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the well tempered clavier date: The Well-Tempered Clavier Johann Sebastian Bach, 2012-11-13 All 48 preludes and fugues in all major and minor keys. Authoritative Bach-Gesellschaft edition. Explanation of ornaments in English, tempo indications, music corrections. |
the well tempered clavier date: Bach's Well-tempered Clavier David Ledbetter, 2002-01-01 Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance. |
the well tempered clavier date: Das Wohltemperierte Klavier II Johann Sebastian Bach, 2020-03 Soft bound music score for piano. |
the well tempered clavier date: The Well-Tempered City Jonathan F. P. Rose, 2016-09-13 “A thorough education in how to move from simply maximizing the economic output of cities to improving the well-being of all urban residents.” —Daniel L. Doctoroff, CEO, Sidewalk Labs 2017 PROSE Award Winner: Outstanding Scholarly Work by a Trade Publisher Cities are birthplaces of civilization; centers of culture, trade, and progress; cauldrons of opportunity—and the home of eighty percent of the world’s population by 2050. As the twenty-first century progresses, metropolitan areas will bear the brunt of global megatrends such as climate change, natural resource depletion, population growth, income inequality, mass migrations, education and health disparities, among many others. In The Well-Tempered City, Jonathan F. P. Rose—the man who “repairs the fabric of cities”—distills a lifetime of interdisciplinary research and firsthand experience into a five-pronged model for how to design and reshape our cities with the goal of equalizing their landscape of opportunity. Drawing from the musical concept of “temperament” as a way to achieve harmony, Rose argues that well-tempered cities can be infused with systems that bend the arc of their development toward equality, resilience, adaptability, well-being, and the ever-unfolding harmony between civilization and nature. These goals may never be fully achieved, but our cities will be richer and happier if we aspire to them, and if we infuse our every plan and constructive step with this intention. A celebration of the city and an impassioned argument for its role in addressing the important issues in these volatile times, The Well-Tempered City is a reasoned, hopeful blueprint for a thriving metropolis—and the future. “A thought-provoking introduction to the future of cities.” —Publishers Weekly |
the well tempered clavier date: The Art of Fugue Joseph Kerman, 2015-06-23 A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on Jesus Christus unser Heiland, BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord. |
the well tempered clavier date: J.S. Bach's Well-tempered Clavier Siglind Bruhn, 1993 |
the well tempered clavier date: Well-Tempered Clavicle Piers Anthony, 2012-08-28 Picka Bones and his sister Joy'nt are off in search of adventure with three creatures newly arrived from Mundania--and not the sort of creatures you might expect! Join them in a madcap quest, in this 35th tale of the land of Xanth. For nearly three decades, Piers Anthony's bestselling Xanth series has been delighting tens of thousands of fantasy fans around the world. The saga continues with the Well-Tempered Clavicle. |
the well tempered clavier date: Das Wohltemperierte Klavier Johann Sebastian Bach, 1993 |
the well tempered clavier date: Music Comes Out of Silence Andras Schiff, 2020-04-02 Andras Schiff is one of the most important pianists of our time. This stimulating account of his life and work, told in two parts, takes readers on an intimate journey from Schiff's childhood in Hungary through to the present day. In conversationw with Martin Meyer, Schiff discusses a diverse range of topics from his experiences with anti-Semitism and communist rule to his musical training with maestros such as Pál Kadosa and Ferenc Rados, as well as his thoughts on playing techniques and musical interpretation. In a collection of Schiff's writings we are enthralled by a guided tour of Bach's 'Goldberg' Variations, sobered by Schiff's public defiance against nationalistic and racist attitudes - to the extent that he refused to perform in Haider's Austria or Orban's Hungary - and delighted by the playful 'Ten Commandments' for concertgoers. More than a memoir, this is a seminal compilation of the thoughts and experiences of one of the greatest musicians of our time, of his inimitable art of making music out of silence. |
the well tempered clavier date: The Well-Tempered Clavier, Volume I Johann Sebastian Bach, Willard A. Palmer, 2005-05-03 A most impressive 220-page edition of the first volume of The Well-Tempered Clavier, these 24 preludes and 24 fugues were painstakingly researched over a period of 10 years, using the most important original manuscript sources. Baroque scholar Willard A. Palmer's thorough introduction discusses fugal construction, articulation and other aspects of performance interpretation. Volume I of The Well-Tempered Clavier has been updated with a new look to match Volume II. This essential masterpiece is a must-have for all pianists. |
the well tempered clavier date: The Well-Tempered Clavier, Vol 1 Carl Czerny, 1985-03 Edited by Carl Czerny, this collection of the 24 Preludes and Fugues of Johann Sebastian Bach's 1st Volume of the Well-Tempered Clavier features editorial dynamics, tempo indications, fingering and performance notes. 119 pages. |
the well tempered clavier date: The Well-Tempered Clavier Johann Sebastian Bach, Donald Francis Tovey, 2014-01-15 A monument in the history of Western music, The Well-Tempered Clavier represents not only the culmination of J. S. Bach's own maturation process but also the impetus for the emerging style and structure of modern keyboard music. Mozart, Beethoven, and Chopin were influenced by its polyphonic richness and depth of harmony, and Schumann counseled young musicians to make The Well-Tempered Clavier your daily bread. Modern pianists can follow Schumann's advice with this new edition of an authoritative and long-out-of-print score that offers illuminating perspectives from a pair of eminent musical interpreters. Book II of this two-volume set features Sir Donald Francis Tovey's analyses of 24 preludes and fugues, including suggestions for performance. In addition to commentaries by Tovey, a lauded Bach scholar and world-famous musicologist, the pieces are complemented by fingerings devised by Harold Samuel, a major Bach interpreter. Students, teachers, and professionals will appreciate this finely engraved and modestly priced version of Bach's enduring works. |
the well tempered clavier date: Johann Sebastian Bach Christoph Wolff, 2002 Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher. |
the well tempered clavier date: The Keyboard Music of J.S. Bach David Schulenberg, 2006 Publisher description |
the well tempered clavier date: J. S. Bach - Cello Suite 1 (Lorimer) J.S. Bach, 2010-10-07 Bach's masterpieces transcribed for classical guitar. |
the well tempered clavier date: Bach's Musical Universe: The Composer and His Work Christoph Wolff, 2020-03-24 A concentrated study of Johann Sebastian Bach’s creative output and greatest pieces, capturing the essence of his art. Throughout his life, renowned and prolific composer Johann Sebastian Bach articulated his views as a composer in purely musical terms; he was notoriously reluctant to write about his life and work. Instead, he methodically organized certain pieces into carefully designed collections. These benchmark works, all of them without parallel or equivalent, produced a steady stream of transformative ideas that stand as paradigms of Bach’s musical art. In this companion volume to his Pulitzer Prize–finalist biography, Johann Sebastian Bach: The Learned Musician, leading Bach scholar Christoph Wolff takes his cue from his famous subject. Wolff delves deeply into the composer’s own rich selection of collected music, cutting across conventional boundaries of era, genre, and instrument. Emerging from a complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions—from the famous Well-Tempered Clavier, violin and cello solos, and Brandenburg Concertos to the St. Matthew Passion, Art of Fugue, and B-minor Mass. Unlike any study undertaken before, this book details Bach’s creative process across the various instrumental and vocal genres. This array of compositions illustrates the depth and variety at the essence of the composer’s musical art, as well as his unique approach to composition as a process of imaginative research into the innate potential of his chosen material. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso. |
the well tempered clavier date: Etudes for the piano Frédéric Chopin, 1916 |
the well tempered clavier date: Keith Jarrett Wolfgang Sandner, 2020 Keith Jarrett is one of the great pianists of our times. Before achieving worldwide fame for his solo improvisations, he had already collaborated with Art Blakey, Charles Lloyd and Miles Davis. His 'Köln Concert' album (1975) has now sold around four million copies and become the most successful solo recording in jazz history. His interpretations of the music of Bach, Händel, Bartók or Shostakovich, have also received much attention in later years. Jarrett is considered difficult and inaccessible, and has often abandoned the stage during his concerts due to restless audiences or disturbing photographers.Few writers have come as close to Keith Jarrett as Wolfgang Sandner, who has not only closely followed Jarrett's remarkable career from the 1960s, but has also had the opportunity to visit him in his home in the United States. For this biography, which is full of detailed musical analysis and cross-references to other artistic genres, Sandner has collected new information about Jarrett's family background, much of which is thanks to the translator, Keith Jarrett's youngest brother Chris. The book explores Jarrett's work with other musicians, in particular the members of his American and European Quartets and his Standards Trio, it charts the development of his solo concerts, and it also investigates his work in the classical sphere, as well as the highly original music he has created in his own home studio. It also covers his associations with his various record labels and producers, notably his unparalleled relationship with ECM and its founder Manfred Eicher. This English edition is a significantly extended and updated version of the German original. |
the well tempered clavier date: The Study of Fugue Alfred Mann, 1987-01-01 Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples. |
the well tempered clavier date: Twelve Little Preludes Johann Sebastian Bach, 1996-02-01 A collection of piano solos composed by Johann Sebastian Bach. |
the well tempered clavier date: Great Pianists Harold C. Schonberg, 1987 Surveys the careers and personalities of the great pianists from Clementi and Mozart to the present day. |
the well tempered clavier date: Notebook for Wilhelm Friedemann Bach , 1985-03 Johann Sebastian Bach's Notebook for Wilhelm Friedemann Bach is a collection of keyboard music Bach began compiling in around 1720. Most of the pieces included are better known as parts of the Well-Tempered Clavier and the Inventions and Sinfonias. The authorship of some of the other works in the collection is debated. The comb binding creates a lay-flat book that is perfect for study and performance. 62 Selections, 123 pages. |
the well tempered clavier date: How Equal Temperament Ruined Harmony (and why You Should Care) Ross W. Duffin, 2007 A captivating look at how musical temperament evolved, and how we could (and perhaps should) be tuning differently today. |
the well tempered clavier date: The well-tempered clavier Johann Sebastian Bach, 1981 |
the well tempered clavier date: Goldberg variations, BWV988 [registro sonoro] Johann Sebastian Bach, 1982 |
the well tempered clavier date: Interpreting Bach's Well-tempered Clavier Ralph Kirkpatrick, 1984-01-01 This book sets forth the provocative theories of a musician who has been called the outstanding harpsichordist of this century. The late Ralph Kirkpatrick reveals here his approach to a deeper comprehension of music, showing how his methods are applied to the preludes and fugues of the Well-Tempered Clavier of J.S. Bach. This book is brilliant and important.--Clavier All keyboardists performing classical repertoire can greatly benefit from Kirkpatrick's scholarship, dry wit, and stubborn dedication.--Keyboard That Mr. Kirkpatrick's extraordinarily perceptive mind knew the subject matter thoroughly is beyond dispute. . . Valuable insights into the analysis, teaching and performance of all Western music, especially Bach's monumental Well-Tempered Clavier.--Arthur Lawrence, The American Organist We are fortunate to have this book by Ralph Kirkpatrick. . . From it we gain insight into the musical mind of one of the outstanding performers of our century.--The Music Review The real matter of the book is good old-fashioned musicianship.--Denis Arnold, London Review of Books |
the well tempered clavier date: The Music of Carl Philipp Emanuel Bach David Schulenberg, 2014 Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick the Great and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010). |
the well tempered clavier date: Linear Aspects of the Fugues of J.S. Bach's "The Well-tempered Clavier" Mark Ellis, 1996 |
the well tempered clavier date: The Facts on File Dictionary of Music Christine Ammer, 2004 The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3 |
the well tempered clavier date: Bach's Numbers Ruth Tatlow, 2015-08-06 In the eighteenth century the universal harmony of God's creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions. |
the well tempered clavier date: The Composer-pianists Robert Rimm, 2002 The recordings made by Marc-Andre Hamelin in recent years have cast new light on an extraordinary group of composers - Alkan, Busoni, Feinberg, Godowsky, Medtner, Rachmaninov, Scriabin, and Sorabji - whose works heralded a Golden Age of virtuosic writing for the piano. The Eight, as author Robert Rimm has termed these composer-pianists, have much in common, traits shared in our own age with Marc-Andre Hamelin, their foremost interpreter. For all their evident differences of age, nationality, and philosophy, they each created music of unprecedented ingenuity - often complex and of immense scale - that stretched the limits of the piano's capabilities. And all were genuine virtuosos with the technical resources to play these demanding works in public. The volume includes rare photographs and concludes with an extensive bibliography, listings of the complete solo piano works of The Eight, and discographies of their solo piano recordings. In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, both as a fascinating, exhaustive study of the riches of the past and as a stimulating inspiration for the future.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
the well tempered clavier date: Bach Malcolm Boyd, 2001-01-18 Published in its first edition in 1983, Boyds treatment of this canonical composer is essential reading for students, scholars, and everyone interested in Baroque music. In this third edition, biographical chapters alternate with commentary on the works, to demonstrate how the circumstances of Bachs life helped to shape the music he wrote at various periods. We follow Bach as he travels from Arnstadt and Muhlhausen to Weimar, Cothen, and finally Leipzig, these journeys alternating with insightful discussions of the great composers organ and orchestral compositions. As well as presenting a rounded picture of Bach, his music, and his posthumous reputation and influence, Malcolm Boyd considers the sometimes controversial topics of parody and arrangement, number symbolism, and the style and meaning of Bachs late works. Recent theories on the constitution of Bachs performing forces at Leipzig are also present. The text and the appendixes (which include a chronology, personalia, bibliography, and a complete catalogue of Bachs works) were thoroughly revised in this edition to take account of more recent research undertaken by Bach scholars, including the gold mine of new information uncovered in the former USSR. |
the well tempered clavier date: Zoltan Kodaly Michael Houlahan, Philip Tacka, 2019-06-11 First Published in 1998. This book serves as the key to study of Kodaly for an English-speaking audience. The volume presents a biographical outline, a catalog of his compositions according to genre, and over 1,400 annotated primary and secondary sources. Three indexes cover listings by author and title, Kodaly's compositions, and proper names. Primary sources include Kodaly's own essays, articles, lectures on folk music and art music, letters and other documents, and his folk music collections and facsimiles. Secondary sources include: biographical and historical studies; theoretic, analytic, stylistic, and aesthetic studies of his music; discussions of folk music influences and art music influences; studies of his compositional process; and discussions of the Kodaly concept. Doctoral dissertations and Masters theses pertaining to Kodaly are included in this guide. This annotated, topically organized book is the first to draw together the most important primary and secondary bibliographic sources that cover his varied activities as composer, ethnomusicologist, linguist, and educator. |
the well tempered clavier date: Johann Sebastian Bach Karl Geiringer, Irene Geiringer, 2024-11-01 When it was originally published in 1967, this study of J.S. Bach was the first important work on the composer in nearly a generation. The many discoveries about Bach’s life and music that occurred in the postwar years created the need for a new interpretative study incorporating this research and this was the only book which incorporated the vast amount of material uncovered since 1950, the bicentennial of Bach’s death. The volume begins with a brief biography and is followed by an analysis of each major type of composition: vocal, organ, keyboard and instrumental music. In each section the author examines thoroughly many Bach compositions and evaluates them in relation to the rest of the composer’s work, as well as in relation to the music of his contemporaries. More than 70 music examples enable the reader to understand how Bach worked, the manner in which his genius developed and grew, and to see outstanding excerpts from his music in various stages of completion. An interesting aspect of research methods is revealed through an explanation of the detective work which has been done regarding handwriting, paper and watermarks in the original sources. |
the well tempered clavier date: The Keyboard Music of J.S. Bach David Schulenberg, 2013-05-13 The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue. |
the well tempered clavier date: Bach's Legacy Russell Stinson, 2020-04-27 Johann Sebastian Bach's legacy is undeniably one of the richest in the history of music, with a vast influence on posterity that has only grown since his rediscovery in the early nineteenth century. In this latest addition to his long list of Bach studies, renowned Bach scholar Russell Stinson examines how four of the greatest composers of the nineteenth and twentieth centuries - Felix Mendelssohn, Robert Schumann, Richard Wagner, and Edward Elgar - engaged with Bach's legacy, not only as composers per se, but also as performers, conductors, scholars, critics, and all-around musical ambassadors. Detailed analyses of both musical and epistolary sources shed light on how these later masters heard and received Bach's music within their musical circles, while colorful anecdotes about their Bach reception help humanize them, reconstructing the intimate social circumstances in which they performed and discussed Bach's music. Stinson focuses on Mendelssohn's and Schumann's reception of Bach's organ works, Schumann's encounter with the St. Matthew and St. John Passions, Wagner's musings on the Well-Tempered Clavier, and Elgar's (resoundingly negative) thoughts on Bach as a vocal composer. Engagingly written, copiously annotated, and thoroughly up to date, Bach's Legacy traces the historical afterlife of Bach's music and offers fascinating insights into how these later masters defined it for their audiences and beyond. |
the well tempered clavier date: The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750 Richard D. P. Jones, 2007 This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig. |
the well tempered clavier date: Bach, Handel, Scarlatti 1685-1985 Peter Williams, 1985-04-18 1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'. |
the well tempered clavier date: The Piano in Nineteenth-Century British Culture Susan Wollenberg, 2017-09-29 Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century. |
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Wells Fargo Bank | Financial Services & Online Banking
Committed to the financial health of our customers and communities. Explore bank accounts, loans, mortgages, investing, …
WELL Definition & Meaning - Merriam-Webster
The meaning of WELL is an issue of water from the earth : a pool fed by a spring. How to use well in a sentence. Good vs. Well: …
WELL Definition & Meaning | Dictionary.com
Well definition: in a good or satisfactory manner.. See examples of WELL used in a sentence.
WELL | English meaning - Cambridge Dictionary
WELL definition: 1. in a good way, to a high or satisfactory standard: 2. very much, to a great degree, or…. Learn more.
WELL definition and meaning | Collins English Dictionary
A well is a hole that is dug, drilled, or cut into the earth in order to reach a supply of water, oil, or gas. After or during drilling, the well …