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| tintin soviets: Tintin in the Land of the Soviets Hergé, 2012-09 Accompanied by his dog Snowy, Tintin leaves Brussels to go undercover in Soviet Russia. His attempts to research his story are put to the test by the Bolsheviks and Moscow's secret police... |
| tintin soviets: Tintin in the Land of the Soviets Hergé, 2017-01-11 First published in 1929, Tintin in the Land of the Soviets did not again become available to the general public until 1973. This first great Tintin adventure introduced the brave reporter and his dog, and set the stage for the rest of Hergé's career as a master comic strip author. The colour in the new version of the story has the effect of increasing legibility, as it underscores the clarity of the drawings. The new version was created by Moulinsart with great attention to the restored original plates; the result is surprisingly modern, like a new adventure. The official return of Tintin in the Land of the Soviets will happen the day after the reporter's 88th birthday and also during the centenary of the October Revolution. |
| tintin soviets: The Adventures of Tintin Reporter for "Le Petit Vingtieme" in the Land of the Soviets Hergé, 1999 In his debut adventure, Tintin is pursued by Bolshevik agents trying to prevent him from exposing the new Soviet regime. Punctuated by slapstick and political revelations, this story is based on the writings of an anticommunist Belgian ex-consul to the Ukraine. Herge's early style revealed strong graphics, influenced by photo-reporting from the period, marking the historic debut of a major artist. |
| tintin soviets: Tintin in the Land of the Soviets Hergé, 2007-12-01 The classic graphic novel. The first of Tintin's black-and-white adventures. Sent on assignment to the Soviet Union, Tintin boards a train. . . but after an explosion, Tintin is blamed for the bombing, and he must make his way to the Soviet Union by stealth. Once there, he uncovers some shocking Bolshevik secrets. |
| tintin soviets: Tintin Michael Farr, 2001-01-01 Examines the sources of all the Tintin stories. Shows how Herge adapted them to changing times and markets. |
| tintin soviets: A Scale Modeller's Guide to Aircraft from the Adventures of Tintin Richard Humberstone, 2015-05-27 A full color 60 page scale modeller's guide to the aircraft depicted in Herge's Adventures of Tintin. All 118 aircraft that have appeared in the classic comic albums are depicted in 1/72 and 1/144 scale profiles, with detailed color information. Aircraft from Herge's Adventures of Jo, Zette and Jocko are also included. |
| tintin soviets: Horrible Histories: Smashing Saxons (New Edition) Terry Deary, 2016-03-03 Discover all the foul facts about the Smashing Saxons, including who got cow pats as Christmas presents, why wearing a pig on your head is lucky and how to make a dead Saxon happy. With a bold, accessible new look and revised by the author, these bestselling titles are sure to be a huge hit with yet another generation of Terry Deary fans. |
| tintin soviets: The Adventures of Tintin Hergé, 1992 Three classic graphic novels in one deluxe hardcover edition: Land of Black Gold, Destination Moon, and Explorers on the Moon. --Publisher. |
| tintin soviets: The Adventures of Tintin, Reporter for "Le Petit Vingtième," in the Land of the Soviets Hergé, 2003 Tintin is a reporter sent to the Soviet Union to give a weekly report of his adventures. |
| tintin soviets: Masters of the Ninth Art Matthew Screech, 2005-01-01 In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, the ninth art. But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art. |
| tintin soviets: The Postmistress Sarah Blake, 2010-02-09 Experience World War 2 through the eyes of two very different women in this captivating New York Times bestseller by the author of The Guest Book. “A beautifully written, thought-provoking novel.”—Kathryn Stockett, #1 New York Times bestselling author of The Help In 1940, Iris James is the postmistress in coastal Franklin, Massachusetts. Iris knows more about the townspeople than she will ever say, and believes her job is to deliver secrets. Yet one day she does the unthinkable: slips a letter into her pocket, reads it, and doesn't deliver it. Meanwhile, Frankie Bard broadcasts from overseas with Edward R. Murrow. Her dispatches beg listeners to pay heed as the Nazis bomb London nightly. Most of the townspeople of Franklin think the war can't touch them. But both Iris and Frankie know better... The Postmistress is a tale of two worlds-one shattered by violence, the other willfully naïve—and of two women whose job is to deliver the news, yet who find themselves unable to do so. Through their eyes, and the eyes of everyday people caught in history's tide, it examines how stories are told, and how the fact of war is borne even through everyday life. |
| tintin soviets: Tintin Pierre Sterckx, 2015-09-29 The definitive monograph on the art of Tintin. Since he first appeared in Hergé’s weekly cartoon strip in Le Petit Vingtième in Brussels in 1929, Tintin has become one of the most celebrated characters in the comic world. With more than 200 million copies of the famous twenty-four “albums” sold worldwide, Hergé’s iconic hero has exploded genres and expectations, bringing readers of all ages to his stories for their unique mixture of artistry, history, and adventure. Drawing on the archives of the Hergé Museum in Brussels, this book looks at the evolution of Hergé’s artwork, from the simplicity of the early newspaper strips to the sophisticated graphic work of the later books. An avid art collector, Hergé was inspired by Old Masters but infatuated with graphic design and modern art, from the Constructivist work he studied in his youth to the Lichtensteins and Mirós he would travel to see in his maturity. Written by the Belgian art critic Pierre Sterckx—and translated by the British expert on Tintin, Michael Farr—this is the definitive book on the art of Tintin. With rarely seen pencil sketches, character drawings, and watercolors alongside original artwork from the finished stories, the book illuminates Tintin’s progress from whimsical caricature to profound icon and reveals Hergé’s parallel development from cartoonist to artist. |
| tintin soviets: Tintin in the Land of the Soviets Hergé, 1992 |
| tintin soviets: The Tintin Games Book Hergé, 1990 Provides a series of board, matching, chase, identification, and alphabet games involving the famous boy reporter, Tintin |
| tintin soviets: Tintin in America Hergé, 1979-11-30 The classic graphic novel. Tintin comes to the U.S.A. to clean up the mean streets of Chicago but ends up in the wild west! Will Tintin make it back home? |
| tintin soviets: Tintin and Alph-Art Hergé, 2004 A reproduction in facsimile the principal sketches and script from Hergé's final graphic novel which was started in 1978 and remains unfinished. |
| tintin soviets: Tintin on the Moon , 2019-07-09 Celebrate Tintin's 90th anniversary and the 50th anniversary of the moon landing in this stellar volume including Destination Moon and Explorers on the Moon. This is the first time these two stories have been collected together in an oversized, luxe hardcover edition that features a stunning new cover and lavish silver spine. Sixteen years before the first man walked on the moon, Tintin arrived at the satellite's secret space station to do some galactic detective work. Destination Moon:Tintin, the world's most famous traveling reporter discovers that Professor Calculus is building a space rocket. Tintin and Captain Haddock are amazed to find that Professor Calculus is planning a top-secret project from the Sprodj Atomic Research Centre in Syldavia. And before our intrepid hero knows it, the next stop on this adventure is...space. Explorers on the Moon:Following on from the events of Destination Moon, Tintin finds himself in a rocket on a collision course with the moon. And with Snowy the dog, Captain Haddock, Professor Calculus and the Thompson twins aboard, things quickly spiral further and further out of control. Have you collected all of Tintin's adventures?Tintin and Alph-ArtTintin in AmericaTintin in the Land of the SovietsTintin and the PicarosTintin in TibetTintin: The Black IslandTintin: The Blue LotusTintin: The Broken EarTintin: The Calculus AffairTintin: The Castafiore EmeraldTintin: Cigars of the PharaohTintin: The Crab with the Golden ClawsTintin: Destination MoonTintin: Explorers of the MoonTintin: Flight 714 to SydneyTintin: King Ottakar's SceptreTintin: Land of Black GoldTintin: Prisoners of the SunTintin: Red Rackham's TreasureTintin: The Red Sea SharksTintin: The Secret of the UnicornTintin: The Seven Crystal BallsTintin: The Shooting Star |
| tintin soviets: The Comics of Hergé Joe Sutliff Sanders, 2016-07-28 Contributions by Jônathas Miranda de Araújo, Guillaume de Syon, Hugo Frey, Kenan Koçak, Andrei Molotiu, Annick Pellegrin, Benjamin Picado, Vanessa Meikle Schulman, Matthew Screech, and Gwen Athene Tarbox As the creator of Tintin, Hergé (1907–1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the “clear line” in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. The book opens with Hergé’s aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of action. Broad views of his career describe how Hergé navigated changing ideas of air travel, while precise accounts of his life during Nazi occupation explain how the demands of the occupied press transformed his understanding of what a comics page could do. The next section considers a subject with which Hergé was himself consumed: the fraught lines between high and low art. By reading the late masterpieces of the Tintin series, these chapters situate his artistic legacy. A final section considers how the clear line style has been reinterpreted around the world, from contemporary Francophone writers to a Chinese American cartoonist and on to Turkey, where Tintin has been reinvented into something meaningful to an audience Hergé probably never anticipated. Despite the attention already devoted to Hergé, no multi-author critical treatment of his work exists in English, the majority of the scholarship being in French. With contributors from five continents drawing on a variety of critical methods, this volume’s range will shape the study of Hergé for many years to come. |
| tintin soviets: Cigars of the Pharaoh ; The Blue Lotus Hergé, Benoît Peeters, Leslie Lonsdale-Cooper, 1971 Tegneserie. Faraos cigarer: Efter mødet med en ægyptolog, hvirvles Tintin og hans vakse hund Terry ind i nogle utroligt dramatiske begivenheder, der leder Tintin på sporet af en international heroinsmuglerbande. Den blå Lotus: Tintin jager opiumsforbrydere i Shanghai |
| tintin soviets: Soviet and Nazi Posters Kees Boterbloem, Lisa Pine, 2025-01-23 This book examines the key content and propaganda value of posters in the dictatorships of Stalin's USSR (1927-53) and Hitler's Germany (1933-43), using posters as a point of entry for discussing key Soviet and Nazi policies. In so doing, Soviet and Nazi Posters provides a compelling account of the posters utilised by both regimes for the first time. Kees Boterbloem and Lisa Pine employ a comparative approach throughout, analysing commonalities and differences, and inspecting the regimes' use of posters as propaganda. Richly illustrated with 50 images, 25 of which are in colour, Soviet and Nazi Posters encourages the development of vital source skills in the pursuit of understanding the complexities of 20th-century European dictatorships. What do these posters yield to the historian? What do they tell us about the regimes and their intentions? Ultimately they offer a compelling visual point of entry into Nazism and Stalinism here explored in rewarding detail. Boterbloem and Pine convincingly make the case that the use of posters as a medium of propaganda by Stalin and Hitler was advanced at the time and far-reaching. The poster campaigns were very powerful in terms of the impact on their populations and point to how the regimes could influence people outside their homes and in public places to support the regimes and their policies. The book looks at specific posters to discuss key regime policies associated with them and this offers us new insights into the nature of these authoritarian governments and the way in which they addressed their populations. |
| tintin soviets: The Blue Lotus Hergé, 2003 A girl whose fortunes have plummeted from wealthy aristocrat to servant-girl. A magic hazel twig. A prince. A desperate escape from danger. This is not the story of a girl whose fairy godmother arranges her future for her. This is the story of Selena, who will take charge of her own destiny, and learn that her magic is not to be feared but celebrated. |
| tintin soviets: Herge Pierre Assouline, Charles Ruas, 2009-11-12 One of the most beloved characters in all of comics, Tintin won an enormous international following. Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Hergé. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Hergé available for an English-speaking audience. Born in Brussels in 1907, Hergé began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was fully formed, clear-headed, and positive, Assouline notes, his inventor was complex, contradictory, inscrutable. For all his huge success--achieved with almost no formal training--Hergé would say unassumingly of his art, I was just happy drawing little guys, that's all. Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Hergé's life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Hergé's support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Hergé's appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Hergé's own place within the Belgian middle class. A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Hergé comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before. |
| tintin soviets: New Perspectives on Imagology , 2022-11-14 With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national, usually European characters. Consisting of an instructive introduction and 21 articles, the book relates this sub-field of comparative literature to contemporary political developments and enriches it with new interdisciplinary, transnational, intersectional, and intermedial perspectives. The contributions offer [1] a reconsideration and update of the field’s methods, genres, and theoretical frames; [2] trans-/post-national, migratory, and marginalized perspectives beyond the European nation-state; [3] insights into geopolitical dichotomies such as Orient/Occident; [4] intersectional approaches considering the entanglements of national images with notions of age, class, gender, sexuality, and ethnicity/race; [5] investigations of the role of national images in visual narratives and music. |
| tintin soviets: The Black Island Hergé, 1990 Tegneserie om, hvordan Tintin afslører et par internationale falskmøntnere. Kaptajn Haddock optræder ikke i denne bog. |
| tintin soviets: The Clear Line in Comics and Cinema David Pinho Barros, 2022-06-30 Historical and theoretical analysis of the “clear line” style in comics and cinema The “clear line”, a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion’s words, it is a style “made out of light, fluidity and limpid clarity”. By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st centuries, especially focused on the context of the European bande dessinée. In addition, it pioneeringly expands the concept of “clear line” to other artistic domains by introducing and defending its transmedial use, which is particularly relevant for the understanding of the oeuvres of certain filmmakers of the 20th century working in the postwar period, such as Yasujirô Ozu in Japan, Jacques Tati in France and Frank Tashlin in the United States. The Clear Line in Comics and Cinema is therefore a key theoretical work for both bande dessinée enthusiasts and comics scholars, as well as a fundamental contribution to present-day film studies and transmedial narratology. |
| tintin soviets: Tintin in Tibet Hergé, 1990 The classic graphic novel. One day Tintin reads about a plane crash in the Himalayas. When he discovers thathis friend, Chang, was on board, Tintin travels to the crash site in hopes of a rescue. |
| tintin soviets: The Metamorphoses of Tintin Jean-Marie Apostolidès, 2010 The Metamorphoses of Tintin, a pioneering book first published in French in 1984, offers a complete analysis of Hergé's legendary hero. |
| tintin soviets: Captain Haddock Hergé, Michael Farr, 2007 These individual books are dedicated to our favourite characters. Full of fascinating information, these books are a delight to behold. They are an absolute must-have for fans of Tintin - young or old, boy or girl, hopeful reporters or potential professors. |
| tintin soviets: Tintin in the New World Frederic Tuten, 2005 Acclaimed author Frederic Tuten boldly revives the well-loved character Tintin -- the eternally youthful protagonist from Belgian artist Herge's popular comic book series, The Adventures of Tintin -- and leads him into an adventure like none he has experienced before. Once again joined by Captain Haddock and his little dog Snowy, the intrepid world traveler Tintin embarks on a mysterious journey to Machu Picchu in Peru. But where danger and intrigue have met him before, this voyage brings new perils and enchantments. |
| tintin soviets: Polyptych: Adaptation, Television, and Comics Reginald Wiebe, 2021-09-07 Through each of its chapters, 'Polyptych: Adaptation, Television, and Comics' examines the complex dynamics of adapting serialized texts. The transmedial adaptation of collaborative and unstable texts does not lend itself to the same strategies as other, more static adaptations such as novels or plays. Building off the foundational work of Linda Hutcheon and Gérard Genette, Polyptych considers the analogy of adaptation as a palimpsest—a manuscript page that has been reused, leaving traces of the previous work behind—as needing to be reevaluated. A polyptych is a multi-panel artwork and provides a new model for analyzing how adaptation works when translating collaborative and unstable texts. Given that most television and comic books are episodic and serialized, and considering that both media are also the cumulative work of many artists, this book offers a series of distanced readings to reassess how adaptation works in this field. Comic book adaptations on television are plentiful and are nearly completely ignored in critical discussions of adaptation. This collection focuses on texts that fall outside the most common subjects of study among the corpus and contributes to expanding the field of inquiry. The book features texts that are subjects of previous academic interest, as well as studies of texts that have never before been critically considered. It also includes an appendix that provides the first list of comic book adaptations on North American television. 'Polyptych' is a unique and timely contribution to dynamic and growing fields of study. The book will be of interest to scholars and researchers in the fields of Comic Studies, Adaptation Studies, and Critical Media Studies more broadly, as well as to students undertaking courses on these subjects. It will also appeal to comic book and pop culture fans who wish to expand their knowledge on the subject. |
| tintin soviets: Postcolonialism and Migration in French Comics Mark McKinney, 2021-01-14 Profound analysis of French comics through a postcolonial lens Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954–62), antiracist struggle, and mass migration to France. This volume studies comics from the end of the formal dismantling of French colonial empire in 1962 up to the present. French cartoonists of ethnic-minority and immigrant heritage are a major focus, including Zeina Abirached (Lebanon), Yvan Alagbé (Benin), Baru (Italy), Enki Bilal (former Yugoslavia), Farid Boudjellal (Algeria and Armenia), José Jover (Spain), Larbi Mechkour (Algeria), and Roland Monpierre (Guadeloupe). The author analyzes comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics. |
| tintin soviets: The Routledge Companion to Literature and Food Lorna Piatti-Farnell, Donna Lee Brien, 2018-04-19 The Routledge Companion to Literature and Food explores the relationship between food and literature in transnational contexts, serving as both an introduction and a guide to the field in terms of defining characteristics and development. Balancing a wide-reaching view of the long histories and preoccupations of literary food studies, with attentiveness to recent developments and shifts, the volume illuminates the aesthetic, cultural, political, and intellectual diversity of the representation of food and eating in literature. |
| tintin soviets: Handbook of Comics and Graphic Narratives Sebastian Domsch, Dan Hassler-Forest, Dirk Vanderbeke, 2021-07-05 Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium. |
| tintin soviets: Representing Multiculturalism in Comics and Graphic Novels Carolene Ayaka, Ian Hague, 2014-11-20 Multiculturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the ‘other, anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions. |
| tintin soviets: Literary Afterlife Bernard A. Drew, 2010-03-08 This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and biographies of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters. |
| tintin soviets: Ilan Manouach in Review Pedro Moura, 2023-09-08 This book takes an interdisciplinary and diverse critical look at the work of comic artist Ilan Manouach, situating it within the avant-garde movement more broadly. An international team of authors engages with the topic from diverse theoretical approaches, from traditional narratology and aesthetic close readings of some of Manouach's books, engaging with comics' own distinctive history, modes of production, circulation and reception, to perspectives from disability studies, post-colonial studies, technological criticism, media ecology, ontography, posthumanist philosophy, and issues of materiality and media specificity. This innovative and timely volume will interest students and scholars of comic studies, media studies, media ecology, literature, cultural studies, and visual studies. |
| tintin soviets: Comics in French Laurence Grove, 2013-01-01 Whereas in English-speaking countries comics are for children or adults ‘who should know better’, in France and Belgium the form is recognized as the ‘Ninth Art’ and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane. |
| tintin soviets: Brussels André De Vries, 2003 Popularly evoking images of European power politics and miniature cabbages, beer-drinking, chocolates and French fries. Yet Brussels, for all its reputation for bureaucracy and extravagance, is a city that has always been open to outsiders, to invaders and immigrants, always preserving its humanity. Architecturally rich and culturally sophisticated, this European capital defies its stereotypes. |
Tintin.com - Official website
Official website: Discover the whole universe of the Adventures of Tintin, the world-famous comic book series created by Hergé.
Essentials about Tintin and Hergé - Tintin - Site Officiel
Neverthel-ess, when reading the Adventures of Tintin, one can get a taste of Hergé's aversion (The Blue Lotus), or of his skepticism (Tintin and the Picaros), to and with the notion of totalitarian …
Tintin — Tintin.com - Tintin - Site Officiel
Tintin is neither a surname nor a first name, it is much more than that Tintin is a totally unique world, a myth or a saga. Tintin is created from Hergé's subconscious desire to be perfect, to be a hero. …
The characters of the Adventures of Tintin - Tintin - Site Officiel
He discreetly drew himself into the scenery, appearing as a reporter dutifully taking notes when Tintin embarks for the Congo, or interviewing a local in front of the gates to Marlinspike Hall, in …
The albums of the Adventures of Tintin - Tintin - Site Officiel
Discover the 24 albums of the Adventures of Tintin, a world-famous series of comic strips created by Hergé from 1929 onwards.
Hergé creator of the adventures of Tintin - Tintin - Site Officiel
The full-length documentary film I, Tintin,appears on screens. It is dedicated to the hero and his creator. On September 29, a bronze statue of Tintin and Snowy is inaugurated in Brussels.
Les albums des Aventures de Tintin — Tintin.com - Tintin - Site …
Découvrez les 24 albums des Aventures de Tintin, série de bandes dessinées mondialement connue créée par Hergé à partir de 1929.
La Boutique Tintin
To the above delivery times add between 1 to 2 days for the preparation of your order. Delivery and preparation times are counted during working days.
Tintin - Site Officiel
Site officiel : Retrouvez tout l'univers des Aventures de Tintin, la série de bandes dessinées mondialement connue créée par Hergé.
The Blue Lotus — Tintin.com - Tintin - Site Officiel
From page 19 until the end of The Blue Lotus, Tintin dresses in Chinese style, not as a facile gesture of solidarity, but rather to blend in with the crowd! The historic meeting Tintin heroically rescues …
Tintin.com - Official website
Official website: Discover the whole universe of the Adventures of Tintin, the world-famous comic book series created by Hergé.
Essentials about Tintin and Hergé - Tintin - Site Officiel
Neverthel-ess, when reading the Adventures of Tintin, one can get a taste of Hergé's aversion (The Blue Lotus), or of his skepticism (Tintin and the Picaros), to and with the notion of …
Tintin — Tintin.com - Tintin - Site Officiel
Tintin is neither a surname nor a first name, it is much more than that Tintin is a totally unique world, a myth or a saga. Tintin is created from Hergé's subconscious desire to be perfect, to …
The characters of the Adventures of Tintin - Tintin - Site Officiel
He discreetly drew himself into the scenery, appearing as a reporter dutifully taking notes when Tintin embarks for the Congo, or interviewing a local in front of the gates to Marlinspike Hall, in …
The albums of the Adventures of Tintin - Tintin - Site Officiel
Discover the 24 albums of the Adventures of Tintin, a world-famous series of comic strips created by Hergé from 1929 onwards.
Hergé creator of the adventures of Tintin - Tintin - Site Officiel
The full-length documentary film I, Tintin,appears on screens. It is dedicated to the hero and his creator. On September 29, a bronze statue of Tintin and Snowy is inaugurated in Brussels.
Les albums des Aventures de Tintin — Tintin.com - Tintin - Site …
Découvrez les 24 albums des Aventures de Tintin, série de bandes dessinées mondialement connue créée par Hergé à partir de 1929.
La Boutique Tintin
To the above delivery times add between 1 to 2 days for the preparation of your order. Delivery and preparation times are counted during working days.
Tintin - Site Officiel
Site officiel : Retrouvez tout l'univers des Aventures de Tintin, la série de bandes dessinées mondialement connue créée par Hergé.
The Blue Lotus — Tintin.com - Tintin - Site Officiel
From page 19 until the end of The Blue Lotus, Tintin dresses in Chinese style, not as a facile gesture of solidarity, but rather to blend in with the crowd! The historic meeting Tintin heroically …
