asserts, resisted the trend of anti-humanism that has dominated French thinking since the 1960s and also managed to avoid the pitfalls of voluntarism and individualism. In fact, Stavro argues, Beauvoir appreciated the impact of material, socio-economic, institutional forces, without forgoing the capacity to initiate. Applying Beauvoir’s existential insights and understanding of embodied and situated subjectivity to recent debates within gender, literary, sociological, cultural, and political studies, Emancipatory Thinking provides a lens to explore the current political and theoretical landscape. |
| toril moi quotes: The Literary Afterlives of Simone Weil Cynthia R. Wallace, 2024-04-23 The French philosopher-mystic-activist Simone Weil (1909–1943) has drawn both passionate admiration and scornful dismissal since her early death and the posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil’s ethic of self-emptying attention, what accounts for her appeal, especially among women writers? This book tells the story of some of Weil’s most dedicated—and at points surprising—literary conversation partners, exploring why writers with varied political and religious commitments have found her thought and life so resonant. Cynthia R. Wallace considers authors who have devoted decades of attention to Weil, such as Adrienne Rich, Annie Dillard, and Mary Gordon, and who have written poetic sequences or book-length verse biographies of Weil, including Maggie Helwig, Stephanie Strickland, Kate Daniels, Sarah Klassen, Anne Carson, and Lorri Neilsen Glenn. She illuminates how writing to, of, and in the tradition of Weil has helped these writers grapple with the linked harms and possibilities of religious belief, self-giving attention, and the kind of moral seriousness required by the ethical and political crises of late modernity. The first book to trace Weil’s influence on Anglophone literature, The Literary Afterlives of Simone Weil provides new ways to understand Weil’s legacy and why her provocative wisdom continues to challenge and inspire writers and readers. |
| toril moi quotes: In Dora's Case Charles Bernheimer, 1990 -- The Women's Review of Books |
| toril moi quotes: Habituation in German Modernism Meindert Peters, 2024 Joins a growing body of scholarship dealing with the productive relationship between literature and cognitive studies while also positing a new theory of modernism. How do we habituate ourselves to environments that are not yet, or no longer, familiar? What is at stake in adapting our behavior to new or changed situations? The present study explores these questions by bringing German literature and thought of the early twentieth century - a time of immense social and material change in Europe - into dialogue with contemporary research in embodied cognition. In six close readings of texts by Vicki Baum, Walter Benjamin, Alfred Dèoblin, Martin Heidegger, Georg Kaiser, and Rainer Maria Rilke, it brings into relief German modernism's concerns over how we adapt our behavior to environments that are new, changed, and/or changing. Rather than emphasizing the alienation and isolation that these texts investigate regarding the modern urban experience, as much of the research on literary modernism has traditionally done, Meindert Peters's book draws out the more dynamic moments of mastery, responsiveness, and cooperation that underpin habituation. Moreover, it extends these questions of habituation to the function of literature itself by showing how modernist forms invite engagement and participation. Habituation in German Modernism not only joins a growing body of scholarship dealing with the productive relationship between literature and cognitive studies but also posits a new theory of modernism-- |
| toril moi quotes: Beauvoir and Sartre Christine Daigle, Jacob Golomb, 2009-01-19 Christine Daigle, Jacob Golomb, and an international group of scholars explore the philosophical and literary relationship between Beauvoir and Sartre in this penetrating volume. |
| toril moi quotes: Attunement Professor of Theology and Affiliated Faculty in Women's and Gender Studies Natalie Carnes, 2024-06-07 What is a feminist theologian to do with Christianity's patriarchal inheritance? She can avoid the most patriarchal aspects of the theological tradition and seek resources for constructive work elsewhere. Or she can critique misogynistic texts and artifacts, exposing their strategies of domination to warn against replicating them. Both approaches have merits and yet, without other interpretive strategies, they reaffirm that the theological tradition does not belong to women and others marginalized by gender. They cannot transform the discourse. But within feminist theology are the seeds of another approach, aimed at just such transformation by reworking the theological landscape to become hospitable to all those marginalized by gender. Attunement: The Art and Politics of Feminist Theology identifies trajectories resonant with this alternative approach and from them, describes and develops attunement as a third, generative path for feminist theologians. Attunement is an aesthetically-invested approach to texts and artifacts that self-consciously co-creates as it interprets. Aware of what the text affords the reader, attunement constellates images, texts, and insights to build or augment positive affordances in the text and diminish negative ones. Natalie Carnes describes why this approach is significant for feminist theology, maps its roots in a long history of gender-marginalized individuals claiming authority, describes how it casts interpretation as both an aesthetic and political event, and notes how it might provide a way forward in vexed topics in feminist theology. |
| toril moi quotes: The Language of Doctor Who Jason Barr, Camille D. G. Mustachio, 2014-05-15 In a richly developed fictional universe, Doctor Who, a wandering survivor of a once-powerful alien civilization, possesses powers beyond human comprehension. He can bend the fabric of time and space with his TARDIS, alter the destiny of worlds, and drive entire species into extinction. The good doctor’s eleven “regenerations” and fifty years’ worth of adventures make him the longest-lived hero in science-fiction television. In The Language of Doctor Who: From Shakespeare to Alien Tongues, Jason Barr and Camille D. G. Mustachio present several essays that use language as an entry point into the character and his universe. Ranging from the original to the rebooted television series—through the adventures of the first eleven Doctors—these essays explore how written and spoken language have been used to define the Doctor’s ever-changing identities, shape his relationships with his many companions, and give him power over his enemies—even the implacable Daleks. Individual essays focus on fairy tales, myths, medical-travel narratives, nursery rhymes, and, of course, Shakespeare. Contributors consider how the Doctor’s companions speak with him through graffiti, how the Doctor himself uses postmodern linguistics to communicate with alien species, and how language both unites and divides fans of classic Who and new Who as they try to converse with each other. Broad in scope, innovative in approach, and informed by a deep affection for the program, TheLanguage of Doctor Who will appeal to scholars of science fiction, television, and language, as well as to fans looking for a new perspective on their favorite Time Lord. |
| toril moi quotes: Critical Theory Today Lois Tyson, 2006 This new edition of the classic guide offers a thorough and accessible introduction to contemporary critical theory. It provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African-American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading. This book can be used as the only text in a course or as a precursor to the study of primary theoretical works. It motivates readers by showing them what critical theory can offer in terms of their practical understanding of literary texts and in terms of their personal understanding of themselves and the world in which they live. Both engaging and rigorous, it is a how-to book for undergraduate and graduate students new to critical theory and for college professors who want to broaden their repertoire of critical approaches to literature. |
| toril moi quotes: After Sappho: A Novel Selby Wynn Schwartz, 2023-01-24 A NEW YORK TIMES NOTABLE BOOK OF THE YEAR LONGLISTED FOR THE BOOKER PRIZE Finalist for the Publishing Triangle's Edmund White Award for Debut Fiction Named one of the Best Books of the Year by the New Yorker, Washington Post, TIME, and The Guardian “A work of stirring genius, a catalogue of intimacies and inventions, desires and dreams. —Jacob Brogan, Washington Post An exhilarating debut from a radiant new voice, After Sappho reimagines the intertwined lives of feminists at the turn of the twentieth century. “The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.” Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. “This book is splendid: Impish, irate, deep, courageous. . . . Brava!”—Lucy Ellmann, author of Ducks, Newburyport |
Toril Interactive Map : r/Forgotten_Realms - Reddit
May 29, 2022 · Otherwise, just use https://forgottenmaps.web.app/map/Toril (or even just https://forgottenmaps.web.app/map) and from the map, there a button as well with the list of …
Official map of Toril : r/Forgotten_Realms - Reddit
Sep 12, 2019 · Official map of Toril Hi all, do any of you know of an official map of Toril, preferably 5e. I've found some community ones, but nothing official, is there no such thing, and if so, are …
Does Toril=Material Plane? : r/Forgotten_Realms - Reddit
Apr 16, 2023 · Toril is a single world in a single star system (Realmspace) within the Prime Material Plane. There are many millions of planets in the Prime Material Plane, including …
Full world map Toril : r/Forgotten_Realms - Reddit
Apr 3, 2021 · It might have originally stood in Toril, but like I said nobody knows. People only speculate as to where it originally stood. All we know is that Barovia used to be located one of …
Where can I find a map of toril? : r/Forgotten_Realms - Reddit
Yes, maps of the entire planet of Toril have existed since The Forgotten Realms Interactive Atlas was published in 1999, and then backed up by the 3rd Edition Forgotten Realms Campaign …
A Fully Navigatable Map of Toril : r/dndnext - Reddit
Oct 29, 2020 · Forgive my comedy, but i am not used at all to Toril and it's kind of amusing noticing these recurrencies. It feels like it has been made by a british ( and if it not, it still does …
A New World Map of Toril : r/Forgotten_Realms - Reddit
Dec 30, 2023 · A new and updated map of Toril, the whole planet. This is an expansion of my prior maps for the setting. I had an original world map in 2019 but after expanding my mapping …
Can someone ELI5 Abeir-Toril, are they separate planets? how
Mar 30, 2023 · Ao was irritated with the gods and primordials constantly rucking, especially when they started lobbing ice moons at the planet, so he hit Ctrl+C on the planet, Ctrl+V in a parallel …
Toril Interactive Map : r/DnD - Reddit
May 29, 2022 · For artists, writers, gamemasters, musicians, programmers, philosophers and scientists alike! The creation of new worlds and new universes has long been a key element of …
A Fully Navigatable Map of Toril : r/Forgotten_Realms - Reddit
Oct 31, 2020 · It's really only for 3E. There was a fairly significant redesign of Faerun (including making the continent inexplicably smaller) between 2E and 3E, and Handsome Rob's …
Toril Interactive Map : r/Forgotten_Realms - Reddit
May 29, 2022 · Otherwise, just use https://forgottenmaps.web.app/map/Toril (or even just https://forgottenmaps.web.app/map) and from the map, there a button as well with the list of …
Official map of Toril : r/Forgotten_Realms - Reddit
Sep 12, 2019 · Official map of Toril Hi all, do any of you know of an official map of Toril, preferably 5e. I've found some community ones, but nothing official, is there no such thing, and if so, are …
Does Toril=Material Plane? : r/Forgotten_Realms - Reddit
Apr 16, 2023 · Toril is a single world in a single star system (Realmspace) within the Prime Material Plane. There are many millions of planets in the Prime Material Plane, including …
Full world map Toril : r/Forgotten_Realms - Reddit
Apr 3, 2021 · It might have originally stood in Toril, but like I said nobody knows. People only speculate as to where it originally stood. All we know is that Barovia used to be located one of …
Where can I find a map of toril? : r/Forgotten_Realms - Reddit
Yes, maps of the entire planet of Toril have existed since The Forgotten Realms Interactive Atlas was published in 1999, and then backed up by the 3rd Edition Forgotten Realms Campaign …
A Fully Navigatable Map of Toril : r/dndnext - Reddit
Oct 29, 2020 · Forgive my comedy, but i am not used at all to Toril and it's kind of amusing noticing these recurrencies. It feels like it has been made by a british ( and if it not, it still does …
A New World Map of Toril : r/Forgotten_Realms - Reddit
Dec 30, 2023 · A new and updated map of Toril, the whole planet. This is an expansion of my prior maps for the setting. I had an original world map in 2019 but after expanding my mapping …
Can someone ELI5 Abeir-Toril, are they separate planets? how
Mar 30, 2023 · Ao was irritated with the gods and primordials constantly rucking, especially when they started lobbing ice moons at the planet, so he hit Ctrl+C on the planet, Ctrl+V in a parallel …
Toril Interactive Map : r/DnD - Reddit
May 29, 2022 · For artists, writers, gamemasters, musicians, programmers, philosophers and scientists alike! The creation of new worlds and new universes has long been a key element of …
A Fully Navigatable Map of Toril : r/Forgotten_Realms - Reddit
Oct 31, 2020 · It's really only for 3E. There was a fairly significant redesign of Faerun (including making the continent inexplicably smaller) between 2E and 3E, and Handsome Rob's …
